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--INSTRUMENTS--
ACCORDEON
ALTO
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LUTH
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As Long As You Follow
Non classifié
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Hautbois
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1
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7
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5
Cor et Piano
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Trompette
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5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
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3
2 Trombones (duo)
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Trombone
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Quatuor de Cuivres
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Ensemble de Trombones
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Tuba
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Cor
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2 Tubas (duo)
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49
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17
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16
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11
Alto, Piano
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
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Violoncelle, Piano
6
Violoncelle
6
2 Violons (duo)
6
2 Altos (duo)
5
Harpe
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Trio à Cordes: 2 violons, violoncelle
4
Alto seul
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Trio à Cordes: violon, alto, violoncelle
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Contre Basse
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Violon, Basson (duo)
1
Contrebasse, Piano (duo)
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Violon (partie séparée)
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Alto (partie séparée)
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Trio à Cordes: 2 violons, alto
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Ensemble Jazz
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Orchestre à Cordes
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Batterie
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Ensemble de cuivres
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Jazz combo
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Ensemble de Percussions
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As Long As You Follow
Chorale SATB
Partitions à imprimer
41 partitions trouvées
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1
26
You Took The Words Right Out Of My Mouth
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Meat Loaf
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Michael Thomas Coull
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You Took The Words Right Out O
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Ro...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859760. Published by MTC Publishing (A0.1267125). You Took The Words Right Out Of My Mouth - Choral Arrangement for SATB and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for full SATB choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SSAA.
$3.99 ≈
$5.61
Put Down Your Nets and Follow Me
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Chorale SATB
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trusting him, the heart soon l
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John Schimminger
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Put Down Your Nets and Follow
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW237 Composed by John Schimminger. Octavo. 13 pages. Imagine Music - Digital #VMW237. Published by Imagine Music - Digit...
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SATB Chorus & Piano - SKU: IZ.VMW237 Composed by John Schimminger. Octavo. 13 pages. Imagine Music - Digital #VMW237. Published by Imagine Music - Digital (IZ.VMW237). 8.5 x 11 inches.A setting for SATB choir of a text by contemporary hymnist Janine Applegate.Put down your nets and follow me, The Loving Master said; And so they followed, willingly, Not knowing where he led. We too are called from our concerns To follow our Lord's way. By trusting him, the heart soon learns To cast off yesterday. Do not be tempted by the cares Of long deluded dreams; Temptation's path is wrought with snares And never as it seems. The phantom riches we pursue Are never ours to gain. They fade before our eyes Like dew after a morning rain. Put down your nets and follow me, The Loving Master pleads; O may we follow faithfully, Well knowing where he leads.
$2.20 ≈
$3.09
YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation (Score & Parts included)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Various
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Gary Lanier
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Orchestra.Â
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YOU ARE MY HOLY LORD, A 16 Min
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The Lanier Company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,S...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 52 pages. The Lanier Company #771379. Published by The Lanier Company (A0.1171042). YOU ARE MY HOLY LORD is a 16 minute non-stop worship servicefor choir and congregation, compiled by world-renowned Composer, Gary Lanier.SUGGESTED USE1. NON-STOP WORSHIP SERVICE: This musical was designed tobe used as one complete work, allowing the choir to be spotlighted withsegments, and the congregation joining the choir, expanding the worshipexperience for everyone. The Worship Leader knits the work together withnarration throughout, guiding all participants.2. WORSHIP SEGMENTS: This work can also be used in segments.Consider adding some of the following to your worship service:1. HOLY, HOLY, HOLY / SPIRIT OF THE LIVING GOD2. THERE IS NONE LIKE YOU / GOD OF MANY WONDERS3. TURN YOUR EYES UPON JESUS / I LONG TO WORSHIP YOU4. HE IS LORD / HOLY, HOLY, HOLY / YOU ARE MY HOLY LORDADDITIONAL RESOURCESIn preparation for presenting YOU ARE MY HOLY LORD, considerintroducing these new worship songs to the congregation,several weeks in advance:GOD OF MANY WONDERSI LONG TO WORSHIP YOUYOU ARE MY HOLY LORDYou can find WORSHIP LEAD SHEETS at the end of the socreand production notes.PERFORMANCE NOTEOn page 37 you will find a SUGGESTED WORSHIP GUIDE for theperformance of YOU ARE MY HOLY LORD. In additon, it is effective touse projection of words during the worship service. Consider projecting allthe words, even those that the choir is singing, without the congregation.This will allow everyone to experience the text of each song, andencourage the congregation to sing, at the right times. Also available is a MP3 Orchestra Accompaniment Track and MP3 Performance Track with Worship Leader, Gary Lanier, Choir & Orchestra.Â
$2.99 ≈
$4.20
Bad Case Of Loving You
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Chorale SATB
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INTERMÉDIAIRE
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Robert Palmer
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Eric Hagmann
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Bad Case Of Loving You
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796809 By Robert Palmer. By John Moon Martin. Arranged by Eric Hagmann. A Cappella. Octavo. 8 pages. Eric Hagman...
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Choral Choir (SATB) - Level 3 - SKU: A0.796809 By Robert Palmer. By John Moon Martin. Arranged by Eric Hagmann. A Cappella. Octavo. 8 pages. Eric Hagmann #3692383. Published by Eric Hagmann (A0.796809). An SATB + Solo contemporary a cappella arrangement of Bad Case of Loving You by Robert Palmer. Released in 1978 by John Moon Martin and then covered the very next year by Robert Palmer, this driving-rock spin on the traditional blues form fits perfectly as a piece just for voices. Contains alternate lyrics which could be used by a female soloist. In the hands of a skilled vocal percussionist, the propulsive rhythm of Bad Case thumps alongside the bass; thus laying the groundwork for your soloist and setting the electric tone for the entire song. Rather than mimicking the guitar licks of the original piece, the supporting vocals fill the void between phrases and then pack a true punch when finally getting to the chorus that we all know and love. At the bridge, the bass has a moment to shine on the melody before handing it off to the altos to finish the section. This is followed directly by a unique departure from the original tune - a breakdown where all but one section drops out. Over a short time, each part layers themselves back into the texture, thus building to an exciting climax where the vocal percussionist resumes the original groove along with the full support of the rest of your singers.High energy and lots of fun, this arrangement is great for your high school or college ensemble! .
$2.25 ≈
$3.16
Dreaming Of You
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Chorale SATB
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INTERMÉDIAIRE
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Selena
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Krisa Refita
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Dreaming Of You
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krisareff
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1029080 By Selena. By Franne Golde and Tom Snow. Arranged by Krisa Refita. Latin,Pop. Octavo. 10 pages. Krisare...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1029080 By Selena. By Franne Golde and Tom Snow. Arranged by Krisa Refita. Latin,Pop. Octavo. 10 pages. Krisareff #4623361. Published by krisareff (A0.1029080). Choir, SSAATTBB, Piano Accompaniment - Intermediate Music and Words by Franne Golde, Tom Snow. Originally performed by Selena. Arranged by Krisa Refita. Pop Ballad. Love Song. Duration 3:15. Published by Krisa Refita. About The Song ‘Dreaming of You’ is a pop ballad song recorded by American Tejano singer Selena for her fifth and final studio album of the same name. It was posthumously released as the lead single on 1995. The lyrics explore feelings of longing and hope that the singer’s love interest is thinking about her while she is dreaming of him at night (Wikipedia). About The Choral Work The choral work of this song is suggested to be performed for a concert, prom, or love-theme event. As though piano solo as intro opened up the dream, Sopranos take the lead in almost part, followed by Tenors and Altos in fewer parts. Bass part is more than just a prop of chord because some melodious parts are put to support the strength of this song and complete the beauty as well. Divided to eight voices makes the song compact and majestic.
$2.45 ≈
$3.44
Alpha and Omega (a children's musical on the life of Jesus Christ)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Follow On
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Alpha and Omega
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.622354 Composed by Stephen DeCesare. Children,Christian,Praise & Worship,Sacred. Octavo. 121 pages. Exultet Musi...
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Choral Choir (SATB) - Level 2 - SKU: A0.622354 Composed by Stephen DeCesare. Children,Christian,Praise & Worship,Sacred. Octavo. 121 pages. Exultet Music #3627121. Published by Exultet Music (A0.622354). This musical is a wonderful way to show the youth of your church the life, death and resurrection of our loving Savior. A Narrator takes you on this journey with a variety of music. There are toe-tapping songs such as A Babe is Born; Follow On and We're Gonna Build the City of God that will keep youngsters' interest, as well as ballads such as Beautiful Savior that will linger in your memory long after the performance. From the triumphal entry , to the cross and finally the resurrection, the music will enthrall you. This musical can be performed, however, by children and/or adults and is ideal at anytime throughout the year. If you are interested in the accompaniment version, it can be found at: www.mtapublishing.com.
$50.00 ≈
$70.30
Prairie Spring (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Greg Bartholomew
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Prairie Spring
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787387 Composed by Greg Bartholomew. Concert,Contemporary,Folk. Octavo. 8 pages. Burke & Bagley #6351681. Publis...
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Choral Choir (SATB) - Level 3 - SKU: A0.787387 Composed by Greg Bartholomew. Concert,Contemporary,Folk. Octavo. 8 pages. Burke & Bagley #6351681. Published by Burke & Bagley (A0.787387). A setting for SATB choir of the poem by Willa Cather (1873-1947), an American writer best known for her novels of frontier life on the Great Plains. With optional piano accompaniment. Duration ca. 3 minutes. Also available for SAB chorus.Listen to the SAB version as you follow along in the score in this score video: https://youtu.be/SGrSaRcQ0qk
$2.00 ≈
$2.81
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25 ≈
$3.16
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
$14.06
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
$14.05
The Longest Time
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Chorale SATB
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FACILE
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Rock
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Billy Joel
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Guy Bunce
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The Longest Time
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Enigma Publishing
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SheetMusicPlus
Choir, SATB - Early Intermediate - Digital Download By Billy Joel. Arranged by Guy Bunce. Score. 10 pages. Published by Enigma Publishing...
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Choir, SATB - Early Intermediate - Digital Download By Billy Joel. Arranged by Guy Bunce. Score. 10 pages. Published by Enigma Publishing
This fun arrangement of 'The Longest Time' captures many features of the original and will be a great addition to your choir's repertoire. Scored for SSATB, it can also be performed with additional percussion and a bass guitar or string bass.
Music and lyrics by Billy Joel
The Longest Time? was penned in 1983 and released as a single in 1984 after featuring on Joel?s album An Innocent Man. The album charts Joel?s musical influences and The Longest Time follows this theme paying tribute to the doo-wop style of Frankie Lymon and the Teenagers. The song features Billy Joel singing the lead vocals and all backing vocals along with an accompaniment of bass guitar, solitary snare drum, and finger snaps.This arrangement emulates the close harmony of Billy Joel?s original and offers ideas for adding percussion and a bass guitar or string bass.
$1.99 ≈
$2.80
Leo
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Leo
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787270 Composed by Greg Bartholomew. A Cappella,Concert,Contemporary,Standards. Octavo. With Ille novas semper p...
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Choral Choir (SATB) - Level 4 - SKU: A0.787270 Composed by Greg Bartholomew. A Cappella,Concert,Contemporary,Standards. Octavo. With Ille novas semper pugnas, nova bella ferarum apparat,. 18 pages. Burke & Bagley #49713. Published by Burke & Bagley (A0.787270). Leo, for unaccompanied SATB choir (Duration: 5:45), was selected as a Finalist in the 2007 Cincinnati Camerata Choral Compostition Competition. It is a Project Encore selection. For Zodiakos, the final concert of their 2002 season, The Esoterics commissioned twelve Washington State composers to create a suite of a cappella horoscopes from the ancient poem, Astronomica, by First Century B.C.E. poet Marcus Manilius. Each composer set verses for his or her own star sign. Leo was premiered by The Esoterics on December 7, 8, 14 & 15, 2002, in concerts in Tacoma, Mercer Island and Seattle, Washington. Follow along in the score as you listen on YouTube: https://youtu.be/a6MPLwpOU_0 .
$2.85 ≈
$4.01
Que Sera, Sera (whatever Will Be, Will Be)
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Doris Day
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Justin Goh
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Que Sera, Sera
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Justin Goh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.878811 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Justin Goh. Pop. Octavo. 9 pages. Justi...
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Choral Choir (SATB) - Level 3 - SKU: A0.878811 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Justin Goh. Pop. Octavo. 9 pages. Justin Goh #3859777. Published by Justin Goh (A0.878811). SATB ChoirA cappellaSample recording: https://www.youtube.com/watch?v=UwXiFG5YRBU--The idea of arranging this piece first came to me when I attended a Folksong Arrangement class. I was tasked to think about what songs my grandparents sang to me. Que Sera, Sera, although not a folksong, was the first that came to mind. My maternal grandmother had sung this to me in my younger days. Not long after, my grandmother announced that she intended to sell her house - the very house that I spent most of my growing-up years in. This was followed by many weeks of packing her belongings, uncovering forgotten treasures, and recalling the days of my childhood. Quite aptly, arranging this piece gave me an avenue to express my sentimental thoughts, and say goodbye to an old house filled with so many memories. I hope that both the performer and the listener can be transported back in time, even if just for a few minutes, to reminisce the happier and more carefree days of our lives. Furthermore, let us count our blessings in the present, as the future’s not ours to see. Que Sera, Sera. What will be, will be. --If you have questions or comments, I'm most happy to hear from you at justingohcj@gmail.com
$3.99 ≈
$5.61
Crystal Veil Suite
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephanie K
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Crystal Veil Suite
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.990685 Composed by Stephanie K. Andrews. Contemporary. Octavo. 29 pages. Stephanie K Andrews #6432151. Published...
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Choral Choir (SATB) - Level 4 - SKU: A0.990685 Composed by Stephanie K. Andrews. Contemporary. Octavo. 29 pages. Stephanie K Andrews #6432151. Published by Stephanie K Andrews (A0.990685). Crystal Veil Suite was composed in 2018 for REVEL, an Austin, Texas based classical music group led by Dr. Carla McElhaney, and for Chorus Austin, also of Austin, Texas, Ryan Heller, Artistic Director. The premiere of the piece took place on December 1, 2018, at the Existential Solstice concert, part of REVEL's Radio Project concert series. The Existential Solstice concert, a collaboration between REVEL and Chorus Austin, featured music and poetry meant to elicit vivid imagery of winter scenes. As a lifelong Texan, this required a stretching of my creativity, as you well might imagine. The A section of the first movement, The Snow, was written in Phyrigian mode to evoke the melancholy mood that may accompany a long winter, with descending patterns in the viola and the right hand of the piano painting a gentle snowfall. The B section contrasts with a faster tempo, suggesting an intensification of the snowfall, before returning to the melancholic A section. The second movement, Frost and Wind, paints a snowstorm with its faster tempo, swirling winds in the right hand of the piano and in the choir, and bitter frost evinced in all voices. Finally, in the third movement, Snow, a shift to the major mode and tranquil melodic lines suggests a return to a gentle snowfall following the storm, with contemplative motives in all voices, until a lone robin's voice and sunlight bring us hope of spring's return.
$4.95 ≈
$6.96
Song of the Mountains
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Chorale SATB
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INTERMÉDIAIRE
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Ba...
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Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50 ≈
$3.52
Brothers
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Chorale SATB
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FACILE
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Carl M
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Brothers
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Carl M. Steubing Memorial Music Fund, Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. Carl M. Steubing Memorial Music Fund, Inc. #773130. Published by Carl M. Steubing Memorial Music Fund, Inc. (A0.1172921). “I hope that he can see in me, his brotherâ€. “Brothers†is an original musical work. The music is composed by Carl M. Steubing and the words are from a poem written by Carl’s good friend Miles J. Martin.  The opening lyrics, “Who is that manâ€, refers to an older Asian gentleman Miles encountered during vacation in the Far East. They were strangers that could not communicate, but when their eyes met they smiled at each other, and Miles recognized the man as his brother.  Shortly thereafter Miles sat down and wrote the poem called “Brothersâ€. Carl M. Steubing wrote the music, and it was published in 1967. This song was very relevant back in 1967 but has even more significance today. Brothers (and sisters) around the world are looking to belong in our chaotic world. They are searching for more connections, more empathy, and more love for each other.  No matter where you are from, the color of your skin, the faith you follow, or the person you choose to love, may we all find a way to look into each other’s eyes, smile and see in each other our brother or sister.
$2.25 ≈
$3.16
I'll Be Home For Christmas
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Chorale SATB
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FACILE
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Jazz
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Rascal Flatts
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Michael Pilley
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I'll Be Home For Christmas
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Michael Pilley Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Micha...
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Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$4.50 ≈
$6.33
Christ the Exemplar - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Christ the Exemplar - an origi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701768 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...
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Choral Choir (SATB) - Level 4 - SKU: A0.701768 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3418991. Published by Kevin G. Pace (A0.701768). An original hymn with text by Mark R. Fotheringham below. YouTube video:https://youtu.be/OQx7yk7h8Wo1 Seek for all wisdom, seek to do right. Shun ev'ry darkness and seek for the light. Look to the Lord, He shows you the way; Follow His footsteps each day. CHORUS Christ the exemplar will lead you along, Following Jesus will ne'er lead you wrong. Seeing the beauty of ev'ry soul, Kindness and love is your goal. 2 Serve ev'ry fellow crossing your road. Lift ev'ry burden and lighten each load. Serving with joy, your heart ever true, God will bless all that you do. 3 Thanking the Father, praying each day, Blessing all people you meet on your way, Listen, the Spirit whispers His call, Serve as the Lord. Give your all.
$1.99 ≈
$2.80
Fire and Ice (SATB setting of poem by Robert Frost)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Fire and Ice
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787360 Composed by Greg Bartholomew. Concert,Contemporary,Folk. Octavo. 12 pages. Burke & Bagley #4641623. Publi...
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Choral Choir (SATB) - Level 4 - SKU: A0.787360 Composed by Greg Bartholomew. Concert,Contemporary,Folk. Octavo. 12 pages. Burke & Bagley #4641623. Published by Burke & Bagley (A0.787360). A setting for unaccompanied mixed choir (SATB) of the poem FIRE AND ICE by Robert Frost (1874 - 1963). Duration ca. 3'15.Published in December 1920 in Harper's Magazine and again in 1923 in his Pulitzer Prize−winning book New Hampshire, Fire and Ice is one of Robert Frost's most popular poems. Some have asserted that the poem is a compression of Dante's Inferno. In an anecdote he recounted in 1960, prominent astronomer Harlow Shapley claimed to have inspired Fire and Ice in an encounter with Frost a year before the poem was published. Frost asked Shapley how the world will end, and Shapley responded that either the sun will explode and incinerate the Earth, or the Earth will somehow escape this fate only to end up slowly freezing in deep space. Follow along in the score as you listen with the score video! https://youtu.be/Kqq_-Kz85cw
$2.25 ≈
$3.16
Of The Father's Love Begotten
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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11th century trope
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Michael D
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Of The Father's Love Begotten
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacr...
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Choral Choir (SATB) - Level 3 - SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacred. Octavo. 7 pages. Michael D. McClish #6656833. Published by Michael D. McClish (A0.940837). This is a beautiful rendition of the familiar chant, keeping the intent of early chant and choral sound, but within a more contemporary harmonic palette. It begins simply and ends in a very uplifting, positive manner, with several transpositions along the way. However, the feeling of plainchant is always present in each variation as they evolve. This is the first of what I hope to be a collection of hymn arrangements for choir that follow the Christian Church Year, this one being Advent season. Of course it can be sung anytime that fits the situation, but I used the United Methodist Hymnal suggestion for an Advent hymn. The piano simulates bells and chimes, and the voices sometimes do also. A very uplifting arrangement, while not so difficult as to discourage choirs. It employs the concept of canon and contemporary harmonies. I hope you and your choir or choral organization enjoy it as much as I enjoyed writing it.
$2.50 ≈
$3.52
Three Wise Camels - a Roger Jones Christmas musical
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Chorale SATB
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INTERMÉDIAIRE
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Alison Fuggle, Jane Hicks, and
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Annie Routley
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Three Wise Camels - a Roger Jo
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927449 Composed by Alison Fuggle, Jane Hicks, and Roger Jones. Arranged by Annie Routley. Children,Christian,Chr...
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Choral Choir (SATB) - Level 3 - SKU: A0.927449 Composed by Alison Fuggle, Jane Hicks, and Roger Jones. Arranged by Annie Routley. Children,Christian,Christmas,Musical/Show,Sacred. Octavo. 57 pages. Christian Music Ministries #6087153. Published by Christian Music Ministries (A0.927449). Three Wise Camels - an amazing journey of discovery.Particularly appropriate for churches and schools.Camelia, Humphrey and Samson are three camels who set out on what proves to be the most exciting excursion of their lives! Seen through the camels' eyes, the musical reveals truths about the costly gifts of the Three Kings as they follow the extra-bright star which guides them along their way to Bethlehem where, to their amazement, they discover that the gifts are for a little boy. Samson is awe-struck when he sees angels while Humphrey wonders why the child isn't living in a palace. Camelia is just thrilled that she came! The musical ends with them all bowing down in praise and worship of Jesus, the true King.Told in a light-hearted and amusing way, this musical will appeal to young and old alike. Eight songs for choir, soloists and three wise camels.This vocal score contains all 8 songs with full piano score, guitar chords, SATB choir parts plus solo parts, and drama.
$9.99 ≈
$14.05
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
$4.22
PANTOMANIA (an original Summer Pantomime)
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Chorale SATB
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INTERMÉDIAIRE
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Dennis A
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PANTOMANIA
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Ty...
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Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Tyne Music #5884499. Published by Tyne Music (A0.999348). PANTOMANIA: A modern pantomime in the TYNE ONSTAGE series of family orientated musicals. We’re all familiar with the U.K.s traditional pantomime. An extravaganza of costume, song and comedy acting, always presented during the autumn & winter months, especially over the Christmas holiday period. They’re extremely popular in the U.K. and draw in big family audiences, indeed the finance generated, helps most theatres over the more leaner summer months. So I thought Why not write a ‘Pantomime for Summer’ and this is it!PANTOMANIA takes you on a journey into the mystical world of fairy tale and fantasy, where words on a page become real-life characters when our heroine, Victoria falls into a wishing well and on climbing out, finds herself in the ‘Children’s Section’ on a library bookshelf. We follow her as she moves from page to page trying to find a way back home, assisted by the ‘Scarecrow’ plus an odd assortment of picture book characters. A great fun-musical for all of the family with plenty laughs and a few screams along with foot-tapping songs. It can be performed by any mixed age group age from 12 - 60. Perfect for seat-filling by any school, college, youth theatre or dramatic society.Note: Of course it could also be performed in the Winter and would be a great way to end the Autumn Term!This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/pantomaniaP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming student arranger to add to their C.V.
$37.00 ≈
$52.02
I Am the Road, The Claims of the Son 5
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Chorale SATB
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Musique Sacrée
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Stephen R Dalrymple
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I Am the Road, The Claims of t
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christi...
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Choral Choir,Choral (SATB) - SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 26 pages. Stephen R Dalrymple #6668479. Published by Stephen R Dalrymple (A0.818364). The Claims of the Son 5: I Am the Road♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 14♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ On the night of His arrest, Jesus told the disciples that He was going away, leaving them, and they could not follow Him. ♫ He further explained that they knew the road He was taking. Philip asked His destination so he could figure out the route. ♫ But His claim “I Am the Road, the Truth, and the Life†was not speaking of a destination with latitude and longitude coordinates. Jesus is plainly claiming that He alone is the only path to God, the path to truth, and the path to eternal life.♫ “I Am the Road†has a dual listing. It is also used as a worship song.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
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$2.81
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As Long As You Follow