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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
22.7 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 17
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Socrates Arvanitakis
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SheetMusicPlus
8 Swinging Xmas Carols for Guitar & Piano
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Vario…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs..
$15.99
14.52 €
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Guitare
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Guitar & Piano
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Keith Terrett
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SheetMusicPlus
Done For Me (feat. Kehlani)
Piano, Voix et Guitare
By Charlie Puth (feat. Kehlani) and Charlie Puth. This edition: Interactive Download…
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By Charlie Puth (feat. Kehlani) and Charlie Puth. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital
$4.99
4.53 €
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Piano, Voix et Guitare
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Charlie Puth
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Done For Me
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Hal Leonard - Digital
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SheetMusicPlus
Variation for Guitar Trio No.1 (Style Variation)
3 Guitares (trio)
Small Ensemble Guitar - Level 2 - Digital Download SKU: A0.1031181 Composed by Clar…
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Small Ensemble Guitar - Level 2 - Digital Download SKU: A0.1031181 Composed by Clarentino Triadi. 20th Century,Contemporary,Standards,World. Score and parts. 21 pages. Clarentino Triadi #3009861. Published by Clarentino Triadi (A0.1031181).  Its a style variation composition for guitar trio, the theme itself compose from combination music scale in Asia.There are seven style variation in this piece, some of them are 80's pop music style in Indonesia, Keroncong style, jazz style, Contrapuntal, and many more.  This piece is appropriate for early intermediate students, since its use common technique like palm mute, artificial harmonic, tempo change, volume balance between player especially at the contrapuntal part, all player will play the cantus firmus and accompaniment so students will train to play in ensemble, when to loud, when to not too loud, when to accompany, when to play legato, to tune guitar in middle of performance, to play expressively, and so on, and students will know at least a few style in our world.  This piece duration is 7 minutes, recommend played for recital Contact me if you have question email: clarentinochitara@gmail.com
$3.57
3.24 €
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3 Guitares (trio)
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Clarentino Triadi
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Variation for Guitar Trio No.1
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Clarentino Triadi
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SheetMusicPlus
Peer Gynt Suit n°1- Ases Tod for classical guitar
Guitare
Solo Guitar - Digital Download SKU: A0.916169 Composed by Edvard Grieg. Arranged by…
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Solo Guitar - Digital Download SKU: A0.916169 Composed by Edvard Grieg. Arranged by Terry Carpenter. Romantic Period. Individual part. 2 pages. Terry Carpenter #3087527. Published by Terry Carpenter (A0.916169). Ases Tod, from the suit n°1 of Peer Gynt, composed by Edvard Grieg. A light arrangement for classical guitar. The associated mp3 is done by music software.Any question, contact meterrycarpenter@yahoo.com
$5.00
4.54 €
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Guitare
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Edvard Grieg
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Terry Carpenter
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composed by Edvard Grieg
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Peer Gynt Suit n°1- Ases Tod for classical guitar
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Terry Carpenter
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SheetMusicPlus
Up I arose in verno tempore for flute and guitar
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.45 €
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Flûte et Guitare
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Anon
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David Warin Solomons
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Up I arose in verno tempore for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for bassoon and guitar
Guitare, Basson
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577528 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985935. Published by David Warin Solomons (A0.577528). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.45 €
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Guitare, Basson
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Anon
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David Warin Solomons
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Up I arose in verno tempore for bassoon and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for alto flute and guitar
Flûte et Guitare
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU:…
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.45 €
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Flûte et Guitare
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Anon
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David Warin Solomons
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Up I arose in verno tempore for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
Both Sides Now
Guitar - Level 2 - Digital Download SKU: A0.1361805 By Dion. By Joni Mitchell. Arra…
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Guitar - Level 2 - Digital Download SKU: A0.1361805 By Dion. By Joni Mitchell. Arranged by Brian Streckfus. Country,Folk,Instructional,Singer/Songwriter. Chords/Lyrics. 3 pages. Brian Streckfus #946261. Published by Brian Streckfus (A0.1361805). Pages: 3Key: G MajorThis is not intended to be a super historically accurate version; it is more of a guitar version for those that might not sing (maybe you have heard someone do a solo SATB guitar version of a Beatles song). However, someone could use this version to create a simple or sophisticated version. The melody is exact but the harmonies were altered slightly. I often make a version like this to accurately sing the melody, then once I've done that, I feel like I can just go with it better. For some people, singing teaches them guitar, for me, guitar teaches my singing. Features:1. Condensed version into 3 pages with organized sections2. Chord names3. Guitar chord charts4. Guitar fingerings.
$1.99
1.81 €
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Dion
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Brian Streckfus
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Both Sides Now
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Brian Streckfus
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SheetMusicPlus
Modern Guitar Method Grade 1: Blues Jam Play-Along
Guitare
By William Bay. For Guitar (All). All Styles. 16 pages. Published by Mel Bay Publications …
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By William Bay. For Guitar (All). All Styles. 16 pages. Published by Mel Bay Publications - Digital Sheet Music
This book/audio teaches you how to hear and play Groove Time. Tunes include: Evil Ways; Blue Tuesday, Truckin'; Blues Drive; She Done Me Wrong; and Coastin'. Two improvising scales are shown for every tune, and each selection presents a different blues style for improvising. Blues tunes are presented in the keys of C, Am and G. You can also play along with the companion audio which features an excellent blues band playing all of the back-up parts. Includes access to online audio.
$9.99
9.07 €
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Guitare
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William Bay
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Modern Guitar Method Grade 1: Blues Jam Play-Along
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Crazy Little Thing Called Love
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Fred…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Freddie Mercury. Arranged by Igor Sardi Bass. Pop,Rock. Score. 3 pages. Igor Sardi Bass #861713. Published by Igor Sardi Bass (A0.1269176). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
7.26 €
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Guitare
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Queen
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Igor Sardi Bass
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2) - https://www
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Crazy Little Thing Called Love
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Igor Sardi Bass
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SheetMusicPlus
Who Needs You
Guitar - Level 3 - Digital Download SKU: A0.1271089 By Queen. By John Deacon. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1271089 By Queen. By John Deacon. Arranged by Igor Sardi Bass. Folk,Funk,Pop,Rock. 13 pages. Igor Sardi Bass #863482. Published by Igor Sardi Bass (A0.1271089). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
7.26 €
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Queen
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Igor Sardi Bass
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2) - https://www
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Who Needs You
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Igor Sardi Bass
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.36 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.36 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.36 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.36 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
The Singing Guitar
Guitare notes et tablatures
Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El …
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Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El McMeen. Arranged by El McMeen. Gospel, Sacred, Folk, Celtic, Americana. 264 pages. Published by Ellsworth McMeen
Internationally acclaimed guitarist Ellsworth ("El") McMeen has done over 220 solo fingerstyle guitar arrangements and compositions in the last 30 years. He has numerous recordings, books,<br> and DVD lessons and has concertized throughout the United States.<br> <br> Of his work, he has selected for this voluminous book<br> 60 pieces with his favorite melodies. (Among them is an instrumental<br> he composed for his wife, called "Song for Sheila.")<br> <br> The music is diverse in genre and mood, but each piece is compelling in its own way.<br> Included are folk tunes, a classical piece, hymns, a patriotic song,<br> ancient Celtic harp music, lullabies, El's favorite Christmas song<br> ("In the Bleak Midwinter"), El's favorite Irish jig ("The Kid on the Mountain"),<br> laments, love songs, and Irish airs.<br> <br> El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists.<br> https://tinyurl.com/GreatestGuitarists Several of his recordings are referenced here:<br> https://elmcmeen.bandcamp.com/<br> <br> The audio sampler contains all or part of the following selections, in the CGDGAD tuning<br> except as otherwise indicated. (When El has recorded some of this music, he has used a capo,<br> usually at fret II or IV, for tonal atmosphere.)<br> <br> 1. America the Beautiful<br> 2. Be Still, My Soul<br> 3. Be Thou My Vision<br> 4. Carolan's Concerto<br> 5. Carolan's No. 179<br> 6. Come, Thou Long-Expected Jesus<br> 7. Give Me Your Hand<br> 8. Hector the Hero<br> 9. In the Bleak Midwinter<br> 10. Jerusalem (Drop D)<br> 11. Jesu, Joy of Man's Desiring<br> 12. Kid on the Mountain<br> 13. My Mary of the Curling Hair<br> 14. Niel Gow's Lament for the Death of His Second Wife<br> 15. Rose of Allendale<br> 16. Song for Sheila
$35.00
31.79 €
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Guitare notes et tablatures
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El McMeen
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El McMeen
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The Singing Guitar
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Ellsworth McMeen
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SheetMusicPlus
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