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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Half As Much
GUITARE
Partitions à imprimer
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Half As Much
Paroles et Accords
Digital Download SKU: HX.170096 By Hank Williams and Patsy Cline. Country. Guitar C…
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Digital Download SKU: HX.170096 By Hank Williams and Patsy Cline. Country. Guitar Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.170096).
$1.99
1.82 €
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Paroles et Accords
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Hank Williams and Patsy Cline
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Half As Much
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Hal Leonard - Digital
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SheetMusicPlus
Half As Much
Piano, Voix et Guitare
By Patsy Cline and Hank Williams. For piano, voice, and guitar (chords only). Country; Sta…
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By Patsy Cline and Hank Williams. For piano, voice, and guitar (chords only). Country; Standards. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Piano, Voix et Guitare
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Patsy Cline and Hank Williams
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Standards
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Half As Much
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Half As Much
Guitare notes et tablatures
By Patsy Cline and Hank Williams. Country; Standards. Easy Guitar with TAB. 2 pages. Publi…
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By Patsy Cline and Hank Williams. Country; Standards. Easy Guitar with TAB. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.65 €
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Guitare notes et tablatures
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Patsy Cline and Hank Williams
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Standards
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Half As Much
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Curley Williams: Half As Much for guitar
Paroles et Accords
Instantly printable sheet music by Hank Williams for guitar (chords) of MEDIUM skill level…
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Instantly printable sheet music by Hank Williams for guitar (chords) of MEDIUM skill level. / country
$1.97
1.8 €
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Paroles et Accords
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Curley Williams
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Virtualsheetmusic
Curley Williams: Half As Much for guitar
Guitare notes et tablatures
Instantly printable sheet music by Hank Williams for guitar solo (easy tablature) of EASY …
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Instantly printable sheet music by Hank Williams for guitar solo (easy tablature) of EASY skill level. / country,standards,children
$5.97
5.46 €
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Guitare notes et tablatures
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Curley Williams
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Virtualsheetmusic
Half As Much
Ligne De Mélodie, (Paroles) et Accords
Country, Pop, Rock. PROVCL. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.39…
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Country, Pop, Rock. PROVCL. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.392411). - PROVCL - Country,Pop,Rock - Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Ligne De Mélodie, (Paroles) et Accords
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Half As Much
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Half As Much
Ligne De Mélodie, (Paroles) et Accords
By Patsy Cline and Hank Williams. Country. Fakebook. 1 pages. Published by Hal Leonard - D…
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By Patsy Cline and Hank Williams. Country. Fakebook. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.376851). - Fakebook - Country - Hal Leonard - Digital Sheet Music
$3.99
3.65 €
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Ligne De Mélodie, (Paroles) et Accords
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Patsy Cline and Hank Williams
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Half As Much
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Folies of Spain for Guitar Duo
2 Guitares (duo)
Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1443536 Comp…
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Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1443536 Composed by Giuseppe Domenico Scarlatti Edited by Keith Terrett. Arranged by Keith Terrett. Classical,Early Music,Historic,Instructional,Multicultural,World. 5 pages. Keith Terrett #1023472. Published by Keith Terrett (A0.1443536). Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685 – 23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.Distinctive attributes of his music are:The influence of Iberian (Portuguese and Spanish) folk music. An example is his use of the Phrygian mode and other tonal inflections more or less alien to European art music. Many of his figurations and dissonances are suggestive of the guitar.The influence of the Spanish guitar can be seen in notes being played repeatedly.A formal device where each half of a sonata leads to a pivotal point, which Kirkpatrick termed the crux, and which is sometimes underlined by a pause or fermata. Before the crux, Scarlatti sonatas often contain their main thematic variety, and after the crux, the music makes more use of repetitive figurations as it modulates away from the home key (in the first half) or back to the home key (in the second half).Its tendency to be in the galant style.
$3.00
2.74 €
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2 Guitares (duo)
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Giuseppe Domenico Scarlatti Edited by Keith Terrett
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Keith Terrett
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Folies of Spain for Guitar Duo
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Keith Terrett
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SheetMusicPlus
Fantasia Upon A Cabbage
4 Guitares (Quatuor)
Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 18 pages. Derek Hasted #979126. Published by Derek Hasted (A0.1395754). FANTASIA UPON A CABBAGE - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarPerfect for School Music Teachers and for adults with a sense of the ridiculous...Derek Hasted writes This really does need a bit of explanation. Well, more than a bit...As a Guitar Teacher I often have to teach beginners how to read music, and of course the seven names of the musical notes can be made to spell words. Like CABBAGE.This, then, is a little piece of kitchen-based nonsense, cooking up a rather unappetising dish comprising cabbage, egg, beef and a lot, lot more cabbage. Iâ??ve arranged it (if that is the word) to include nods to the renaissance and baroque periods.The scores contain mark-ups to show where a particular player has an item of food in their motif.As well as EGG, youâ??ll find some GEG (thatâ??s scrambled egg) and a BAD EGG (and some sad music). Youâ??ll also find that the recipe includes a helping or two of BEEF.Bach comes in for a special mention, as thereâ??s a fugue-like section where the subject comes in a fifth away from the starting key (which Iâ??ve loosely interpreted as being a recipe in a foreign language) and thereâ??s some stretti (well, just about) at the end, when the fugue subjects overlap a tiny, tiny amount. And we also pay homage to the pedal section of an organ, where the CABBAGE subject comes in down low at half the speed of the original.The final, jazzy, chord at the end contains seven notes that collectively spell CABBAGE.Guitar 4 is supplied in treble and bass clefs - either or both will work in a large ensemble.So there are lots of teaching points, lots of things to ask the audience to listen out for, and a lot of mischief in a compact piece.The musical refrain CABBAGE is not the greatest motif to work with, but on reflection, when you have this much cabbage, itâ??s much better to listen to it than have to eat it...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.73 €
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4 Guitares (Quatuor)
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Derek Hasted
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Derek Hasted
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Fantasia Upon A Cabbage
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Derek Hasted
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SheetMusicPlus
Africa
4 Guitares (Quatuor)
Guitar - Level 3 - Digital Download SKU: A0.1410591 By Toto. By David Paich and Jef…
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Guitar - Level 3 - Digital Download SKU: A0.1410591 By Toto. By David Paich and Jeff Porcaro. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #993012. Published by Derek Hasted (A0.1410591). AFRICA (Toto) - GUITAR QUARTET/large ensembleWritten for classical guitar, also suits acoustic or electric guitarDerek Hasted writes I wanted to make this fantastic piece accessible to as many guitarists as I could. To do that, Iâ??ve moved the key down one tone to make the keys in this piece familiar ones. My arrangement will suit a mixed ability ensemble from early intermediate to intermediate. Guitar 4 has the bottom string tuned down to D, and thereâ??s a bass clef version of the same line to suit a normally tuned bass guitar or upright bass. You can have one or both lines in your performance.Iâ??ve deleted a tiny piece of repetition near the end - the words change in the original but the music doesnâ??t - as an instrumental there was too much of the same phrase! The piece finishes with a final chord instead of a fade to nothing, as it works so much better in concert.The resulting piece still runs for four and a half minutes. Thereâ??s a set of repeat marks so that the music will fit on a normal music stand without page turns.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.56 €
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4 Guitares (Quatuor)
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Toto
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Derek Hasted
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Africa
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Derek Hasted
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.82 €
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
The Dream Of Olwen
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.797785 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. 20th Century,Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5792281. Published by Derek Hasted (A0.797785). THE DREAM OF OLWEN - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic piece was written as an integral part of the film While I Live, and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.The flute part has a compass from Middle C to the G two-and-a-half octaves up and suits an intermediate player.The guitar part will suit an advanced intermediate player - much of the music is fingered for ease of playing.My arrangement captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar and flute to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a piece lasting almost 4 minutes. The ability of the flute to hold a long note makes the music come alive and blossom even more.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment retains much of the original harmony and rhythm, but tailored to the gentle sounds of the flute and guitar.I hope you enjoy playing this piece!Dedicated to the memory of my maternal grandmother Olwen
$4.99
4.56 €
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Flûte et Guitare
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
Gnossienne No. 3 (Tablature +)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
1.82 €
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Guitare notes et tablatures
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Erik Satie
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Brian Streckfus
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
Guitare notes et tablatures
Guitar - Early Intermediate - Digital Download By Simon And Garfunkel. Arranged by Da…
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Guitar - Early Intermediate - Digital Download By Simon And Garfunkel. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Solo Part, Tablature. 4 pages. Published by danjonesguitarist.com
TheSound of Silence isPaul Simon’s masterpiece. Released in 1965, Simon had written the track duringthe two previous years. It was well worth the wait.<br> <br> Itis an obvious choice as a piece of repertoire to arrange for the intermediateguitarist, yet I have found that many arrangements include real technicaldifficulties for the learner. This is often because of the choice of key. Ifset in A minor, an F barre chord is encountered. Similarly, in D minor, a Bflat barre chord crops up. After much trial and error, I have created a versionin F sharp minor which is playable for younger and less experienced hands,without, I believe, losing any musical effect.<br> <br> <br> <br> Ihave tried to make this arrangement flexible. Therefore, it is set in 2sections. A grade 1-2 guitarist can play just the first half, twice for acomplete performance. The second half has a thicker texture, with a ‘flatpicking’ technique applied to the thumb. Here, the thumb plays the lower notes onall four beats of the bar.<br> <br> <br> <br> This downloadprovides one version with only notes, and a second in notes and TAB (in this singledownload). I am aware that many teachers dislike TAB, so you are given the choice.<br> <br> Professionalplayers looking for light repertoire – perhaps for restaurant or wedding work –can fill out the parts spontaneously. The chord sequence is obvious to those withmore experience.<br> <br> Personally speaking, I sometimes play the arrangement with a capo at fret 3 or 4 to vary the timbres heard in a concert programme.<br> <br> I hope very muchthat you enjoy playing this version of The Sound of Silence. To see andhear my arrangements for learners, professionals, and ensembles, please visit www.danjonesguitarist.com.I have also written a memoir of working as a guitarist in rural France. Pleasesee www.danjonesauthor.com.<br> <br> I will upload a YouTube video and lesson before the end of February 2021.<br> <br> THANK YOU! DanJones, Perthshire, Scotland, February 2021TheSound of Silence isPaul Simon’s masterpiece. Released in 1965, Simon had written the track duringthe two previous years. It was well worth the wait.<br> <br> Itis an obvious choice as a piece of repertoire to arrange for the intermediateguitarist, yet I have found that many arrangements include real technicaldifficulties for the learner. This is often because of the choice of key. Ifset in A minor, an F barre chord is encountered. Similarly, in D minor, a Bflat barre chord crops up. After much trial and error, I have created a versionin F sharp minor which is playable for younger and less experienced hands,without, I believe, losing any musical effect.<br> <br> <br> <br> Ihave tried to make this arrangement flexible. Therefore, it is set in 2sections. A grade 1-2 guitarist can play just the first half, twice for acomplete performance. The second half has a thicker texture, with a ‘flatpicking’ technique applied to the thumb. Here, the thumb plays the lower notes onall four beats of the bar.<br> <br> <br> <br> This downloadprovides one version with only notes, and a second in notes and TAB (in this singledownload). I am aware that many teachers dislike TAB, so you are given the choice.<br> <br> Professionalplayers looking for light repertoire – perhaps for restaurant or wedding work –can fill out the parts spontaneously. The chord sequence is obvious to those withmore experience.<br> <br> Personally speaking, I sometimes play the arrangement with a capo at fret 3 or 4 to vary the timbres heard in a concert programme.<br> <br> I hope very muchthat you enjoy playing this version of The Sound of Silence. To see andhear my arrangements for learners, professionals, and ensembles, please visit www.danjonesguitarist.com.I have also written a memoir of working as a guitarist in rural France. Pleasesee www.danjonesauthor.com.<br> <br> I will upload a YouTube video and lesson before the end of February 2021.<br> <br> THANK YOU! DanJones, Perthshire, Scotland, February 2021
$4.99
4.56 €
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Guitare notes et tablatures
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Simon And Garfunkel
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Dan Jones (www
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The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
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danjonesguitarist.com
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SheetMusicPlus
Fingerboard Mastery: Scales and Arpeggios Book Two
Guitare
By Frank Potenza. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publication…
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By Frank Potenza. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113213. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book Two presents patterns for the harmonic minor and melodic minor scales and all of their relative modes: the bebop scale (major, minor and dominant), chromatic scale, whole-tone scale, diminished scale (whole/half and half/whole) and augmented scale. Along with these scale forms, patterns for minor (major 7) and augmented (major 7) arpeggios are presented.ISBN 9781619113213. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book Two presents patterns for the harmonic minor and melodic minor scales and all of their relative modes: the bebop scale (major, minor and dominant), chromatic scale, whole-tone scale, diminished scale (whole/half and half/whole) and augmented scale. Along with these scale forms, patterns for minor (major 7) and augmented (major 7) arpeggios are presented.
$12.99
11.88 €
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Guitare
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Frank Potenza
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Fingerboard Mastery: Scales and Arpeggios Book Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ye Banks and Braes O' Bonnie Doon
4 Guitares (Quatuor)
By Traditional (Scotland). By Traditional (text by Robert \'Rabbie\' Burns).…
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By Traditional (Scotland). By Traditional (text by Robert \'Rabbie\' Burns). Arranged by Dan Jones (danjonesguitarist.com). 153, Celtic, Classical, Irish, Traditional. Score and parts. 37 pages. DanJonesGuitarist #714866. Published by DanJonesGuitarist
This arrangement comes in the following format, all provided in this one download:*A score with notes and TAB*A score with notes only (to facilitate page turns at the request of teachers)*Parts in notes and TAB*Parts with notes onlyThe melody set here is traditionally used for a setting of the beautiful Robert \'Rabbie\' Burns poem \'Ye Banks and Braes\'. The actual melody is much older and its origin unknown.The arrangement here is intended for an ensemble of guitars of mixed levels of experience. The verses and chorus are set in both G major, A major and then G major again. Groups can shorten or lengthen a performance if desired, according to experience.Arrangement details are as follows:Guitar 1 - has the main melody and also plays in harmony with Guitar 2. Higher-position playing is required later in the arrangement, if the the full version is performed.Guitar 2 - often harmonises, and plays in canon with Guitar 1. There is some high-position playing required in the full version.Guitar 3 - is intended for beginners and is an optional part. It consists of dotted half notes (minims) throughout.Guitar 4 - has chords throughout. I have provided chord symbols for those familiar with this system. The harmonies given in the notes and TAB are designed to facilitate left-hand chord changes. For a wealth of arrangements, compositions and writings to suit guitarists of all levels of experience, please visit www.danjonesguitarist.com.This arrangement comes in the following format, all provided in this one download:*A score with notes and TAB*A score with notes only (to facilitate page turns at the request of teachers)*Parts in notes and TAB*Parts with notes onlyThe melody set here is traditionally used for a setting of the beautiful Robert \'Rabbie\' Burns poem \'Ye Banks and Braes\'. The actual melody is much older and its origin unknown.The arrangement here is intended for an ensemble of guitars of mixed levels of experience. The verses and chorus are set in both G major, A major and then G major again. Groups can shorten or lengthen a performance if desired, according to experience.Arrangement details are as follows:Guitar 1 - has the main melody and also plays in harmony with Guitar 2. Higher-position playing is required later in the arrangement, if the the full version is performed.Guitar 2 - often harmonises, and plays in canon with Guitar 1. There is some high-position playing required in the full version.Guitar 3 - is intended for beginners and is an optional part. It consists of dotted half notes (minims) throughout.Guitar 4 - has chords throughout. I have provided chord symbols for those familiar with this system. The harmonies given in the notes and TAB are designed to facilitate left-hand chord changes. For a wealth of arrangements, compositions and writings to suit guitarists of all levels of experience, please visit www.danjonesguitarist.com.
$5.95
5.44 €
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4 Guitares (Quatuor)
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Traditional
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Burns)
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Ye Banks and Braes O' Bonnie Doon
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DanJonesGuitarist
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SheetMusicPlus
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