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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions
Gratuites
148
Partitions
Numériques
21
Librairie
Musicale
545
Matériel
de Musique
62 614
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
62009
PIANO & CLAVIERS
Piano seul
51192
Piano Facile
24588
Piano, Voix
19236
Piano, Voix et Guitare
11312
Instruments en Do
5485
Orgue
4400
Piano grosses notes
2836
1 Piano, 4 mains
1453
Accompagnement Piano
1304
2 Pianos, 4 mains
1073
Accordéon
874
Piano (partie séparée)
788
Piano Quintette: piano, 2 violons, alto, violoncelle
508
Piano Trio: piano, violon, violoncelle
501
Piano Quatuor: piano, 2 violons, violoncelle
473
Piano Quatuor: piano, violon, alto, violoncelle
139
Ligne De Mélodie, Piano
102
Clavecin
95
2 Pianos, 8 mains
91
Orgue, Trompette (duo)
81
Orgue, Piano (duo)
80
2 Accordéons
77
Accordéon, Voix
49
Clavier
48
1 Piano, 6 mains
40
2 Orgues (duo)
30
Instrument seul et Orgue
18
Ensemble d'Accordéons
15
Orgue, Voix
12
Accordéon, Piano
6
Accordéon, Corde(s)
3
Orgue et Orchestre
3
Accordéon - Piano, Voix, Guitare
1
Ensemble de Pianos
1
Piano Trio: Instruments de chambre mixtes
1
Tous Les Instruments
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
15319
Ligne De Mélodie, (Paroles) et Accords
12909
Guitare
6634
Paroles et Accords
6351
Ukulele
5029
2 Guitares (duo)
2196
Basse electrique
2012
Guitare (partie séparée)
1465
Banjo
489
Mandoline
443
4 Guitares (Quatuor)
243
Piano, Guitare (duo)
205
Basse électrique (partie séparée)
168
Dulcimer
152
Ensemble de guitares
135
3 Guitares (trio)
120
2 Dulcimers (duo)
83
Ensemble de Ukulélés
69
Guitare Pedal Steel
38
Dobro
37
2 Ukuleles
30
Ukulele Baryton
26
Mandoline, Piano (duo)
18
Mandoline, Guitare (duo)
16
2 Mandolines (duo)
11
Partitions De Groupes
6
Guitare, Violon, Violoncelle (trio)
5
Bouzouki
4
2 Guitares et Orchestre
4
Guitare, Orchestre
3
Cithare
2
3 Dulcimers (trio)
2
Guitare, Quatuor à cordes
1
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale 2 parties
15682
Chorale SATB
13007
Chorale 3 parties
6372
Chorale Unison
3465
Chorale TTBB
3146
Voix duo, Piano
2474
Chorale SSAA
1384
Chorale
964
Voix duo
939
Voix seule
881
Voix haute
466
Voix Soprano, Piano
311
Voix Alto, Piano
227
Voix Tenor, Piano
177
Voix Baryton, Piano
132
Voix basse, Piano
129
Voix Moyenne
97
Voix, Guitare
97
Voix moyenne, Piano
87
Chorale SSATBB
44
Voix Tenor
35
Chorale SATTB
28
Chorale SSATB
25
Chorale SSAATTBB
22
Voix Mezzo-Soprano, Piano
20
Voix et basse continue
17
Chorale SSAB a cappella
17
Voix basse
15
Chorale SSATTB
15
Soli, choeur mixte et accompagnement
15
Voix haute, Piano
14
Voix Soprano
11
Voix d'Enfants
10
Chorale SSAB, Piano
10
Male Voice
6
Voix duo, Orgue
6
Chorale SAATB A Cappella
6
Chorale SATTBB, Clavier
4
Voix Baryton
4
Chorale SSAATB
2
Chorale, Orgue
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
14863
Clarinette (partie séparée)
7744
2 Saxophones (duo)
7313
2 Flûtes traversières (duo)
6218
Flûte traversière
5850
2 Clarinettes (duo)
5305
Clarinette
4724
Saxophone Alto
4206
Quatuor de Saxophones: 4 saxophones
3772
Flûte traversière et Piano
3567
Saxophone Tenor
3455
Clarinette et Piano
3354
Flute (partie séparée)
3264
Flûte, Hautbois, Clarinette, Basson
3104
Hautbois (partie séparée)
3081
Saxophone Alto et Piano
2815
Hautbois, Piano (duo)
2564
Saxophone Tenor et Piano
2368
Quatuor de Clarinettes: 4 clarinettes
1903
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1892
Saxophone Soprano et Piano
1562
2 Hautbois (duo)
1256
2 Flûte à bec (duo)
1230
3 Clarinettes (trio)
1124
Quatuor de Flûtes : 4 flûtes
1113
Quintette de Saxophone: 5 saxophones
1078
Hautbois
996
3 Saxophones (trio)
985
Saxophone
903
Flûte, Clarinette (duo)
786
Trio de Flûtes: 3 flûtes
671
Flûte et Guitare
662
Saxophone Baryton, Piano
642
Cor anglais, Piano
586
Ensemble de Clarinettes
512
Quintette de Clarinettes: 5 clarinettes
488
Saxophone Soprano
413
Ensemble de saxophones
370
Flûte à Bec
356
Harmonica
347
Flûte à bec Soprano
343
Ensemble de Flûtes
339
Hautbois, Basson (duo)
313
Flûte, Violon
306
Clarinette Basse, Piano
277
2 Flûtes traversières, Piano
263
2 Saxophones, Piano
239
Hautbois, Clarinette (duo)
234
Flûte à bec Alto
226
Clarinette, Basson (duo)
225
Instruments en Mib
219
Ocarina
209
Quatuor de Flûtes à bec
202
Flûte, Violoncelle
194
Saxophone Baryton
189
Piccolo
189
Flûte, Clarinette et Basson
185
Clarinette, Violon (duo)
183
3 Flûtes à bec (trio)
181
2 Clarinettes, Piano
177
Quintette de Flûte : 5 flûtes
173
Flûte, Hautbois, Clarinette (trio)
162
Flûte, Hautbois, Basson
159
Cor Anglais
156
Clarinette Basse
153
Flûte à bec Soprano, Piano
152
Piccolo, Piano
143
Flûte à bec Tenor
142
Hautbois, Clarinette, Basson (trio d'anches)
140
Saxophone, Clarinette (duo)
131
Flûte à bec Alto, Piano
129
Clarinette, Guitare (duo)
126
Clarinette, Violoncelle (duo)
125
Flûte à Bec, Piano
125
Flûte, Hautbois (duo)
124
Hautbois, Flûte
112
Saxophone et Guitare
103
Flûte, Alto (duo)
102
2 Clarinettes, Basson
100
Flûte, Trompette (duo)
99
Clarinette, Trompette (duo)
91
Ensemble De Flûte à bec
89
Hautbois, Violoncelle
88
Clarinette et Alto
83
Flûte, Violon et Violoncelle
72
3 Hautbois
68
Flûte, Saxophone (duo)
65
Hautbois, violon (duo)
63
Flûte, Violon, Piano
61
Flûte, Trombone (duo)
57
Flûte, Basson et Piano
51
5 Flûtes à bec
40
Clarinette, Trombone (duo)
40
Hautbois, Guitare (duo)
38
Saxophone et Orgue
37
2 Cors Anglais Et Pianoforte
36
Flûte, Clarinette, Cor, Basson (Quartet)
35
Cor anglais, Guitare (duo)
33
Flûte, Clarinette, Piano (trio)
32
Flûte, Violoncelle, Piano (trio)
31
Harmonica, Piano
31
4 Hautbois
27
2 Flûtes à bec, Piano
27
Hautbois et alto (duo)
25
Clarinette, Basson, Piano (trio)
25
Saxophone, Violon (duo)
24
2 Hautbois, Piano
22
Ensemble à vent
21
Hautbois, Trompette (duo)
19
Flûte et Trio à cordes
18
Flûte à bec, Guitare (duo)
18
Saxophone et Orchestre
15
Flûte, Clarinette, Violon (trio)
15
Flûte traversière, Orgue (duo)
15
Flûte, Hautbois, Piano (trio)
14
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
14
2 Flûtes traversières, Guitare
14
Flûte, Violon, Violoncelle et Piano
13
Cornemuse
13
Flute, harpe et violon
13
Flûte, Tuba (duo)
13
Hautbois, trombone (duo)
11
Saxophone, Basson (duo)
11
Clarinette, Alto et Piano (trio)
11
Flûte traversière, Basse continue
11
Clarinette, Harpe (duo)
11
Saxophone et Piano
10
2 Hautbois et Cor anglais
10
2 Flûtes traversières, Harpe
10
2 Hautbois et Basson
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Clarinette, Orgue
9
Clarinette, Tuba
9
Flûte, Harpe et Violoncelle
9
Hautbois, Violon, Piano
8
2 Flûtes, 2 Clarinettes (Quatuor)
7
Hautbois, Harpe
7
Clarinette, Contrebasse (duo)
6
Saxophone et violoncelle
6
Clarinette, Orchestre
6
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Flûte, Alto et Piano
6
Flûte à bec Alto, Basse continue
6
2 Flûtes, Basse continue
6
Flute, Cor (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte et Quatuor à Cordes
5
Hautbois, Basson et Piano
4
2 Harmonicas
4
Flûte, Violoncelle, Guitare
4
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Violoncelle et Piano
3
Flûte à bec, Harpe
3
Flûte, Violon, Guitare
3
Clarinette, Quatuor à cordes et Piano
3
Flûte traversière, Orchestre
3
Flûte, Hautbois, Violon
2
Hautbois, Quatuor à cordes
2
Melodica
2
Flûte irlandaise
2
Flûte, trombone et piano
2
Saxophone et Harpe
2
Flûte à bec Soprano, Basse continue
2
2 Flûtes à bec, Guitare
2
Cor anglais et Harpe (duo)
2
2 clarinettes, 2 bassons
2
2 Hautbois, 2 Cors et 2 Bassons
1
Ensemble de Hautbois
1
Flûte de Pan
1
Saxophone, Tuba (duo)
1
Flûte, alto et harpe
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
11269
Trombone (partie séparée)
10573
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9207
Trompette
4574
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4458
Cor (partie séparée)
3802
Trombone
3554
2 Trompettes (duo)
3060
2 Trombones (duo)
2675
Cor
2588
Trompette, Piano
2491
Trombone et Piano
2266
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1853
Tuba (partie séparée)
1685
Cor et Piano
1668
Tuba
1340
2 Cors (duo)
1165
2 Euphoniums et 2 Tubas
1019
Quatuor de Cuivres
948
Tuba et Piano
761
Trompette, Trombone (duo)
597
Cor anglais, Piano
586
Euphonium
449
Euphonium, Piano (duo)
441
2 Tubas (duo)
358
Trompette, Cor (duo)
302
Bass Clef Instruments
301
Quatuor de cuivres: 4 trombones
299
Trio de Cuivres
262
Instruments en Sib
224
Quatuor de cuivres: 4 cors
224
Tuba ou Euphonium ou Saxhorn
209
Trompette, Saxophone (duo)
189
Cor Anglais
156
3 Trombones (trio)
150
2 Trompettes, Clavier (piano ou orgue)
148
Ensemble de Trombones
121
Quatuor de cuivres: 2 trompettes, 2 trombones
114
Trombone basse et Piano
112
3 Trompettes (trio)
87
Cornet A Pistons
83
2 Euphoniums (duo)
80
Quatuor de cuivres: 4 trompettes
68
4 Tubas
68
Euphonium, Tuba (duo)
67
Trompette, Tuba (duo)
60
Trombone basse
49
Cor, Violoncelle (duo)
47
Trombone, Tuba (duo)
44
Ensemble de Cors
41
Trompette, Basson (duo)
38
Trompette, violon (duo)
38
Trombone, violoncelle (duo)
37
Trombone, Orgue
36
2 Cors Anglais Et Pianoforte
36
Trompette, Violoncelle (duo)
35
Trombone, Cor (duo)
35
Cor anglais, Guitare (duo)
33
Ensemble de Trompettes
29
Cor, Tuba (duo)
28
Trombone, Violon (duo)
22
Tuba et Orgue
21
3 Cors (trio)
20
Cor, Trompette, Trombone (trio)
19
3 Tubas (trio)
19
Trompette et Guitare
17
2 Cors, Piano
17
2 Trombones, Piano
16
Cor et Basson (duo)
16
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Ensemble de Tubas
13
Cor et Orgue
13
Trompette, Trombone, Piano
10
Clarinette, Cor (duo)
8
Trompette, Euphonium (duo)
7
Euphonium (partie séparée)
5
Trombone et orchestre
5
Cor et Harpe
5
Trombone, Alto (duo)
5
3 Euphoniums
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Trompette, Harpe
3
G Instruments
2
4 Euphoniums
2
Cor anglais et Harpe (duo)
2
Trompette, Violoncelle et Piano
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cornet et orchestre
1
Cor, Orchestre
1
Cornet et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
30540
Violon
8184
Violon (partie séparée)
6071
2 Violons (duo)
5919
Violoncelle
5432
Violon et Piano
4855
2 Violoncelles (duo)
4240
Alto seul
3969
Contrebasse (partie séparée)
3497
Violoncelle, Piano
3376
Alto, Piano
2933
Harpe
2187
2 Altos (duo)
2089
Violon, Violoncelle (duo)
1956
Quintette à cordes: 2 violons, alto, violoncelle, basse
1919
Alto (partie séparée)
1855
Violoncelle (partie séparée)
1766
Trio à Cordes: 2 violons, violoncelle
1712
Trio à Cordes: violon, alto, violoncelle
1410
Contre Basse
1270
Violon, Alto (duo)
901
2 Harpes (duo)
631
Contrebasse, Piano (duo)
613
Alto, Violoncelle (duo)
423
Piano Trio: Violon, Alto, Piano
409
Trio à cordes: 3 violins
401
2 Contrebasses (duo)
349
2 Violons, Piano
343
Trio à Cordes: 2 violons, alto
319
4 Violoncelles
260
Violon, Guitare (duo)
254
Trio à Cordes: 3 violoncelles
233
Harpe (partie séparée)
172
Quintette à cordes: 2 violons, 2 altos, violoncelle
156
Quatuor à cordes: 4 violons
150
Violoncelle , Guitare (duo)
144
2 Violoncelles, Piano
118
Trio à cordes
111
Violoncelle, Contrebasse (duo)
100
Quintette à cordes : 2 violons, alto et 2 violoncelles
93
Violon, Basson (duo)
91
Trio à cordes: 3 altos
85
Alto, Guitare (duo)
78
Quatuor à cordes : 4 altos
73
2 Altos, Piano
72
Harpe, Flûte (duo)
62
Alto et Basson
55
2 Violons et Basse continue
39
Harpe, Violon (duo)
34
Flûte, Contrebasse (duo)
23
Harpe, Violoncelle (duo)
22
Violoncelle, Orgue
21
4 Contrebasses
17
Violoncelle, Orchestre
15
Violoncelle et Marimba
15
Harpe, Voix
15
Alto et Harpe
14
3 Contrebasses
13
Violon, Tuba (duo)
12
Violon, Orgue
12
Harpe et Piano
9
Violon, Basse continue
9
Ensemble de Violoncelles
8
Violon, Clarinette, Piano (trio)
8
Violon, Violoncelle, Clarinette
7
Violoncelle, Basse continue
7
Harpe, Violon, Violoncelle
6
Alto, Orgue
5
Ensemble de Violons
4
3 Harpes
4
5 Harpes
2
Harpe et Orgue
1
Ensemble d'Altos
1
Violon, Clarinette et Guitare
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
31025
Percussion (partie séparée)
5317
Orchestre à Cordes
4635
Orchestre
3874
Ensemble Jazz
3425
Cloches
3025
Batterie
2173
Ensemble de cuivres
2031
Batterie (partie séparée)
1864
Fanfare
1538
Orchestre de chambre
1172
Percussion
809
Jazz combo
770
Timbales (partie séparée)
586
Ensemble de Percussions
479
Timbales
228
Marimba
213
Vibraphone
204
Xylophone
157
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
63
2 Xylophones
62
Xylophone, Piano
47
Vibraphone (partie séparée)
38
Caisse Claire
35
Vibraphone, Piano
27
2 Marimbas
23
Piano et Orchestre
21
Vibraphone et Marimba
19
Quintette de Cuivres: autres combinaisons
14
Instrumentation Flexible
12
Orchestre, Violon
8
Xylophone ou Marimba ou Vibraphone
8
Ensemble d'École
7
Quatuor à Vent : 4 instruments à vents
7
2 Caisses Claires (duo)
6
Mariachi
4
Trio à Vent: 3 instruments à vents
4
Batterie-Fanfare
4
2 Percussions
3
Quintette à Vent
3
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Piano Concerto No. 2
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by J…
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Piano and orchestra - Digital Download SKU: S9.Q4499 Bb major. Composed by Johannes Brahms. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 83. Ernst Eulenburg & Co. GmbH - Digital #Q4499. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4499). Key: B flat major. German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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Piano et Orchestre
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Johannes Brahms
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Piano Concerto No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Piano Concerto No. 2 A major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This …
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Piano and orchestra - Digital Download SKU: S9.Q4502 Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4502. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4502). Key: A major. German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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Piano et Orchestre
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Franz Liszt
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Piano Concerto No. 2 A major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 D minor
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy M…
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Piano and orchestra - Digital Download SKU: S9.Q21394 Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Op. 40. Ernst Eulenburg & Co. GmbH - Digital #Q21394. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21394). Key: D minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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Piano et Orchestre
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Felix Bartholdy Mendelssohn
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Concerto No. 2 D minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 B-flat major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethov…
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Piano and orchestra - Digital Download SKU: S9.Q4505 Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 19. Ernst Eulenburg & Co. GmbH - Digital #Q4505. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4505). Key: B flat major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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Piano et Orchestre
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Ludwig van Beethoven
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Concerto No. 2 B-flat major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 G major
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchai…
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Piano and orchestra - Digital Download SKU: S9.Q4626 Composed by Peter Ilyich Tchaikovsky. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 44. Duration 44' 0. Ernst Eulenburg & Co. GmbH - Digital #Q4626. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4626). Key: G major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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Piano et Orchestre
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Peter Ilyich Tchaikovsky
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Concerto No. 2 G major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto No. 2 F minor
Piano et Orchestre
Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - …
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Composed by Frederic Chopin (1810-1849). This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 21. Schott Music - Digital #Q12492. Published by Schott Music - Digital
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Piano et Orchestre
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Frederic Chopin (1810-1849)
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Concerto No. 2 F minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2 G minor
Piano et Orchestre
Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenb…
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Composed by Camille Saint- Saens (1835-1921). This edition: study score. Ernst Eulenburg, Orchester, Partitur, Konzert. Eulenburg Miniature Scores. Downloadable. Op. 22. Duration 25 minutes. Schott Music - Digital #Q48708. Published by Schott Music - Digital
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Piano et Orchestre
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Camille Saint- Saens
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Concerto No. 2 G minor
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano et Orchestre
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
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Piano et Orchestre
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
Piano Concerto ... Mozartiana (2007) for piano solo and chamber orchestra
Piano et Orchestre
By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. 2 Flute (2. also piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Tromb
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Piano et Orchestre
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Thomas Oboe Lee
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Piano Concerto ... Mozartiana
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra
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Piano and Orchestra - Digital Download SKU: S9.Q23932 For Piano and Orchestra. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 24 minutes. Schott Music - Digital #Q23932. Published by Schott Music - Digital (S9.Q23932). 1 (auch Picc.) * 1 * 1 (auch Alt-Okarina in G) * 1 - 1 * 1 * 1 * 0 - S. (Trgl. * 2 Crot. * 2 hg. Beck., klein u. normal gross * 4 Woodbl. * 5 Tempelbl. * Schellentr. * kl. Tr. * 3 Rototoms * 4 Tomt. * gr. Tr. * Guero * Kast. * Peitsche * Sirenenpfeife * Trillerpfeife * Lotosfl. * Flexaton * Chromonica in C 270 [Hohner] * Glspl. * Xyl.) (1-2 Spieler) - Str. (8 * 7 * 6 * 5 * 4; auch solistische Streicherbesetzung 1 * 1 * 1 * 1 * 1 moglich)1 (auch Picc.) · 1 · 1 (auch Alt-Okarina in G) · 1 – 1 · 1 · 1 · 0 – S. (Trgl. · 2 Crot. · 2 hg. Beck., klein u. normal groß · 4 Woodbl. · 5 Tempelbl. · Schellentr. · kl. Tr. · 3 Rototoms · 4 Tomt. · gr. Tr. · Guero · Kast. · Peitsche · Sirenenpfeife · Trillerpfeife · Lotosfl. · Flexaton · Chromonica in C 270 [Hohner] · Glspl. · Xyl.) (1–2 Spieler) – Str. (8 · 7 · 6 · 5 · 4; auch solistische Streicherbesetzung 1 · 1 · 1 · 1 · 1 möglich).
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Piano et Orchestre
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto D Major
Piano et Orchestre
Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 …
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Piano (harpsichord) and orchestra - intermediate - Digital Download SKU: S9.Q47513 Composed by Johann Wenzel Anton Stamitz. Arranged by Karlheinz Schultz-Hauser. This edition: piano reduction for 2 pianos. Schott Archive. Downloadable, vocal/piano score. Op. 10/1. Duration 14 minutes. Schott Music - Digital #Q47513. Published by Schott Music - Digital (S9.Q47513). Key: D major.
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Piano et Orchestre
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Johann Wenzel Anton Stamitz
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Karlheinz Schultz-Hauser
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Concerto D Major
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Schott Music - Digital
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SheetMusicPlus
H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
Piano et Orchestre
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - L…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.981569 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical,Contemporary,Instructional. Score and parts. 12 pages. D'Andrea Helios #6735431. Published by D'Andrea Helios (A0.981569). Only variations on an original theme by Mozart.
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Piano et Orchestre
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Wolfgang Amadeus Mozart
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Helios D'Andrea
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H. D'Andrea Variations on a theme by Mozart as a child for piano and orchestra.
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D'Andrea Helios
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SheetMusicPlus
Tribute to Chopin (Omaggio a Chopin) for piano and orchestra
Piano et Orchestre
Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508…
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Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508 Composed by Helios D'Andrea. 20th Century,Contemporary. Score and parts. 5 pages. D'Andrea Helios #4846343. Published by D'Andrea Helios (A0.981508). Nice music composed for piano and orchestra
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Piano et Orchestre
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Helios D'Andrea
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Tribute to Chopin
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D'Andrea Helios
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
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Piano et Orchestre
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
God Bless America ®
Piano et Orchestre
By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score …
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By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score (Chords/Lyrics). 2 pages. Alex Rodrigues #835237. Published by Alex Rodrigues
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Piano et Orchestre
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Celine Dion
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Alex Nunes Rodrigues
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God Bless America ®
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SheetMusicPlus
Hatikvah. The national anthem of Israel. Easy piano.
Piano et Orchestre
Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #573316…
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Arranged by R.Sloboder. Jewish,Wedding,World. Score. 2 pages. Rivka Sloboder #5733163. Published by Rivka Sloboder
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Piano et Orchestre
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R
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Hatikvah. The national anthem of Israel. Easy piano.
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Rivka Sloboder
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SheetMusicPlus
Concerto para piano e orquestra n.2 em formas brasileiras
Piano et Orchestre
Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part…
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Composed by Hekel Tavares. 21st Century, Contemporary Classical, South American. Solo Part. 34 pages. Published by Musica Brasilis (S0.240407). - Solo Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
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Piano et Orchestre
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Hekel Tavares
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Concerto para piano e orquestra n.2 em formas brasileiras
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Musica Brasilis
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SheetMusicPlus
Concerto No. 2 (Ukrainian Concerto) for Piano and Orchestra
Piano et Orchestre
By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano…
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By Alexander Peskanov. For Piano, Orchestra. Romantic Period. Advanced Intermediate. Piano Reduction. Classical Video Concepts, Inc #M-YC2. Published by Classical Video Concepts, Inc
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Piano et Orchestre
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Alexander Peskanov
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Concerto No. 2
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Classical Video Concepts, Inc
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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