Page d'accueil
Parcourir Free-scores.com
GUITARE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
Made a Difference
Non classifié
37
Piano & claviers
Piano, Voix et Guitare
21
Guitares
Guitare
4
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
2
2 Guitares (duo)
1
Voix
Vents
Cuivres
Cordes
Orchestre & Percussions
Autres
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
12
Partitions Numériques
13
Librairie Musicale
569
Matériel de Musique
96
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Made a Difference
GUITARE
Partitions à imprimer
13 partitions trouvées
<
1
What A Difference A Day Makes
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Latin/Musique du monde
#
Jazz
#
Josh Malerman and Mark Bradley
#
John Fries
#
What A Difference A Day Makes
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199026 Composed by Josh Malerman and Mark Bradley Owen. Arranged by John Fries. 20th Century,Jazz,Latin,St...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199026 Composed by Josh Malerman and Mark Bradley Owen. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score. 2 pages. John Fries #798097. Published by John Fries (A0.1199026). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. What a Difference a Day Made, is also recorded as What a Difference a Day Makes. Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song.
$4.99
What A Difference A Day Makes
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Brill, James Droll, and
#
John Fries
#
What A Difference A Day Makes
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.727952 Composed by Henry Brill, James Droll, and Kyle Dreaden. Arranged by John Fries. 20th Century,Jazz,Mu...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.727952 Composed by Henry Brill, James Droll, and Kyle Dreaden. Arranged by John Fries. 20th Century,Jazz,Multicultural,Standards,World. Score. 3 pages. John Fries #336232. Published by John Fries (A0.727952). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This arrangement for vocal, piano and guitar includes the lyrics. What a Diff'rence a Day Made, also recorded as What a Difference a Day Makes, is a popular song originally written in Spanish by MarÃa Grever, a Mexican songwriter, in 1934 with the title Cuando vuelva a tu lado (When I Return to Your Side). The song is also known in English as What a Diff'rence a Day Makes, as popularized by Dinah Washington in 1959.
$5.99
What A Difference A Day Made guitar jazz fingerstyle
#
Guitare notes et tablatures
#
FACILE
#
Jazz
#
Dinah Washington, Aretha Fra
#
PianoSheetNow
#
What A Difference A Day Made g
#
SheetMusicPlus
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Acoustic Guitar - Early Intermediate - By Dinah Washington, Aretha Franklin, Sarah Vaughan, Barry ...
(+)
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Acoustic Guitar - Early Intermediate - By Dinah Washington, Aretha Franklin, Sarah Vaughan, Barry Manilow, Natalie Cole. Arranged by PianoSheetNow. Sheet Music Single, Tablature. 3 pages. Published by PianoSheetNow
What a Diff'rence a Day Made is a popular song originally written in Spanish by Mara Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side").Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song.
For Guitar fingerstyle or Guitar and voice.
With standard notation and tablature.
With Lyrics.
Early Intermediate.
Pages: Three pages (3).
$4.99
You Are The Reason
#
2 Guitares (duo)
#
Pop musique
#
Calum Scott
#
Derek Hasted
#
You Are The Reason
#
Derek Hasted
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Po...
(+)
Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Pop. Score and parts. 31 pages. Derek Hasted #552624. Published by Derek Hasted (A0.946865). YOU ARE THE REASON (Calum Scott) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “guitar duetâ€. It will suit an intermediate duo. There are two versions in this one edition - they contain the same material. One version is tune and accompaniment, and is ideal for a Student/Teacher pairing, or a duo with an early intermediate and an intermediate player. The other version swaps roles halfway through, so the parts are both intermediate. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar parts here are in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
Partita II (BWV1004) in d minor transcribed for guitar
#
Guitare
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Daniel Clark
#
Partita II
#
Daniel Clark
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #64...
(+)
Solo Guitar - Level 5 - SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
Prelude (BWV1006) in E major transcribed for guitar
#
Guitare
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Daniel Clark
#
Prelude
#
Daniel Clark
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #643...
(+)
Solo Guitar - Level 5 - SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
Asturias - Leyenda.
#
Guitare
#
AVANCÉ
#
Classique
#
Isaac Albeniz
#
Daniel Clark
#
Asturias - Leyenda.
#
Daniel Clark
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #64...
(+)
Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99
He Was Beautiful
#
Contemporain
#
virtue of the key change and c
#
Cleo Laine and Stanley Myers
#
Derek Hasted
#
He Was Beautiful
#
Derek Hasted
#
SheetMusicPlus
Guitar,Instrumental Duet,Soprano voice - Level 3 - SKU: A0.1292872 Composed by Cleo Laine and Stanley Myers. Arranged by Derek Hasted. Contemporary. 18 ...
(+)
Guitar,Instrumental Duet,Soprano voice - Level 3 - SKU: A0.1292872 Composed by Cleo Laine and Stanley Myers. Arranged by Derek Hasted. Contemporary. 18 pages. Derek Hasted #883469. Published by Derek Hasted (A0.1292872). CAVATINA for SOPRANO/MEZZO and GUITARBest suited for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes The beautifully melodic Cavatina was made famous by John Williams, who arranged the piece for solo guitar and produced some effortless recordings of it.Cleo Laine then produced a sublime song - He Was BeautifulWhy this arrangement?I’ve lowered the key by one tone which makes many of the chords sound more mellow and it now suits both mezzo and soprano voices - a range of an octave and a note, starting on sharpened Middle C.In the guitar part, I’ve fixed the ungainly jumps in the accompaniment bass line which came as a constraint of playing up the neck on solo guitar and I’ve improved the connectivity of the middle voices from chord to chord so the chord changes sound more effortless and natural.By virtue of the key change and careful use of enharmonic equivalents, the guitar part is now on familiar ground.The guitar part is here in “score and tab†and in “score alone†- there is no difference in the music.I also have versions for two guitars and for woodwind and guitar - to find them easily, visit my website (below) and look for my list of guitar duets and woodwind arrangements.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
What A Difference A Day Made
#
Ligne De Mélodie, (Paroles) et Accords
#
Jazz
#
Jamie Cullum
#
What A Difference A Day Made
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Jamie Cullum. Jazz. Fakebook. 3 pages. Published by Hal Leonard - Digital Sheet Music...
(+)
By Jamie Cullum. Jazz. Fakebook. 3 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
Triad Chord Worksheet
#
Guitare notes et tablatures
#
DÉBUTANT
#
Methodes
#
Brian Streckfus
#
Triad Chord Worksheet
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
(+)
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
La Philippine by CPE Bach
#
Guitare
#
Classique
#
Carl Philipp Emanuel Bach
#
Eric J Roth
#
La Philippine by CPE Bach
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Er...
(+)
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
Honk!: Guitar
#
Methodes
#
George Stiles
#
Andy Beck
#
Recorded Acc. Available.
#
Honk!: Guitar
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Choir - SKU: AX.00-PC-0016232_G Guitar. Composed by George Stiles. Arranged by Andy Beck. Instructional. Part. 4 pages. Alfred Music - Digital Sh...
(+)
Choir - SKU: AX.00-PC-0016232_G Guitar. Composed by George Stiles. Arranged by Andy Beck. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016232_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016232_G). UPC: 038081446134.Based on Hans Christian Andersen's story of the Ugly Duckling, the musical Honk! was born in London's West End theater district and has made it across the pond to delight audiences world-wide. This charming five and a half minute medley includes four plot-developing favorites that clearly illustrate the theme of the show--embracing our differences.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Made a Difference
