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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Arthur Honegger
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Crtitères actifs :
Arthur Honegger
Arthur Honegger
Arthur Honegger -
PARTITIONS LIVRES
Arthur Honegger -
PARTITIONS NUMÉRIQUES
Partitions à imprimer
7 partitions trouvées
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Pastorale D'ete
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Orchestre d'harmonie
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AVANCÉ
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Arthur Oscar Honegger
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John Ivor Holland
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Pastorale D'ete
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1296692 Composed by Arthur Oscar Honegger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. S...
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Concert Band - Level 5 - SKU: A0.1296692 Composed by Arthur Oscar Honegger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 86 pages. John Ivor Holland #886856. Published by John Ivor Holland (A0.1296692). Inspired by a vacation in the Swiss Alps above Bern in 1920, this short piece was composed by Arthur Honegger for chamber orchestra and given its first performance in February 1921 in Paris, winning an audience prize for the best work performed that night; the first British performance was given 6 months later in London. A member of Les Six (a collective of composers based in Paris at the turn of the 20th century), Honegger would go on to write many symphonies, concertos and other large works, so this more intimate work has been performed many times over the years by orchestras around the world where situations call for a smaller ensemble. This arrangement for concert band includes important string bass and contrabass clarinet parts to bring the necessary sustained resonance required.
$79.99
Mosaïques
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Karel Husa
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Mosaïques
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Schott Music - Digital
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SheetMusicPlus
Picc. · 1 · 1 · Engl. Hr. · 1 · Bassklar. · 1 - 2 · 2 · 2 · 0 - P.S. (hg. Beck. · kl. Gong · gr. Gong · Gl. · Wirbeltr. Ã...
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Picc. · 1 · 1 · Engl. Hr. · 1 · Bassklar. · 1 - 2 · 2 · 2 · 0 - P.S. (hg. Beck. · kl. Gong · gr. Gong · Gl. · Wirbeltr. · kl. Tr. · gr. Tr. · Woodbl. · Xyl. · Vibr. · Marimba) (4 Spieler) - Hfe. · Cel. · Klav. - Str. orchestra - SKU: S9.Q5768 Composed by Karel Husa. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q5768. Published by Schott Music - Digital (S9.Q5768). To celebrate the 80th birthday of this respected Czech-American composer, Schott is publishing this study score of one of his many orchestral works. Husa, born in Prag, won a scholarship to study with Arthur Honegger and Nadia Boulanger at the Paris Conservatoire and later became professor for composition and conducting at Cornell University, New York. ‘Mosaïques’ originated during a period when Husa’s music was influenced by the Neoclassicism of Honegger and Stravinsky but also contained folkloristic elements as found in the works of Janácek and Bartók.
$33.99
Three French Vocalises for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Various
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Sauer, Ralph
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Three French Vocalises for Tro
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792057 Composed by Various. Arranged by Sauer, Ralph. 20th Century. Score and part. 16 pages. Gordon Cherry #2929117....
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Piano,Trombone - Level 4 - SKU: A0.792057 Composed by Various. Arranged by Sauer, Ralph. 20th Century. Score and part. 16 pages. Gordon Cherry #2929117. Published by Gordon Cherry (A0.792057). Ralph Sauer has artfully arranged Three French Vocalises for Trombone and Piano by three well-known composers from the 20th Century: Darius Milhaud, Arthur Honegger and Joseph Canteloube. Each has a unique style and total about 5-6 minutes in length. Their modest ranges make them appropriate for moderately advanced performers.
$17.50
4 Bohemian Sketches
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Karel Husa
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4 Bohemian Sketches
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Schott Music - Digital
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SheetMusicPlus
Oboe (flute, clarinet, soprano saxophone) and piano - intermediate - SKU: S9.Q7145 For Oboe (Flute, Clarinet, Sorano Saxophone) and Piano. Compos...
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Oboe (flute, clarinet, soprano saxophone) and piano - intermediate - SKU: S9.Q7145 For Oboe (Flute, Clarinet, Sorano Saxophone) and Piano. Composed by Karel Husa. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q7145. Published by Schott Music - Digital (S9.Q7145). The '4 Bohemian Sketches' were originally composed as 8 Bohemian duos for piano duet (ED 4779). They are a mixture of 'real' and 'invented' folk music. With these pieces, Husa follows examples like Schumann, Hindemith and Bartok who also wrote music for young amateurs and those making music at home. They are music for playing in the best sense and can be used very early in instrumental lessons. Husa was born in Prague, studied with Arthur Honegger and Nadia Boulanger, among others, at the Paris Conservatoire and worked as a professor of music theory at the New York Cornell University in the USA for many years.
$18.99
PACIFIC 2.3.1
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Arthur Honegger
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Yves Bouillot
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PACIFIC 2.3.1
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Yves Bouillot
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SheetMusicPlus
Composed by Arthur Honegger (1892-1955). Arranged by Yves Bouillot. 20th Century. Score and parts. 150 pages. Yves Bouillot #639675. Published by Yves...
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Composed by Arthur Honegger (1892-1955). Arranged by Yves Bouillot. 20th Century. Score and parts. 150 pages. Yves Bouillot #639675. Published by Yves Bouillot
$70.00
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio LuÃs de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio LuÃs de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première Å“uvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses Å“uvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là , certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des Å“uvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses Å“uvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'Å“uvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Intrada
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Arthur Oscar Honegger
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Arranjo Mathian Silva
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Intrada
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Mathian Silva
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1013376 Composed by Arthur Oscar Honegger. Arranged by Arranjo Mathian Silva. Contemporary. Score and parts. 25 pages...
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Brass Ensemble - Level 5 - SKU: A0.1013376 Composed by Arthur Oscar Honegger. Arranged by Arranjo Mathian Silva. Contemporary. Score and parts. 25 pages. Mathian Silva #6096345. Published by Mathian Silva (A0.1013376). Concert for Trumpet and Piano adapted for the formation of Metal Quintet.
$15.00
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Arthur Honegger
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Arthur Honegger
