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--INSTRUMENTS--
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Elliott Carter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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OCARINA
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Vous avez sélectionné:
Elliott Carter
Partitions à imprimer
11 partitions trouvées
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1
JUST ONE PIECE for Four Timpani
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Contemporain
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Morgan Resendes
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JUST ONE PIECE for Four Timpan
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Morgan Resendes
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SheetMusicPlus
Percussion Solo,Timpani - Level 3 - SKU: A0.1329997 Composed by Morgan Resendes. Contemporary. Individual part. 5 pages. Morgan Resendes #917943. Publis...
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Percussion Solo,Timpani - Level 3 - SKU: A0.1329997 Composed by Morgan Resendes. Contemporary. Individual part. 5 pages. Morgan Resendes #917943. Published by Morgan Resendes (A0.1329997). This piece is written as an homage to Elliott Carter’s timpani solo EIGHT PIECES for Four Timpani. It takes inspiration from small parts of Carter’s solo and especially calls out to metric modulations.circa 4’ 45â€For purchasing physical copies of this piece, please visit my website: MorganResendes.com.
$5.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Two Pieces for Double Bass
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Juliette Marie Olga
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Graham Boag
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Two Pieces for Double Bass
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Graham Boag
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 4 - SKU: A0.1382790 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Graham Boag. 20th Century,Chambe...
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Double Bass,Piano,String Bass - Level 4 - SKU: A0.1382790 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Graham Boag. 20th Century,Chamber,Classical. Score and part. 15 pages. Graham Boag #967218. Published by Graham Boag (A0.1382790). Originally composed for Violin and Piano I have transcribed and arranged these for Double Bass in Orchestral tuning aiming them towards the advanced intermediate/advanced student. Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life – she died at 25. Her music was highly influenced by Faure and Debussy. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture becomes thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by a low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.
$14.99
Minuet sur le nom d'Haydn
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Maurice Ravel
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Robert Rainford
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Minuet sur le nom d'Haydn
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Forton Music - Digital
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SheetMusicPlus
4fl. Afl. Bfl. Cafl. Cbfl - Intermediate - SKU: F2.FM400 Composed by Maurice Ravel. Arranged by Robert Rainford. Arranged for Flute Ensemble/Choir - 4 F...
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4fl. Afl. Bfl. Cafl. Cbfl - Intermediate - SKU: F2.FM400 Composed by Maurice Ravel. Arranged by Robert Rainford. Arranged for Flute Ensemble/Choir - 4 Flutes, Alto Flute, Bass Flute, Contr'alto Flute, Contrabass Flute. Score and Parts. 12 pages. Forton Music - Digital #FM400. Published by Forton Music - Digital (F2.FM400). ISBN 9790570482993.Flute Ensemble (4 flutes, alto flute, bass flute, contr'alto flute, contrabass flute). Maurice Ravel wrote this exquisite miniature piece originally for piano in 1909, to mark the centenary of the death of the composer Franz Joseph Haydn. Ravel has used the letters of Haydn's name to give him the initial theme of the piece at the very start (flute 1 of this arrangement). B natural represents H, A and D represent their own letters, the next D represents the letter Y, and the final G represents N. This theme then weaves through the whole piece in various versions, sometimes upside down, and sometimes backwards. Many composers have used this method of using letters to give melodic pitches, from Josquin back in the fifteenth century all the way through to such twentieth century composers as Shostakovich, Messiaen and Elliott Carter. This arrangement uses just about the full range of flutes, including contr'alto and contrabass. Each flute has it's own independant part, and the 'HAYDN' theme is shared between them all.Whilst not technically difficult, it needs sensitive playing to balance the parts, and a strong sense of musical colour to make the most of the piece.
$10.95
Un bouquet de pensées
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Heinz Holliger
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Un bouquet de pensées
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Schott Music - Digital
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SheetMusicPlus
Oboe (also oboe d'amore and cor anglais) and harp (individual pieces also for flute/alto flute, clarinet, soprano/alto/tenor saxophone and harp) - SKU: S9.Q...
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Oboe (also oboe d'amore and cor anglais) and harp (individual pieces also for flute/alto flute, clarinet, soprano/alto/tenor saxophone and harp) - SKU: S9.Q47198 10 pieces for oboe (doubling oboe d'amore and cor anglais). Composed by Heinz Holliger. This edition: score and parts. Downloadable, Score and parts. Duration 20 minutes. Schott Music - Digital #Q47198. Published by Schott Music - Digital (S9.Q47198). This collection contains musical birthday greetings to composers and instrumentalists who are close friends of Heinz Holliger. The very different pieces were created over a period of 15 years for the duo Ursula and Heinz Holliger. Among the recipients of these birthday compositions were Elliott Carter, Pierre Boulez, Robert Suter, György Kurtág, Emile Cassagnaud, and Maria Teresa Cerocchi, among others.
$52.99
Schärfe. Schatten
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Benjamin Schweitzer
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Schärfe. Schatten
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Schott Music - Digital
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SheetMusicPlus
Flute (Piccolo), oboe, clarinet in Bb, A and Eb, horn, bassoon and piano - difficult - SKU: S9.Q19872 For wind quintet and piano. Composed by Ben...
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Flute (Piccolo), oboe, clarinet in Bb, A and Eb, horn, bassoon and piano - difficult - SKU: S9.Q19872 For wind quintet and piano. Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 8 minutes. Schott Music - Digital #Q19872. Published by Schott Music - Digital (S9.Q19872). Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections. The composer says of his piece: 'the combination of shortness and an ease of attitude with the complexity of a major chamber music work relates, in a certain way, the piece to the late works of Elliott Carter.'Benjamin Schweitzer präsentiert sein erstes Werk für diese Formation. Experimentierfreudig erweitert er den typischen Charakter der Bläser um den Klang des Klaviers. Das Werk gliedert sich in zwei Sätze, jeder Satz in mehrere Teile. Komplex-verflochtene Passagen stehen stringent-komponierten Abschnitten gegenüber.
$30.99
When The Day Met The Night
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Chorale 2 parties
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DÉBUTANT
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Rock
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Brendon Urie, Jon Walker, Ryan
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Laurie Carter-Elliott
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When The Day Met The Night
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.1283486 Composed by Brendon Urie, Jon Walker, Ryan Ross, and Spencer Smith. Arranged by Laurie Carter-Elliott....
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Choral Choir (2-Part) - Level 1 - SKU: A0.1283486 Composed by Brendon Urie, Jon Walker, Ryan Ross, and Spencer Smith. Arranged by Laurie Carter-Elliott. Pop,Rock. Octavo. 9 pages. Laurie Carter-Elliott Lucky Life Publishing #874669. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1283486). A great song by Panic At The Disco! This is a 2 Part arrangement for middle school choirs just learning how to sing in parts. It's easy to learn and fun to put together. Each part gets a chance to sing the melody as well as learn a harmony part. A totally reachable range by baritones singing an octave lower in either Part I or Part II There is even an optional solo or small group section at the beginning. It's also an appropriate song to use if you are designing a weather or outside-element themed concert!
$1.99
Things Out There
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Chorale 2 parties
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DÉBUTANT
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Amanda Mc Broom and Michele Br
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Laurie Carter-Elliott
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Things Out There
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 1 - SKU: A0.1293645 Composed by Amanda Mc Broom and Michele Brourman. Arranged by Laurie Carter-Elliott. Halloween,...
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Choral Choir,Choral (2-Part) - Level 1 - SKU: A0.1293645 Composed by Amanda Mc Broom and Michele Brourman. Arranged by Laurie Carter-Elliott. Halloween,Rock. 8 pages. Laurie Carter-Elliott Lucky Life Publishing #884114. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1293645). Looking for a Halloween or just plain scary song? This arrangement is just that! Made for 2 part or optional melody only, students will love this creepy rock song with an optional solo or small group section, plus some solo spoken parts! Vampires, witches, goblins, and ghosts, but you know the ones that care you the most, are those things out there!.
$1.99
First Baseball Game
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Don Raye and Gene De Paul
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Laurie Carter-Elliott
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First Baseball Game
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & ...
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Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & Worship. Octavo. 8 pages. Laurie Carter-Elliott Lucky Life Publishing #871381. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1279975). The First Baseball Game: In the big inning - A jazz tune that starts off with a slower introduction and then goes into a swinging style, with verses taken from the bible and turned into many puns such as: Rebecca went to the well with the pitcher, Goliath was struck out by David, the prodigal son made a great home run, Jonah whaled and went down swingin', and many more! Written in 1948 by Gene De Paul and Don Raye.
$1.99
Remember Me, Recuerdame
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Chorale 3 parties
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INTERMÉDIAIRE
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Celtique/Irlandais
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Celtic Thunder
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Laurie Carter-Elliott
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Remember Me, Recuerdame
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1282664 By Celtic Thunder. By Phil Coulter. Arranged by Laurie Carter-Elliott. Celtic,Irish,Pop,Traditional. Octa...
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Choral Choir (SAB) - Level 3 - SKU: A0.1282664 By Celtic Thunder. By Phil Coulter. Arranged by Laurie Carter-Elliott. Celtic,Irish,Pop,Traditional. Octavo. 8 pages. Laurie Carter-Elliott Lucky Life Publishing #873922. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1282664). Written by Irish musician, songwriter and record producer Phil Coulter, Remember Me, Recuerdame brings a heartfelt melody and lyrics along with a complimentary piano part to please singers and audiences alike. This song expresses a meloncholy, nostalgic feeling of love and longing. Positively a crowd pleaser!
$1.99
You Know It's About You
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Chorale 3 parties
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FACILE
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Film/TV
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Christopher Kenneth Braide and
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Laurie Carter-Elliott
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You Know It's About You
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1282226 Composed by Christopher Kenneth Braide and Stephen Samuel Wrabel. Arranged by Laurie Carter-Elliott. Film...
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Choral Choir (SAB) - Level 2 - SKU: A0.1282226 Composed by Christopher Kenneth Braide and Stephen Samuel Wrabel. Arranged by Laurie Carter-Elliott. Film/TV,Pop. Octavo. 11 pages. Laurie Carter-Elliott Lucky Life Publishing #873538. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1282226). Made known from the movie Leap, this arrangement gives the director and singers options to sing all in unison, or add a second harmony in specific places, or to sing 3 part with divisi harmony if desired. The smaller vocal range makes it very accessible to middle school choirs. Written by Stephen Wrabel and Christopher Braide: both who have written songs for Sia, Beyonce, Pink, and many other top vocalists of this era.
$1.99
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