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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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D. 733
Non classifié
129
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149
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97
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34
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15
1 Piano, 4 mains
10
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10
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8
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6
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
1
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 9 instrumentations
Retracter
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23
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21
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7
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6
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3
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Ukulele
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+ 5 instrumentations
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1
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1
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1
Clarinette, Trombone (duo)
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3 Hautbois
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11
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10
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6
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4
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Cor
3
Euphonium
2
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2
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2
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2
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2 Trompettes (duo)
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Tuba (partie séparée)
1
Cor (partie séparée)
1
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2 Cors (duo)
1
Trombone (partie séparée)
1
Trompette (partie séparée)
1
Clarinette, Cor (duo)
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Ensemble de Tubas
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Quatuor de Cuivres
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1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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24
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22
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9
Violon
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Alto, Piano
8
2 Violons (duo)
6
Alto seul
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3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: violon, alto, violoncelle
1
Alto, Violoncelle (duo)
1
2 Altos, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
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1
Violon, Alto (duo)
1
Violon, Clarinette, Piano (trio)
1
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Orchestre d'harmonie
918
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18
Orchestre
16
Ensemble Jazz
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Cloches
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Percussion (partie séparée)
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Ensemble de cuivres
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Marimba et Orgue
1
Percussion
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Jazz combo
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Ensemble de Percussions
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D. 733
Chorale SATB
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1
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99 ≈
$14.02
COLLECTION OF FOLK SONGS FROM THE WORLD - Vol. 1°
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Chorale SATB
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FACILE
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Diversi autori
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Renato Tagliabue
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COLLECTION OF FOLK SONGS FROM
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Renato Tagliabue
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.724181 Composed by Diversi autori. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,World. 28 page...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.724181 Composed by Diversi autori. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,World. 28 pages. Renato Tagliabue #3517131. Published by Renato Tagliabue (A0.724181). DEEP RIVER - Spiritual American FUNICULI', FUNICULA' - Music by Luigi Denza - Lyrics by Peppino Turco - Neapolitan song MONTAGNES VALDOTAINES - Music by Alfred Roland. Text by Flaminie Portè. - Song of the Valle d'Aosta (Italy). MY LORD, WHAT A MORNING - Spiritual American  NEBBI A LA VALLE - Italian folk song - Song of olive pickers, typical of the slopes of Maiella (Italy). 'O SURDATO 'NNAMURATO - Lyrics by Aniello Califano Music by Enrico Cannio - Neapolitan song OLD FOLKS AT HOME - Italian lyrics (Lontano lungo il fiume Swanee) - American folk song SANTA LUCIA - Italian folk song - Neapolitan song WE SHALL OVERCOME - Lyrics by Peter Seeger - American folk song
$2.49 ≈
$3.49
I'd Rather Have Jesus (Split Track MP3)
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Chorale SATB
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George Beverly Shea
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Marianne Forman
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I'd Rather Have Jesus
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus, opt. Violin - SKU: C6.841079 Composed by George Beverly Shea. Arranged by Marianne Forman. General, Lent, Christian. MP3. Celebrating Grace...
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SATB Chorus, opt. Violin - SKU: C6.841079 Composed by George Beverly Shea. Arranged by Marianne Forman. General, Lent, Christian. MP3. Celebrating Grace - Digital #841079. Published by Celebrating Grace - Digital (C6.841079). New life has been breathed into this classical gospel song through the arranging skills of Marianne Forman. A creative and reverent piano accompaniment propels the piece forward. Women’s voices start the piece in a lovely unison, followed by a four-part refrain. Men’s voices sing the second stanza, followed by an optional a cappella 3rd stanza filled with rich part-writing. The energetic refrain returns, and the piece concludes with all voices in unison for a stunning ending. An optional violin part is included.
$9.99 ≈
$14.02
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
$14.02
Revecy venir du Printans - Parisian chanson for 5-part mixed chorus and soloists a cappella
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Chorale SATB
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Claude LeJeune
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Revecy venir du Printans - Par
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.733184 Composed by Claude LeJeune. Arranged by Ayotte Custom Musical Engravings. A Cappella. Octavo. 8 pages. Ayotte Cust...
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Choral Choir (Mixed) - SKU: A0.733184 Composed by Claude LeJeune. Arranged by Ayotte Custom Musical Engravings. A Cappella. Octavo. 8 pages. Ayotte Custom Musical Engravings #4267335. Published by Ayotte Custom Musical Engravings (A0.733184). Revecy venir du Printans - Parisian chanson for 5-part mixed chorus and soloists.Key of F majorRevecy venir du Printans. L'amoureuz' et belle saizon. Le courant des eaus recherchant, Le canal d'été s'éclaircît: Et la mer calme de ces flots, Amolit le triste courrous: Le Canard s'égay' se plonjant, Et se lave coint dedans l'eau Et la grû' qui fourche son vol, Retraverse l'air et s'en va. Le Soleil éclaire luizant, D'une plus sereine clairté: Du nuage l'ombre s'enfuit, Qui se ioû' et court et noircît Et foretz et champs et coutaus, Le labeur humain reverdît, Et la prê' decouvre ses fleurs. De Venus le filz cupidon, L'univers semant de ses trais, De sa flamme va réchaufér. Animaus, qui volet en l'air, Animaus, qui rampet au chams Animaus, qui naget auz eaus. Ce qui mesmement ne sent pas, Amoureux se fond de plaizir. Rion aussi nous: et cherchon Les ébas et ieus du Printans Toute chose rit de plaizir: Sélebron la gaye saizon,
$3.99 ≈
$5.60
Tomas Luis De Victoria - Pueri hebraeorum
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Tomas Luis de Victoria
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Guido Menestrina
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Tomas Luis De Victoria - Pueri
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828733 Composed by Tomas Luis de Victoria. Arranged by Guido Menestrina. Christian,Renaissance. Octavo. 4 pages....
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Choral Choir (SATB) - Level 4 - SKU: A0.828733 Composed by Tomas Luis de Victoria. Arranged by Guido Menestrina. Christian,Renaissance. Octavo. 4 pages. Guido Menestrina #1987435. Published by Guido Menestrina (A0.828733). Antifona della Domenica delle Palme a 4 voci del compositore tardorinascimentale nella trascrizione a cura di Guido Menestrina; mantenuta l'intonazione (e le chiavi) originali, dimezzato, com'è d'uso, il tempo. L'audio originale è del Coro de la Ciudad de Mendoza Youtube Videoscore/Videospartito: https://youtu.be/tIBQD_0jSK4.
$1.99 ≈
$2.79
Peach Spring Wonderland
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Chorale SATB
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INTERMÉDIAIRE
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Johnson K
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Peach Spring Wonderland
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1007005 Composed by Johnson K. Gaoo. 20th Century,Traditional,World. Octavo. 2 pages. Johnson Gao #3627339. Pub...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1007005 Composed by Johnson K. Gaoo. 20th Century,Traditional,World. Octavo. 2 pages. Johnson Gao #3627339. Published by Johnson Gao (A0.1007005). A song was composed by Johnson K. Gao for Tao Yuan-ming’s (A.D. 365~427) poem Peach Wonderland (the lyrics used the beginning part of the poem only) in the early September of 2018 in Dallas Texas, USA. Please see the music sheet in Arabic notation in the next page.
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$2.79
Beatitudes
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Timothy D
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Beatitudes
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Deacon Tim Woods
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1021951 Composed by Timothy D. Woods. Christian,Contemporary,Sacred. Octavo. 4 pages. Deacon Tim Woods #6319733....
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Choral Choir (SATB) - Level 4 - SKU: A0.1021951 Composed by Timothy D. Woods. Christian,Contemporary,Sacred. Octavo. 4 pages. Deacon Tim Woods #6319733. Published by Deacon Tim Woods (A0.1021951). A setting of the Beatitudes from the Gospel of Luke.
$7.00 ≈
$9.82
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