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GUITARE
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But I Do
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
But I Do
GUITARE
Partitions à imprimer
68 partitions trouvées
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What shall I do to show how much I love her for bassoon and guitar
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Guitare, Basson
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INTERMÉDIAIRE
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Henry Purcell
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David Warin Solomons
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What shall I do to show how mu
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.576561 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Weddi...
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.576561 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36779. Published by David Warin Solomons (A0.576561). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
What shall I do to show how much I love her for flute and guitar
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Flûte et Guitare
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Henry Purcell
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David Warin Solomons
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What shall I do to show how mu
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - SKU: A0.576565 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score an...
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Instrumental Duet Flute,Guitar,Instrumental Duet - SKU: A0.576565 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36791. Published by David Warin Solomons (A0.576565). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
Up I arose in verno tempore for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,Wo...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
Up I arose in verno tempore for bassoon and guitar
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Guitare, Basson
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577528 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,...
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577528 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985935. Published by David Warin Solomons (A0.577528). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
Up I arose in verno tempore for alto flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Anon
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David Warin Solomons
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Up I arose in verno tempore fo
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissan...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
I Could Have Lied
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Guitare
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INTERMÉDIAIRE
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Rock
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The Red Hot Chili Peppers
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Cleber Correia
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I Could Have Lied
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Cleber Domingues
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Corre...
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Solo Guitar - Level 3 - SKU: A0.1303867 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #893390. Published by Cleber Domingues (A0.1303867). I Could Have Lied was one of the Red Hot Chilli Peppers' biggest hits. It appeared on the same album (Blood Sugar) as other important songs from the band's history, such as Give It Away, Under The Bridge and Breaking in the Girk.In the beginning, the intro lick performed by the guitar, and the guitar solo were what inspired me for the arrangement, but I also found the bass line, another attraction to do the work.A pleasure to have reproduced this musical gem.Contacts:Tel - 55 11 9 5348 3015Instagram - euclebercorreia.
$10.00
Where Do I Begin (love Theme)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andy Williams
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John Fries
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Where Do I Begin
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200185 By Andy Williams. By Carl Sigman and Frances Lai. Arranged by John Fries. 20th Century,Film/TV,Pop,...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200185 By Andy Williams. By Carl Sigman and Frances Lai. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #798987. Published by John Fries (A0.1200185). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. (Where Do I Begin?) Love Story is a popular song published in 1970, with music by Francis Lai and lyrics by Carl Sigman. The song was first introduced as an instrumental theme in the 1970 film Love Story after the film's distributor, Paramount Pictures, rejected the first set of lyrics that were written. Andy Williams eventually recorded the new lyrics and took the song to number nine on Billboard magazine's Hot 100 and number one on their Easy Listening chart.
$4.99
Until You Come Back To Me (that's What I'm Gonna Do)
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Piano, Guitare (duo)
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INTERMÉDIAIRE
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Aretha Franklin
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Marc Gumberg
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Until You Come Back To Me
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Marc Gumberg
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.897968 By Aretha Franklin. By Clarence O. Paul, Morris Broadnax, and Stevie Wonder. Arranged by Marc Gumberg. R & B,Sou...
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Guitar,Piano - Level 3 - SKU: A0.897968 By Aretha Franklin. By Clarence O. Paul, Morris Broadnax, and Stevie Wonder. Arranged by Marc Gumberg. R & B,Soul. Score and part. 4 pages. Marc Gumberg #4288387. Published by Marc Gumberg (A0.897968). This is the same Master Rhythm part I posted, but sown a step in the key of C major. The original is in D major. A lot of singers I work with prefer this key, after all not everyone can be Aretha Franklin! This gives you the option of either the original key, or down a whole step!
$6.99
Arctic Monkeys : Do I Wanna Know? (niveau débutant)
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Guitare
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DÉBUTANT
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Rock
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Pop musique
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Arctic Monkeys
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Do I Wanna Know?
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Tomplay
Telechargez la tablature et la partition Guitare Do I Wanna Know? (niveau debutant) de Arctic Monkeys. Tab pour Rhythm Guitar -- Pop/rock...
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Telechargez la tablature et la partition Guitare Do I Wanna Know? (niveau debutant) de Arctic Monkeys. Tab pour Rhythm Guitar -- Pop/rock
5.99€
Three-dimensional study I
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Guitare
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Alejandro Goldenberg
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Three-dimensional study I
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Alejandro Goldenberg
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SheetMusicPlus
Solo Guitar - SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #483...
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Solo Guitar - SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #4832485. Published by Alejandro Goldenberg (A0.1025538). The main idea was to write a music material with a study structure that allowed it to be performed by two players, but also by only one. This characteristic inspired the name of the studies, as I imagined each part of the duet as a dimension, and the whole of it, the union of both, as the third dimension. This score include the two guitars version and the one guitar version.Moreover with the Three-Dimensional, I searched for a diversity of composition styles, starting by the music of our American Continent and reflecting some of its traces.Thus sometimes in an explicit way, others only suggesting, River Plate, Brazilian, Caribbean and North American atmospheres are present. It is basically an integrating music, and because of its construction it asks the performer to improvise, compose and do whatever he likes with it.
$1.99
PRELUDIO EN DO MENOR
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Guitare
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AVANCÉ
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Contemporain
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PeterMallender
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Luiz C Teixeira
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PRELUDIO EN DO MENOR
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Luiz C Teixeira
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,...
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Solo Guitar - Level 5 - SKU: A0.1414112 By PeterMallender. By Agustin Barrios Mangore. Arranged by Luiz C Teixeira. 20th Century,21st Century,Classical,Latin,Multicultural,World. Individual part. 2 pages. Luiz C Teixeira #995883. Published by Luiz C Teixeira (A0.1414112). This arrangement is designed to be performed on the guitar, taking into account the instrument's capabilities and limitations. Agustin Barrios' arrangements are often challenging but rewarding for experienced guitarists, and I'm happy to have completed it while maintaining the original proposed by the composer.
$9.00
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Publ...
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Solo Guitar - Level 4 - SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
I'd Do Anything For Love (But I Won't Do That)
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Guitare notes et tablatures
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FACILE
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Mariage/Ballade
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Rock
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Meat Loaf
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I'd Do Anything For Love
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (with TAB) - SKU: HX.1279819 By Meat Loaf. This edition: scorch. Love,Pop,Rock. Tablature. 8 pages. Hal Leonard - Digital #176. Published by...
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Easy Guitar (with TAB) - SKU: HX.1279819 By Meat Loaf. This edition: scorch. Love,Pop,Rock. Tablature. 8 pages. Hal Leonard - Digital #176. Published by Hal Leonard - Digital (HX.1279819).
$3.99
A Forever Kind of Love (Sentimental Duo) for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomns
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. Score and parts....
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989189. Published by David Warin Solomons (A0.577550). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
A Forever Kind of Love (Sentimental Duo) for bassoon and guitar
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Guitare, Basson
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporary. Score and par...
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989199. Published by David Warin Solomons (A0.577555). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
A Forever Kind of Love (Sentimental Duo) for alto flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contemporary. Score and ...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989191. Published by David Warin Solomons (A0.577551). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
2018 Holiday Contest Entry, "Away in a Manger"
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Guitare
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INTERMÉDIAIRE
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Noël
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James R
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R
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2018 Holiday Contest Entry, &q
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ralph scott carrier
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual ...
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Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
Home Again Guitar Minus Vocal
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Pop musique
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0....
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Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99
Auld Lang Syne
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Guitare notes et tablatures
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DÉBUTANT
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Tradition...
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Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
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