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Vous avez sélectionné:
Hung Up: Score
GUITARE
Partitions à imprimer
6 partitions trouvées
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Matariki Hunga Nui
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1322283 By Leon Gray.…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1322283 By Leon Gray. By Leon Gray. Arranged by Leon Gray. Classical,Folk,Holiday,Multicultural,Patriotic,World. Score. 7 pages. Leon Gray #910629. Published by Leon Gray (A0.1322283). A brand new anthem/carol for Matariki - New Year in Aotearoa/New Zealand. You want a big, lively, singable, proud and stirring tune that everybody will pick up easily, then have a listen to Matariki Hunga Nui (Matariki Gathers Us), by Leon Gray.Perfect as a solo song at community choir concerts, or as part of any Matariki celebration with joy in mind. It tells the story and explores the values of this burgeoning holiday on the Kiwi calendar. You love big anthems/carols that crowds love singing? Then you'll love this anthem, Matariki Hunga Nui and if you like it, get your choir to sing it at Matariki.Or sing it in a Matariki concert yourself - this concert solo version is available right now.Something stirring for a great time of year. It tells the story and reflects the great values of Matariki! ENJOY!
$5.00
4.61 €
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Piano, Voix et Guitare
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Leon Gray
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Leon Gray
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Matariki Hunga Nui
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Leon Gray
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SheetMusicPlus
Straighten Up And Fly Right
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198931 Composed by I…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198931 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #798032. Published by John Fries (A0.1198931). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Straighten Up and Fly Right is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The song was based on a black folk tale that Cole's father had used as a theme for one of his sermons. In the tale, a buzzard takes different animals for a joy ride. When he gets hungry, he throws them off on a dive and eats them for dinner. A monkey who had observed this trick goes for a ride; he wraps his tail around the buzzard's neck and gives the buzzard a big surprise by nearly choking him to death.
$4.99
4.6 €
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Piano, Voix et Guitare
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Irving Mills and Nat King Cole
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John Fries
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Straighten Up And Fly Right
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John Fries
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SheetMusicPlus
Paul Weller: Hung Up for guitar
Guitare notes et tablatures
Instantly printable sheet music by Paul Weller for guitar (tablature) of MEDIUM skill leve…
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Instantly printable sheet music by Paul Weller for guitar (tablature) of MEDIUM skill level. / rock
$6.97
6.43 €
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Guitare notes et tablatures
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Paul Weller
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Virtualsheetmusic
Paul Weller: Hung Up for guitar
Paroles et Accords
Instantly printable sheet music by Paul Weller for guitar (chords) of MEDIUM skill level. …
(+)
Instantly printable sheet music by Paul Weller for guitar (chords) of MEDIUM skill level. / rock
$3.97
3.66 €
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Paroles et Accords
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Paul Weller
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Virtualsheetmusic
Luke Laird: Hungover & Hard Up for guitar
Guitare notes et tablatures
Instantly printable sheet music by Eric Church for guitar (tablature) of MEDIUM skill leve…
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Instantly printable sheet music by Eric Church for guitar (tablature) of MEDIUM skill level. / country,pop
$8.97
8.27 €
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Guitare notes et tablatures
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Luke Laird
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Virtualsheetmusic
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.6 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
#
Richard Hirsch
#
SheetMusicPlus
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