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Always There
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TRI ET FILTRES
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Vous avez sélectionné:
Always There
GUITARE
Partitions à imprimer
58 partitions trouvées
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I'll Always Be Right There
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2 Guitares (duo)
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AVANCÉ
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Bryan Adams
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Antonius Agung Setiawan
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I'll Always Be Right There
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Antonius Agung Setiawan
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SheetMusicPlus
Guitar,Instrumental Duet - Level 5 - SKU: A0.788209 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agun...
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Guitar,Instrumental Duet - Level 5 - SKU: A0.788209 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contemporary,Pop. 6 pages. Antonius Agung Setiawan #5034343. Published by Antonius Agung Setiawan (A0.788209). I'll Always Be Right There by Bryan AdamsDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.99
I'll Always Be Right There
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Guitare
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AVANCÉ
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Bryan Adams
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Antonius Agung Setiawan
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I'll Always Be Right There
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.788207 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. C...
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Solo Guitar - Level 5 - SKU: A0.788207 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #5034339. Published by Antonius Agung Setiawan (A0.788207). I'll Always Be Right There by Bryan AdamsSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.99
I'll Always Be Right There
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Guitare
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AVANCÉ
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Rock
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Bryan Adams
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Antonius Agung Setiawan
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I'll Always Be Right There
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Antonius Agung Setiawan
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.788208 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contem...
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Guitar - Level 5 - SKU: A0.788208 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contemporary,Pop. 11 pages. Antonius Agung Setiawan #5034341. Published by Antonius Agung Setiawan (A0.788208). I'll Always Be Right There by Bryan AdamsDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to play, Tablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$5.99
There's Always One - Composed for Solo Fingerstyle or Jazz Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Brian Johns
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There's Always One - Composed
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Brian J Johns
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.925182 Composed by Brian Johns. Jazz. Guitar Tab. 3 pages. Brian J Johns #4839385. Published by Brian J Johns (A0.925182).
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Guitar - Level 4 - SKU: A0.925182 Composed by Brian Johns. Jazz. Guitar Tab. 3 pages. Brian J Johns #4839385. Published by Brian J Johns (A0.925182). For the solo finger style or jazz guitar player with about 3 – 5 years of experience, There’s Always One was written in the style of a medium swing or jazz head. Included in the score are standard notation, tablature, chord changes and left hand fingering suggestions.
$3.99
I'll Always Be Right There
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Guitare notes et tablatures
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AVANCÉ
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Rock
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Bryan Adams
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Antonius Agung Setiawan
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I'll Always Be Right There
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Antonius Agung Setiawan
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.787774 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contem...
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Guitar - Level 5 - SKU: A0.787774 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Guitar Tab. 7 pages. Antonius Agung Setiawan #3583077. Published by Antonius Agung Setiawan (A0.787774). I'll Always Be Right There by Bryan AdamsSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to play, Tablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$5.99
Always Look On The Bright Side Of Life
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Guitare
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Comédie Musicale
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Monty Python
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Colin Tommis
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Always Look On The Bright Side
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Colin Tommis
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SheetMusicPlus
Solo Guitar - SKU: A0.961495 By Monty Python. By Eric Idle. Arranged by Colin Tommis. Broadway. Individual part. 3 pages. Colin Tommis #4632129. Publish...
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Solo Guitar - SKU: A0.961495 By Monty Python. By Eric Idle. Arranged by Colin Tommis. Broadway. Individual part. 3 pages. Colin Tommis #4632129. Published by Colin Tommis (A0.961495). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
I'll Always Be Right There
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Guitare
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INTERMÉDIAIRE
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Bryan Adams
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Kevin J
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I'll Always Be Right There
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Kevin J. Cope, composer
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.913425 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin J. Cope. Contemporar...
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Solo Guitar - Level 3 - SKU: A0.913425 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin J. Cope. Contemporary,Pop. Individual part. 3 pages. Kevin J. Cope, composer #6096905. Published by Kevin J. Cope, composer (A0.913425). An arrangement that's great for weddings and anniversaries.
$4.99
I'll Always Be Right There
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Bryan Adams
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Kevin J
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I'll Always Be Right There
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Kevin J. Cope, composer
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.913424 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin J. Cope. Contemporary,Pop...
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Guitar - Level 3 - SKU: A0.913424 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin J. Cope. Contemporary,Pop. Guitar Tab. 5 pages. Kevin J. Cope, composer #6096969. Published by Kevin J. Cope, composer (A0.913424). A great piece and arrangement for weddings and anniversaries.
$5.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Kosmos Place 1
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Musique Sacrée
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THEMIS KOUTRAS
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Kosmos Place 1
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THEMIS KOUTRAS
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SheetMusicPlus
Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. ...
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Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. Published by THEMIS KOUTRAS (A0.1066774). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declaring these new worlds will then be part of planet earth the space mission today has the ability power to do this and I believe one day they will do this it has a final meaning that the space ships will mean we will travel without technology it is that the nick name space ship is given by me for the name of the holy spirit because his beyond all-powerful I know in parable because he will ascend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back here the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Mr. Dowland's Midnight
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Guitare notes et tablatures
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FACILE
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John Dowland
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Brian Streckfus
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Mr. Dowland's Midnight
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1466982 Composed by John Dowland. Arranged by Brian Streckfus. Early Music,Historic,Instructional,Medieval,Re...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1466982 Composed by John Dowland. Arranged by Brian Streckfus. Early Music,Historic,Instructional,Medieval,Renaissance. Tablature. 1 pages. Brian Streckfus #1045545. Published by Brian Streckfus (A0.1466982). John Dowland is often associated with being a melancholic lute player and singer in the style of the Elizabethan era, earning him the moniker Always Dowland, always doleful. If you have been looking for a composer that sounds like knights and castles on a lute, than look no further, you have found the best examplar: John Dowland.Mr. Dowland's Midnight is an instrumental piece composed for the lute. It is a pavan, a slow and stately dance popular in Renaissance music. It is typically played in the key of E minor. Dowland's compositions, including Mr. Dowland's Midnight were published in collections such as The First Booke of Songes and Lachrimae, or Seaven Teares. Having hollow 5th chords (A.K.A. power chords) is a cliché rennissance trope/motif, but the piece actually uses a more complex harmonic vocabulary than one would expect for the 16th century. There certainly is a fair amount of hollow 5th though.Features:1. Updated to modern notation2. Arranged for modern standard tuning guitar instead of lute tuning 3. Obvious fingerings added (subjective fingerings left in)4. Chord names added5. Glissandos added 6. Key changed.
$1.99
Tremolo from the Regondi Nocturne (Op.19)
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Guitare
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Classique
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Noctu
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081...
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Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
Senorita
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Lynieve Austin, Simon James
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Senorita
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DML
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.928250 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.928250 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and parts. 6 pages. DML #5334939. Published by DML (A0.928250). This song is based on a Colombianas a Flamenco style imported, as the name suggests, from South America. There has always been a rich interchange between Spain and South America, not so surprising perhaps. I had written the beginning as a solo piece but when Lynieve heard it she said it gave her a strong image of a little girl playing outside in the sun. So I just let her go with it. The lyrics are mostly hers but I added a line here and there and a lot of the melody sprang naturally from the lyrics. We tried to retain that original image of childhood but with just a hint of the unavoidable growing up. Although the lyrics are in English it forms a group with Torito and Una Pena Quita Pena as it is based on various styles of Flamenco.
$2.99
The Munsters Theme
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2 Guitares (duo)
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FACILE
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Jack Marshall
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Derek Hasted
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The Munsters Theme
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.797778 Composed by Jack Marshall. Arranged by Derek Hasted. Contemporary,Film/TV. 17 pages. Derek Hasted #5...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.797778 Composed by Jack Marshall. Arranged by Derek Hasted. Contemporary,Film/TV. 17 pages. Derek Hasted #5770601. Published by Derek Hasted (A0.797778). The MUNSTERS Theme - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes There are two arrangements in this single item...Beethoven it isn’t, but it’s a fun novelty item to play in a school concert or even an informal adult concert.This arrangement is based on one I wrote for my Guitar WorkshopThere are two versions of the piece in this file - they’re identical apart from who plays what whenVersion 1 is ideal for a Student/Teacher duet - the Teacher plays the bass part, and the student takes the tune (or vice-versa!)Version 2 is great for a performance at any level between two players with comparable tone and volume - the parts swap over when the music is repeated - you'll see the change at the point marked B in the scores.I’ve left the fingering for the players to decide - we all have different abilities and the choice about when to go up the neck is always going to be a personal one.I hope you enjoy playing this piece!
$4.99
Over The Waves (Sobre Las Olas) - guitar duet
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2 Guitares (duo)
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DÉBUTANT
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Various
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Derek Hasted
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Over The Waves
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 1 - SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standards. 15 pages. Der...
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Guitar,Instrumental Duet - Level 1 - SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standards. 15 pages. Derek Hasted #457295. Published by Derek Hasted (A0.850624). OVER THE WAVES - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There is also a version for Flute and Guitar published separatelyThis is the tune that everyone has heard, and no-one knows its name... It makes it perfect for concerts!Derek Hasted writes It’s featured in Octopussy and Mary Poppins, it’s been on Sesame Street, it’s famous for being Trapeze Music in circus scenes. You might even recognise it from a Chet Atkins guitar record, on which this arrangement is styled.This arrangement is based on one I wrote for my Guitar Workshop - it's really easy to play...There are two versions of the Part Score in this edition...Version 1 is ideal for a Student/Teacher duet - the Teacher plays the chords, and the student takes the tune.Version 2 is great for a performance at any level between two players with comparable tone and volume - it’s written as a Call & Response version, which, just like the circus trapeze artists, move from left to right, crossing over in mid-air...I always keep fingering to a minimum, but skilled players will find the melody line fits almost perfectly into VII position.I hope you enjoy playing this piece
$2.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Mountains of Stowe, I Stand Strong
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Elegy
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'O...
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Guitar - Advanced - SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95
"Be Thou My Vision" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Be Thou My Vision"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keit...
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Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #1001604. Published by Keith Gehle (A0.1420186). Variations on an Irish Theme (Be Thou My Vision) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002.. The opening theme is followed by three variations and includes detailed fingerings in standard notation. There’s also a version available with TAB on this site. This ancient Irish melody can serve as a beautiful interlude during church services, gigs or wedding ceremonies. Here’s what one listener wrote of Wintersong:As a classical guitarist, I'm always on the lookout for new compositions. I have scoured the internet looking for new guitar music and Keith's Winter Song is the best thing I have seen in a year. If you like the sound of soothing classical guitar, I know you will like listening to this CD. If you’re a guitarist, I highly recommend buying the book of sheet music from Keith's website. I play at least a half dozen of these pieces at my gigs and I just love them. They range from easy to advanced intermediate in difficulty. I can't wait for Keith's next CD Songs of December which will be out for the holiday season!- Larry B.
$2.99
Octopus's Garden
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2 Guitares (duo)
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INTERMÉDIAIRE
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John Lennon, Paul McCartney, a
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Derek Hasted
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Octopus's Garden
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797790 Composed by John Lennon, Paul McCartney, and Richard Starkey. Arranged by Derek Ha...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797790 Composed by John Lennon, Paul McCartney, and Richard Starkey. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 15 pages. Derek Hasted #5805813. Published by Derek Hasted (A0.797790). IN AN OCTOPUS'S GARDEN - GUITAR DUET (one of two arrangements)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This wonderfully upbeat piece of music makes a great concert piece or encore. It contains all the material from one of the recordings of this piece, including the intro and the instrumental break in the middle of the piece.My arrangement is at the Intermediate level. The accompaniment comprises a ragtime swinging bass which makes the piece motor along. The tune is handed from player to player, switching at each phrase boundary, and appears in three different octaves during the piece, while still remaining on the playable part of the guitar neck.There are no repeats in this piece, and that allows changes to the texture in the successive verses.I’ve performed this piece in concert and it’s always been a great crowd-pleaser.I have also published a version which suits a student/teacher duo or a duo of mixed abilities which is a little easier to play. Find it easily via my website (below) in the duet category.I hope you enjoy playing this piece!
$4.99
Father, Forgive Them
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Musique Sacrée
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Lewis A
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Father, Forgive Them
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Lewis A. Kocher
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pag...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
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