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Vous avez sélectionné:
Owl Press
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
11 partitions trouvées
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Infant Holy, Infant Lowly
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Traditional Polish. Arranged by Lawrence Eden. For brass quintet. Quintet music. Score …
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By Traditional Polish. Arranged by Lawrence Eden. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional Polish
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Lawrence Eden
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Infant Holy, Infant Lowly
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Cimarron Music Press
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SheetMusicPlus
Seven Carols
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass quintet - Digital Download SKU: CX.CM2634 Composed by Various. Arranged by Ro…
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Brass quintet - Digital Download SKU: CX.CM2634 Composed by Various. Arranged by Robert Wallace. 35 pages. Published by Cimarron Music Press - Digital (CX.CM2634). 1. Adeste Fidelis 2. Auld Lang Syne 3. Bring A Torch 4. Carol of the Bells 5. Greensleeves 6. Infant Holy, Infant Lowly 7. Noel! Noel! Noel!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Various
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Robert Wallace
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Seven Carols
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Cimarron Music Press - Digital
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SheetMusicPlus
The Eerie Night
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39…
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Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39 pages. Published by Sweetwater Brass Press (S0.274701). - Score,Set of Parts - Halloween,Children's Music,Recital - Sweetwater Brass Press
It is October 31, Halloween, late in the evening. Outside, a slight but chilling wind blows. Inside, the pendulum of the great clock ticks slowly back and forth, back and forth. Somewhere a faucet drips arrhythmically. Suddenly, the clock strikes twelve. And, it all starts. The ghosts, the goblins, the witches and all their familiars?these are the beings that hold sway on The Eerie Night. This Halloween fantasy was inspired by a jingle the composer learned many years before while in primary school. Attributed to Lillian Mohr Fox, the words accompanying the tune described ?witches on broomsticks with cats and bats? and ?spooky . . . noises on Hallowe?en night.? ?The Eerie Night,? composed for brass quintet, emulates the supposed ghostly environment of Halloween with generous (and eerie!) use of the lower brass instruments. Trumpets provide emphasis, punctuation and occasional screeches, while the Horn in F harmonizes with Trombone and, at one point, shrieks like a cat. The haunting and scaring builds and builds until just before the end, when absolute cacophonous bedlam occurs. Gradually, things quiet down. The nightmare is ended, and we?re back to the clock, the wind and the faucet. Completed in 2017, this composition runs about 4 minutes, 40 seconds. The composer, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. It is October 31, Halloween, late in the evening. Outside, a slight but chilling wind blows. Inside, the pendulum of the great clock ticks slowly back and forth, back and forth. Somewhere a faucet drips arrhythmically. Suddenly, the clock strikes twelve. And, it all starts. The ghosts, the goblins, the witches and all their familiars?these are the beings that hold sway on The Eerie Night. This Halloween fantasy was inspired by a jingle the composer learned many years before while in primary school. Attributed to Lillian Mohr Fox, the words accompanying the tune described ?witches on broomsticks with cats and bats? and ?spooky . . . noises on Hallowe?en night.? ?The Eerie Night,? composed for brass quintet, emulates the supposed ghostly environment of Halloween with generous (and eerie!) use of the lower brass instruments. Trumpets provide emphasis, punctuation and occasional screeches, while the Horn in F harmonizes with Trombone and, at one point, shrieks like a cat. The haunting and scaring builds and builds until just before the end, when absolute cacophonous bedlam occurs. Gradually, things quiet down. The nightmare is ended, and we?re back to the clock, the wind and the faucet. Completed in 2017, this composition runs about 4 minutes, 40 seconds. The composer, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Eerie Night
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Sweetwater Brass Press
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SheetMusicPlus
Lift High the Cross (Crucifer)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacre…
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Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwater Brass Press (S0.274709). - Score,Set of Parts - Christian,Sacred,Easter,Lent - Sweetwater Brass Press
In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sydney H
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F
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Lift High the Cross
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Sweetwater Brass Press
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SheetMusicPlus
Long Expected Jesus
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Rowland Hugh Prichard (1811-1887). Arranged by Robert Myers. Christian, Sacred…
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Composed by Rowland Hugh Prichard (1811-1887). Arranged by Robert Myers. Christian, Sacred, General Worship, Christmas. Score, Set of Parts. 18 pages. Published by WheatMyer Music (S0.203575). - Score,Set of Parts - Christian,Sacred,General Worship,Christmas - WheatMyer Music
This fresh setting of the Welsh tune, HYFYRDOL, works perfectly for an offertory, prelude, or devotional function. Although written for the Advent season, the multiple familiar hymns set with this tune (Come, Thou Long Expected Jesus; Praise the Lord, Ye Heavens Adore Him; Jesus, What a Friend for Sinners, and others) make the piece suitable throughout the church year. It is readily performed by high school or higher musicians yet still contains sufficient variety and artistic expression to be rewarding for even advanced performers. The familiar melody is stated clearly throughout and accompanied with interesting and sonorous harmonies so as to be accessible to all audiences. Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic/.This fresh setting of the Welsh tune, HYFYRDOL, works perfectly for an offertory, prelude, or devotional function. Although written for the Advent season, the multiple familiar hymns set with this tune (Come, Thou Long Expected Jesus; Praise the Lord, Ye Heavens Adore Him; Jesus, What a Friend for Sinners, and others) make the piece suitable throughout the church year. It is readily performed by high school or higher musicians yet still contains sufficient variety and artistic expression to be rewarding for even advanced performers. The familiar melody is stated clearly throughout and accompanied with interesting and sonorous harmonies so as to be accessible to all audiences. Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic/.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Rowland Hugh Prichard
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Robert Myers
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Long Expected Jesus
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WheatMyer Music
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SheetMusicPlus
Super Mario Bros Theme
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1283448
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1283448 Composed by Koji Kondo. Arranged by Brad Howland. Video Game. 21 pages. Linden Brass Press Inc. #874632. Published by Linden Brass Press Inc. (A0.1283448). ===Super Mario BrothersMusic by Koji KondoArranged by Brad HowlandBrass Quintet with Optional Drum SetThe original Super Mario Brothers game first came out Japan in 1985, then internationally in 1986-87. Now is your chance to play the iconic music! Kids of all ages enjoy hearing it (and even most adults).The arrangement sounds great with drums, but also works perfectly fine without them. When playing without drum set you will likely want to omit the repeats. Playing time is 3:10 with repeats, 2:10 without.This piece has some tricky rhythm but most young people know what it's supposed to sound like. The playing level could be advanced intermediate, as long as they can get the patterns and your first trumpet has some high chops.You might want to have your drummer play a shuffle groove off the top, rather than the indicated Latin feel. ===.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Koji Kondo
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Brad Howland
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Super Mario Bros Theme
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Linden Brass Press Inc.
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SheetMusicPlus
Snow Waltz
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Lindsey Stirling. By Connor McDonough, Lindsey Stirling, and Riley McDonough. Arran…
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By Lindsey Stirling. By Connor McDonough, Lindsey Stirling, and Riley McDonough. Arranged by Brad Howland. 21st Century,Halloween,Pop. 19 pages. Linden Brass Press Inc. #868258. Published by Linden Brass Press Inc.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Lindsey Stirling
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Snow Waltz
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Linden Brass Press Inc.
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SheetMusicPlus
Snow Waltz
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Lindsey Stirling. By Connor McDonough, Lindsey Stirling, and Riley McDonough. Arran…
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By Lindsey Stirling. By Connor McDonough, Lindsey Stirling, and Riley McDonough. Arranged by Brad Howland. 21st Century,Halloween,Pop. 23 pages. Linden Brass Press Inc. #867748. Published by Linden Brass Press Inc.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Lindsey Stirling
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Snow Waltz
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Linden Brass Press Inc.
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SheetMusicPlus
A Far-flung Corner of the Galaxy for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Brad Howland. Contemporary Classical. Score, Set of Parts. 25 pages. Pub…
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Composed by Brad Howland. Contemporary Classical. Score, Set of Parts. 25 pages. Published by Linden Brass Press Inc.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Brad Howland
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A Far-flung Corner of the Galaxy for Brass Quintet
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Linden Brass Press Inc.
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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jmsgu3
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SheetMusicPlus
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