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John Cage
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Vous avez sélectionné:
John Cage
Partitions à imprimer
83 partitions trouvées
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John Cage I-VI (2023) piano-vocal score
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
John Cage I-VI (2023)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
Labyrinth Walk - In Memory of John Cage
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bill Whitley
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Bill Whitley
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Labyrinth Walk - In Memory of
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1252990 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,21st Century,Classical,Contemporary. Sco...
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Piano Solo - Level 4 - SKU: A0.1252990 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,21st Century,Classical,Contemporary. Score. 10 pages. Musica Semplice #846743. Published by Musica Semplice (A0.1252990). In the spirit of Cage's In a Landscape and composed with the aid of a six-sided die, Labyrinth Walk is ambient and meditative as the name suggests.  This is many ways was my first 'mature' work in the sense that every work that came later was focused on the same theme of meditative tools...ambient and atmospheric textures, etc. It really all began with 'Labyrinth Walk' - Bill Whitley.
$4.99
A Bird In A Gilded Cage
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Piano seul
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INTERMÉDIAIRE
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Bing Crosby
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A Bird In A Gilded Cage
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1359879 By Bing Crosby. By Harry Von Tilzer. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Come...
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Piano Solo - Level 3 - SKU: A0.1359879 By Bing Crosby. By Harry Von Tilzer. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Comedy,Folk,Jazz,Ragtime. Score. 7 pages. Martyn Johnson #944360. Published by Martyn Johnson (A0.1359879). This is a very old waltz from 1900. It would have been performed in Vaudeville and English Music Hall. I take it through the two keys of Bb major and Cb major. Cb major has 7 flats but is not so hard as you might think as it's easy to remember to flatten every note instead of having to remember which notes to flatten! I interweave arpeggios between the melody notes and it therefore has a very full sound to it. It is sort of a Stride waltz in that the bass is usually, with some variations, followed by two chords on each beat.I don't notate fingering, pedals or dynamics as I leave the interpretation up to the individual pianist and in any event no two piano teachers ever agree on these things.Please note this is a piano solo and I doesn't include notation for the other instruments on my YouTube upload, strings, drums, bass guitar. I write all my music as piano solos first and they sound perfectly complete as such.I hope you have as much fun learning it as I did arranging it.
$3.50
Don't Go In The Lion's Cage
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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E
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Walter Latzko
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Don't Go In The Lion's Cage
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.871592 Composed by E. Ray Goetz John Gilroy. Arranged by Walter Latzko. Traditional. Octavo. 5 pages. Latzko Muz...
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Choral Choir (TTBB) - Level 2 - SKU: A0.871592 Composed by E. Ray Goetz John Gilroy. Arranged by Walter Latzko. Traditional. Octavo. 5 pages. Latzko Muzic #5297959. Published by Latzko Muzic (A0.871592). This a 1916 ballad as performed by the Buffalo Bills
$5.99
[Rose] Riposte: 63 Bars for John Cage
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Flûte traversière
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Contemporain
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Griffith Rose
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[Rose] Riposte: 63 Bars for Jo
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American Composers Alliance Inc.
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SheetMusicPlus
Flute Solo - SKU: A0.952609 Composed by Griffith Rose. 20th Century. Individual part. 5 pages. American Composers Alliance Inc. #4611193. Published by A...
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Flute Solo - SKU: A0.952609 Composed by Griffith Rose. 20th Century. Individual part. 5 pages. American Composers Alliance Inc. #4611193. Published by American Composers Alliance Inc. (A0.952609). Scored for solo flute - PDF download includes score.
$7.95
8'66"
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Piano seul
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AVANCÉ
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Craig Peaslee
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8'66"
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Craig Peaslee Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #522163...
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Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #5221633. Published by Craig Peaslee Music (A0.944867). Highly influenced by John Cage, 8'66 features compositional practices explored by Cage.Song of the Talpa People calls for the pianist to play the movement while attempting to prevent any of the piano hammers to fall (hit the strings, causing sound); however, due to the tempo marking, human error, and other factors, it is a certainty that the hammers will fall - we simply do not know when, where, and how many of these falls will happen on any given performance. Cage was a pioneer of indeterminant music, a single piece of music that can sound wildly different each time it is heard.In Funeral March for a Deaf Man the written music was lined up directly to a section of Cage's Lecture on Nothing so that whenever a syllable from the speech would be spoken the pianist plays the note(s) that correspond at the same time.The finale, In Futurm, allows for the pianist to perform the piece as originally written.The titles for the three movements are taken from compositions of silent music that predate Cage's 4'33 1. Funeral March for the Obsequies of a Dead Man (1897) by Alphonse Allais (1854-1905). 2. In Gaston Leroux's 1903 novel La Double Vie de Theophraste Longuet, silent concerts are given by the Talpa people. 3. In futurum (1919) by Edwin Schul
$8.66
Compositions 1960
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Contemporain
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La Monte Young
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Divisi Labs
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Compositions 1960
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Divisi Labs
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #656...
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Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #6562549. Published by Divisi Labs (A0.1010670). The Compositions 1960 are a set of pieces written in 1960 by composer La Monte Young. These pieces are unique in the sense that Young heavily emphasizes performance art, through extra-musical actions such as releasing a butterfly into the room or pushing a piano against a wall. History In 1959, while studying at Berkeley, Young traveled to Darmstadt to study with Karlheinz Stockhausen. During that summer, Stockhausen frequently discussed the music of American Composer John Cage. As a result, rather than gaining interest in Stockhausen's works, Young left Darmstadt having found inspiration in Cage's works. A year later in 1960, Young did indeed have the opportunity to study with Cage and Richard Maxfield in New York. During his studies, Young gave New York's first loft concert in Yoko Ono's loft. Some of the pieces that he performed would later become part of his Compositions 1960 Pieces Each piece has a unique set of instructions to be followed by the performer. These instructions may include the setting up of the piece, and what to do during the piece. Some of the pieces will even specify what the audience should do.
$4.99
4'33''
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Ukulele
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DÉBUTANT
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John Cage
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Leo Baeza
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4'33''
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Leo Baeza
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SheetMusicPlus
Ukulele - Level 1 - SKU: A0.1438352 By John Cage. By John Cage. Arranged by Leo Baeza. Classical,Film/TV,Historic,Instructional,Standards. Score. 1 page...
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Ukulele - Level 1 - SKU: A0.1438352 By John Cage. By John Cage. Arranged by Leo Baeza. Classical,Film/TV,Historic,Instructional,Standards. Score. 1 pages. Leo Baeza #1018371. Published by Leo Baeza (A0.1438352). Arreglo para ukulele nivel facil Fingerstyle.sigueme en YouTube LEO BAEZA - UKULELE PARA TODOS.
$4.99
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Publis...
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Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02
Prelude
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Benedito Pratama
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Prelude
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Benedito Pratama
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1127242 Composed by Benedito Pratama. Classical,Contemporary,Film/TV. Score. 9 pages. Benedito Pratama #727876. Published...
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Piano Solo - Level 3 - SKU: A0.1127242 Composed by Benedito Pratama. Classical,Contemporary,Film/TV. Score. 9 pages. Benedito Pratama #727876. Published by Benedito Pratama (A0.1127242). A short prelude that was my homage to the great minimalist composers such as John Adams, Philip Glass, Steve Reich, and the early works of John Cage.
$5.00
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Sonatas and Interludes (2024)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sonatas and Interludes
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1493847 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 40 pages. Thomas Oboe Lee #10705...
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Piano Solo - Level 4 - SKU: A0.1493847 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 40 pages. Thomas Oboe Lee #1070504. Published by Thomas Oboe Lee (A0.1493847). Full scoreProgram note:In the late spring of 2024 I read a review in BBC Music Magazine of an ECM recording from 1994 of Keith Jarrett playing the CPE Bach Württemberg Sonatas. I am a long time fan of CPE Bach's music. But I have confess that the Württemberg Sonatas never did much for me. Maybe it's because all the previous albums of the work were recorded on the harpsichord, which I hate. But, when I heard Keith Jarrett do these sonatas on a Steinway grand, I was blown away!!! So blown away was I that I immediately wanted to do my own version of these great works by CPE. I am calling my work, after John Cage, Sonatas and Interludes. There will be altogether eleven movements. I. Sonata No. 1 - Moderato, Andante II. Sonata No. 1 - Adagio III. Sonata No. 1 - Presto TRIO iV. Interlude 1 - Andante moderato V. Sonata No. 2 - Adagio, più tranquillo TRIO VI. Sonata No. 2 - Molto allegro VII. Sonata No. 2 - Largo VIII. Interlude 2 - Allegro IX. Sonata No. 3 - Moderato X. Sonata No. 3 - Presto TRIO XI. Sonata No. 3 - Largo.
$9.99
Golpes Festivos (Festivity Strikes)
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Andrés LLona
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Golpes Festivos
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Andres LLona
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SheetMusicPlus
Percussion Ensemble Percussion 1,Percussion 2 - Level 5 - SKU: A0.1473634 By Andrés LLona. By Andrés LLona. 21st Century,Classical,Contemporary. 20 pa...
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Percussion Ensemble Percussion 1,Percussion 2 - Level 5 - SKU: A0.1473634 By Andrés LLona. By Andrés LLona. 21st Century,Classical,Contemporary. 20 pages. Andres LLona #1051350. Published by Andres LLona (A0.1473634). “Golpes Festivos” es una obra para dos sets de percusión, en el que no hay alturas definida solo parches, platillos y accesorios como shaker, cascabeles, vibraslap y bocina. El título para esta obra fue elegido con el fin de crear un ambiente festivo, en el que los sonidos puedan promover un ambiente alegre, y en donde en algunas secciones se pueda imaginar alguna festividad conocida por el uso de algún instrumento, como lo es en el caso de los cascabeles. Esta obra fue creada mayoritariamente a partir de la realización de patrones rítmicos con un tempo estable. Se busca un resultado sonoro vigoroso, energético, agraciado, en el que se demuestre la fuerza de los instrumentos de percusión elegidos.Las principales obras que inspiraron a este compositor para llegar a crear “Golpes Festivos” fueron “Rebonds b”, “Rebonds a” y “Dmaathen” de Iannis Xenakis, principalmente la primera mencionada ya que mantiene un pulso constante, estable, fluido y con patrones rítmicos similares. También la obra de John Cage “Third Construction” sirvió para buscar mas sonoridades y otras formas de construir patrones rítmicos. Además, las Obras de Gene Koshinski como “Dance of the Drums” y “As One” que sirvieron como inspiración de obras de percusión más contemporáneas dentro del siglo XXI. Finalmente, también sirvió como inspiración la obra de Luciano Berio “Circles”.
$200.00
Tetrahedron
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Brendan McMullen
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Tetrahedron
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Brendan McMullen
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SheetMusicPlus
Percussion Quartet - Level 5 - SKU: A0.1459453 Composed by Brendan McMullen. 21st Century. 63 pages. Brendan McMullen #1038406. Published by Brendan McM...
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Percussion Quartet - Level 5 - SKU: A0.1459453 Composed by Brendan McMullen. 21st Century. 63 pages. Brendan McMullen #1038406. Published by Brendan McMullen (A0.1459453). Originally written for Sō Percussion, this quartet explores continuous rhythmic energy with periodic breaks into more free material. Much of the inspiration came from listening to Sō Percussion’s performances and working with the four amazing musicians who brought this piece to life. The tin cans are an homage to John Cage’s “Third Construction,” one of my all-time favorite pieces.Durration: Approximately 9 minutes.Instrumentation:Percussion 1:- 4 Congas- Desk Bells (D, E, F, G, A, B) - Sus. Cymbal- TrianglePercussion 2:- Snare Drum- 4 Wood Blocks - Sus. Cymbal- TrianglePercussion 3:- 4 Tom-toms- 4 Tin Cans- 1 Wood Block - Sus. Cymbal- TrianglePercussion 4:- Bass Drum, - 4 Tin Cans- Sus. Cymbal - Triangle.
$19.99
4’33”
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Piano seul
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DÉBUTANT
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Classique
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Arranged by QuantumSpace234 an
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QuantumSpace234 and John Cage
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4’33”
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QuantumSpace234
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SheetMusicPlus
Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1433553 Composed by Arranged by QuantumSpace234 and John Cage. This edition: Interactive...
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Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1433553 Composed by Arranged by QuantumSpace234 and John Cage. This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 273. QuantumSpace234 #1rgx3BBog5q4obcTXrsekA. Published by QuantumSpace234 (A0.1433553). Key: C major.
$2.99
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitare
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INTERMÉDIAIRE
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Classique
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,C...
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Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
Haba Na Haba
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Chorale SATB
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K Smith
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Haba Na Haba
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K Smith
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.1026770 Composed by K Smith. African,Contemporary. Octavo. 10 pages. K Smith #6384883. Published by K Smith (A0.1026770)....
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Choral Choir (Mixed) - SKU: A0.1026770 Composed by K Smith. African,Contemporary. Octavo. 10 pages. K Smith #6384883. Published by K Smith (A0.1026770). Haba Na Haba is a piece about community service and how we can all work together for a common goal. The piece is inspired by the works of John Cage and includes overlapping parts that are rhythmically interesting and represent unity and working together, even though everyone is different and has different strengths.This piece is perfect for celebrating Kwanzaa!
$4.99
Random Access
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Contemporain
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Richard Montalto
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Random Access
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Maximal Music
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SheetMusicPlus
SKU: A0.1071947 Composed by Richard Montalto. Contemporary. Full Performance. Duration 251. Maximal Music #6013119. Published by Maximal Music (A0.10719...
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SKU: A0.1071947 Composed by Richard Montalto. Contemporary. Full Performance. Duration 251. Maximal Music #6013119. Published by Maximal Music (A0.1071947). Random Access, for pre-recorded electronics was composed in memory of noted Avant-Garde composer Larry Austin, Professor Emeritus at the University of North Texas. Mr. Austin was noted for his electronic and computer music works. Austin had important associations with John Cage, Karlheinz Stockhausen, Leonard Bernstein and others. Larry Austin died on December 30, 2018. Random Access may be combined with One for Larry, a work for flute and clarinet with live digital processing, also dedicated to Larry Austin. If performed together, the title is One for Larry + Random Access.One for Larry is available separately from Sheet Music Plus. Performance time: 4'10
$2.50
Mobile for prepared piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michelle Agnes Magalhaes
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Mobile for prepared piano
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Michelle Agnes Magalhaes
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published ...
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Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published by Michelle Agnes Magalhaes (A0.944160). ABOUT MOBILE (by Ricardo Descalzo, pianist) Few compositions have impressed me as much in my life as this genius work by the Brazilian composer, pianist and improviser. I remember that when I found it a few years ago I did not give credit to what I was listening and I could not imagine how those sounds were produced without any electronic manipulation. The idea of using cylindrical neodymium magnets inside the piano, shows that there are no limits in the imagination of the composers and that the resources to be used in our instrument are unlimited, even if there is an increasingly frequent number of people in our professional environment who hate these practices. The idea of combining precise writing with improvised fragments seems to me to fit perfectly with the spirit of the work, which was born from the improvisational world of the composer herself. Mobile is a tribute to John Cage (hence the classic screws and washers) and is inspired by the sculpture of Richard Lippold Gemini that, at the same time, served as inspiration for the Sonatas XIV and XV of the American composer. Mobile evokes an imaginary metal sculpture, a sound automaton and its cyclic movements. The result is a gorgeous universe of bells, ghostly echoes and distant ritual drums. Mobile is an essential part of my concert programs since it entered my life and one of the pieces that every year I work with my students in Musikene. I’m sure that it will become a classic of new piano music. I can only say: thanks, Michelle for creating something so beautiful, so original and so pleasant to play.
$8.00
Because Her Name Is Laura [piano solo]
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Piano seul
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FACILE
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Contemporain
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Juan MarÃa Solare
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Because Her Name Is Laura [pia
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.596629 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score. 6 pages. Juan Maria Solare #6596519. Published...
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Piano Solo - Level 2 - SKU: A0.596629 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score. 6 pages. Juan Maria Solare #6596519. Published by Juan Maria Solare (A0.596629). Because Her Name Is Laura. Piano music by Juan MarÃa SolareThis piece calls for piano resonances (harmonics) and has a non-tonal ('atonal') music language.Technically, this piece isn't very complicated. However, expressively is possibly not for kids, but rather for late beginners (or, of course, professional pianists).This abstract miniature is dedicated to Laura Kuhn (head of the John Cage Trust, New York).Because Her Name Is Laura was composed in 2006. At that time I thought that if I ever had a daughter, her name would be Laura. Well, now I have a daughter and her name is Laura.
$2.20
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
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Thomas Oboe Lee
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Percussion Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin...
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Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
One for Larry
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard Montalto
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One for Larry
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Maximal Music
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.597678 Composed by Richard Montalto. Contemporary. Score and parts. 16 pages. Max...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.597678 Composed by Richard Montalto. Contemporary. Score and parts. 16 pages. Maximal Music #6013105. Published by Maximal Music (A0.597678). One for Larry (2019) for flute, clarinet, and live electronics was composed in memory of noted Avant-Garde composer Larry Austin, Professor Emeritus at the University of North Texas. Mr. Austin was noted for his electronic and computer music works. Austin had important associations with John Cage, Karlheinz Stockhausen, Leonard Bernstein and others. Larry Austin died on December 30, 2018.One for Larry may be combined with Random Access, an electronic work available separately on Sheet Music Plus. (https://www.sheetmusicplus.com/title/random-access-digital-sheet-music/21844138)Performance time: 4'15
$20.00
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