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Vous avez sélectionné:
Charles E.
BASSON
Partitions à imprimer
8 partitions trouvées
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Tribute to Charles Strouse - Bassoon
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Basson (partie séparée)
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INTERMÉDIAIRE
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Film/TV
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Comédie Musicale
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Charles Strouse
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Ted Ricketts
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Tribute to Charles Strouse - B
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Hal Leonard - Digital
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SheetMusicPlus
Full orchestra Bassoon - Level 3-4 - SKU: HX.116939 Composed by Charles Strouse. Arranged by Ted Ricketts. Film/TV,Musical/Show. 2 pages. Duration 300. ...
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Full orchestra Bassoon - Level 3-4 - SKU: HX.116939 Composed by Charles Strouse. Arranged by Ted Ricketts. Film/TV,Musical/Show. 2 pages. Duration 300. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.116939).
$6.00
Tempered Steel - Bassoon 2
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Basson (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Charles Young
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Tempered Steel - Bassoon 2
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 4 - SKU: HX.1469916 Composed by Charles Young. This edition: scorch. Concert. 6 pages. Hal Leonard - Digital #3778230_14_BASSOON_2....
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Concert Band - Level 4 - SKU: HX.1469916 Composed by Charles Young. This edition: scorch. Concert. 6 pages. Hal Leonard - Digital #3778230_14_BASSOON_2. Published by Hal Leonard - Digital (HX.1469916).
$5.00
Tempered Steel - Bassoon 1
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Basson (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Charles Young
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Tempered Steel - Bassoon 1
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 4 - SKU: HX.1469915 Composed by Charles Young. This edition: scorch. Concert. 6 pages. Hal Leonard - Digital #3778230_13_BASSOON_1....
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Concert Band - Level 4 - SKU: HX.1469915 Composed by Charles Young. This edition: scorch. Concert. 6 pages. Hal Leonard - Digital #3778230_13_BASSOON_1. Published by Hal Leonard - Digital (HX.1469915).
$5.00
Let It Go
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Basson
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FACILE
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Idina Menzel
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Kristen Anderson-Lopez and Rob
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Charles Augusto
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Let It Go
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Charles Augusto
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1454218 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Charles Augusto. Chamber,Children,Fil...
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Bassoon,Piano - Level 2 - SKU: A0.1454218 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Charles Augusto. Chamber,Children,Film/TV,Pop,Wedding. Score and part. 17 pages. Charles Augusto #1033345. Published by Charles Augusto (A0.1454218). Composed by Kristen Anderson-Lopez and Robert Lopez , featuring Charles Augusto, a piece for Bassoon and Piano, and based on the Let It Go (version in E Minor) a theme from Frozen (by Disney).Exposes a high-level edition!Contains the Full Score; Bassoon part (total: 17 pages).Additionally, you can learn a little more about this arrangement through this link on YouTube:.
$4.99
Eagles' Victory Song
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Basson, Piano (duo)
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DÉBUTANT
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Bassoon,Piano - Level 1 - SKU: A0.1182609 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,...
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Bassoon,Piano - Level 1 - SKU: A0.1182609 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782354. Published by Zedas Couve (A0.1182609). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Beach Boys Medley
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Ensemble de Bassons
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Contemporain
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Brian Douglas Wilson, Charles
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Adrian Wagner
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Beach Boys Medley
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Bassoon - SKU: A0.596079 Composed by Brian Douglas Wilson, Charles Edward Berry, Fred Fassert, Mike E Love, Mike E. Love, and Roger Ch...
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Woodwind Ensemble Bassoon - SKU: A0.596079 Composed by Brian Douglas Wilson, Charles Edward Berry, Fred Fassert, Mike E Love, Mike E. Love, and Roger Christian. Arranged by Adrian Wagner. Contemporary. 19 pages. Adrian Wagner #4614031. Published by Adrian Wagner (A0.596079). Complete List Of Sheet Music arr. Adrian Wagner
$22.95
Bach-Gounod: Ave Maria for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bas
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Co...
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Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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