This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher?s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.

Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.

NAVIGATION INDEXES ? External and Internal links

The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music.

Baroque suite I by Ludovico Roncalli (1654?1713) arranged for classical Guitar solo.
This is the first suite from the set of 9 suites published in 1692 by the name "Capricci armonici sopra la chitarra spagnola ("Harmonic caprices for the Spanish guitar").
Contents:
Gavotta 1:00 min easy, 1 page
Sarabanda 1:27 min easy, 1 page
Preludio 1:00 min easy, 2 pages
Gigue 1:25 min early intermediate, 2 pages
Alemanda 1:35 min early intermediate, 2 pages
Corrente 0:52 min early intermediate. 2 pages

11 pages (10 pages guitar score 1 page cover)
This edition is with standard guitar notation and tablature and downloadable mp3 for audio help.

"Scarborough Fair" is a traditional English ballad that hangs in some versions at least upon a possible visit by an unidentified person (the "third party") to the Yorkshire town of Scarborough.
The song implies the tale of a man who instructs the third party to tell his former love, who lives in said fair town, to perform for him a series of impossible tasks, such as making for him a shirt without a seam and then washing it in a dry well, adding that if she were to complete these tasks he would take her back into his affections. Often the song is sung as a duet, with the woman then giving her sometime lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.

Here is a version for Guitar trio with standard guitar notation and tablature. 9 pages all Gtrs, 3 pages Gtr1, 3 pages Gtr2, 3 pages Gtr3 - total 18 pages in landscape page format for easier interpreting.
With downlaodable mp3 for audio help.
Guitar 3 easy to early intemrediate, Guitar 1 and 2 (which plays the melody) easy.

ISBN 9781619117990.

A magnificent collection of the greatest ancient music for the Christmas season arranged for solo acoustic guitar in standard notation and tablature. These tasteful settings are presented in three sections according to their level of difficulty- easy, intermediate, or advanced. In addition to plain chants- carols, hymns, and motets in a variety of forms are included. This book contains 30 solo guitar arrangements with extensive program notes and lyrics, translated in English from the original language. Includes access to online audio from Gerard Garno's recordings entitled A Guitar for the Holidays and O Magnum Mysterium.