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Concerto A major
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Concerto A major
GUITARE
Partitions à imprimer
12 partitions trouvées
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Concerto No. 18
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Guitare, Quatuor à cordes
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INTERMÉDIAIRE
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Classique
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Giovanni Battista Viotti
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Concerto No. 18
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Chanterelle
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SheetMusicPlus
Guitar and string quartet - intermediate - Digital Download Composed by Giovanni Battista Viotti (1755-1824). Arranged by Charles Doisy. This edition...
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Guitar and string quartet - intermediate - Digital Download Composed by Giovanni Battista Viotti (1755-1824). Arranged by Charles Doisy. This edition: score and parts. Downloadable. Duration 25 minutes. Chanterelle #Q52178. Published by Chanterelle
English - German.
First modern edition of a period arrangement by Charles Doisy of a major three-movement violin concerto by the leading composer of late eighteenth-century Parisian violin concertos, Giovanni Battista Viotti. May be performed with string orchestra or as a chamber concerto (with string quartet).
$40.99
Andante (from Piano Concerto in D Major; Op. 1, No. 5)
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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James Hook
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Mark Phillips
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Op
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Andante
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691638 Composed by James Hook. Arranged by Mark Phillips. Classical. Score and part...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691638 Composed by James Hook. Arranged by Mark Phillips. Classical. Score and parts. 6 pages. A. J. Cornell Publications #4598329. Published by A. J. Cornell Publications (A0.691638). James Hook's Andante (from Piano Concerto in D Major; Op. 1, No. 5) for flute and guitar.
$4.99
Largo, 2nd Movement of Winter Concerto 'The Four Seasons' for Easy Violin and Guitar
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Violon, Guitare (duo)
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FACILE
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Classique
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Antonio Vivaldi
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Ahsan Fathoni
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Largo, 2nd Movement of Winter
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A Suburb Violinist
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 2 - SKU: A0.1133817 Composed by Antonio Vivaldi. Arranged by Ahsan Fathoni. Baroque,Christian,Classical,Early Mu...
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Guitar,Instrumental Duet,Violin - Level 2 - SKU: A0.1133817 Composed by Antonio Vivaldi. Arranged by Ahsan Fathoni. Baroque,Christian,Classical,Early Music. 6 pages. A Suburb Violinist #733932. Published by A Suburb Violinist (A0.1133817). Largo, 2nd Movement of famous 'Winter' Violin Concerto made easy for violin and guitar students. Transposed to C Major with fingerings and guitar tablature provided.
$2.99
Andante from piano concerto no. 21 (Elvira Madigan) for flute or violin and guitar
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Violon, Guitare (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Klas Krantz
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Andante from piano concerto no
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Amadeus Music
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.531215 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Mus...
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Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.531215 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Music #2033339. Published by Amadeus Music (A0.531215). Andante (main theme) from Piano Concerto No. 21, KV.467 by W.A. Mozart (1756-1791). Often called Elvira Madigan from the 1967 swedish film by Bo Wideberg. The original key is F major.
$6.95
Andante from piano concerto no. 21 (Elvira Madigan) for viola and guitar
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Alto, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Klas Krantz
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Andante from piano concerto no
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Amadeus Music
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SheetMusicPlus
Guitar,Instrumental Duet,Viola - Level 4 - SKU: A0.531752 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Musi...
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Guitar,Instrumental Duet,Viola - Level 4 - SKU: A0.531752 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Music #12663. Published by Amadeus Music (A0.531752). Andante (main theme) from Piano Concerto No. 21, KV.467 by W.A. Mozart (1756-1791). Often called Elvira Madigan from the 1967 swedish film by Bo Wideberg. The original key is F major.
$6.95
Sonata No. 1 G major
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Flûte et Guitare
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INTERMÉDIAIRE
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Johann Adolph Hasse
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Siegfried Schwab
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Sonata No. 1 G major
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Schott Music - Digital
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SheetMusicPlus
Flute and guitar - intermediate - SKU: S9.Q18952 Composed by Johann Adolph Hasse. Arranged by Siegfried Schwab. This edition: score and part. Downloadab...
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Flute and guitar - intermediate - SKU: S9.Q18952 Composed by Johann Adolph Hasse. Arranged by Siegfried Schwab. This edition: score and part. Downloadable, Score and part. Schott Music - Digital #Q18952. Published by Schott Music - Digital (S9.Q18952). Key: G major.Johann Adolph Hasse (1699-1783) is gradually rediscovered as master of the late Baroque era. Among his works are numerous sonatas and concertos for flute which, probably inspired by his friendship with Quantz and his relationship with Frederick the Great, play a special role. These also include the present Sonata for flauto traverse and basso continuo in an arrangement for flute and guitar. In the guitar part, the adaptation of the sonata for this instrumentation focuses on the fully notated bass line. Other – guitar-specific – embellishments such as chord vines, imitations, etc. stand back in favour of the leading bass line.
$13.99
Concerto in A major
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Guitare
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INTERMÉDIAIRE
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Karl Kohaut
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Ernesto Quezada
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Concerto in A major
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Karl Kohaut (1726-1784). Arranged by Ernesto Quezada. For guitar and string orchestra. Level 3. 12 pages. Published by Les Productions d'OZ - Digital ...
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By Karl Kohaut (1726-1784). Arranged by Ernesto Quezada. For guitar and string orchestra. Level 3. 12 pages. Published by Les Productions d'OZ - Digital
$9.95
Gavotta (from Concerto Grosso in F Major, Op. 6, No. 9)
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Guitare notes et tablatures
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Classique
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Arcangelo Corelli
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Mark Phillips
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Gavotta
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A. J. Cornell Publications
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SheetMusicPlus
Composed by Arcangelo Corelli (1653-1713). Arranged by Mark Phillips. Baroque Period. Sheet Music Single. 2 pages. Published by A. J. Cornell Publications (S0.2...
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Composed by Arcangelo Corelli (1653-1713). Arranged by Mark Phillips. Baroque Period. Sheet Music Single. 2 pages. Published by A. J. Cornell Publications (S0.216087). - Sheet Music Single - Baroque Period - A. J. Cornell Publications
$3.99
George Gershwin Three Preludes for Flute and Guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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omission and circumstance, the
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George Gershwin Three Preludes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. ...
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Guitar - Intermediate - SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31076MEB). ISBN 9781513477718. 8.75x11.75 inches.Following the model established by Bach and Chopin, George Gershwin (1898 – 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwin’s frenetic musical activities and an early death intervened, and for various reasons—only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwin’s Three Preludes. This book presents idiomatic flute/guitar arrangements of Gershwin’s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke. Audiences are going to love hearing these preludes rendered by the flute and guitar, particularly “Prelude II”, in Gershwin’s words, “a sort of blues lullaby” that is familiar to many musicians and listeners alike.
Song List
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Allegro ben ritmato e deciso
Andante con moto e poco rubato
Allegro ben ritmato e deciso
$14.99
Minuet
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Fabio Eduardo de Oliveira
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Minuet
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Fabio Eduardo
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1176766 Composed by Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Film/TV...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1176766 Composed by Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Film/TV,Wedding. Score. 2 pages. Fabio Eduardo #776847. Published by Fabio Eduardo (A0.1176766). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadThe Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach.These minuets, which are suitable for beginners on the piano, are among the best known pieces of music literature. The 1965 pop song A Lover's Concerto, of which millions of copies were sold, is based on the first of these Minuets.
$1.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Deuxiéme Sonata by Benjamin Godard (1849-1895)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benj
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eri...
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Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
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Concerto A major
