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1176
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
2 Arias
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Classique
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Richard Wagner
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Colette Mourey
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2 Arias
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Editions Marc Reift - Digital
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SheetMusicPlus
Guitar & Bass Recorder - Grade 2+ - SKU: R0.25151B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Rich...
(+)
Guitar & Bass Recorder - Grade 2+ - SKU: R0.25151B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wagner. Arranged by Colette Mourey. Guitar & Bass Recorder. Score and parts. 8 pages. Duration 3'56. Editions Marc Reift - Digital #25151B. Published by Editions Marc Reift - Digital (R0.25151B).
$6.95
2 Arias
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Classique
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Richard Wagner
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Colette Mourey
#
2 Arias
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Guitar & Alto Recorder - Grade 2+ - SKU: R0.25149B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Rich...
(+)
Guitar & Alto Recorder - Grade 2+ - SKU: R0.25149B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wagner. Arranged by Colette Mourey. Guitar & Alto Recorder. Score and parts. 8 pages. Duration 3'56. Editions Marc Reift - Digital #25149B. Published by Editions Marc Reift - Digital (R0.25149B).
$6.95
2 Arias
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Classique
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Richard Wagner
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Colette Mourey
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2 Arias
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Editions Marc Reift - Digital
#
SheetMusicPlus
Guitar & Eb Bass - Grade 2+ - SKU: R0.25191B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wa...
(+)
Guitar & Eb Bass - Grade 2+ - SKU: R0.25191B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wagner. Arranged by Colette Mourey. Guitar & Eb Bass. Score and parts. 8 pages. Duration 3'56. Editions Marc Reift - Digital #25191B. Published by Editions Marc Reift - Digital (R0.25191B).
$6.95
2 Arias
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Classique
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Richard Wagner
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Colette Mourey
#
2 Arias
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Guitar & Bb Bass - Grade 2+ - SKU: R0.25192B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wa...
(+)
Guitar & Bb Bass - Grade 2+ - SKU: R0.25192B Tannhauser's Aria: Dir, Gottin der Liebe Isolde's Aria: Isolden's Liebes-Tod. Composed by Richard Wagner. Arranged by Colette Mourey. Guitar & Bb Bass. Score and parts. 8 pages. Duration 3'56. Editions Marc Reift - Digital #25192B. Published by Editions Marc Reift - Digital (R0.25192B).
$6.95
Mariagneta (Little Marianne)
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Guitare notes et tablatures
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FACILE
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Anonymous
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Mark Phillips
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Mariagneta
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692072 Composed by Anonymous. Arranged by Mark Phillips. Folk,World. Guitar Tab. 1 pages. A. J. Cornell Publications #6096781...
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Guitar - Level 2 - SKU: A0.692072 Composed by Anonymous. Arranged by Mark Phillips. Folk,World. Guitar Tab. 1 pages. A. J. Cornell Publications #6096781. Published by A. J. Cornell Publications (A0.692072). Traditional Catalan melody Mariagneta (Little Marianne) arranged for easy to intermediate–level solo classical guitar
$3.99
Goldberg Variations: Aria, BWV 988 (Johann Sebastian Bach)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Chris Richter
#
Goldberg Variations: Aria, BWV
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part. 3 pages. Chris...
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Solo Guitar - Level 3 - SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part. 3 pages. Chris Richter #1032381. Published by Chris Richter (A0.1453153). Johann Sebastian Bach's Goldberg Variations: Aria, BWV 988 arranged for solo fingerstyle guitar.
$5.99
Sonata No. 32: “Aria”
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Domenico Scarlatti
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Mark Phillips
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Sonata No. 32: “Aria&rdq
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A. J. Cornell Publications
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1415977 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. 2 pages. A. J. Cornell Publicat...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1415977 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. 2 pages. A. J. Cornell Publications #997675. Published by A. J. Cornell Publications (A0.1415977). Domenico Scarlatti’s “Aria†from Sonata No. 32 for guitar duet (in standard notation and tablature).
$4.99
Casta Diva - aria from opera "Norma", arr. for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Latin/Pop Rock
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Vincenzo Bellini
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Stefan Dulov
#
Casta Diva - aria from opera "
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Stefan Dulov
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1397285 By Vincenzo Bellini. By Vincenzo Bellini. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 4 pa...
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Guitar - Level 3 - SKU: A0.1397285 By Vincenzo Bellini. By Vincenzo Bellini. Arranged by Stefan Dulov. Classical,Opera,Romantic Period. Guitar Tab. 4 pages. Stefan Dulov #980601. Published by Stefan Dulov (A0.1397285). This is an arrangement for classical guitar of Casta Diva - aria from opera Norma by Vincenzo Bellini, quintessential composer of the Italian bel canto era of the early 19th century. The difficulty level of this piece is moderate and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 4:50 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00
Aria - mp3
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Guitare
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Classique
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Giambattista Martina
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John Trie
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Aria - mp3
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john Trie
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SheetMusicPlus
Guitar - SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full Performance. Dura...
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Guitar - SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full Performance. Duration 92. John Trie #37289. Published by john Trie (A0.1064649). Aria by Giambattista Martina. Guitar arrangement by John Trie.
$1.99
Aria di giga (from Flute Sonata in F Major, RV 52)
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Mark Phillips
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Aria di giga
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691911 Composed by Antonio Vivaldi. Arranged by Mark Phillips. Baroque. Score and p...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691911 Composed by Antonio Vivaldi. Arranged by Mark Phillips. Baroque. Score and parts. 1 pages. A. J. Cornell Publications #5308315. Published by A. J. Cornell Publications (A0.691911). Vivaldi’s Aria di giga (from Flute Sonata in F Major, RV 52) for flute and guitar
$4.99
Aria di giga (from Flute Sonata in F Major, RV 52)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Mark Phillips
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Aria di giga
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.1185518 Composed by Antonio Vivaldi. Arranged by Mark Phillips. Baroque,Classical. Score ...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.1185518 Composed by Antonio Vivaldi. Arranged by Mark Phillips. Baroque,Classical. Score and parts. 2 pages. A. J. Cornell Publications #785194. Published by A. J. Cornell Publications (A0.1185518). Vivaldi’s Aria di giga (from Flute Sonata in F Major, RV 52) for classical guitar duet.
$3.99
Aria
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Violon, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Alex Tinlin
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Alex Tinlin
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Aria
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Alex Tinlin
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1349623 By Alex Tinlin. By Heitor Villa-Lobos. Arranged by Alex Tinlin. 20th Century,Chambe...
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Acoustic Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1349623 By Alex Tinlin. By Heitor Villa-Lobos. Arranged by Alex Tinlin. 20th Century,Chamber,Classical,Multicultural,Romantic Period,World. 10 pages. Alex Tinlin #934389. Published by Alex Tinlin (A0.1349623). My arrangement for Violin and Guitar of the Aria (cantilena) from Bachianas Brasileiras No5 by Heitor Villa-Lobos.
$4.99
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Guitare
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Classique
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Johann Sebastian Bach
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Valery Dzyabenko
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Aria from Suite No. 3. Johann
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual ...
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Solo Guitar - SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
Sonata No. 32: “Aria”
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Flûte et Guitare
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FACILE
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Classique
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Domenico Scarlatti
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Mark Phillips
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Sonata No. 32: “Aria&rdq
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A. J. Cornell Publications
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.691236 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. 2 pages. A. J. Cornell Pub...
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Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.691236 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. 2 pages. A. J. Cornell Publications #3075350. Published by A. J. Cornell Publications (A0.691236). Domenico Scarlatti’s Aria from Sonata No. 32, for flute and guitar (in standard notation and tablature).
$4.99
Aria
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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Wilhelm Friedemann Bach
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Mark Phillips
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Aria
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.692808 Composed by Wilhelm Friedemann Bach. Arranged by Mark Phillips. Baroque,Clas...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.692808 Composed by Wilhelm Friedemann Bach. Arranged by Mark Phillips. Baroque,Classical. Score and parts. 3 pages. A. J. Cornell Publications #6701349. Published by A. J. Cornell Publications (A0.692808). WF Bach’s Aria for flute and guitar
$4.99
Sonata No. 32: “Aria”
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Guitare notes et tablatures
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FACILE
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Classique
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Domenico Scarlatti
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Mark Phillips
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Sonata No. 32: “Aria&rdq
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.690861 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #5...
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Guitar - Level 2 - SKU: A0.690861 Composed by Domenico Scarlatti. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #53219. Published by A. J. Cornell Publications (A0.690861). Sonata No. 32 (Aria) by Scarlatti, for easy classical guitar.
$3.99
Aria (from Musical Pastime, Op. 22, No. 36)
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Guitare notes et tablatures
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FACILE
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Classique
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Valentin Rathbeger
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Mark Phillips
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Aria
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692131 Composed by Valentin Rathbeger. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #6...
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Guitar - Level 2 - SKU: A0.692131 Composed by Valentin Rathbeger. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #6207931. Published by A. J. Cornell Publications (A0.692131). Valentin Rathbeger’s Aria (from Musical Pastime, Op. 22, No. 36) for easy classical guitar solo.
$1.99
Aria (from Sperontes, singende Muse an der Pleisse, Part 3, No. 23)
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Guitare notes et tablatures
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FACILE
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Classique
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Johann Sigismund Scholze
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Mark Phillips
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Aria
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692134 Composed by Johann Sigismund Scholze. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publicati...
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Guitar - Level 2 - SKU: A0.692134 Composed by Johann Sigismund Scholze. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #6207939. Published by A. J. Cornell Publications (A0.692134). Johann Sigismund Scholze’s Aria (from Sperontes, singende Muse an der Pleisse, Part 3, No. 23) for easy classical guitar solo.
$1.99
Aria (GWV 821)
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Guitare notes et tablatures
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FACILE
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Classique
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Christoph Graupner
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Mark Phillips
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Aria
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692121 Composed by Christoph Graupner. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #6...
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Guitar - Level 2 - SKU: A0.692121 Composed by Christoph Graupner. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #6207909. Published by A. J. Cornell Publications (A0.692121). Christoph Graupner’s Aria (GWV 821) for easy classical guitar solo.
$1.99
Aria II (from Hexachordum Apollinis)
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Guitare notes et tablatures
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FACILE
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Classique
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Johann Pachelbel
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Mark Phillips
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Aria II
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.692127 Composed by Johann Pachelbel. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #620...
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Guitar - Level 2 - SKU: A0.692127 Composed by Johann Pachelbel. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #6207921. Published by A. J. Cornell Publications (A0.692127). Johann Pachelbel’s Aria II (from Hexachordum Apollinis) for easy classical guitar solo.
$1.99
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