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The Right Time
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'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
A Bright Summer Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published by Tomas Ericsson (A0.1083293). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
2.77 €
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Guitare
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Tomas Ericsson
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A Bright Summer Night
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Tomas Ericsson
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SheetMusicPlus
A Bright Summer Night
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1083315 Composed by Tomas Ericsson. Cla…
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Guitar - Level 3 - Digital Download SKU: A0.1083315 Composed by Tomas Ericsson. Classical,Contemporary. Guitar Tab. 5 pages. Tomas Ericsson #687517. Published by Tomas Ericsson (A0.1083315). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
2.77 €
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Guitare notes et tablatures
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Tomas Ericsson
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A Bright Summer Night
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Tomas Ericsson
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SheetMusicPlus
Arpeggios for the Evolving Guitarist (USC)
Guitar - Beginning-Intermediate - Digital Download SKU: M0.22115MEB Composed by Pat…
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Guitar - Beginning-Intermediate - Digital Download SKU: M0.22115MEB Composed by Pat Kelley. Style. Rock and blues, method. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22115MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.22115MEB). ISBN 9781619116276. 8.75x11.75 inches.Arpeggios are chord notes played one at a time rather than strummed or plucked all together. They are an essential part of great improvising and melody writing because playing chord notes in the right places creates solid melody lines. Chord notes sound more resolved than notes that are chromatic (out of the key). Practicing arpeggios will improve your ability to learn melodies, make reading music easier, and develop your tone and picking accuracy. The first part of this book focuses on the basic fingerings of the following six arpeggios: major 7th, major 7th (#5), dominant 7th, minor 7th, minor 7th (b5), and diminished 7th. This book along with its accompanying audio represents a comprehensive guide to all things arpeggio. It delves into traditional applications of arpeggios, as well as how they relate to slash chords, modal music and more. The student will learn about how arpeggios fall over standard chord progressions, as well as how to embellish arpeggios to make them more musical in performance situations. In standard notation and tab. Includes access to online audio.
$19.99
18.47 €
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Pat Kelley
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Arpeggios for the Evolving Guitarist
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.48 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
The Dream Of Olwen
2 Guitares (duo)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99
4.61 €
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2 Guitares (duo)
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
The Right Time
Paroles et Accords
Digital Download SKU: HX.172542 By The Corrs. Folk,Pop. Guitar Chords/Lyrics. 2 pag…
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Digital Download SKU: HX.172542 By The Corrs. Folk,Pop. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard Europe (HX.172542).
$1.99
1.84 €
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Paroles et Accords
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The Corrs
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The Right Time
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Hal Leonard Europe
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SheetMusicPlus
Guitar Concerto No3 - Lament for the Balkans
Guitare, Orchestre
Large Ensemble,Strings Cello,Double Bass,Guitar,High Voice,Viola,Violin - Level 4 - Digita…
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Large Ensemble,Strings Cello,Double Bass,Guitar,High Voice,Viola,Violin - Level 4 - Digital Download SKU: A0.942107 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 104 pages. Silver Sickle Publications #6359413. Published by Silver Sickle Publications (A0.942107). Lament for the Balkans for guitar, strings and mezzo sopranoIs my third work with a concertante attitude towards the guitar. It was premiered in the Corfu Guitar Festival in 1999 under the direction of Theodore Antoniou.The initial idea and inspiration came to me after the tragic events in the former Yugoslavia those years. The guitar has a narrative role while the string orchestra expresses visions of laments here and there. At the work a soprano is heard from almost far a way lamenting the victims of another war.The tragic situation of all wars in this world compels me as a creator and performer to express feelings through my music. For this important reason and with the hope that my music would be able to transfer a message against war and to evoke feelings towards peace, I composed Lament. As a composer, I think that I have the obligation and, at the same time, the right to fight using my weapons against any war that causes violence, abandonment, and misery.
$345.00
318.74 €
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Guitare, Orchestre
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Apostolos Paraskevas
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Guitar Concerto No3 - Lament for the Balkans
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Silver Sickle Publications
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SheetMusicPlus
Travis Picking for the Acoustic, Rock, and Jazz Guitarist
Guitar - Level 3 - Digital Download SKU: A0.1352721 Composed by Dennis McCorkle. Fo…
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Guitar - Level 3 - Digital Download SKU: A0.1352721 Composed by Dennis McCorkle. Folk,Instructional,Jazz,Pop,Praise & Worship. Educational Method. 70 pages. DF McCorkle Music and eBook Publications #937507. Published by DF McCorkle Music and eBook Publications (A0.1352721). Travis Picking is a versatile and widely used fingerstyle guitar accompaniment for pop, rock, and folk music. Sometimes referred to as Cotton Picking, this accompaniment style was initially attributed to the woman who first popularized this sound in the early part of the 20th Century, Elizabeth Cotton.From Bob Dylan, Fleetwood Mac, Peter, Paul, and Mary, Joan Baez, to Kansas, Miley Cyrus, Pearl Jam, Paul Simon and Art Garfunkel, Dan Fogelberg, Jim Croce, Paul McCartney, the Plain White T’s, the list goes on and on of artists using many variations of this technique.As a teacher, the focus of my musical journey in the past years has been the instruction of guitar, music theory, harmony, and their application in primarily chord melody arranging for solo jazz guitar. My second love are the various fingerstyle accompaniment styles and techniques of which Travis Picking is the king.This book is broken down into the following modules and sections: Fingerstyle Guitar Notation and TAB The Right Hand Travis Picking Reverse Travis Picking Song Book Printable Resources such as blank staff paper, tablature, and chord grids
$14.99
13.85 €
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Dennis McCorkle
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Travis Picking for the Acoustic, Rock, and Jazz Guitarist
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
A Kiss At The End Of The Rainbow
Clarinette, Guitare (duo)
Instrumental Duet B-Flat Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download
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Instrumental Duet B-Flat Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1049827 Composed by Annette O'Toole and Michael John McKean. Arranged by Derek Hasted. Film/TV. Score and parts. 15 pages. Derek Hasted #654215. Published by Derek Hasted (A0.1049827). A KISS At The End Of The RAINBOW (A Mighty Wind) - Bb CLARINET GUITAR (Score tab)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This poignant song is from the film â??A Mighty Windâ?. If you havenâ??t seen it, itâ??s your duty as a musician to see it right now!Set originally for voice, two guitars, bass and autoharp, my arrangement for flute and guitar captures key parts of the countermelody and includes the instrumental break of the original in a very accessible arrangement.The original was performed on guitar with a Capo on fret 2, and my arrangement simply places the Capo on Fret 3 instead, to move the clarinet part to a comfortable key and, at the same time, makes a guitar part that is easy to play and which uses familiar shapes. Iâ??ve included a â??Notation onlyâ? Guitar Part and a â??Notation Tabâ? Guitar part to open up the arrangement to a wider group of playersI hope you enjoy this gentle and moving piece; I am sure your audiences will too!
$4.99
4.61 €
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Clarinette, Guitare (duo)
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Annette O'Toole and Michael John McKean
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Derek Hasted
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A Kiss At The End Of The Rainbow
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Derek Hasted
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SheetMusicPlus
Canto de mi corazon, meditacion, The singing of my heart, meditation
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
4.16 €
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Guitare
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Alfred Feenstra
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Canto de mi corazon, meditacion, The singing of my heart, meditation
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Alfred Feenstra
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SheetMusicPlus
Take Me Home To Die, or, The Last Request
Guitar and voice - Digital Download SKU: LV.3567 Composed by I. B. Woodbury. Deathb…
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Guitar and voice - Digital Download SKU: LV.3567 Composed by I. B. Woodbury. Deathbeds, Mothers & children, Families, Love, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3567). Take Me Home To Die, or, The Last Request. Music Composed by I.B. Woodbury. Published 1852 by Firth, Pond & Co., 1 Franklin Sq. in New York. Composition of strophic with guitar and voice instrumentation. Subject headings for this piece include Deathbeds, Mothers & children, Families, Love, Heaven. First line reads This land is very bright, mother, the flowers are very fair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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I
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Take Me Home To Die, or, The Last Request
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Time To Say Goodbye (Guitar Trio)
3 Guitares (trio)
Guitar Trio - Intermediate - Digital Download By Andrea Bocelli & Sarah Brightman…
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Guitar Trio - Intermediate - Digital Download By Andrea Bocelli & Sarah Brightman. Arranged by John A. Dempsey. Score, Set of Parts. 16 pages. Published by John A. Dempsey
This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as an acoustic guitar trio. Also known as "Con Te Partiro," this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love. Recommended for recitals, concerts and other multiple venues. 12 pages of music (that includes the score and separate two-page pullout parts for each guitar). Key: G major / modulates to A major.
$12.99
12 €
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3 Guitares (trio)
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Andrea Bocelli & Sarah Brightman
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John A
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Sarah Brightman
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
När ljuset återvänder (When the Light Returns)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson. Contemporary,Standards. Individual part. 1 pages. Tomas Ericsson #6681269. Published by Tomas Ericsson (A0.999763). Since we've past the darkest time of the year I found the title to be suitable for this short piece.It should be played as described, thoughtfully, with somewhat rubato.Appropriate for schools, students or anyone with some experience of note reading.Duration: 1.50Performing Rights Organization: STIM (Sweden).
$3.00
2.77 €
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Guitare
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Tomas Ericsson
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När ljuset återvänder
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Tomas Ericsson
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.57 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Anthem
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy…
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Guitar - Level 4 - Digital Download SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy Lee Weinrib, and Neil Peart. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 29 pages. Dan Chernow #722349. Published by Dan Chernow (A0.1121172). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. As recorded by Rush on the 1975 album 'Fly By Night'. Transcription and Guitar Pro 8 notation by Dan Chernow, copyright 2022. As always, the most accurate Rush guitar transcriptions you will ever see or hear! The song that kicks off Rush's second album and the first featuring Neil Peart showcases their growing affinity for progressive rock, some would now say inventing progressive hard rock/metal in the process. A fast and tricky (and heavy!) 7/8 intro launches their first odd-time excursion before shifting into a quick and bouncy 12/8 for the reminder of the song. Alex locks in with some mighty power chords, jangly arpeggios and an absolutely diabolical solo. Utilizing a wah pedal and some tastily placed feedback he unleashes a beast of a solo, with some super fast shredding in between some truly tasty blues-inflected licks (both hallmarks of his early soloing style). The slap back delay effect used in several sections must be set to match the time of two eighth notes (or one quarter note) so be careful with that. See and hear this! (YouTube link included near bottom of pdf). (As a bonus. I also invite you to play this transcription along with the original recording as I set the tempos throughout to match the natural fluctuations the band takes throughout the song.).
$7.99
7.38 €
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Guitare notes et tablatures
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Rush
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Dan Chernow
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Anthem
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Dan Chernow
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153433 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753694. Published by Socrates Arvanitakis (A0.1153433). This is the fifteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 15 (Songs 379-405)Green Grow the Rushes ohGreen mossy banks of the LeaGreen Willow Tree (The)Greenland Fishery (The)GreensleevesGresford Disaster (The)Grey Cock or The Lover’s Ghost (The)Grey Selkie 1 (The)Grigol CridheGround for the FloorGuise O’ ToughGuy Fawkes (Drum March For)Gypsy DaveyHampshire Mummers’ Christmas CarolHandsome Butcher (the)Hard Times of Old EnglandHark, hark, let us behold (Russell)Hark, Shepherds Hark, The Angels SingHarvest Song (Wiltshire)He Called for a CandleHe That Will Not Merry Merry BeHeavenly Child (The)Help Me O LordHenry MartinHenry, My SonHere Come the NavviesHere we come a-wassailing
$25.00
23.1 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 15
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Socrates Arvanitakis
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.61 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Variations on a Theme by Tommie Wright
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Co…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00
9.24 €
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Guitare
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Ted Stanley
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Variations on a Theme by Tommie Wright
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Ted Stanley
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SheetMusicPlus
Christmas Time Is Here
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.1374809 Composed by Lee Mendelson and Vince Guara…
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Guitar - Digital Download SKU: A0.1374809 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Bronson Ferdinand Wright. Christmas,Holiday,Instructional,Jazz,Standards. Guitar Tab. 3 pages. Bronson Ferdinand #959342. Published by Bronson Ferdinand (A0.1374809). Guitar tab arrangement of the Charlie Brown Christmas classic tune!This arrangement features two full chorus' in two different octaves to explore the full range of the guitar, guitar chord grids with authentic jazz voicings and lyrics.A beautiful arrangement geared towards those guitar students looking to explore jazz voicings and position playing more in-depth.
$5.99
5.53 €
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Guitare notes et tablatures
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Lee Mendelson and Vince Guaraldi
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Bronson Ferdinand Wright
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Christmas Time Is Here
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Bronson Ferdinand
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SheetMusicPlus
It's All Right with Me: Guitar
Guitare (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017488_G Guitar. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017488_G Guitar. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017488_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017488_G). UPC: 038081521237.This chart has a contemporary half-time funk feel played around half note=96 BPM. Lead trumpet range is to written B-flat, a suggested written alto sax solo, the initial melody is stated by trombones and then bounces to each section. (3:36).
$3.00
2.77 €
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Guitare (partie séparée)
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Cole Porter
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Alan Baylock
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It's All Right with Me: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It's All Right with Me: Guitar Chords
Guitare (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017488_GC Guitar Chords. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017488_GC Guitar Chords. Composed by Cole Porter. Arranged by Alan Baylock. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017488_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017488_GC). UPC: 038081521237.This chart has a contemporary half-time funk feel played around half note=96 BPM. Lead trumpet range is to written B-flat, a suggested written alto sax solo, the initial melody is stated by trombones and then bounces to each section. (3:36).
$3.00
2.77 €
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Guitare (partie séparée)
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Cole Porter
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Alan Baylock
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It's All Right with Me: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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