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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ode to Love
Non classifié
386
Piano & claviers
Piano seul
258
Piano, Voix
149
Instruments en Do
99
Piano Facile
70
Piano, Voix et Guitare
66
Orgue
22
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Accompagnement Piano
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Clavecin
1
+ 10 instrumentations
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Guitares
Guitare
24
Ligne De Mélodie, (Paroles) et Accords
16
Guitare notes et tablatures
11
Basse electrique
8
Ukulele
5
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
143
Chorale 3 parties
35
Chorale 2 parties
23
Chorale TTBB
19
Chorale SSAA
11
Voix Soprano, Piano
9
Voix duo, Piano
8
Voix Alto, Piano
4
Chorale Unison
3
Voix duo
2
Voix Tenor, Piano
2
Voix seule
2
Voix Tenor
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
+ 14 instrumentations
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Vents
Clarinette et Piano
35
Hautbois, Piano (duo)
33
Flûte, Violon, Piano
32
2 Saxophones (duo)
26
2 Flûtes traversières (duo)
25
2 Clarinettes (duo)
22
Quatuor de Saxophones: 4 saxophones
21
Flûte traversière et Piano
18
Clarinette
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière
15
Saxophone
12
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes : 4 flûtes
9
Quintette de Saxophone: 5 saxophones
9
Saxophone Alto et Piano
9
Saxophone Alto
9
Flûte et Guitare
9
Flûte, Clarinette (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Tenor
5
Hautbois (partie séparée)
5
Ensemble de Clarinettes
4
3 Saxophones (trio)
4
Hautbois
4
Flûte à bec Soprano
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone Soprano et Piano
3
3 Flûtes à bec (trio)
3
Saxophone Tenor et Piano
3
Flûte à bec Tenor
3
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Flûte à bec Alto
2
2 Saxophones, Piano
2
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Clarinette et Alto
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
5 Flûtes à bec
1
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
Ensemble de saxophones
1
Saxophone Baryton
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
Clarinette, Violoncelle (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Cor Anglais
1
Flûte, Alto (duo)
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
Flûte, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
+ 69 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trompette
22
Trombone et Piano
20
Trompette, Piano
14
Cor
13
Trombone
12
Cor et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
2 Trompettes (duo)
10
Tuba et Piano
9
2 Trombones (duo)
8
Tuba
7
Trompette, Trombone (duo)
6
Quatuor de cuivres: 4 trombones
6
Trompette, Cor (duo)
3
Trompette, Saxophone (duo)
2
Trompette, Trombone, Piano
2
2 Cors (duo)
2
Trombone, Tuba (duo)
2
Trombone, Cor (duo)
1
Cor, Tuba (duo)
1
3 Cors (trio)
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Cor anglais, Piano
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Trompette, Violoncelle (duo)
1
4 Tubas
1
Trompette, Tuba (duo)
1
Cor Anglais
1
Ensemble de Cors
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon et Piano
29
Violon
25
Violon, Violoncelle (duo)
21
Violoncelle, Piano
20
Violoncelle
18
Alto, Piano
17
Alto seul
16
Violon, Alto (duo)
11
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Harpe
10
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
2 Harpes (duo)
3
Alto (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Quatuor à cordes : 4 altos
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Contre Basse
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Trio à cordes: 3 altos
1
2 Violoncelles, Piano
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Jazz combo
37
Orchestre à Cordes
35
Ensemble Jazz
19
Orchestre
18
Fanfare
7
Ensemble de cuivres
6
Cloches
6
Ensemble de Percussions
6
Batterie
5
Orchestre de chambre
5
Xylophone
1
Percussion
1
Marimba
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Crtitères actifs :
Ode to Love
Voix Baryton, Piano
Partitions à imprimer
1 partition trouvée
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
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