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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
But I Do
Non classifié
300
Piano & claviers
Piano seul
181
Instruments en Do
152
Piano, Voix
59
Piano, Voix et Guitare
52
Piano Facile
33
Orgue
24
Piano grosses notes
12
1 Piano, 4 mains
4
Accompagnement Piano
3
Piano (partie séparée)
1
Accordéon
1
Clavecin
1
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Guitares
Guitare
24
Guitare notes et tablatures
14
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
5
4 Guitares (Quatuor)
3
Paroles et Accords
2
Piano, Guitare (duo)
2
Banjo
1
Mandoline
1
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Voix
Chorale SATB
68
Chorale 3 parties
26
Chorale TTBB
17
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16
Voix Soprano, Piano
11
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10
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10
Chorale Unison
9
Voix duo
4
Voix Alto, Piano
4
Voix Baryton, Piano
3
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3
Voix seule
2
Voix haute
1
Voix moyenne, Piano
1
Voix Tenor
1
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Alto
10
Ensemble de Flûtes
10
Ensemble de Clarinettes
9
Hautbois, Piano (duo)
8
Flûte traversière
8
Flûte et Guitare
8
Saxophone Tenor et Piano
7
Quintette de Saxophone: 5 saxophones
7
Ensemble de saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière et Piano
5
Clarinette
5
Saxophone Tenor
5
3 Clarinettes (trio)
5
Clarinette, Guitare (duo)
4
Clarinette et Piano
4
3 Saxophones (trio)
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Flûtes : 4 flûtes
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Guitare (duo)
3
Hautbois, Guitare (duo)
3
Hautbois (partie séparée)
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
2
Saxophone (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Basson
1
2 Saxophones (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
Flûte à bec Soprano
1
Flûte, Basson et Piano
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
Flûte, Alto et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 40 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres
14
Trompette
14
Trombone
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Ensemble de Trombones
5
Ensemble de Trompettes
5
Trombone et Piano
5
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
4
Quatuor de cuivres: 4 trombones
3
Trompette, Piano
3
Cor anglais, Guitare (duo)
3
Ensemble de Cors
3
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Cor et Piano
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
Trio de Cuivres
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
19
Violon
14
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
9
Harpe
7
Alto, Piano
6
Violoncelle, Piano
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Violoncelle , Guitare (duo)
3
Contre Basse
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble de Violons
3
Ensemble d'Altos
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 violins
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Harpe et Piano
1
4 Violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Orchestre d'harmonie
27
Ensemble Jazz
19
Orchestre à Cordes
18
Batterie
15
Jazz combo
11
Ensemble de cuivres
9
Orchestre de chambre
7
Ensemble de Percussions
3
Piano et Orchestre
2
Fanfare
1
Vibraphone
1
+ 7 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
But I Do
Guitare notes et tablatures
Partitions à imprimer
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1
I'd Do Anything For Love (But I Won't Do That)
Guitare notes et tablatures
Easy Guitar (with TAB) - Digital Download SKU: HX.1279819 By Meat Loaf. This editio…
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Easy Guitar (with TAB) - Digital Download SKU: HX.1279819 By Meat Loaf. This edition: scorch. Love,Pop,Rock. Tablature. 8 pages. Hal Leonard - Digital #176. Published by Hal Leonard - Digital (HX.1279819).
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Guitare notes et tablatures
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Meat Loaf
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I'd Do Anything For Love
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Hal Leonard - Digital
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SheetMusicPlus
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌd…
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Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Auld Lang Syne
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottis…
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Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
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Guitare notes et tablatures
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Silent Night: From Austria to Africa
Guitare notes et tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
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Guitare notes et tablatures
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
Buckets Of Rain
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.901854 By Bob Dylan. By Bob Dylan. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.901854 By Bob Dylan. By Bob Dylan. Arranged by W. Durham. Rock. Guitar Tab. 3 pages. William Durham #4757371. Published by William Durham (A0.901854). Open D Tuning. Sounds really good! Enjoy it! I think Bob actually tunes up to open E, but I'm afraid to do that on my guitars...
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Guitare notes et tablatures
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Bob Dylan
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W
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Buckets Of Rain
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William Durham
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
5 Scale Forms for Guitar
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
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Guitare notes et tablatures
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Saddest Key Blues
Guitare notes et tablatures
Solo Guitar - Digital Download SKU: A0.1364971 By Christopher J. Malin. By Christop…
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Solo Guitar - Digital Download SKU: A0.1364971 By Christopher J. Malin. By Christopher J. Malin. Arranged by Christopher J. Malin. 20th Century,Blues,Contemporary,Jazz,Pop. Individual part. 1 pages. Christopher J. Malin #949269. Published by Christopher J. Malin (A0.1364971). My first original work written out in standard notation and tablature. Originally written in 2017 and played out many times. I had help correcting some of the note value/rest timing. It's correct and meant to be played as written now. Please pay close attension to the rest values. It gives the music a breathing feel if you will.I would call it my personel musical language. The title comes from me asking a pro highly respected local musician, which is the saddest key to play in? He said D minor, hense the name. Of course it could be transposed to any key. Also my tablature is the way it evolved while playing it. I feel particularly, that the turn-around sounds best played in tha 5th fret position. It was written as a solo guitar piece but it could be the head for any minor key blues played with other musicians. I hope you will enjoy it. I certainly do! Thank you!
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Guitare notes et tablatures
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Christopher J
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Christopher J
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Saddest Key Blues
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Christopher J. Malin
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SheetMusicPlus
Etude No. 1
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Ar…
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Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?
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Guitare notes et tablatures
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Matteo Carcassi
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Brian Streckfus
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Etude No. 1
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Brian Streckfus
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SheetMusicPlus
Make You Feel My Love
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1018012 By Bob Dylan. By Bob Dylan. Arr…
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Guitar - Level 3 - Digital Download SKU: A0.1018012 By Bob Dylan. By Bob Dylan. Arranged by Servaas Verbergt. Pop. Guitar Tab. 4 pages. Servaas Verbergt #6498585. Published by Servaas Verbergt (A0.1018012). This beautiful Dylan song has it all: heartbreaking lyrics, moving harmonies and a beautiful melody. Because it would be a pity for guitarists not to be able to play Adele's piano version I decided to make a transcription. The score only has the guitar part but you won't have a hard time singing the lyrics on top. Or even better: ask a singer to sing the melody. I can ensure you that the audience will leave in tears. Everything on the score is as in Adeles version except for a small guitar solo I added instead of Adeles piano solo. Don't hesitate to do your own thing in this passage, it is only there as a suggestion. I have put double bar-lines at every section and added chord symbols at the first A and the first B. This way it will be easier for you to grasp the structure of the song. Enjoy!
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Guitare notes et tablatures
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Bob Dylan
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Servaas Verbergt
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Make You Feel My Love
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Servaas Verbergt
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SheetMusicPlus
Nocturne Op 9 No 1 (arranged for guitar)
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1185259 By FreÌdeÌric Chopin. By …
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Guitar - Level 4 - Digital Download SKU: A0.1185259 By FreÌdeÌric Chopin. By Frederic Chopin. Arranged by Brian Streckfus. 19th Century,Instructional,Romantic Period. Guitar Tab. 8 pages. Brian Streckfus #784947. Published by Brian Streckfus (A0.1185259). Disclaimer: Still kind of a work in progress so I am charging as little as I can for now. The main thing left to do is to somehow incorporate the bass clef notes in a way that isn't obtrusive, and that has to be done to taste anyways.Key: A minor (Original: Bb minor)Â Capo:Â 1 (If you want original key)1. Arranged for guitar2. Slurs added3. Piano markings removed4. Some chords reharmonized, but for the most part, chord nomenclature names were kept intact (with some inversions changed to suit guitar).5. Key changed to a minor.
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Guitare notes et tablatures
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FreÌdeÌric Chopin
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Brian Streckfus
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Nocturne Op 9 No 1
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Brian Streckfus
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SheetMusicPlus
Morning Dew
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.996219 Composed by Michael Bufalini. Co…
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Guitar - Level 3 - Digital Download SKU: A0.996219 Composed by Michael Bufalini. Concert,Contemporary,Instructional. Guitar Tab. 1 pages. Michael Bufalini #4837559. Published by Michael Bufalini (A0.996219). The use of harmonics makes this piece what it is, and the audio doesn't do it justice, but if played right it sounds really nice. Just think about sitting outside with mist swirling around and you see droplets on the grass, this is what I thought it might be like.
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Guitare notes et tablatures
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Michael Bufalini
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Morning Dew
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Michael Bufalini
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SheetMusicPlus
Meat Loaf: I'd Do Anything For Love (But I Won't Do That) - guitar solo (easy tablature)
Guitare notes et tablatures
Instantly printable sheet music by Meat Loaf for guitar solo (easy tablature) of EASY skil…
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Instantly printable sheet music by Meat Loaf for guitar solo (easy tablature) of EASY skill level. / love,pop,rock,children
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Guitare notes et tablatures
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Meat Loaf
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Virtualsheetmusic
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