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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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FLUTE TRAVERSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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OCARINA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four Short Pieces for Bass Clarinet
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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LUTH
MANDOLINE
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Crtitères actifs :
Four Short Pieces for Bass Clarinet
Partitions à imprimer
10 partitions trouvées
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1
October (Autumn Song), - instruments in four parts
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Classique
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Peter Ilyich Tchaikovsky
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Paul Burnell
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October
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Pa...
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Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Paul Burnell #6597247. Published by Paul Burnell (A0.835892). October (Autumn Song), Pyotr Ilyich Tchaikovsky, arranged by Paul Burnell for instruments in four parts(The Seasons, Op. 37a: X. October, Autumn Song)Duration 3:30Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part. Any other appropriate instruments, even if not suggested above, may play.Programme note:The Seasons, Op. 37a, is a set of twelve short pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky (1840 – 1893). Each piece portrays in music the character of a different month of the year in Russia. The tenth movement is October.The following is a translation of the epigraph for October contained in the Russian edition (all chosen by the publisher Nikolay Bernard):Octobre (October), Chant d'automne (Autumn Song)Autumn, our poor garden is all falling down,the yellowed leaves are flying in the wind.(Aleksey Konstantinovich Tolstoy)
$3.99 ≈
$5.57
Six Pieces from First Term at the Piano, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul...
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Small Ensemble - Level 2 - SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99 ≈
$5.57
Two Aires From The Virtuous Wife, - instruments in four parts
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Classique
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Henry Purcell
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Paul Burnell
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Two Aires From The Virtuous Wi
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835849 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5361303...
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Small Ensemble - Level 3 - SKU: A0.835849 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5361303. Published by Paul Burnell (A0.835849). Two Aires From The Virtuous Wife, Henry Purcell, arranged by Paul Burnell for instruments in four parts.The download contains the score together with a set of parts.Duration (if Aire played twice) 3:30I Slow Aire, Z.611/3II Aire, Z.611/4The Aire may be played through completely twice and, if the ensemble contains many players on each part, the instrumentation may be varied the second time.The two movements have both been transposed up a tone from the original.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Ebclarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bbclarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bbclarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:In 1694 Henry Purcell composed a suite of short pieces to accompany the play The Virtuous Wife, or, Good Luck at Last by Thomas D'Urfey. The suite was later included in the posthumous 1697 publication 'A Collection of Ayres, Compos'd For the Theatre, and upon other Occasions''. This arrangement includes the 'Slow Aire' and 'Aire'.
$3.99 ≈
$5.57
Two Pieces From The Virtuous Wife, - instruments in four parts
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Classique
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Henry Purcell
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Paul Burnell
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Two Pieces From The Virtuous W
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835848 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #5314589...
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Small Ensemble - Level 3 - SKU: A0.835848 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #5314589. Published by Paul Burnell (A0.835848). Two Pieces from The Virtuous Wife, by Henry Purcell (1659 - 1695), arranged by Paul Burnell for instruments in four parts.Duration 3:00I Minuet, Z.611/7II Air (La Furstenberg), Z.611/9The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:In 1694 Henry Purcell composed a suite of short pieces to accompany the play The Virtuous Wife, or, Good Luck at Last by Thomas D'Urfey. Some sources do not include the Air, a setting of the French popular tune 'La Furstenburg', as part of the suite but this arrangement matches it with one of the two Minuets.
$3.99 ≈
$5.57
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 11...
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Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 114 pages. RayThompsonMusic #6232669. Published by RayThompsonMusic (A0.553929). Complete.Some movements transposed from original.All clarinet parts in Bb, Horns in FThe Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Arranged double wind quintet and bass.
$19.95 ≈
$27.84
Five Pieces for Wind Instruments
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Contemporain
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Paul Burnell
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Five Pieces for Wind Instrumen
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Paul Burnell
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - SKU: A0.835821 Composed by Paul Burnell. Contemporary. ...
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Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - SKU: A0.835821 Composed by Paul Burnell. Contemporary. Score and parts. 105 pages. Paul Burnell #4836477. Published by Paul Burnell (A0.835821). Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011Approximate durations:1. 2:002. 4:003. 4:254. 2:405. 3:45Total duration 17:00It is not necessary to perform all 5 movements.Instrumentation:Flute (doubling Piccolo in the 1st and 5th movements)OboeClarinet in B flatAlto SaxophoneBass ClarinetBassoonTrumpet in B flatHorn in FTromboneTransposing instruments are shown transposed in the score.Sympathetic instrument doublings and/or substitutions are permissible.Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.Programme note:Five Pieces for Wind Instruments was written for The Southwark Consorts of Winds - The Ancient and Modern Consort.Each of the five movements subject familiar musical stereotypes to simple but rather strict processes.The first movement is a march where the phrase lengths are gradually shortened. The second movement presents a simple melody imitated by other instruments. The middle movement, which is like a hinge in the overall structure, is a canon - where the imitation is between two groups. The fourth movement is a reverie with slight but systematic changes to the sustained harmony. The fifth movement is a jig or waltz where the phrase lengths are, unlike the first movement, gradually lengthened.
$7.95 ≈
$11.10
Invention No. 4, - duet: instruments in Eb and Bb
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Classique
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Johann Sebastian Bach
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Paul Burnell
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Invention No. 4, - duet: instr
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - SKU: A0.835885 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque....
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - SKU: A0.835885 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque. Score and parts. 6 pages. Paul Burnell #6498457. Published by Paul Burnell (A0.835885). Invention No. 4, Johann Sebastian Bach, arranged by Paul Burnell for Duet - instrument in Eb, instrument in BbDuration 1:30Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.The original manuscript score does not contain slurs, mordents, dynamics or tempo markings. Performers may prefer to perform all the notes tongued and at any convenient tempo or dynamicThis arrangement has been transposed from the original key of D Minor and certain notes in Part 2 part have been further transposed at the octave.Programme note:The Inventions and Sinfonias, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard pieces by German composer Johann Sebastian Bach (1685–1750). The original manuscript is dated 1723. They were first written as 'Praeambula' and 'Fantasiae' in a collection for his son Wilhelm Friedemann Bach, and later rewritten as musical exercises for his students. The fourth Invention (BWV 775) is in D Minor, but the key has been transposed for this duet arrangement.
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$2.78
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk D
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95 ≈
$27.84
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 22 pages. RayThompsonMusic #5215831. Published by RayThompsonMusic (A0.553878). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.This is my arrangement of movement.2 Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
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$11.10
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
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Four Short Pieces for Bass Clarinet
