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Vous avez sélectionné:
Symphonic Dances
BASSON
Partitions à imprimer
2 partitions trouvées
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DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic c control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Gavotte-Noskowski-woodwind quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Z Noskowski
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Phil Beaman
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Gavotte-Noskowski-woodwind qua
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Clas...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Classical,Romantic Period. 14 pages. Phil Beaman #6505871. Published by Phil Beaman (A0.845260). Zygmunt Noskowski was the great Polish composition professor. He is best known for his symphonic works, but also wrote many piano pieces based on dances. I have taken his piano Gavotte and freely arranged it for Instrumental Quartet. Â This brisk piece is lively with a busy texture. I have crafted 4 independent lines that are each of equal importance and the focus quickly shifts from one part to the other. The lines rhythmically weave together, answering each other. The real interest in the piece is the constantly changing and contrasting dynamics and articulation. Often every beat of the bar has a different articulation, and the individual parts rarely have the same articulation at the same time. (i.e., One part might be slurred while another part is playing staccato and yet another is accented.) This complexity of texture creates energy and excitement. A great piece to spice up any concert with a fun smile. Â This composition is a fusion of multiple eras; originally written during the Romantic period, but with many Classical elements and a Baroque form and style, to which I add some Contemporary touches. Â Notes and rhythms are Intermediate, but adding all of the markings at this pace makes it Advanced Intermediate.6 page score, 2 page parts2:10 minutes
$9.75
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Symphonic Dances
