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Vous avez sélectionné:
Sketch 2
BASSON
Partitions à imprimer
6 partitions trouvées
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Characteristic Sketches Op. 35 #2 Contentment
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Mason, William
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Nick M Lacanski
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Characteristic Sketches Op. 35
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theupperstaff
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1163124 Composed by Mason, William. Arranged by Nick M Lacanski. Roma...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1163124 Composed by Mason, William. Arranged by Nick M Lacanski. Romantic Period. 16 pages. Theupperstaff #763478. Published by theupperstaff (A0.1163124). Contentment is the second composition in a set of three titled Characteristic Sketches for piano. It was published in 1876 in New York. It is dedicated to Henry Mason, who is the composer’s brother. Thank you for looking.
$8.99
Evening-2 Sketches for Bassoon Trio
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3 Bassons
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FACILE
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Phil Beaman
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Evening-2 Sketches for Bassoon
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.844863 Composed by Phil Beaman. Instructional,New Age,Romantic Period. 9 pages. Phil Beaman ...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.844863 Composed by Phil Beaman. Instructional,New Age,Romantic Period. 9 pages. Phil Beaman #5754535. Published by Phil Beaman (A0.844863).
$6.99
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concer...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
To a Wild Rose - Wind Quintet - Flute, Oboe, 2 Clarinets, Bassoon
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Edward MacDowell
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To a Wild Rose - Wind Quintet
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Music-Scores.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.721283 Composed by Edward MacDowell. Arranged by Anne L Christopherso...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.721283 Composed by Edward MacDowell. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. 9 pages. Music-Scores.com #4286893. Published by Music-Scores.com (A0.721283). To a Wild Rose, from Woodland Sketches, conjures up the image of a calm, summer day in the countryside where you find delicate wild roses growing in the hedgerows.This is for a Wind Quintet (Flute, Oboe, 2 Clarinets and Bassoon).Duration 1 minute, 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$8.95
To A Wild Rose - Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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Classique
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Edward MacDowell
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Andrew Middleton
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To A Wild Rose - Bassoon and P
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Andrew Middleton
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.736208 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Mi...
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Bassoon,Piano - Level 2 - SKU: A0.736208 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 5 pages. Andrew Middleton #6666849. Published by Andrew Middleton (A0.736208). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for bassoon and piano is ideal for the intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99
To a Wild Rose - Wind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Edward MacDowell
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To a Wild Rose - Wind Quartet
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Music-Scores.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.721281 Composed by Edward MacDowell. Arranged by Anne L Christopherso...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.721281 Composed by Edward MacDowell. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. 6 pages. Music-Scores.com #4286887. Published by Music-Scores.com (A0.721281). To a Wild Rose, from Woodland Sketches, conjures up the image of a calm, summer day in the countryside where you find delicate wild roses growing in the hedgerows.This is for a Wind Quartet.1 minute, 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$8.95
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