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Around Me
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Vous avez sélectionné:
Around Me
GUITARE
Partitions à imprimer
64 partitions trouvées
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51
Don't Get Around Much Anymore
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Stan...
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Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
Don't Get Around Much Anymore
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193986 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Film/TV,Jazz,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193986 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #793461. Published by John Fries (A0.1193986). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. This arrangement includes the lyrics.
$4.99
I'll Be Around
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Mills Brothers
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John Fries
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I'll Be Around
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202157 By The Mills Brothers. By Alec Wilder. Arranged by John Fries. 20th Century,Jazz,Standards. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202157 By The Mills Brothers. By Alec Wilder. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #800814. Published by John Fries (A0.1202157). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. I'll Be Around is a popular song written by Alec Wilder and published in 1942. The first hit version was by The Mills Brothers in 1943 when the song reached No. 17 in the Billboard pop charts. The song has become a well-known standard, recorded by many artists. Wilder said, in an interview with Jay Nordlinger, that the song came to him in a taxi cab in Baltimore. Just the title. I spotted [the title] as I was crumpling up the envelope some days later. Since I was near a piano, I wrote a tune, using the title as the first phrase of the melody. I remember it only took about 20 minutes. The lyric took much longer to write..
$4.99
The Second Time Around
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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101 Strings
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #795914. Published by John Fries (A0.1196752). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$4.99
Hey Man Take Me With You
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nick Clow
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Hey Man Take Me With You
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow ...
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Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
But Not for Me: Guitar
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Guitare (partie séparée)
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George Gershwin and Ira Gershw
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Scott Ragsdale
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Jazz
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But Not for Me: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017492_G Guitar. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. ...
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Jazz Ensemble - SKU: AX.00-PC-0017492_G Guitar. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_G). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
But Not for Me: Guitar Chords
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Guitare (partie séparée)
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George Gershwin and Ira Gershw
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Scott Ragsdale
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Jazz
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But Not for Me: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017492_GC Guitar Chords. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz;...
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Jazz Ensemble - SKU: AX.00-PC-0017492_GC Guitar Chords. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_GC). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
Take Me Home, Country Roads
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Guitare
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INTERMÉDIAIRE
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John Denver
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James D
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Take Me Home, Country Roads
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James D. Esmond
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1102964 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by James D. Esmond. Contemporary,Country...
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Solo Guitar - Level 3 - SKU: A0.1102964 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by James D. Esmond. Contemporary,Country,Standards. Individual part. 2 pages. James D. Esmond #706288. Published by James D. Esmond (A0.1102964). Fun Intermediate level arrangement of this great classic country tune. Great for personal enjoyment, playing out at restaurants, or having fun around the campfire!
$4.99
Cry Me a River: Guitar
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Guitare (partie séparée)
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Methodes
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Arthur Hamilton
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Victor López
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Cry Me a River: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016289_G Guitar. Composed by Arthur Hamilton. Arranged by Victor López. Instructional. Part. 2 pages. Alfre...
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Jazz Ensemble - SKU: AX.00-PC-0016289_G Guitar. Composed by Arthur Hamilton. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016289_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016289_G). UPC: 038081482828.Vocal with big band, this gorgeous ballad is played around 74 BPM. The vocal range is G below middle C to third space C. Lead trumpet range is to F-sharp top line. Includes optional lead parts for B-flat, E-flat, and bass clef instruments. An accessible chart for the band. (3:21).
$3.00
It's All Right with Me: Guitar
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Guitare (partie séparée)
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Jazz
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Cole Porter
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Alan Baylock
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It's All Right with Me: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017488_G Guitar. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 3 pages. Alfred Music - Digital Sh...
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Jazz Ensemble - SKU: AX.00-PC-0017488_G Guitar. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017488_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017488_G). UPC: 038081521237.This chart has a contemporary half-time funk feel played around half note=96 BPM. Lead trumpet range is to written B-flat, a suggested written alto sax solo, the initial melody is stated by trombones and then bounces to each section. (3:36).
$3.00
It's All Right with Me: Guitar Chords
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Guitare (partie séparée)
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Jazz
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Cole Porter
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Alan Baylock
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It's All Right with Me: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017488_GC Guitar Chords. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 1 pages. Alfred Music - Di...
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Jazz Ensemble - SKU: AX.00-PC-0017488_GC Guitar Chords. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017488_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017488_GC). UPC: 038081521237.This chart has a contemporary half-time funk feel played around half note=96 BPM. Lead trumpet range is to written B-flat, a suggested written alto sax solo, the initial melody is stated by trombones and then bounces to each section. (3:36).
$3.00
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Guitare notes et tablatures
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DÉBUTANT
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Jazz
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Colbie Caillat
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Rebecca Bogardus
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Have Yourself A Merry Little C
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Lillwy Publishing
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.877954 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Rebecca Bogardus. Jazz. Guitar Tab. 8 pages. Lillwy Pub...
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Guitar - Level 1 - SKU: A0.877954 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Rebecca Bogardus. Jazz. Guitar Tab. 8 pages. Lillwy Publishing #5820923. Published by Lillwy Publishing (A0.877954). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
Remember Me (lullaby)
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Guitare
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INTERMÉDIAIRE
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Kristen Anderson-Lopez and Rob
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Nathan L
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Remember Me
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Nathan L. Hatico
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1309133 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Nathan L. Hatico. Broadway,Film/TV,Musical/Show...
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Solo Guitar - Level 3 - SKU: A0.1309133 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Nathan L. Hatico. Broadway,Film/TV,Musical/Show,Pop. Individual part. 3 pages. Nathan L. Hatico #898318. Published by Nathan L. Hatico (A0.1309133). This is an intermediate level fingerstyle solo guitar arrangement of the beautiful lullaby from the movie Coco. Althogh the tune is played pretty straight the first time through, the turnaround introduces some jazz voicings and chromatic movement which continue through the rest of the arrangement. This arrangement is meant to be played freely and expressively, payng special attention to emphasizing the melody.
$4.99
Throw Your Arms Around Me
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Hunters And Collectors
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Steve O\'Donnell
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Throw Your Arms Around Me
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Steve O\'Donnell
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SheetMusicPlus
By Hunters And Collectors. By Douglas James Falconer, Geoffrey Franklin Crosby, John Albert Howard, John Melville Lee Archer, Mark Jeremy Symour, Mich...
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By Hunters And Collectors. By Douglas James Falconer, Geoffrey Franklin Crosby, John Albert Howard, John Melville Lee Archer, Mark Jeremy Symour, Michael Bernard Waters, and Robert David Miles. Arranged by Steve O\'Donnell. Contemporary, Pop, Rock. Guitar Tab. 2 pages. Steve O\'Donnell #165125. Published by Steve O\'Donnell
$4.99
Count on Me
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Piano, Voix et Guitare
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Pop musique
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Bruno Mars
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Count on Me
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - Digital Download By Bruno Mars. By Ari Levine, Peter Hernandez, and Philip Lawrence. Pop/Rock. 4 pages. Alfred Music - Digital She...
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Piano/Vocal/Chords - Digital Download By Bruno Mars. By Ari Levine, Peter Hernandez, and Philip Lawrence. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015621. Published by Alfred Music - Digital Sheet Music
ISBN 9780739094785.
For music makers who love pop music, this collection provides unlimited fun! It contains more than 250 pages of piano/vocal/guitar sheet music for 44 familiar favorites. Titles: Because of You (Kelly Clarkson) * The Big Bang Theory (Main Title Theme) * Billionaire (Travie McCoy) * Bittersweet Symphony (The Verve) * California Gurls (Katy Perry) * Count on Me (Bruno Mars) * Dancing Queen (ABBA) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Falling Slowly (from Once) * Firework (Katy Perry) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Give Your Heart a Break (Demi Lovato) * Greatest Love of All (Whitney Houston) * Grenade (Bruno Mars) * Home (Phillip Phillips) * I Don't Want to Miss a Thing (Aerosmith) * I Have Nothing (Whitney Houston) * I Won't Give Up (Jason Mraz) * If I Die Young (The Band Perry) * I'll Stand By You (The Pretenders) * Just the Way You Are (Amazing) (Bruno Mars) * Kiss from a Rose (Seal) * Love Song (Sara Bareilles) * Love You Like a Love Song (Selena Gomez & The Scene) * Make You Feel My Love (Adele) * Man in the Mirror (Michael Jackson) * My Immortal (Evanescence) * Nothin' on You (B.o.B. featuring Bruno Mars) * Out Here on My Own (Irene Cara) * Over the Rainbow (IZ) * Play That Funky Music (Wild Cherry) * The Prayer (Celine Dion and Andrea Bocelli) * Say It Right (Nelly Furtado) * Teardrops on My Guitar (Taylor Swift) * Teenage Dream (Katy Perry) * Temporary Home (Carrie Underwood) * Un-Break My Heart (Toni Braxton) * What Goes Around . . . Comes Around (Justin Timberlake) * Wide Awake (Katy Perry) * You and Me (Lifehouse) * You Light Up My Life (LeAnn Rimes) * You Raise Me Up (Josh Groban).
$3.99
Wrapped Around Your Finger
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Police
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Keith Stevens
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Wrapped Around Your Finger
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Andemil
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SheetMusicPlus
Guitar Tab - Advanced Intermediate - Digital Download By The Police. Arranged by Keith Stevens. Individual Part, Solo Part, Tablature. 8 pages. Publi...
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Guitar Tab - Advanced Intermediate - Digital Download By The Police. Arranged by Keith Stevens. Individual Part, Solo Part, Tablature. 8 pages. Published by Andemil
Item Number: H0.796955-SC001292005
An arrangement for solo acoustic fingerstyle guitar in DADGAD tuning of Wrapped Around Your Finger by The Police, from their 1983 album, Synchronicity.
You can follow me and my arrangements/compositions at the following websites:
https://www.sheetmusicplus.com/publishers/andemil-sheet-music/3006786
https://www.keithstevensgtr.com/
https://www.facebook.com/andemilmusic
https://twitter.com/andemilmusic
$4.99
Look Around (And You'll Find Me There)
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Piano, Voix et Guitare
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Jazz
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Vince Hill
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Look Around
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Vince Hill. Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Vince Hill. Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
All Around Me by Flyleaf - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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Flyleaf
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All Around Me
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Musicnotes
Performed by: Flyleaf: All Around Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ar...
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Performed by: Flyleaf: All Around Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Guitar 5;Backup Vocals; 11 pages -- Rock~~Alternative Metal
$5.50
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
God Rest Ye Merry Gentlemen--vocal solo (bass clef) with harp accompaniment
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.786722 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score. 6 pages....
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.786722 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score. 6 pages. Beka Wilson #6408739. Published by Beka Wilson (A0.786722). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service. Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Romance - Spanish Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Anon
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Barry McCormick
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Romance - Spanish Guitar
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B. McCormick
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.808747 Composed by Anon. Arranged by Barry McCormick. Romantic Period. Guitar Tab. 5 pages. B. McCormick #3069169. Published ...
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Guitar - Level 3 - SKU: A0.808747 Composed by Anon. Arranged by Barry McCormick. Romantic Period. Guitar Tab. 5 pages. B. McCormick #3069169. Published by B. McCormick (A0.808747). This wonderful Guitar Piece, Romance, is a classic for any repertoire. PracticeThe piece lasts around 2:45 at 94 BPM. Once the triplet plucking is mastered the majority of the piece is easier to learn. It is just a case of learning the left hand shapes and incorporating where the melody goes, usually on the first or second strings. It is worth while making sure of your fingering in the intro section to make sure the scale is played well and with a clear tone. Fingering is merely suggested if you find a more comfortable/logical way for your playing style and the integrity of the piece is maintained, go for your own fingering. Don't let the fingering put you off!LevelThis piece is around Grade 4/5 level. Suitable for first instrument at Higher in Scotland and second instrument at Advanced Higher. Please confirm this arrangement with the exam board before any exams. Connect/ContactPlease connect with me if you like this arrangement. http://barrymccormick.comhttp://facebook.com/barrymccormickmusichttp://instagram.com/barrymccormickmusicYou can also find links to my YouTube and Soundcloud on my website and use the contact forms there to get in touch.
$1.99
We Love the '60s: Guitar
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Methodes
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Jay Althouse
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Movement and Staging
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We Love the '60s: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0015753_G Guitar. Arranged by Jay Althouse. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-001575...
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Guitar - SKU: AX.00-PC-0015753_G Guitar. Arranged by Jay Althouse. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015753_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015753_G). UPC: 038081361093.Here's seven minutes full of nonstop fun---and perhaps some fun memories for folks in your audience! This medley offers wonderful variety for concert or show choirs. Titles: He's a Rebel * Sealed with a Kiss * Save the LAst Dance for Me * Turn Around Look at Me * (Your Love Keeps Lifting Me) Higher and Higher.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$4.00
Longer
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dan Fogelberg
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John Fries
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Longer
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201520 By Dan Fogelberg. By Dan Fogelberg. Arranged by John Fries. 20th Century,Country,Pop,Standards. Sco...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201520 By Dan Fogelberg. By Dan Fogelberg. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 2 pages. John Fries #800141. Published by John Fries (A0.1201520). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Fogelberg, who had released more rock-oriented songs throughout the 1970s, jokingly described Longer in the liner notes to one of his retrospective albums as the song that put me on the elevators. He wrote the song while vacationing in Maui, lounging in a hammock one night and looking up at the stars. It just seems this song was drifting around the universe, saw me, and decided I'd give it a good home..
$4.99
...empty mind, open heart...
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Guitare
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Contemporain
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David Leisner
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...empty mind, open heart...
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions...
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Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
$7.95
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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