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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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PIANO & CLAVIERS
Piano seul
578
Piano, Voix
374
Piano, Voix et Guitare
214
1 Piano, 4 mains
87
Piano Facile
77
Orgue
76
Instruments en Do
61
2 Pianos, 4 mains
41
Piano Trio: piano, violon, violoncelle
26
Accompagnement Piano
9
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Accordéon
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
45
Guitare notes et tablatures
40
Ligne De Mélodie, (Paroles) et Accords
22
4 Guitares (Quatuor)
13
2 Guitares (duo)
7
Ukulele
5
Basse electrique
4
Guitare (partie séparée)
3
Banjo
2
Paroles et Accords
2
Mandoline
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
381
Chorale TTBB
35
Chorale Unison
34
Chorale 3 parties
34
Voix Soprano, Piano
14
Chorale SSAA
14
Chorale 2 parties
12
Voix duo
10
Pack Instrumental pour Chorale
8
Voix Alto, Piano
5
Voix seule
4
Voix Baryton, Piano
4
Voix duo, Piano
4
Chorale SSAATTBB
3
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix Soprano
1
Chorale SATTB
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
110
Quatuor de Clarinettes: 4 clarinettes
69
Flûte traversière et Piano
63
2 Flûtes traversières (duo)
63
2 Saxophones (duo)
58
Clarinette et Piano
52
Hautbois, Piano (duo)
43
Flûte traversière
40
Saxophone Alto et Piano
39
Quatuor de Flûtes : 4 flûtes
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette
29
2 Clarinettes (duo)
28
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
24
Flûte, Hautbois, Clarinette, Basson
24
2 Hautbois (duo)
21
Ensemble de Flûtes
20
Ensemble de saxophones
18
Saxophone, Clarinette (duo)
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Baryton, Piano
16
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Ensemble de Clarinettes
14
Cor anglais, Piano
13
Clarinette Basse, Piano
13
Clarinette, Trompette (duo)
11
Flûte, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Hautbois, Clarinette (duo)
10
Clarinette et Alto
10
Saxophone (partie séparée)
10
Flûte, Trompette (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Hautbois
8
Flûte, Alto (duo)
8
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Flûte, Violon
7
Clarinette, Basson (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Saxophone Tenor
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Guitare (duo)
4
Flûte et Guitare
4
Flûte à Bec
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
3
Hautbois et alto (duo)
3
3 Saxophones (trio)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Violoncelle
3
Hautbois, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Piccolo, Piano
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
2
Flute (partie séparée)
2
Cor anglais, Guitare (duo)
2
Hautbois, violon (duo)
2
Flûte traversière, Basse continue
2
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Violon
1
3 Clarinettes (trio)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
2 Saxophones, Piano
1
Clarinette (partie séparée)
1
Flûte, Tuba (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone et Piano
39
Cor et Piano
38
Quatuor de cuivres: 4 trombones
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
31
Trompette
19
2 Trombones (duo)
19
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
16
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Tuba et Piano
13
Cor anglais, Piano
13
2 Cors (duo)
12
Tuba
11
Trombone
11
Quatuor de cuivres: 4 cors
11
Cor
11
Trompette, Trombone (duo)
9
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 trompettes
6
2 Euphoniums (duo)
5
Cor (partie séparée)
4
2 Tubas (duo)
4
Ensemble de Cors
3
Quatuor de Cuivres
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Trombone basse
2
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Trombone, Orgue
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
3 Trombones (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
89
Violoncelle, Piano
49
Alto, Piano
38
2 Violons (duo)
33
Violon
31
Violoncelle
29
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
26
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
20
2 Altos (duo)
19
Contrebasse, Piano (duo)
16
4 Violoncelles
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Harpe
13
Alto seul
12
Contre Basse
10
2 Contrebasses (duo)
9
Quatuor à cordes: 4 violons
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes : 4 altos
3
Violon, Guitare (duo)
3
Violon, Basson (duo)
3
Alto (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
2 Violons, Piano
3
Violoncelle , Guitare (duo)
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Alto, Guitare (duo)
2
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Altos, Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Ensemble d'Altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
283
Cloches
243
Orchestre
118
Ensemble de cuivres
47
Orchestre à Cordes
45
Orchestre de chambre
42
Ensemble Jazz
24
Ensemble de Percussions
22
Batterie
18
Fanfare
6
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
2
Marimba
2
2 Marimbas
2
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
4 HIM
Saxophone Tenor et Piano
Partitions à imprimer
25 partitions trouvées
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CROWN HIM WITH MANY CROWNS - TENOR SAX DUET with Piano Accompaniment
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.807082 Composed by George Job Elvey. Arranged by Glen Poehlmann. Christian,Easter,Sacred. Score and parts. 12 pages. Arrangements by GPoehlmann #6257287. Published by arrangements by GPoehlmann (A0.807082). CROWN HIM WITH MANY CROWNS - TENOR SAXOPHONE DUET with Piano Accompaniment82 measures. Performance Time approx. 3:10. Medium Easy (Grade 2+)Key: Db - Eb - F. Meter: 4/4 - 3/4. Instrument Ranges (C4=middle C):Tenor Sax 1 Eb4 - B5 (written). Tenor Sax 2 Eb4 - G5 (written).
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Saxophone Tenor et Piano
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George Job Elvey
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Glen Poehlmann
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CROWN HIM WITH MANY CROWNS - TENOR SAX DUET with Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
I Will Follow Him (i Will Follow You)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1217246 By Little Peggy …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1217246 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop,Wedding. Score and part. 4 pages. Kaiserin Rebecca #813786. Published by Kaiserin Rebecca (A0.1217246). For tenor saxophone solo and piano accompaniment with chords.Key: B flat major. Duration: 1'21.
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Saxophone Tenor et Piano
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Little Peggy March
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Kaiserin Rebecca
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I Will Follow Him
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Kaiserin Rebecca
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SheetMusicPlus
Shimmering River, Starry Night (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.525009 Composed by John …
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.525009 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #6602437. Published by John A. Dempsey (A0.525009). Music depicting the flowing beauty of rivers and the nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for tenor sax and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 9 pages of music (that includes a separate two-page tenor part). Â Concert Key (Piano): C major. Â Tenor Sax Key: D major.
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Saxophone Tenor et Piano
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John A
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Shimmering River, Starry Night
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John A. Dempsey
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SheetMusicPlus
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Tenor Sax and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.729594 Composed by Wolfg…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.729594 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337855. Published by Music-Scores.com (A0.729594). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Tenor Sax and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
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Saxophone Tenor et Piano
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Wolfgang Amadeus Mozart
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3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Tenor Sax and Piano
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Music-Scores.com
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502589. Published by jmsgu3 (A0.549514). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551510 Composed by Edvar…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551510 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306355. Published by jmsgu3 (A0.551510). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
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Saxophone Tenor et Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
3 Preludes
Saxophone Tenor et Piano
Tenor saxophone in Bb and piano - easy to intermediate - Digital Download SKU: S9.Q2126…
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Tenor saxophone in Bb and piano - easy to intermediate - Digital Download SKU: S9.Q21263 Composed by George Gershwin. Arranged by Wolfgang Birtel. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21263. Published by Schott Music - Digital (S9.Q21263). The melodies from George Gershwin's (1898-1937) musicals, from 'Porgy and Bess', from orchestral pieces like 'Rhapsody in Blue' or 'An American in Paris', we all know them! But the career of the young musician started as a pianist in a music publishing house where he was to encourage customers to buy music by playing it. Soon he began to compose music himself and caught the attention of the Broadway, which paved the way to his international career. Inspired by Frédéric Chopin's 24 Préludes, he began to write his own 'Preludes' for the piano in the mid-1920s: Of the five preludes composed by him, he used two for the violin composition 'Short Story' and presented the other three at a concert on 4 December 1926. These 'Preludes' combine classical moments and jazz elements into an effective whole and can be played individually or as a little jazz sonata (fast – slow – fast). Thanks to the present arrangement, the charming miniatures are now available in a version for solo instrument and piano accompaniment.
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Saxophone Tenor et Piano
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George Gershwin
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Wolfgang Birtel
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3 Preludes
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Schott Music - Digital
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SheetMusicPlus
I Write The Songs
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow.…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
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Saxophone Tenor et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabri…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
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Saxophone Tenor et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir A…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
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Saxophone Tenor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
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Saxophone Tenor et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
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Saxophone Tenor et Piano
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Adam
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James M
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O Holy Night for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Slumber Song
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1152649 Composed by Gret…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1152649 Composed by Gretchaninov. Arranged by Jane Frasier. Classical. Score and part. 4 pages. Jane Frasier #752877. Published by Jane Frasier (A0.1152649). Alexander Gretchaninov (1864-1956) was a Russian composer and he studied composition and orchestration with Rimsky-Korsakov. His works, especially those for voice, achieved considerable success within Russia, while his instrumental works enjoyed even wider acclaim. By 1910, he was considered a composer of such distinction that the Tsar had awarded him an annual pension.
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Saxophone Tenor et Piano
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1910, he was considered a composer of such distinction that the Tsar had awarded him an annual pension
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Gretchaninov
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Jane Frasier
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Slumber Song
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Jane Frasier
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Sugar Plum Fairy theme
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1280687 Composed by Pete…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1280687 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871729. Published by Rodrigo Faleiros (A0.1280687). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy tenor sax arrangement tailored for beginners. This easy tenor sax piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the tenor sax can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy tenor sax sheet music contains a piano accompaniment with chords markings.
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
Sugar Plum Fairy theme
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1280707 Composed by Pete…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1280707 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871768. Published by Rodrigo Faleiros (A0.1280707). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy tenor sax arrangement tailored for beginners. This easy tenor sax piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the tenor sax can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy tenor sax sheet music contains a piano accompaniment.
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
Praise to the Lord, the Almighty--advanced tenor sax solo
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786697 Composed by Joach…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786697 Composed by Joachim Neander, anonymous. Arranged by Beka Wilson. Christian,Gospel,Praise & Worship,Sacred. Score and part. 5 pages. Beka Wilson #6371471. Published by Beka Wilson (A0.786697). This arrangement is perfect as part of a prelude, an offertory for a smaller church, or any other special music needs for a church service.Length: around 2 minutesLevel: early advanced for most instruments5 pages (includes score and separate solo part)This arrangement is available for both easy and advanced solos for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
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Saxophone Tenor et Piano
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Joachim Neander, anonymous
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Beka Wilson
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Praise to the Lord, the Almighty--advanced tenor sax solo
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Beka Wilson
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SheetMusicPlus
Sonata "Funtasies" for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Br…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
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Saxophone Tenor et Piano
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Sy Brandon
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Sonata "Funtasies" for Tenor Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
The Dragonfly
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.647841 Composed by Geza …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.647841 Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 4 pages. Theupperstaff #2956925. Published by theupperstaff (A0.647841). This is a whimsical and fun piece for both the listener and the performer. Set your tempo and have a good romp. Thank you for taking a look.   
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Saxophone Tenor et Piano
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Geza Horvath
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Nick Lacanski
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The Dragonfly
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theupperstaff
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SheetMusicPlus
Night Piece
Saxophone Tenor et Piano
Edited by Himie Voxman. Classical, Contest, Festival. Tenor Sax and Piano. 4 pages. Pub…
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Edited by Himie Voxman. Classical, Contest, Festival. Tenor Sax and Piano. 4 pages. Published by Rubank Publications
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Saxophone Tenor et Piano
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Night Piece
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Rubank Publications
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SheetMusicPlus
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