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Vous avez sélectionné:
Who Are You
GUITARE
Guitare
Partitions à imprimer
110 partitions trouvées
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101
You've Got A Friend In Me
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Guitare
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DÉBUTANT
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Randy Newman And Lyle Lovett
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Toni Lindgren
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You've Got A Friend In Me
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Toni Lindgren
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,Musical/Show. Score. 5 pages. Toni Lindgren #648968. Published by Toni Lindgren (A0.1044225). This is a simplified arrangement of the chords to Disney's Toy Story theme by Randy Newman. It's intended for players who are still in the earlier stages of rhythm technique development and are currently focusing on expanding their knowledge of basic open chords. There are no barre chords (with the exception of a small one string barre for the basic F chord) and all the extended voicings of the original song have been removed, but these chords will still function over the original song melody. The score includes these basic open chords, their relevant diagrams, the song lyrics, and notation of the melody, which can be sung over the guitar or played by another instrument.
$4.99
À vos guitares, prêts, jouez! Vol. 4
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Guitare
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À vos guitares, prêts, jouez
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SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
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1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (tude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
Aquarela-toquinho
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Guitare
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INTERMÉDIAIRE
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Antonio Filho, Guido Morra, Ma
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KAUE PAIM NASCIMENTO
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Aquarela-toquinho
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KAUE PAIM NASCIMENTO
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO...
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Solo Guitar - Level 3 - SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princÃpio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.
$4.99
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
We Wish You a Merry Christmas (Traditional) - Easy Classical Guitar Solo
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Guitare
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DÉBUTANT
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Noël
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André Alberto Santos
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André Alberto Santos
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We Wish You a Merry Christmas
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Soul - Musical Creations
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1132036 By André Alberto Santos. By Traditional. Arranged by André Alberto Santos. Children,Christian,Christmas,In...
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Solo Guitar - Level 1 - SKU: A0.1132036 By André Alberto Santos. By Traditional. Arranged by André Alberto Santos. Children,Christian,Christmas,Instructional,Traditional. Individual part. 2 pages. Soul - Musical Creations #732275. Published by Soul - Musical Creations (A0.1132036). This is a classic Christmas song that everyone knows and loves. This version of the song is arranged for easy classical guitar, so you can play it with little or no experience. Beginner guitarists or those who want to learn more about playing the classical guitar will find the melody easy to learn and play. This piece has been made simpler for novices so that students can concentrate on honing proper technique. The melody and harmony from the original composition are still present in the piece.
$1.99
Let's Call the Whole Thing Off: Guitar
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Guitare
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Classique
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George Gershwin and Ira Gershw
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Russell L
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Let's Call the Whole Thing Off
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0001292_G Guitar. Composed by George Gershwin and Ira Gershwin. Arranged by Russell L. Robinson. Classical. Part. 2 pages....
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Guitar - SKU: AX.00-PC-0001292_G Guitar. Composed by George Gershwin and Ira Gershwin. Arranged by Russell L. Robinson. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001292_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001292_G). UPC: 038081294186.Here's a light, swinging arrangement of a cute George and Ira Gershwin song that's ideal for any age choir. High school groups can sink their teeth into it, middle school groups can really make music with it, and elementary groups can just have fun with it. The clever lyrics (you say ee-ther and I say eye-ther) are the focus of this piece. Great for jazz/pop groups, too.
$5.00
Theme For Young Lovers
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Guitare
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FACILE
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The Shadows
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ArboretumSunday
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Theme For Young Lovers
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Mr Scribe
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1325971 By The Shadows. By Bruce Welch. Arranged by ArboretumSunday. 20th Century,Contemporary,Instructional. Individual...
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Solo Guitar - Level 2 - SKU: A0.1325971 By The Shadows. By Bruce Welch. Arranged by ArboretumSunday. 20th Century,Contemporary,Instructional. Individual part. 4 pages. Mr Scribe #914168. Published by Mr Scribe (A0.1325971). The iconic music of The Shadows inspired a whole generation and beyond to play the guitar. This arrangement replicates the sound of that era in Notation and Tab with a YT link for those starting out on the guitar solo journey. Chords are available too.
$4.99
Nana para Ti, Lullaby for you
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Alfred Feenstra
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Nana para ti
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Nana para Ti, Lullaby for you
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978004 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4983277. Published by Alfr...
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Solo Guitar - Level 4 - SKU: A0.978004 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4983277. Published by Alfred Feenstra (A0.978004). A happy song for you; Nana para ti.A song written for all the people who might like the song and want to play it. That where my intentions when I wrote it.
$4.00
I Need You
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Guitare
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Folk Rock
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Rock
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America and The Who
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I Need You
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1292158 By America and The Who. This edition: scorch. Folk,Pop,Rock. Score. 2 pages. Hal Leonard - Digital #5616. Publish...
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Easy Guitar (no TAB) - SKU: HX.1292158 By America and The Who. This edition: scorch. Folk,Pop,Rock. Score. 2 pages. Hal Leonard - Digital #5616. Published by Hal Leonard - Digital (HX.1292158).
$2.99
You've Got A Friend
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Guitare
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FACILE
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Contemporain
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Carole King
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David Jaggs
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You've Got A Friend
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David Jaggs
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SheetMusicPlus
Guitar, Classical Guitar - Early Intermediate - Digital Download By Carole King. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jagg...
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Guitar, Classical Guitar - Early Intermediate - Digital Download By Carole King. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs
This song was made popular by James Taylor and also Carole King who wrote it. Left and right hand fingerings are given in trickier passages, and as usual there is also a version with tablature available on this website.
$7.99
Goodness Of God
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Guitare
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FACILE
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Musique Sacrée
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Bethel Music and Jenn Johnson
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Ulung Tanoto
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Goodness Of God
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Si Ulung
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1268876 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arran...
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Solo Guitar - Level 2 - SKU: A0.1268876 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Ulung Tanoto. Christian,Classical,Praise & Worship,Religious,Sacred. Individual part. 1 pages. Si Ulung #861408. Published by Si Ulung (A0.1268876). This is a fingerstyle guitar arrangement of Goodness of God, a song by Bethel Music. Depending on your skill level, the difficulty level is between easy and intermediate. It is in the key of C and can be a great piece to play for beginners who are learning fingerstyle solo guitar- you get to play the melody, bass, and harmony.The demo is played with a mini nylon-string guitar, but it can be played with any type of guitar (acoustic, classical, even electric).Youtube link:https://youtube.com/shorts/x5DAxKjjaOw.
$4.99
Fly Me To The Moon (in Other Words)
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Guitare
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FACILE
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Tony Bennett
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André Nusa
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Fly Me To The Moon
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Andre_Nusa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1197005 By Tony Bennett. By Bart Howard. Arranged by André Nusa. 20th Century,Film/TV,Jazz. Individual part. 1 pages....
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Solo Guitar - Level 2 - SKU: A0.1197005 By Tony Bennett. By Bart Howard. Arranged by André Nusa. 20th Century,Film/TV,Jazz. Individual part. 1 pages. Andre_Nusa #796165. Published by Andre_Nusa (A0.1197005). This Chord melody guitar arrangement of Fly Me to the Moon is perfect for beginners or those who are new to playing jazz guitar. This simplified version retains the melody and chord progression of the original song, but is arranged in a way that is easy to play for those who are still building their guitar skills.Whether you are new to playing jazz guitar or simply looking for an easy and enjoyable arrangement of a classic song, this version of Fly Me to the Moon for easy solo guitar is the perfect choice. With its simplified chord progression and approachable melody, this arrangement is sure to delight and inspire players of all skill levels.
$5.99
Alexi Janetti - Don't Forget Who You Are
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Guitare
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INTERMÉDIAIRE
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Classique
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Alexi Janetti
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Alexi Janetti
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Alexi Janetti - Don't Forget W
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Alexi Janetti
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320478 By Alexi Janetti. By Alexi Janetti. Arranged by Alexi Janetti. Classical. Full Performance. Duration 150. Alexi Janet...
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Guitar - Level 3 - SKU: A0.1320478 By Alexi Janetti. By Alexi Janetti. Arranged by Alexi Janetti. Classical. Full Performance. Duration 150. Alexi Janetti #908994. Published by Alexi Janetti (A0.1320478).
$50.00
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Sem Ressentimentos
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Guitare
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Miquéias Bandeira
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Miquéias Bandeira
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Sem Ressentimentos
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Agógica Edições Musicais
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SheetMusicPlus
Solo Guitar - SKU: A0.1474633 By Miquéias Bandeira. By Miquéias Bandeira. Arranged by Miquéias Bandeira. 21st Century,Classical,Singer/Songwriter. In...
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Solo Guitar - SKU: A0.1474633 By Miquéias Bandeira. By Miquéias Bandeira. Arranged by Miquéias Bandeira. 21st Century,Classical,Singer/Songwriter. Individual part. 4 pages. Agógica Edições Musicais #1052211. Published by Agógica Edições Musicais (A0.1474633). Sem Resentimentos is a solo composition for guitar ideal for those of you at an intermediate level who are looking to practice dissonant chords in a rhythmic rhythm of Choro.
$6.99
Clergy's Lamentation (Arranged for Guitar)
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Guitare
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FACILE
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Turlough O'carolan
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Victor Araújo
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Clergy's Lamentation
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Arezzo Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1193396 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Classical,Folk,Irish,...
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Solo Guitar - Level 2 - SKU: A0.1193396 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Classical,Folk,Irish,Traditional. Individual part. 1 pages. Arezzo Music #792855. Published by Arezzo Music (A0.1193396). In this arrangement you'll hear a beautiful rendition of the traditional Irish song Clergy's Lamentation, arranged for guitar. The haunting melody of this tune are brought to life through the expressiveness of the arrangement. As you listen, you'll be transported to the windswept landscapes of Ireland, where the song's origins lie. The guitar arrangement brings out the song's Celtic roots, with fingerpicking patterns that evoke the sound of the harp and delicate ornamentation that captures the essence of traditional Irish music.If you're a guitarist who loves exploring new styles and expanding your repertoire, you'll want to get your hands on the sheet music for this arrangement. Don't miss your chance to learn this beautiful piece of music and add it to your collection. Click the link in the video description to purchase the sheet music today.
$2.99
Tico Tico (tico Tico No Fuba)
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Guitare
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INTERMÉDIAIRE
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Film Walt Disney
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions...
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Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
Spanish Guitar Study
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classica...
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Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Who You Gonna Blame It On This Time
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Guitare
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Country
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Vern Gosdin
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Who You Gonna Blame It On This
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1419379 By Vern Gosdin. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #936655. Published by Hal Le...
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Easy Guitar (no TAB) - SKU: HX.1419379 By Vern Gosdin. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #936655. Published by Hal Leonard - Digital (HX.1419379).
$2.99
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