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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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EUPHONIUM
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
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MARIMBA
OCARINA
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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295
Piano & claviers
Piano seul
163
Piano, Voix
39
Piano Facile
30
Orgue
26
2 Pianos, 4 mains
10
Accordéon
6
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
Piano (partie séparée)
5
1 Piano, 4 mains
4
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 9 instrumentations
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Guitare
29
Guitare (partie séparée)
11
Basse electrique
7
2 Guitares (duo)
6
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Orchestre à Plectres
5
Mandoline, Piano (duo)
3
2 Mandolines (duo)
2
Mandoline
2
Ukulele
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
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45
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17
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7
Voix seule
6
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6
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4
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3
Chorale TTBB
3
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2
Voix basse, Piano
2
Voix Baryton, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
+ 11 instrumentations
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Flûte traversière et Piano
36
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31
2 Saxophones (duo)
27
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22
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21
Flûte, Hautbois, Clarinette, Basson
18
Hautbois, Piano (duo)
17
2 Flûtes traversières (duo)
17
Quintette de Saxophone: 5 saxophones
16
Clarinette
14
2 Clarinettes (duo)
11
Flûte traversière
11
Clarinette et Piano
11
3 Saxophones (trio)
9
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8
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8
Saxophone Alto
6
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6
Saxophone Soprano
5
Saxophone Tenor
5
Hautbois, Basson (duo)
5
Flute (partie séparée)
5
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Saxophone Tenor et Piano
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4
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3
3 Flûtes à bec (trio)
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Flûte, Alto et Piano
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Piccolo, Piano
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Clarinette, Violoncelle (duo)
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Trompette (partie séparée)
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Trompette
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone
13
Trombone et Piano
11
2 Trompettes (duo)
9
Cor
9
Trompette, Piano
8
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8
2 Trombones (duo)
7
Tuba
6
2 Cors (duo)
5
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Euphonium, Piano (duo)
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Cor (partie séparée)
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Euphonium
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Trombone basse
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Tuba (partie séparée)
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Cor anglais, Piano
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Cor, Violoncelle (duo)
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2 Euphoniums (duo)
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Quatuor de cuivres: 4 cors
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2 Tubas (duo)
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2 Cors Anglais Et Pianoforte
1
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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138
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99
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63
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48
Violoncelle
45
Violon
40
Harpe
39
Violoncelle, Piano
34
Trio à Cordes: violon, alto, violoncelle
27
Violon, Alto (duo)
21
2 Violoncelles (duo)
17
2 Violons (duo)
14
Alto, Piano
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon (partie séparée)
8
Alto seul
7
2 Altos (duo)
6
Contrebasse (partie séparée)
6
Harpe, Flûte (duo)
4
Alto (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Harpe et Piano
1
Alto et orchestre
1
Alto et Basson
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Contre Basse
1
3 Harpes
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
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113
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50
Orchestre
23
Ensemble Jazz
19
Ensemble de cuivres
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Cloches
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Orchestre de chambre
7
Batterie
6
Batterie (partie séparée)
5
Vibraphone
2
Orchestre, Violon
2
Ensemble de Percussions
2
Jazz combo
2
Marimba
1
Fanfare
1
Marimba et Orgue
1
Piano et Orchestre
1
Percussion (partie séparée)
1
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Demand Music
Trombone et Piano
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11 partitions trouvées
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1
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
$45.99
Three Hahn Songs for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Reynaldo Hahn
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Graham Boag
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Three Hahn Songs for Trombone
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Graham Boag
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1131518 Composed by Reynaldo Hahn. Arranged by Graham Boag. 20th Century,Chamber,Classical,Latin. Score and part. 22 ...
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Piano,Trombone - Level 4 - SKU: A0.1131518 Composed by Reynaldo Hahn. Arranged by Graham Boag. 20th Century,Chamber,Classical,Latin. Score and part. 22 pages. Graham Boag #731734. Published by Graham Boag (A0.1131518). Reynaldo Hahn (1874 – 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – mélodies – of which he wrote more than 100, mostly composed in a thirty-year period from 1888 to the end of the First World War. Following the War demand for songs with piano accompaniment diminished and he turned to other forms, composing five operas with another unfinished.     We have three examples of Hahn’s melodies spanning his career, ‘Si me vers avaient des alles’ composed in 1888 aged just14. ‘A Chloris’ (1913) and ‘Je me souviens’ (1947) which was part of his final set of ‘9 Mélodies retrouvées’. These are all lyrical and highlight Hahn' musical voice. He had great respect for both Massenet and Faure whom he considered as the master of the mélodie and both are reflected in his writing especially his earlier songs.    In this YouTube link Michael Massong plays 'A Chloris'.
$15.99 ≈
$22.32
Romance, Op. 36
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Trombone et Piano
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FACILE
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Camille Saint-Saens
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Steven Nunes
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1510803 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pa...
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Piano,Trombone - Level 2 - SKU: A0.1510803 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1086008. Published by Nagamon Publications (A0.1510803). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00 ≈
$11.17
Let All Mortal Flesh Keep Silence - Trombone solo
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1038744 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part....
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Piano,Trombone - Level 4 - SKU: A0.1038744 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643723. Published by budaful music (A0.1038744). This haunting tune, arranged for piano and trombone, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page trombone part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99 ≈
$5.57
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
$38.38
Andante expressivo from "Songs Without Words" Op.30 No.1
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "
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Ian Fitze
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1400206 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,F...
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Piano,Trombone - Level 3 - SKU: A0.1400206 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 9 pages. Ian Fitze #983419. Published by Ian Fitze (A0.1400206). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99 ≈
$2.78
Impromptu No. 6 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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P
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Impromptu No. 6 for Trombone a
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Pete Strohm Music
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1422667 Composed by P. F. Strohm. 20th Century,21st Century,Classical,Contest,Festival. Score and part. 16 page...
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Piano,Tenor Trombone - Level 3 - SKU: A0.1422667 Composed by P. F. Strohm. 20th Century,21st Century,Classical,Contest,Festival. Score and part. 16 pages. Pete Strohm Music #1004017. Published by Pete Strohm Music (A0.1422667). Impromptu No. 6 for Trombone and Piano is the sixth in a set of one-movement works for trombone and piano from American composer P. F. Strohm, written at the request of trombonist Matthew Driscoll. Unlike the first five impromptus, this is a Medium level of difficulty student solo work that demands tone, technique and musicality. Its passages highlight numerous skills essential for a developing student trombonist, such as a variety of articulations, sustained crescendos and decrescendos, sudden dynamic changes, shifting tonal centers using accidentals, and so on. These are all in the context of a dramatic opening, assertive main theme, flowing counterthemes, and a bravado ending. It is an outstanding student work for contest, concert or recital. Performance time is 5:15. Member, ASCAP.
$10.00 ≈
$13.96
Thought Box for Solo Trombone
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Trombone et Piano
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INTERMÉDIAIRE
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Samantha Hogan
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Thought Box for Solo Trombone
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Coffee Seal Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.918222 Composed by Samantha Hogan. Contemporary,Instructional,Standards. Score and part. 15 pages. Coffee Seal Music ...
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Piano,Trombone - Level 3 - SKU: A0.918222 Composed by Samantha Hogan. Contemporary,Instructional,Standards. Score and part. 15 pages. Coffee Seal Music #6015241. Published by Coffee Seal Music (A0.918222). Thought Box is a Trombone Solo equally suited for the Intermediate player and the more advanced player wishing to play something beautiful but not too taxing on a recital. It calls for a lyrical playing style as it was written in the style of a French Trombone solo. Difficulty wise it is lyrically on par with, but a bit more accessible than the Morceau Symphonique due to its length and fewer technical demands. .
$17.99 ≈
$25.11
Midwinter trombone&piano
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Trombone et Piano
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FACILE
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Contemporain
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Tommy Johansson, Hjo
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Midwinter trombone&piano
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Tommy Johansson, Hjo
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.949942 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215777. Publis...
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Piano,Trombone - Level 2 - SKU: A0.949942 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215777. Published by Tommy Johansson, Hjo (A0.949942). Midwinter A bittersweet composition for trombone and piano by Tommy Johansson, Hjo Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: C-minor/C#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99 ≈
$8.36
Awaken the dawn (for trombone & piano)
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Trombone et Piano
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AVANCÉ
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Musique Sacrée
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Joseph Hollings
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Awaken the dawn
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Joseph Hollings Publishing
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #...
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Piano,Trombone - Level 5 - SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #6682863. Published by Joseph Hollings Publishing (A0.927663). Awaken the dawn was written for and dedicated to Shachar Israel, Assistant Principal Trombone of the Cleveland Orchestra. Mr. Israel commissioned the work and worked closely with the composer during the composition process. The piece is demanding for both trombonist and pianist.Naming the piece was relatively straightforward, as the composer intended from the outset to use the English translation of the Hebrew word and Mr. Israel's first name 'Shachar' (in Hebrew, 'shachar' means 'dawn'). The title, taken from a passage in the Book of Psalms, is intended to represent the energy and beauty present in the few moments before dawn breaks.The piece begins with a lyrical trombone line, floating over a minimalistic piano accompaniment. Making the most of the trombone's pitch and dynamic range, the trombone becomes increasingly agitated and the piano accompaniment more fragmented. A frenetic passage leads into a fast, aggressive section before returning to the opening melodies.Mr. Israel recorded the piece in 2018 at the Oberlin Conservatory of Music in Oberlin, Ohio with the marvelous Martha Locker on piano. The recording was produced by the Grammy award-winning Elaine Martone. The recording is currently available on Amazon, Spotify and Apple Music.DURATION: approx. 7:30Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.comFollow on TikTok @TikTokComposerFollow on Instagram @josephhollings.
$15.00 ≈
$20.94
Sonata No. 3 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 3 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. P...
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Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. Pete Strohm Music #6168663. Published by Pete Strohm Music (A0.928161). Sonata No. 3 for Trombone and Piano was written for American trombonist Mark Lawrence. It is tonal throughout, in three movements. The work is demanding in both technique and ensemble, but should be truly enjoyable to play and hear. The first movement, marked Moderato giocoso, is in sonata form in the key of G. The exposition is played muted, moving abruptly into a driving and open development, centered in D minor. The recap starts open, then re-employs the mute for a quiet close. The second movement is a beautiful, flowing song Lento con espressione, in D-flat major. It shifts to C# minor for a muted mid-section, then returns to the open horn in D-flat major to close. Â The third movement is marked Allegro gioioso. Â It is a driving 2/4, based around C Major, and briefly muted in the middle. Difficulty level for both instruments is medium-advanced. Total performance time is 15:30. Â Member, ASCAP.Â
$13.00 ≈
$18.14
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