English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
33
Partitions
Numériques
9
Librairie
Musicale
684
Matériel
de Musique
69
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
142
PIANO & CLAVIERS
Piano, Voix et Guitare
4
GUITARES
Guitare
4
Guitare notes et tablatures
3
VOIX
VENTS
CUIVRES
CORDES
PERCUSSIONS & ORCHESTRES
AUTRES
Vous avez sélectionné:
Six-Eight
GUITARE
Partitions à imprimer
9 partitions trouvées
<
1
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.61 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
Patios de Córdoba
#
Richard Hirsch
#
SheetMusicPlus
Etude for Guitar no V.1 in A Major: A damp afternoon
Guitare
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arrange…
(+)
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arranged by Rob Reeves. 20th Century,Contemporary,Instructional. Individual part. 1 pages. Published by Rob Reeves (A0.484627). Solo piece for plectrum style guitar. I seek to evoke a strange combination of ennui and mild rapture resulting from the enforced idleness of a damp afternoon contemplating the beauty of drizzle and grey skies. The composition is built around the major scale harmonised in sixths, or inverted thirds, played vertically along the neck on the first and third strings. After repetition of A and B phrases, the same melody is largely repeated a fourth higher, in the key of D, with the final section replaced by desending sixths to the dominant chord, E, before repeating the melody again. In the second repeat of the melody, the descending sixths are replaced by ascending sixths finishing on the root an octave above. A middle eight follows of desending chords, starting on the fourth, which becomes minor, and moving through various shapes to a dominant chord, E. The first theme is repeated again, and concludes with descending sixths over an E pedal tone, before resolving to A major to end.
$1.99
1.8 €
#
Guitare
#
Rob Reeves
#
Rob Reeves
#
Etude for Guitar no V.1 in A Major: A damp afternoon
#
Rob Reeves
#
SheetMusicPlus
Do Nothing Till You Hear From Me
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197783 Composed by P…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197783 Composed by Paul Sutin. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #796961. Published by John Fries (A0.1197783). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Do Nothing till You Hear from Me (also written as Do Nothin' Til You Hear from Me) is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental (Concerto for Cootie) that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944. Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
$4.99
4.52 €
#
Piano, Voix et Guitare
#
Paul Sutin
#
John Fries
#
Do Nothing Till You Hear From Me
#
John Fries
#
SheetMusicPlus
Amigo do peito Op. 30
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. IVAN LYRAN #801364. Published by IVAN LYRAN (A0.1202604). Amigo do peito (Friend of the chest) is a declared tribute by the composer to the guitar, his friend and faithful companion in many good and bad moments of adolescence. The piece is characterized by a mixture of rhythm and lyricism well distributed among the movements. The first of them Guitar companion uses a rhythmic motif in sixteenth and eighth notes combined with ripped lines in most of the movement, in addition to our most famous rhythm, samba. In part B, we find a slightly more lyrical melody that develops until the initial rhythmic theme is resumed. The second movement Interlúdio has a more romantic character, well singable, a simple and succinct melody that conveys a feeling of nostalgia. The third movement is an Etude in E minor, the initial idea came about as an exercise for the index and middle fingers making a downward movement from the first to the sixth string in an E minor chord.
$4.99
4.52 €
#
Guitare
#
Ivan Lyran
#
Amigo do peito Op. 30
#
IVAN LYRAN
#
SheetMusicPlus
Freight Train [accompaniment only] by Six String Fingerpicking - Guitar Tab
Guitare notes et tablatures
Sheet Music for Freight Train [accompaniment only] by Six String Fingerpicking arranged fo…
(+)
Sheet Music for Freight Train [accompaniment only] by Six String Fingerpicking arranged for Guitar TAB;Instrumental Solo in C Major. Digital sheet music from Musicnotes. --
$7.99
7.24 €
#
Guitare notes et tablatures
#
Guitar Tab
#
Musicnotes
Freight Train [accompaniment only - easy] by Six String Fingerpicking - Guitar TAB
Guitare notes et tablatures
Performed by: Six String Fingerpicking: Freight Train [accompaniment only - easy] Digital …
(+)
Performed by: Six String Fingerpicking: Freight Train [accompaniment only - easy] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Guitar Tab;Instrumental Solo, instruments: Guitar; 2 pages -- Blues~~Solo Instrumental~~Blues Revival~~Traditional Folk~~Folk Revival~~Traditional~~Folk
$5.99
5.42 €
#
Guitare notes et tablatures
#
Six String Fingerpicking
#
easy] by Six String Fingerpicking
#
Musicnotes
L'Esprit Manouche
Guitare
Guitar (all) - Intermediate-Advanced - Digital Download SKU: M0.20014BCDEB A Com…
(+)
Guitar (all) - Intermediate-Advanced - Digital Download SKU: M0.20014BCDEB A Comprehensive Study of Gypsy Jazz Guitar. Composed by Romane. Solos. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20014BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20014BCDEB). ISBN 9781610651004. 8.75x11.75 inches.This massive book offers a comprehensive study of the Gypsy jazz or Manouche guitar style as perceived by French guitarists Derek Sebastian and Romane, two of the finest modern day practitioners of the Django Reinhardt style.Each of the book's thirty-six progressive chapters consists of four parts: A.) Technique developed through exercises, chord progressions/diagrams, and illustrations of fingerboard positions; B.) A harmony lesson with leads in the Manouche style; C.) Soloing techniques based on the harmonic structure of a given theme; and D.) Self-testing materials with answers provided at the close of the book.The companion audio for L'Esprit Manouche is unique in that it provides 98 play-along MIDI files that exactly parallel the order of the exercises, examples and pieces in the book as well as audio tracks of excerpts from eighteen Romane favorites from the Gypsy jazz repertoire. The MIDI tracks, which can be accessed via most audio players on PC or Macintosh computers, allow the student to play along with both short phrases and extensive rhythm tracks- at any desired tempoL'Esprit Manouche not only makes Gypsy jazz accessible; it offers an opportunity to master the Manouche style. While many exercises and tunes appear in both standard notation and tab, not to mention chord or fretboard diagrams, standard notation is predominant. Audio available for download online.
$34.99
31.69 €
#
Guitare
#
Romane
#
B
#
L'Esprit Manouche
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
[ GUITAR I ] Holy Holy Holy for Guitar Ensemble
Guitar - Digital Download SKU: A0.1070580 Composed by John Bacchus Dykes. Arranged …
(+)
Guitar - Digital Download SKU: A0.1070580 Composed by John Bacchus Dykes. Arranged by Nathan C. Curtis. Christian,Contemporary,Sacred. Full Performance. Duration 262. Nathan C. Curtis Music #5866861. Published by Nathan C. Curtis Music (A0.1070580). Recorded performance of GUITAR I ONLY from Holy Holy Holy for Guitar EnsembleThis is a bold re-imagining of the classic hymn Holy, Holy, Holy in guitar ensemble format. The dotted eighth and sixteenth note ostinati in the lower voice adds a skip to this hymn's step, while the upper voices bell like harmonics ring out. There are some interesting twists to the original harmony as well thanks to some well placed modal mixture. This piece will definitely get your audience / congregation grooving along!
$1.99
1.8 €
#
John Bacchus Dykes
#
Nathan C
#
[ GUITAR I ] Holy Holy Holy for Guitar Ensemble
#
Nathan C. Curtis Music
#
SheetMusicPlus
Chromatic Picking Exercises for Guitar
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1247675 Composed by Danny Crocome. Arra…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1247675 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 3 pages. Danny Crocome Music #842229. Published by Danny Crocome Music (A0.1247675). Chromatic picking exercises for guitar. A series of open position chromatic ascending and descending patterns, played as quarter notes, eighth notes and sixteenth notes. An excellent way to develop left and right hand synchronisation.Timing, picking, and fingering included in the notation.
$2.49
2.25 €
#
Guitare notes et tablatures
#
Danny Crocome
#
Danny Crocome
#
Chromatic Picking Exercises for Guitar
#
Danny Crocome Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale