Classical and Flamenco Guitar Solos and Etudes provides an introduction to classical and flamenco guitar techniques through 22 pieces. These short, melodic studies will increase your understanding of chord/harmonic shapes, and encompass a variety of styles: vals, classical etudes, malaguena, solea, rumba, farruca, and bulerias. The five main techniques in classical and flamenco guitar are: pulgar (thumb rest stroke), arpeggio, picado (index and middle alternating strokes), rasgueo (strumming), and tremolo (flamenco) a which are applied throughout this book. Includes access to online audio and video.

Études for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the ?manner? of an Étude that deals with specific aspects of guitar techniques and musicianship in general.


These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:

1 with false optimism

2 with moderate sadness

3 with just the two of you

4 with a touch of impatience

5 with a touch of grandeur

6 with a counterpoint attitude

7 with a touch of shame

8 with a touch of boredom

9 going and never coming back

10 with a peaceful anger

11 without the heavy ones

12 without hope

13 without sense of humor

14 with a masculine attitude

15 with two little bears in mind

16 without hesitation

17 with shameless vibrato

18 with a touch of distress

19 without fear of failure

20 with this and that

21 with a kind motion

22 with a rondo attitude

23 with suspense

24 with everything you may have

ISBN 9781513459844. 8.75x11.75 inches.

This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.

Aquellos Ojos Verdes (Green Eyes) is a popular song, originally written in Spanish under the title "Aquellos Ojos Verdes" ("Those Green Eyes") by Adolfo Utrera and Nilo Menéndez, 1929. The English translation was made by Eddie Rivera and Eddie Woods in 1931.The song has more than 60 recorded versions. Ben Affleck also sang the Spanish version, in the 2006 film, Hollywoodland.
The song is very guitaristic and suits the guitar beautifully.

For classical Guitar solo or acoustic Guitar solo.
With standard notation and tablature.
Early Intermediate.
Pages: Two (2) pages.
About SMP Press

ISBN 9781619117549.

The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

ISBN 9781513459240. 8.75x11.75 inches.

Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuningall with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or flamenco-ized. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous Recommended Listening list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio.

Jesu, Joy of Man's Desiring, by Johann Sebastian Bach, arranged for solo guitar in G major. Includes 4-page score with tablature and 2-page guitar part without tab.

Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.

Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version without tablature available on this website. Both right and left hands are fingered in the trickier passages.

ISBN 9781619118171.

Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima, One Minute Later, Tales, and The Choice. Two of the tracks, aElvira Mariaa and the 3-movement Sonata aBanc daArguina are strictly guitar solos, while aRichia is a solo accompanied by light percussion. aKilianas Mountaina is a reduced score of an extended duet with a pianist, and aDesiertoa and aVirgiannaa include expert sidemen on saxophone, bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves, all played with spontaneity and a heightened awareness of time, dynamics, color, technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging, but they provide a roadmap to the recordings, and rare insight to the workings of a unique musical mind. Diego Barberas Compositions for Classical Guitar are written in standard notation only, with online access to stellar solo and ensemble recordings. About Sonata aBanc daArguina a\| Diego Barber is a native of Lanzarote in the Canary Islands, just off the northeast coast of Africa; in writing Sonata aBanc daArguin,a the main solo piece in this collection, he was inspired by the major cities, Nouadhibou and Nouakchott, the Banc daArguin National Park, and the desert of the West African country of Mauritania.

ISBN 9781513459899. 8.75 x 11.75 inches.

Easy to Play Flamenco and Classical Guitar Solos is an essential song book for beginner to intermediate players learning to play flamenco and classical guitar. Featuring 23 songs, this book introduces students to flamenco palos/styles such as zambra, sevillanas, rumba and verdiales; and classical guitar songs such as milonga, waltzes (vals) and etudes that utilize fundamental right-hand techniques/arpeggio patterns commonly found in classical songs. And be sure to check out my other book, Classical and Flamenco Guitar Solos and Etudes, co-written with Elysa Hochman. Includes access to online audio and video.

This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner and Johannes Brahms.

All the pieces are presented in simplified version for the beginner.

Includes:

1812 Overture, Op. 49
An der schönen blauen Donau, Op. 314
Bourrée, BWV 996
Dance of the Flowers, Op. 71a
Eine kleine Nachtmusik, K.525
Für Elise, WoO 59
Greensleeves
Guten Abend, gut? Nacht
I Dovregubbens hall
Jesus bleibet meine Freude, BWV 147
Kanon in D-Dur
La Donna è Mobile
la Primavera, RV. 269
Menuett, BWV Anh 114
Ode an die Freude, Op. 125
Pomp and Circumstance March Nº1, Op. 39
Treulich geführt
Water Music, HWV 349

ISBN 9781619118515.

Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.

ISBN 9781619119314.

Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.

Fifty selected National Airs of different Nations for Classical Guitar solo.

Around early intermediate to Intermediate level, while there are a few on easy and advanced intermediate level.
With downloadable mp3 just for audio help. With standard notation and tablature (TAB).
Pages: Fifty (50) pages, 40' min.
1. March by Rossini, 2. Russian Air, 3. Andante by Beethoven, 4. The Last Rose of Summer, 5. French Air, 6. Un Noel ? an old French Air, 7. Le Petit Tambour, 8. Russian Air, 9. Polish National Air, 10. Scotch Air, 11. German Air, 12. Russian Hymn, 13. John Anderson, 14. Tyrolian Air, 15. Danish Air, 16. Cherubini?s Air from Faniska, 17. Polish Hymn, 18. Kelvin Grove, 19. Podolian Air, 20. Fra Tante Angoscie, 21. Au Clair, 22. Dutch Air, 23. Portuguese Hymn, 24. Air by Gelinek, 25. Pyrenese Melody, 26. Polish Air, 27. Scotch Air, 28. Pleyel?s Hymn, 29. Donald ? a Scotch Air, 30. Sicilian Mariner?s Hymn, 31. Auld Lang Syne, 32. German Air, 33. Scots Wha Hae Wi? Wallace Bled, 34. Vive Henri Quatre, 35. Air from the Ballet of Nina, 36. Danish Air, 37. Post Horn Waltz, 38. Old German Air, 39. Air from the Ballet of Alfred the Great, 40. Polish Air Krakoviak, 41. Scotch Air, 42. Swedish Air, 43. Danish Air, 44. Il Pleut, Il Pleut, Bergere, 45. Rule Britannia, 46. C?est L?Amour ? a French Air, 47. Scotch Air, 48. An Alexis, 49. Je suis Lindor, 50. Chanson des Marseillois.

Three Preludes on Occitan Songs

The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.

In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).

Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.
I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.

The Cancion de Hialara translates as ?The Spinner?sSong?. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.

Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.

Lò NostreAse translatesas ?Our Donkey?. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.

For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.

This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.

Thankyou and I hope you enjoy Three Preludes on Occitan Songs.

Suite for flute & guitar "Al Descubierto":
I. Danza - https://youtu.be/9B0V5768Bzs
II.Río Helado - https://youtu.be/DD5SnIk7mOM
III. Peregrinaje - https://youtu.be/MccO1dmWoaY

Encore original pieces for students. All works are based on classical guitar technique (tremolo, arpeggio, apoyando / tirando, legato, thumb use) specially created for easy playability discovering traditional and contemporary characters.

This is an arrangement of Amazing Grace which I play on the classical guitar. It would be a good study piece for developing smooth and quick position changes while maintaining proper duration of notes and steadiness of tempo.

Preparatory Guide for Classical Guitar & Music Theory

By Eric Charles Mokotoff

40 In-depth Lessons that take you from the basics of learning to read traditional notation through a complete and detailed understanding of scales, key signatures, chord structure, inversions, music theory and analysis. This is a must for the serious student who wants to understand music and how it pertains to the classical guitar. It?s not enough to play the guitar, you need to understand the language of music and theory and how it all comes together on this incredible instrument.

ISBN 9781619118324.

The result of decades of experience in teaching the classical guitar, this method introduces the student to the earliest stages of learning how to play the classical guitar, from learning how to read music to becoming an accomplished player. This gradually progressing approach covers scales, including scales in thirds, sixths and octaves in all major and minor keys, arpeggios, chords, slurs, harmonics, and more. The technical aspects in this book are supplemented with a vast number of exercises and solos, from easy to more advanced, including repertoire music to make the process of learning to play the guitar a most enjoyable experience. Written in standard notation only.

Item Number: M0.30865EB

ISBN 9781513455013.

The Essential Classical Guitar Scale Book can be used by all guitarists no matter where you are on your path to mastering the instrument. For the teacher and student, this book is essential because it is a complete and codified scale system that can be used to learn proper finger placement, coordination, music theory, practice techniques, and a general knowledge of the guitar fretboard. In addition to the traditional 2 and 3 octave scales, modes, whole tone, and diminished scales are covered. Useful practice schedules for mastery are also included. Work on theory, sight reading, tone, synchronization, speed, legato and more while keeping scale practice fresh.