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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Born For You
Non classifié
424
Piano & claviers
Piano seul
221
Piano, Voix et Guitare
67
Piano, Voix
57
Piano Facile
55
Instruments en Do
29
Piano grosses notes
20
Orgue
19
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
4
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
Accordéon
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
34
Ligne De Mélodie, (Paroles) et Accords
17
Ukulele
14
Guitare
12
Basse electrique
6
Paroles et Accords
3
2 Guitares (duo)
3
Mandoline
2
+ 3 instrumentations
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Voix
Chorale SATB
140
Chorale 3 parties
40
Chorale Unison
27
Chorale 2 parties
25
Voix duo, Piano
14
Chorale SSAA
7
Chorale TTBB
5
Chorale SSAATTBB
4
Voix duo
3
Voix Soprano, Piano
3
Voix moyenne, Piano
3
Voix basse, Piano
2
Voix haute
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 10 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
Flûte traversière et Piano
33
2 Saxophones (duo)
32
Clarinette et Piano
32
2 Clarinettes (duo)
27
Saxophone Alto et Piano
18
Saxophone, Clarinette (duo)
18
Flûte, Hautbois, Clarinette, Basson
15
2 Flûtes traversières (duo)
15
Hautbois, Piano (duo)
14
Clarinette, Violon (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Ensemble de Clarinettes
12
Flûte, Clarinette (duo)
11
Flûte traversière
10
Clarinette, Trompette (duo)
9
Saxophone Soprano et Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
8
Saxophone Alto
7
Flûte à bec Soprano
7
2 Hautbois (duo)
7
Hautbois, Flûte
7
Quintette de Flûte : 5 flûtes
7
Ocarina
6
Harmonica
6
Flûte, Saxophone (duo)
6
Flûte à bec Alto
6
Clarinette et Alto
6
Flûte, Violon
6
Hautbois, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois, Basson (duo)
6
Clarinette
6
Hautbois (partie séparée)
5
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Tenor
5
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette (partie séparée)
3
3 Saxophones (trio)
3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Clarinette Basse, Piano
2
Flute (partie séparée)
2
Saxophone (partie séparée)
2
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Flûtes
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Violon
1
Flûte à Bec
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à Bec, Piano
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 61 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trompette, Piano
18
Trombone et Piano
13
Trompette, Saxophone (duo)
12
Trompette
11
2 Trombones (duo)
9
2 Trompettes (duo)
8
Cor et Piano
7
Ensemble de Trompettes
7
Ensemble de Trombones
7
Trompette, Trombone (duo)
6
Euphonium, Piano (duo)
4
Trombone
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba et Piano
4
Cor anglais, Piano
3
Cor (partie séparée)
3
Quatuor de Cuivres
3
Tuba
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Trombone basse
1
Ensemble de Cors
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Cor et Harpe
1
Tuba et Orgue
1
2 Cors (duo)
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
38
Violoncelle, Piano
33
Alto, Piano
26
Violon, Violoncelle (duo)
20
Violon
15
2 Violons (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
9
Violoncelle
9
Violon, Alto (duo)
8
2 Altos (duo)
8
Ensemble d'Altos
7
Ensemble de Violons
7
Harpe
7
Trio à Cordes: 2 violons, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse, Piano (duo)
5
Violon (partie séparée)
4
Alto seul
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Contre Basse
2
Harpe, Violon, Violoncelle
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Contrebasse (partie séparée)
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre
38
Orchestre à Cordes
25
Ensemble de cuivres
18
Ensemble Jazz
13
Cloches
11
Orchestre de chambre
7
Batterie
3
Percussion (partie séparée)
2
Jazz combo
2
Marimba
2
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
+ 8 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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FLUTE TRAVERSI…
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Partitions à imprimer
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Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
#
Ta Maman for alto, cello and g
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David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00 ≈
$13.91
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
$19.40
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
$19.40
Silver Wedding, Klezmer Tune for Flute and Viola Duet
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589314 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sco...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589314 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022237. Published by David McKeown (A0.589314). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Silver Wedding, Klezmer Tune for Trumpet and Tenor Horn in E Flat Duet
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Klezmer
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Traditional
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David McKeown
#
Silver Wedding, Klezmer Tune f
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589330 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,Wor...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589330 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022281. Published by David McKeown (A0.589330). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Silver Wedding, Klezmer Tune for Oboe and Violin Duet
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Klezmer
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589320 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sco...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589320 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022253. Published by David McKeown (A0.589320). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Silver Wedding, Klezmer Tune for Oboe and Cor Anglais, (or English Horn), Duet
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Klezmer
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589319 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,Worl...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589319 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022251. Published by David McKeown (A0.589319). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais, (or English Horn). Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Kandel's Hora, Klezmer tune for Trumpet and Tenor Horn Duet
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Klezmer
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Harry Kandel
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David McKeown
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Kandel's Hora, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.589672 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,Wo...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.589672 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6083799. Published by David McKeown (A0.589672). Kandel’s Hora is a Jewish dance tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Kandel’s Hora was written and named after Harry Kandel. Born in Lvov, and after a short period in the Russian army, Kandel emigrated to the USA in 1905 and quickly found work as a clarinettist in vaudeville, Buffalo Bill’s Wild West Show and JP Sousa’s band. A brief but productive period as band-leader and recording artist followed, after which Kandel retired from performing to run a music shop.Kandel’s Hora is arranged in a key and range best suited to the instruments. A slow Hora in triple meter is followed by a faster Freylach version of the same melody in 4. Kandel’s Hora is suitable for players at an advanced intermediate level and above. With a performance time of three minutes, this version of Kandel’s Hora is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Kandel's Hora, Klezmer tune for Oboe and Cor Anglais (or English Horn) Duet
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Klezmer
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Harry Kandel
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David McKeown
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Kandel's Hora, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.589661 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,Wor...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.589661 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6083775. Published by David McKeown (A0.589661). Kandel’s Hora is a Jewish dance tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).Kandel’s Hora was written and named after Harry Kandel. Born in Lvov, and after a short period in the Russian army, Kandel emigrated to the USA in 1905 and quickly found work as a clarinettist in vaudeville, Buffalo Bill’s Wild West Show and JP Sousa’s band. A brief but productive period as band-leader and recording artist followed, after which Kandel retired from performing to run a music shop.Kandel’s Hora is arranged in a key and range best suited to the instruments. A slow Hora in triple meter is followed by a faster Freylach version of the same melody in 4. Kandel’s Hora is suitable for players at an advanced intermediate level and above. With a performance time of three minutes, this version of Kandel’s Hora is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Kandel's Hora, Klezmer tune for Oboe and Violin Duet
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Klezmer
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Harry Kandel
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David McKeown
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Kandel's Hora, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.589662 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,World. Sc...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.589662 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6083779. Published by David McKeown (A0.589662). Kandel’s Hora is a Jewish dance tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.Kandel’s Hora was written and named after Harry Kandel. Born in Lvov, and after a short period in the Russian army, Kandel emigrated to the USA in 1905 and quickly found work as a clarinettist in vaudeville, Buffalo Bill’s Wild West Show and JP Sousa’s band. A brief but productive period as band-leader and recording artist followed, after which Kandel retired from performing to run a music shop.Kandel’s Hora is arranged in a key and range best suited to the instruments. A slow Hora in triple meter is followed by a faster Freylach version of the same melody in 4. Kandel’s Hora is suitable for players at an advanced intermediate level and above. With a performance time of three minutes, this version of Kandel’s Hora is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Odessa Bulgar, Klezmer tune for Trumpet and Tenor Horn Duet
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Klezmer
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589553 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,Wor...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589553 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078931. Published by David McKeown (A0.589553). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Odessa Bulgar, Klezmer tune for Oboe and Cor Anglais (or English Horn) Duet
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Klezmer
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589542 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,Worl...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589542 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078909. Published by David McKeown (A0.589542). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Odessa Bulgar, Klezmer tune for Oboe and Violin Duet
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Klezmer
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589543 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sco...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589543 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078911. Published by David McKeown (A0.589543). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Mazel Tov, Klezmer Wedding Tune for Flute and Viola Duet
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tun
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.588820 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wed...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.588820 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019045. Published by David McKeown (A0.588820). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Mazel Tov, Klezmer Wedding Tune for Trumpet and Tenor Horn Duet
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Klezmer
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tun
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589053 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jew...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589053 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019079. Published by David McKeown (A0.589053). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Mazel Tov, Klezmer Wedding Tune for Oboe and Violin Duet
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Klezmer
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tun
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.588930 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wed...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.588930 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019059. Published by David McKeown (A0.588930). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Mazel Tov, Klezmer Wedding Tune for Oboe and Cor Anglais, (or English Horn), Duet
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Klezmer
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tun
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588926 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewi...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588926 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019055. Published by David McKeown (A0.588926). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Go Tell It On The Mountain, Gospel Song for Flute and Trumpet Duet
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589832 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gos...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589832 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6129325. Published by David McKeown (A0.589832). Go Tell It on The Mountain is an Afro-American Spiritual Song. This version is arranged as a duet for one Flute and one Trumpet. Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere;Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963. Go Tell It on The Mountain is simply arranged in keys and range best suited to the instruments. The melody is played twice in swing style after a brief introduction; after a short breakdown the key changes and the melody is repeated at a slower tempo. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Tell It on The Mountain is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Go Tell It on The Mountain is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Go Tell It On The Mountain, Gospel Song for Trumpet and Tenor Horn Duet
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589850 Composed by Traditional. Arranged by David McKeown. Christian,Christma...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589850 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6129385. Published by David McKeown (A0.589850). Go Tell It on The Mountain is an Afro-American Spiritual Song. This version is arranged as a duet for one Trumpet and one Tenor Horn. Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere;Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963. Go Tell It on The Mountain is simply arranged in keys and range best suited to the instruments. The melody is played twice in swing style after a brief introduction; after a short breakdown the key changes and the melody is repeated at a slower tempo. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Tell It on The Mountain is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Go Tell It on The Mountain is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Go Tell It On The Mountain, Gospel Song for Oboe and Violin Duet
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589840 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospe...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589840 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6129339. Published by David McKeown (A0.589840). Go Tell It on The Mountain is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Violin. Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere;Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963. Go Tell It on The Mountain is simply arranged in keys and range best suited to the instruments. The melody is played twice in swing style after a brief introduction; after a short breakdown the key changes and the melody is repeated at a slower tempo. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Tell It on The Mountain is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Go Tell It on The Mountain is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Go Tell It On The Mountain, Gospel Song for Oboe and Cor Anglais (or English Horn) Duet
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589839 Composed by Traditional. Arranged by David McKeown. Christian,Christmas...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589839 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6129337. Published by David McKeown (A0.589839). Go Tell It on The Mountain is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere;Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963. Go Tell It on The Mountain is simply arranged in keys and range best suited to the instruments. The melody is played twice in swing style after a brief introduction; after a short breakdown the key changes and the melody is repeated at a slower tempo. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Tell It on The Mountain is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Go Tell It on The Mountain is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.55
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Noël
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Various
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Daniel Kelley
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Intermediate Music for Three C
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Last Resort Music Publishing
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SheetMusicPlus
Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort...
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Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00 ≈
$27.82
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
$34.70
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
$34.70
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
$34.70
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