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Partitions à imprimer
195 partitions trouvées
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176
Writing's On The Wall
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Paroles et Accords
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Film/TV
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Sam Smith
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Writing's On The Wall
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.315322 By Sam Smith. Film/TV,Pop. Guitar Chords/Lyrics. 4 pages. Published by Hal Leonard - Digital (HX.315322). ...
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SKU: HX.315322 By Sam Smith. Film/TV,Pop. Guitar Chords/Lyrics. 4 pages. Published by Hal Leonard - Digital (HX.315322).
$1.99
Writing's On The Wall
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Paroles et Accords
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Film/TV
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Sam Smith
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Writing's On The Wall
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Hal Leonard Europe
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SheetMusicPlus
SKU: HX.337964 By Sam Smith. Film/TV,Pop. Guitar Chords/Lyrics. 3 pages. Published by Hal Leonard Europe (HX.337964). ...
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SKU: HX.337964 By Sam Smith. Film/TV,Pop. Guitar Chords/Lyrics. 3 pages. Published by Hal Leonard Europe (HX.337964).
$1.99
The Writing On The Wall (from The Mystery Of Edwin Drood)
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Piano, Voix et Guitare
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Comédie Musicale
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Rupert Holmes
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The Writing On The Wall
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Hal Leonard
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SheetMusicPlus
Composed by Rupert Holmes. This edition: scorch. Broadway, Musical/Show. Score. 9 pages. Published by Hal Leonard...
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Composed by Rupert Holmes. This edition: scorch. Broadway, Musical/Show. Score. 9 pages. Published by Hal Leonard
$4.99
Alone Together: Guitar Chords
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Guitare (partie séparée)
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Jazz
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Arthur Schwartz and Howard Die
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Dave Wolpe
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Standard
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Alone Together: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017273_GC Guitar Chords. Composed by Arthur Schwartz and Howard Dietz. Arranged by Dave Wolpe. Jazz; Standard. Par...
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Jazz Ensemble - SKU: AX.00-PC-0017273_GC Guitar Chords. Composed by Arthur Schwartz and Howard Dietz. Arranged by Dave Wolpe. Jazz; Standard. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017273_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017273_GC). UPC: 654979090311.Another winner from master arranger Dave Wolpe, Alone Together features a duet for tenor sax and trombone with solos for each. This is some of the finest ensemble writing on the planet. A swinging groove throughout, hip chord changes, accessible brass ranges, and years of writing experience will deliver a successful performance for your band every time. Quality writing! (3:41).
$3.00
Alone Together: Guitar
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Guitare (partie séparée)
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Jazz
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Arthur Schwartz and Howard Die
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Dave Wolpe
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Standard
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Alone Together: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017273_G Guitar. Composed by Arthur Schwartz and Howard Dietz. Arranged by Dave Wolpe. Jazz; Standard. Part. 2 pag...
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Jazz Ensemble - SKU: AX.00-PC-0017273_G Guitar. Composed by Arthur Schwartz and Howard Dietz. Arranged by Dave Wolpe. Jazz; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017273_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017273_G). UPC: 654979090311.Another winner from master arranger Dave Wolpe, Alone Together features a duet for tenor sax and trombone with solos for each. This is some of the finest ensemble writing on the planet. A swinging groove throughout, hip chord changes, accessible brass ranges, and years of writing experience will deliver a successful performance for your band every time. Quality writing! (3:41).
$3.00
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
El Cimarrón
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Hans Werner Henze
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Hans Magnus Enzensberger
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El Cimarrón
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute, guitar, percussion - SKU: S9.Q22853 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by H...
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Baritone, flute, guitar, percussion - SKU: S9.Q22853 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by Hans Werner Henze. Arranged by Hans Magnus Enzensberger. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 76' 0. Schott Music - Digital #Q22853. Published by Schott Music - Digital (S9.Q22853). German • English.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).
$33.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Again and Again: Guitar
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Guitare (partie séparée)
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Methodes
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Benny Carter
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Again and Again: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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Jazz Ensemble - SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_G). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00
Writing To Reach You by Travis - Guitar TAB
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Guitare notes et tablatures
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Travis
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Writing To Reach You
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Musicnotes
Performed by: Travis: Writing To Reach You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: Travis: Writing To Reach You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2; 7 pages -- Alternative Pop/Rock~~Brit-Pop~~British Trad Rock
$5.50
Lacrimosa
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Guitare notes et tablatures
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FACILE
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Wolfgang Amadeus Mozart
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Mar
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Lacrimosa
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Mar
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1491752 Composed by Wolfgang Amadeus Mozart. Arranged by Mar. Classical,Multicultural,Renaissance,Traditional,World. Tablatur...
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Guitar - Level 2 - SKU: A0.1491752 Composed by Wolfgang Amadeus Mozart. Arranged by Mar. Classical,Multicultural,Renaissance,Traditional,World. Tablature. 3 pages. Mar #1068428. Published by Mar (A0.1491752). Experience the profound beauty of Lacrimosa, one of the most moving movements from Wolfgang Amadeus Mozart's Requiem Mass in D minor. Composed in 1791, this timeless piece is renowned for its emotional depth and exquisite choral writing, capturing the essence of mourning and reflection.Features: Authentic Composition: Faithfully transcribed from Mozart’s original score, ensuring an accurate representation of this powerful work. Clear Notation: Professionally formatted sheet music with detailed markings for clarity and ease of performance. Expressive Performance: Includes performance notes to guide you in conveying the sorrowful and evocative nature of the Lacrimosa. Versatile Use: Ideal for choirs, solo performers, and ensembles looking to explore one of Mozart’s most celebrated works. Whether you’re preparing for a concert, engaging in personal study, or enhancing your repertoire, this sheet music allows you to delve into the emotional depths of Mozart’s masterful composition. Embrace the beauty and solemnity of Lacrimosa and elevate your musical expression with this exceptional piece.
$5.99
Four Album Leaves, Op. 28
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Chris Dumigan
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Four Album Leaves, Op. 28
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar duet - Intermediate - SKU: ZZ.DZ-4258 Composed by Edvard Grieg. Arranged by Chris Dumigan. Score and parts. 40 pages. Les Productions d'OZ - Digi...
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Guitar duet - Intermediate - SKU: ZZ.DZ-4258 Composed by Edvard Grieg. Arranged by Chris Dumigan. Score and parts. 40 pages. Les Productions d'OZ - Digital #DZ 4258. Published by Les Productions d'OZ - Digital (ZZ.DZ-4258). Four Album Leaves, Op. 28 is a set of pieces for piano solo composed by Edvard Grieg. The set was first published in 1878 in Leipzig by C.F. Peters. The Album Leaves were composed over the span of almost fifteen years. As such, they present a fascinating cross-section of Grieg's pianistic and compositional development. They are arranged in chronological order as follows: Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876), and Andantino serioso (1878).Having realized some years ago that due to Grieg’s way of writing for the piano, that they would fit wonderfully on two guitars, I began with this set, and then moved onto more of his works, finally transcribing his complete set of 10 books of Lyric Pieces (66 pieces in all), all of which are available as separate publications at Les Productions D’Oz. I hope you enjoy playing them as much as I, and my duet partner Ann, do.Quatre feuilles d'album, op. 28 est un ensemble de pièces pour piano seul composé par Edvard Grieg. L'ensemble a été publié pour la première fois en 1878 à Leipzig par C.F. Pierre. L’album Leaves a été composé sur une période de près de quinze ans. En tant que tels, ils présentent un aperçu fascinant du développement pianistique et compositionnel de Grieg. Ils sont classés par ordre chronologique comme suit : Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876) et Andantino serioso (1878).Ayant réalisé il y a quelques années qu'en raison de la manière d'écrire de Grieg pour le piano, elles s'adapteraient à merveille à deux guitares, j'ai commencé avec cet ensemble, puis je suis passé à d'autres de ses œuvres, pour finalement transcrire sa série complète de 10 recueils de paroles. Pièces (66 pièces au total), toutes disponibles sous forme de publications séparées aux Productions D'Oz. J'espère que vous prendrez autant de plaisir à les jouer que moi et ma partenaire Ann, en duo.
$14.95
Teardrops On My Guitar
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Taylor Swift
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Brian Streckfus
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Teardrops On My Guitar
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1459151 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Contemporary,Country,Pop,Singer/Songwrite...
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Guitar - Level 2 - SKU: A0.1459151 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Brian Streckfus. Contemporary,Country,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #1038122. Published by Brian Streckfus (A0.1459151). Key: G Major (Concert Bb with capo on 3)Pages: 2Features:1. Two page lead sheet to avoid a page turn2. Custom guitar chord diagrams that take part writing and the melody into consideration. 3. Chord names4. Guitar fingerings5. Beautifully organized sections for easier reading and navigation6. Condensed lyrics7. Rearranged to a more guitar friendly key with a capo. This makes lowers the difficulty tremendously and allows for a more standalone sophisticated version.As with most of my arrangements, the original melody is kept intact, but some liberties with the harmonies were taken. This is to make it flow better on guitar, be more unique, and to also make it sound more like the original song since melody notes are forced on the chord more often (I recommend experimenting with this to see how much you want to do that). The arrangement can be as complex or a simple as you'd like! If you want a simple version, just use famous cowboy (cowgirl?) chords and sing! I think you will be hard pressed to find a version that as well adapted to guitar as this, and it would also be hard to find a sophisticated version like this that doesn't require a sheet music expert to play (the chord diagrams and fingering numbers should remind you want to do).
$2.99
Suite for guitar in E minor by J. A. de Logy
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Guitare
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INTERMÉDIAIRE
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Classique
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 page...
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Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
Era de maggio
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2 Guitares (duo)
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FACILE
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Mario Pasquale Costa
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Era de maggio
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1429246 Composed by Mario Pasquale Costa. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arra...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1429246 Composed by Mario Pasquale Costa. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 4 pages. Arim #1009461. Published by arim (A0.1429246). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.Lead guitar plus guitar for harmonic support.Score without detached parts.
$5.00
Dicitincello vuie
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2 Guitares (duo)
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FACILE
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Rodolfo Falvo
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Dicitincello vuie
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1429245 Composed by Rodolfo Falvo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). ...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1429245 Composed by Rodolfo Falvo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 3 pages. Arim #1009457. Published by arim (A0.1429245). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.Lead guitar plus guitar for harmonic support.Score without detached parts.
$5.00
’A tazza ’e cafè
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2 Guitares (duo)
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INTERMÉDIAIRE
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Vittorio Fassone
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’A tazza ’e caf&eg
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429242 Composed by Vittorio Fassone. Arranged by Giovanni Bianco (reviewer) and Pasqauele Di Caro (arrange...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429242 Composed by Vittorio Fassone. Arranged by Giovanni Bianco (reviewer) and Pasqauele Di Caro (arranger). Traditional. 3 pages. Arim #1009419. Published by arim (A0.1429242). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
Core ’ngrato
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2 Guitares (duo)
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INTERMÉDIAIRE
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Salvatore Cardillo
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Core ’ngrato
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429244 Composed by Salvatore Cardillo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arrang...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429244 Composed by Salvatore Cardillo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 4 pages. Arim #1009445. Published by arim (A0.1429244). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
’A serenata ’e Pulecenella
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2 Guitares (duo)
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INTERMÉDIAIRE
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Enrico Cannio
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’A serenata ’e Pul
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429241 Composed by Enrico Cannio. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). ...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429241 Composed by Enrico Cannio. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 3 pages. Arim #1009020. Published by arim (A0.1429241). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
Tarantella
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Anonimo
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Tarantella
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 4 - SKU: A0.1429250 Composed by Anonimo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Tradit...
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Guitar,Instrumental Duet - Level 4 - SKU: A0.1429250 Composed by Anonimo. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 4 pages. Arim #1009466. Published by arim (A0.1429250). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.Lead guitar plus guitar for harmonic support.Score without detached parts.
$5.00
’O marenariello
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2 Guitares (duo)
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INTERMÉDIAIRE
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Salvatore Gambardella
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’O marenariello
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429243 Composed by Salvatore Gambardella. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arr...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429243 Composed by Salvatore Gambardella. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 3 pages. Arim #1009431. Published by arim (A0.1429243). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
Torna a Surriento
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2 Guitares (duo)
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INTERMÉDIAIRE
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Ernesto De Curtis
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Torna a Surriento
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429251 Composed by Ernesto De Curtis. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arrange...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429251 Composed by Ernesto De Curtis. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 3 pages. Arim #1009467. Published by arim (A0.1429251). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
Funiculì Funiculà
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2 Guitares (duo)
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INTERMÉDIAIRE
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Luigi Denza
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Funiculì Funiculà
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429247 Composed by Luigi Denza. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Tr...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429247 Composed by Luigi Denza. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 4 pages. Arim #1009462. Published by arim (A0.1429247). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
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