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Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
$15.34
風の音 The Sound Of Wind
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Cynthia Lim 林意
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風の音 The Sound Of Wind
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cynpiano
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SheetMusicPlus
Instrumental Duet,Piano Acoustic Guitar,Instrumental Duet,Piano - Level 4 - SKU: A0.1513494 By Cynthia Lim 林意. By Cynthia Lim 林意. Arranged by Cy...
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Instrumental Duet,Piano Acoustic Guitar,Instrumental Duet,Piano - Level 4 - SKU: A0.1513494 By Cynthia Lim 林意. By Cynthia Lim 林意. Arranged by Cynthia Lim 林意 & Take たけ. 21st Century,Film/TV,New Age,Pop,Singer/Songwriter. 9 pages. Cynpiano #1088366. Published by cynpiano (A0.1513494). The Sound Of Wind is a captivating song that draws inspiration from the gentle whispers of the wind and the graceful movement of windmills, which composed by Cynthia Lim 林意 and guitar arranged by Take たけ. This piece beautifully captures the healing music and serene beauty of nature, offering listeners a soothing and uplifting experience.The lyrics poetically describe the wind as a source of comfort, strength, and inspiration, weaving through themes of love, passion, and wonder. The song's harmonious melody and evocative imagery create a sense of tranquility and hope, reflecting the harmonious relationship between nature and humanity.With its enchanting verses and calming rhythm, The Sound Of Wind invites you to embrace the natural world and find peace in its timeless beauty.「風の音」は、風の優しいささやきと風車の優雅な動きからインスピレーションを得た魅力的な曲で、シンシアによって作曲され、たけによってギターアレンジが施されています。この作品は、自然の癒しの音楽と静かな美しさを見事に捉え、聴く人に心地よく元気づける体験を提供します。歌詞は、風を慰め、力強さ、そしてインスピレーションの源として詩的に描写し、愛、情熱、驚きのテーマを織り交ぜています。曲の調和の取れたメロディーと感動的なイメージは、自然と人間の調和の取れた関係を反映し、静けさと希望の感覚を生み出します。魅力的な詩と落ち着いたリズムで、「風の音」は自然界を受け入れ、その永遠の美しさの中で平和を見つけるように誘います。.
$5.99 ≈
$8.39
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
$31.52
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
$21.01
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
$21.01
Nature Morte
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Contemporain
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William Brenner
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Nature Morte
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William Brenner
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - SKU: A0.1080531 Composed by William Brenner. Classical,Contemporary. Score and parts. 31...
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Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - SKU: A0.1080531 Composed by William Brenner. Classical,Contemporary. Score and parts. 31 pages. William Brenner #684755. Published by William Brenner (A0.1080531). Nature Morte | by William Brenner (Still life) For quartet: Clarinet in Bb, Horn in F, Viola and Xylophone This is my final project for my 2nd semester in college. I hope you enjoy it! The piece explores complex musical writing and technical elements. My goal was to explore this kind of composition while following my typical way of writing music: expressing a story or an image through music.------------------------------------------------------------------------------------------------------------------ Program note: Many times throughout history, cycles and elements of nature like birth, death and, of course, love have been extremely rich sources of inspiration for composers. However, even though it has been the main subject of many musical works in the past, it is still pretty rare for nature to be represented as a cycle used when describing humankind. Therefore, the goal of the piece Nature Morte is to not only show the cycle of life present in nature, but also address the cohabitation of death and life within this same cycle. Paintings by Jan Wijnants like Le repos des chasseurs aux faucons et Paysage avec bovins sur une route de campagne wonderfully illustrates this phenomena. This dutch painter often uses dead trees and big tree stumps in his work, which symbolizes typical fields and landscapes from the 17th century. This demonstration of coexistence between life and death, as well as this idea of cycles within life in nature, are the main sources of inspiration for this piece. Given that the idea of life and death within nature is inspired by motionless elements in visual art, it explains the chosen title: Nature morte (which could translate as “Still lifeâ€).
$16.99 ≈
$23.80
Romanian Dance (Bartok) - Brass Band
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Bela Bartok
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Rob Bushnell
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Romanian Dance
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.752355 Composed by Bela Bartok. Arranged by Rob Bushnell. 20th Century,Contemporary,Folk,Multicultural,Romantic Period,World. Brass Band. 71 pages. RBMusic #4580667. Published by RBMusic (A0.752355). Béla Viktor János Bartók is considered to be one of Hungary’s greatest composers (along with Franz Liszt), and is regarded as one of the most important writers of the 20th century. His music tends to reflect two trends that helped to change the sound of music in the 20th century: the breakdown of diatonic harmony; and a renewed interest in using nationalism as a source for musical inspiration. For this latter trend, Bartók turned to Hungarian folk music and become a key figure in influencing the modern use of indigenous music and techniques. In 1904, whilst at a resort in Hungary, Bartók overheard his nanny, Lidi Dósa, singing Transylvanian folk songs, which sparked a lifelong devotion to folk music. Further influenced by Strauss, Bartók started to write music based on folk songs, including his Romanian Folk Dances (Op. 8a, Sz. 43, BB 56) for piano in 1910, made up of two folk songs. The first of these dances was later orchestrated by the composer for orchestra and named Romanian Dance (Sz. 47, BB 61) and it is this piece that is available here. This arrangement is for the UK-style brass band. A recording of the original orchestral piece can be found on YouTube: https://www.youtube.com/watch?v=PuQSdNjFdrY. Other searchable terms: Bela Bartok, Román Tánc, Roman Tanc, Magyar peasant melodies
$57.50 ≈
$80.55
Three Dances (for Carillon)
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Adam Lenhart
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Three Dances
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1495275 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructional,Romantic Perio...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1495275 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructional,Romantic Period. Individual part. 6 pages. Adam Lenhart #1071794. Published by Adam Lenhart (A0.1495275). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
$6.99
Musical Clock (for Carillon)
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Adam Lenhart
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Musical Clock
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Indivi...
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Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1044120. Published by Adam Lenhart (A0.1465418). For centuries people have associated music with the passing of time. While most of us no longer live within earshot of bells, many will find a catchy and simple melody still wakes us up in the morning, reminds us to go to that meeting we forgot about, or even just helps us to do day-to-day tasks. As an avid alarm-user myself, I find music assisting me with punctuality just as it has for my ancestors. I wanted to create a piece commemorating this bond between music and time, inspired by both traditional carillon melodies, as well as modern day ringtones. My piece Musical Clock contains movements for both beginners and intermediate players. Each movement may be played individually, but any two or more movements should be played sequentially. ~Adam Lenhart, 2024This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
$13.99
Prelude & Fugue in Three Flats (for Carillon Duet)
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Adam Lenhart
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Prelude & Fugue in Three F
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 4 - SKU: A0.1446993 Composed by Adam Lenhart. 21st Century,Baroque,Contemporary,Contest,Festival,Romantic Period. Ind...
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Carillon,Instrumental Solo - Level 4 - SKU: A0.1446993 Composed by Adam Lenhart. 21st Century,Baroque,Contemporary,Contest,Festival,Romantic Period. Individual part. 7 pages. Adam Lenhart #1026766. Published by Adam Lenhart (A0.1446993). Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
$6.99
Prelude & Fugue in Three Flats (for Grand Carillon Duet)
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Adam Lenhart
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Prelude & Fugue in Three F
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 4 - SKU: A0.1446989 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Festival,Romantic Period,Wedding. Individu...
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Carillon,Instrumental Solo - Level 4 - SKU: A0.1446989 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Festival,Romantic Period,Wedding. Individual part. 7 pages. Adam Lenhart #1026762. Published by Adam Lenhart (A0.1446989). Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
$6.99
Shattered Harmonics (for Carillon)
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Adam Lenhart
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Shattered Harmonics
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1436121 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Ind...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1436121 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Adam Lenhart #1016278. Published by Adam Lenhart (A0.1436121). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$2.99 ≈
$4.19
Mixolydian Syncopation (for Carillon)
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Adam Lenhart
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Mixolydian Syncopation
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1437590 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructional. Individual pa...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1437590 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 2 pages. Adam Lenhart #1017672. Published by Adam Lenhart (A0.1437590). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
$2.79
Perspectives (for Carillon)
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Adam Lenhart
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Perspectives
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - SKU: A0.1437508 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Early Music,Festival,Instructional. I...
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Carillon,Instrumental Solo - Level 2 - SKU: A0.1437508 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1017616. Published by Adam Lenhart (A0.1437508). “I grew up in the small town of Ottawa Lake, Michigan. My perspective of life in the rural midwest of the United States was quite pastoral, peaceful and quiet, but in 2020 I moved to Ann Arbor, Michigan and suddenly had opportunities as well as challenges I had never experienced before. However, many other new music students I spoke to stated how much smaller the city felt to them than their hometown. It was so interesting to see how the places we were raised impacted our view of how we live and communicate as a human race. I began imagining all the places in the universe where my small town would appear to be booming with life from its perspective–a lone farmhouse, the depths of the ocean, the edges of outer space, etc. One incredible thing about perspectives is that they are always changing, just as we are. The unfamiliar can always become familiar, and the familiar can always become unfamiliar.”-Adam Lenhart, 2024---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$5.99 ≈
$8.39
Musical Clock (for Carillon/Chime)
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Adam Lenhart
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Musical Clock
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - SKU: A0.1408954 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional,Medieval. Individ...
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Carillon,Instrumental Solo - Level 2 - SKU: A0.1408954 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional,Medieval. Individual part. 4 pages. Adam Lenhart #991559. Published by Adam Lenhart (A0.1408954). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
$2.79
Canon at the Tritione (for Carillon)
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Adam Lenhart
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Canon at the Tritione
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1408953 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Instructional. Individual part. 3 p...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1408953 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Instructional. Individual part. 3 pages. Adam Lenhart #991557. Published by Adam Lenhart (A0.1408953). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
$2.79
Waltz in B Major (for Carillon)
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Adam Lenhart
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Waltz in B Major
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1408955 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional. Individual part....
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1408955 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional. Individual part. 1 pages. Adam Lenhart #991560. Published by Adam Lenhart (A0.1408955). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
$2.79
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99 ≈
$13.99
Learning to Dance (Duet for Eb Alto Saxophone and F Horn)
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Adam Lenhart
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Learning to Dance
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Adam Lenhart
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SheetMusicPlus
Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pag...
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Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pages. Adam Lenhart #910858. Published by Adam Lenhart (A0.1322562). Learning to Dance is a playful and beginner-friendly duet exploring a fun blend of playing in both 3 and 2. You can almost close your eyes and imagine yourself learning to waltz, every once in a while missing a step or adding an extra one, embodying all of the excitement, frustration and surprises of learning something new.Purchase includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
$6.99
Melodies from Winter Forests
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Sergii Leontiev
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Sergii Leontiev
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Melodies from Winter Forests
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Silver Scoring Studios
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1515365 By Sergii Leontiev. By Sergii Leontiev. Arranged by Sergii Leontiev. 21st Century,Classical,Contemporar...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1515365 By Sergii Leontiev. By Sergii Leontiev. Arranged by Sergii Leontiev. 21st Century,Classical,Contemporary,Folk. Individual part. 12 pages. Silver Scoring Studios #1066003. Published by Silver Scoring Studios (A0.1515365). Melodies from Winter Forests is a deeply personal and evocative composition by Sergii Leontiev. Composed in the winter of 2024 and dedicated to his friend, clarinetist Dmytro Pashynskyi. This three-movement piece captures the profound pure emotions, as well as the cold, challenging war times faced by Ukrainian people. Through the clarinet's expressive timbre, composer weaves a narrative of resilience, sorrow, and hope. Deeply rooted in Ukrainian folk traditions, the music draws inspiration from the natural beauty of winter landscapes, serene, frosty mornings in the mountains and the silence of snow-covered forests differentiating an element of tranquility amidst the existential dramatic turmoil.
$24.99 ≈
$35.01
Whispering Hope
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Septimus Winner
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Unknown
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Whispering Hope
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Clem & Jun Bascar
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1516592 Composed by Septimus Winner. Arranged by Unknown. 19th Century,A Cappella,Advent,Christian,Christmas. Scor...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1516592 Composed by Septimus Winner. Arranged by Unknown. 19th Century,A Cappella,Advent,Christian,Christmas. Score. 2 pages. Clem & Jun Bascar #1090762. Published by Clem & Jun Bascar (A0.1516592). A song of hope and inspiration,.
$5.99 ≈
$8.39
We'll Understand it Better By and By
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Charles Albert Tindley
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Unknown
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We'll Understand it Better By
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Clem & Jun Bascar
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1516586 Composed by Charles Albert Tindley. Arranged by Unknown. 19th Century,A Cappella,Christian,Early Music,Pra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1516586 Composed by Charles Albert Tindley. Arranged by Unknown. 19th Century,A Cappella,Christian,Early Music,Praise & Worship. Score. 2 pages. Clem & Jun Bascar #1090755. Published by Clem & Jun Bascar (A0.1516586). A song of hope and inspiration for every believer in Christ. A message of assurance on our eternal home with God.
$5.99 ≈
$8.39
Wuthering Heights
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Kate Bush
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John Ivor Holland
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Wuthering Heights
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1503938 Composed by Kate Bush. Arranged by John Ivor Holland. 20th Century,Pop,Rock,Singer/Songwriter. Brass Band. 28 pages. John Ivor Holland #1079390. Published by John Ivor Holland (A0.1503938). The genre-defying classic that introduced Kate Bush and continues to be an inspiration to artists around the world. The gothic masterpiece of the novel embodied in a swirling, sprawling melody that remains absolutely timeless.
$49.99 ≈
$70.03
Excerpts from "Verklärte Nacht" (Schoenberg) - Brass Band
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Arnold Schoenberg
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Rob Bushnell
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Excerpts from "Verklä
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Rob Bushnell
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1504404 Composed by Arnold Schoenberg. Arranged by Rob Bushnell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Brass Band. 89 pages. Rob Bushnell #1079845. Published by Rob Bushnell (A0.1504404). Composed in just three weeks in 1899, Verklärte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel’s poem of the same name, as well as Schoenberg’s strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky.The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news.The work premiered on 18 March 1902 in the Vienna Musikverein by the Rosé Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation/accents and tempo markings.Whilst the piece was controversial at the time, both musically and due to the poem’s “inappropriate” subject matter, Richard Dehmel himself was impressed, writing “I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=vqODySSxYpc.
$54.99 ≈
$77.03
I Wanna Be Loved By You for Brass Quintet
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Desirée Goyette, Helen Kane,
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James Smith
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I Wanna Be Loved By You for Br
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Ensemble Llama Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1488728 By Desirée Goyette, Helen Kane, and Marilyn Monroe. By Harry Ruby and Herbert Stothart. Arranged...
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Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1488728 By Desirée Goyette, Helen Kane, and Marilyn Monroe. By Harry Ruby and Herbert Stothart. Arranged by James Smith. Broadway,Film/TV,Jazz,Musical/Show,Standards,Wedding. 19 pages. Ensemble Llama Music #1065575. Published by Ensemble Llama Music (A0.1488728). I Wanna Be Loved by You is a song written by Herbert Stothart and Harry Ruby, with lyrics by Bert Kalmar, for the 1928 musical Good Boy. It was first performed on September 5, 1928 by Helen Kane, who was the inspiration for the cartoon character Betty Boop. Chosen as one of the Songs of the Century by the RIAA, it was also famously performed by Marilyn Monroe.This version for brass quintet is a straightforward, toe-tapping crowd pleaser. A great number that works pretty much anywhere in a concert, and is a nice pop music addition to add to your repertoire.Click here to view my entire catalog.
$14.99 ≈
$21.00
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