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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rob Ames
Non classifié
303
Piano & claviers
Piano, Voix
241
Piano seul
194
Piano Facile
88
Piano, Voix et Guitare
86
Instruments en Do
35
Orgue
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
2
Piano (partie séparée)
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Basse electrique
21
Ligne De Mélodie, (Paroles) et Accords
15
Guitare
9
Paroles et Accords
6
Ukulele
5
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
111
Chorale TTBB
39
Chorale 3 parties
30
Chorale SSAA
13
Chorale 2 parties
6
Voix seule
5
Chorale Unison
5
Voix duo
1
Paroles Seulement
1
Voix Tenor
1
Voix haute
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
60
Clarinette et Piano
43
Saxophone Tenor et Piano
37
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
31
Saxophone Baryton, Piano
30
Quatuor de Saxophones: 4 saxophones
29
Saxophone Soprano et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone (partie séparée)
19
Clarinette Basse, Piano
18
Clarinette
18
Cor anglais, Piano
16
Quatuor de Clarinettes: 4 clarinettes
15
Flûte traversière
13
Saxophone Alto
13
Clarinette (partie séparée)
11
Saxophone Tenor
10
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
9
Quatuor de Flûtes : 4 flûtes
8
3 Saxophones (trio)
6
2 Saxophones (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
4
2 Flûtes traversières (duo)
4
Flute (partie séparée)
4
Hautbois (partie séparée)
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Quintette de Saxophone: 5 saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette Basse
2
Flûte et Guitare
2
Hautbois
2
2 Clarinettes (duo)
1
Clarinette, Harpe (duo)
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
+ 47 instrumentations
Retracter
Cuivres
Trombone et Piano
34
Cor et Piano
30
Trompette, Piano
24
Euphonium, Piano (duo)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
18
Cor anglais, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette (partie séparée)
13
Trombone (partie séparée)
12
Tuba et Piano
12
Trombone
8
Tuba (partie séparée)
5
Trompette, Trombone (duo)
3
Cor (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
3
Trio de Cuivres
2
Trombone basse et Piano
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
2 Trompettes (duo)
2
Ensemble de Tubas
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
2 Trombones (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres
1
Cor anglais et Harpe (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
48
Alto, Piano
37
Violoncelle, Piano
31
Violon (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
27
Violon
20
Violon, Violoncelle (duo)
17
Violoncelle
10
Contrebasse, Piano (duo)
9
Alto seul
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
5
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Violons (duo)
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
1
Contre Basse
1
4 Contrebasses
1
4 Violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre
40
Fanfare
32
Orchestre à Cordes
23
Batterie
14
Ensemble de cuivres
14
Percussion (partie séparée)
13
Ensemble Jazz
12
Percussion
5
Jazz combo
3
Timbales (partie séparée)
2
Orchestre de chambre
2
Cloches
2
Timbales
2
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 11 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Rob Ames
Ensemble de Flûtes
Partitions à imprimer
9 partitions trouvées
<
1
Pie In The Face Polka
#
Ensemble de Flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Robert Rainford
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Pie In The Face Polka
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Rob Rainford at Forton Music
#
SheetMusicPlus
Flute - Advanced Intermediate - Arranged by Robert Rainford. 19 pages. Published by Rob Rainford at Forton Music ...
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Flute - Advanced Intermediate - Arranged by Robert Rainford. 19 pages. Published by Rob Rainford at Forton Music
Made famous by James Galway, presented here for solo flute and flute quartet - 2 flutes, alto flute and bass flute.
$20.00 ≈
$28.08
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Contemporain
#
Greg Danner
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Twitter, for Flute Choir
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Avanti Music
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00 ≈
$56.17
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95 ≈
$70.14
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Flute Cho
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
$56.10
The Swingin' Shepherd Blues (flute choir arrangement)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Moe Koffman, Rhoda Roberts a
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The Swingin' Shepherd Blues
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James Pybus
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SheetMusicPlus
By Moe Koffman, Rhoda Roberts and Kenny Jacobson. Arranged by James Pybus. Score, Set of Parts. 12 pages. Published by James Pybus ...
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By Moe Koffman, Rhoda Roberts and Kenny Jacobson. Arranged by James Pybus. Score, Set of Parts. 12 pages. Published by James Pybus
$19.99 ≈
$28.07
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
$67.33
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
$67.33
Enemy
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Imagine Dragons X Jid
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Jami Kidwell Chavez
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Enemy
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Jami Kidwell Chavez
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.1475621 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coult...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.1475621 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Jami Kidwell Chavez. 21st Century,Film/TV,Pop,Rock. 12 pages. Jami Kidwell Chavez #1053178. Published by Jami Kidwell Chavez (A0.1475621). This energetic song from Imagine Dragons translates well to flute choir. It would be an excellent addition to any performance. Scored for Piccolo, 2 C Flutes, Alto Flute and Bass Flute.
$12.99 ≈
$18.24
25 Or 6 To 4
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Ensemble de Flûtes
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FACILE
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Rock
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Chicago
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James-Michael Sellers
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25 Or 6 To 4
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JMS Composer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - SKU: A0.749393 By Chicago. By Robert Lamm. Arranged by James-Michael Sellers. Po...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - SKU: A0.749393 By Chicago. By Robert Lamm. Arranged by James-Michael Sellers. Pop,Rock. 18 pages. JMS Composer #3400567. Published by JMS Composer (A0.749393). Trying to write a song in the middle of the night? Say, 4 am in the morning...or 25 or 26 minutes?How about pulling a Chicago and asking if anybody really knows what time it is? And then pulling 25 or 6 to 4 out and having your audience rock out to this lively flute choir rendition of the classic hit!Contains:- Full Score- Piccolo (opt. as needed)- 4 C Flutes- Alto Flute (with optional C Flute transposition)- Bass Flute.
$12.99 ≈
$18.24
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Rob Ames
