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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PRELUDE
Non classifié
2 257
Piano & claviers
Piano seul
5 601
Orgue
1 659
Piano Facile
357
Piano, Voix et Guitare
300
Piano, Voix
267
Piano Trio: piano, violon, violoncelle
118
Accompagnement Piano
82
1 Piano, 4 mains
46
Instruments en Do
34
Orgue, Piano (duo)
31
2 Pianos, 4 mains
29
Clavecin
26
Orgue, Trompette (duo)
22
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
18
Accordéon
16
Clavier
7
1 Piano, 6 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
Fake Book
2
2 Pianos, 8 mains
2
Piano grosses notes
2
2 Accordéons
1
Ligne De Mélodie, Piano
1
2 Orgues (duo)
1
+ 21 instrumentations
Retracter
Guitares
Guitare
473
Guitare notes et tablatures
237
2 Guitares (duo)
51
Piano, Guitare (duo)
34
Ligne De Mélodie, (Paroles) et Accords
32
Ukulele
19
4 Guitares (Quatuor)
14
Banjo
11
Paroles et Accords
8
3 Guitares (trio)
8
Basse electrique
7
Mandoline
5
Guitare (partie séparée)
2
Ukulele Baryton
2
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
2 Mandolines (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
113
Chorale 3 parties
37
Voix Tenor, Piano
17
Pack Instrumental pour Chorale
17
Chorale 2 parties
15
Chorale Unison
12
Voix Soprano, Piano
10
Voix Alto, Piano
6
Voix seule
6
Voix Tenor
4
Chorale SSAA
3
Chorale TTBB
2
Voix duo, Piano
1
Chorale
1
Voix Soprano, Orchestre
1
Voix Baryton, Piano
1
Voix duo
1
Voix Soprano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
428
Clarinette et Piano
263
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
241
Saxophone Alto et Piano
225
Hautbois, Piano (duo)
220
2 Saxophones (duo)
198
Saxophone Tenor et Piano
194
2 Flûtes traversières (duo)
170
2 Clarinettes (duo)
140
Quatuor de Saxophones: 4 saxophones
137
Flûte traversière
123
Flûte, Hautbois, Clarinette, Basson
121
Clarinette
117
Flûte, Clarinette (duo)
105
Saxophone Soprano et Piano
99
Saxophone Alto
94
Quatuor de Clarinettes: 4 clarinettes
91
3 Saxophones (trio)
73
Quatuor de Flûtes : 4 flûtes
53
Clarinette (partie séparée)
53
Saxophone (partie séparée)
50
3 Clarinettes (trio)
48
Quintette de Clarinettes: 5 clarinettes
48
2 Saxophones, Piano
47
Flûte, Clarinette, Piano (trio)
42
Quintette de Saxophone: 5 saxophones
40
2 Flûtes traversières, Piano
37
2 Clarinettes, Piano
32
Quintette de Flûte : 5 flûtes
31
Flûte, trombone et piano
27
Flûte, Violon et Violoncelle
27
Hautbois (partie séparée)
27
Ensemble de Flûtes
26
Clarinette, Violoncelle, Piano (trio)
26
Trio de Flûtes: 3 flûtes
25
Flûte, Violoncelle, Piano (trio)
24
Flute (partie séparée)
24
Quatuor de Flûtes à bec
23
Flûte, Violon, Piano
23
Flûte et Guitare
22
Ensemble de Clarinettes
21
Saxophone Tenor
20
Flûte, Hautbois, Piano (trio)
19
Clarinette, Violon (duo)
19
Flûte, Alto et Piano
17
Cor anglais, Piano
17
Flûte, Clarinette et Basson
15
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à Bec
12
Ensemble de saxophones
12
Hautbois, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violoncelle
11
Saxophone Baryton, Piano
11
Clarinette, trompette et piano
11
Saxophone
11
Flûte à bec Soprano
10
Clarinette Basse, Piano
10
Flûte, Violon, Violoncelle et Piano
9
5 Flûtes à bec
9
Flute, Cor (duo)
8
Flûte, Hautbois, Basson
8
2 Hautbois (duo)
8
Hautbois, Clarinette (duo)
7
Flûte, Violon
7
Clarinette, Basson (duo)
7
Flûte, Basson et Piano
7
Flûte traversière, Orgue (duo)
6
Flûte, Violoncelle, Guitare
6
Hautbois, Flûte
6
Flûte, Hautbois (duo)
5
Clarinette, Orgue
5
Cor Anglais
5
Flûte, Saxophone (duo)
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Alto
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Alto (duo)
4
Piccolo, Piano
4
Flûte, Trombone (duo)
4
Saxophone Soprano
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
3
Clarinette Basse
3
Hautbois et alto (duo)
3
Piccolo
3
Hautbois
3
Ensemble De Flûte à bec
3
Hautbois, Violoncelle
3
Clarinette, Harpe (duo)
3
Saxophone et Guitare
2
Flûte, Violon, Guitare
2
2 Flûte à bec (duo)
2
2 Clarinettes, Basson
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Harpe
2
Flûte à bec, Guitare (duo)
2
Instruments en Mib
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Harpe
2
Flûte, Tuba (duo)
2
Flûte, Hautbois, Violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Piano
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Trompette (duo)
1
Saxophone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Flûte à Bec, Piano
1
2 Hautbois et Cor anglais
1
Clarinette et Alto
1
Flûte à bec, Harpe
1
Flûte et Trio à cordes
1
4 Hautbois
1
2 Hautbois, Piano
1
Flûte, alto et harpe
1
Clarinette, Saxophone, Piano
1
Flûte à bec Soprano, Piano
1
+ 117 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
249
Trompette, Piano
231
Trombone et Piano
221
Trompette, Trombone (duo)
138
Trompette
130
2 Trombones (duo)
115
2 Trompettes (duo)
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Trombone
87
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Cor et Piano
73
Trombone (partie séparée)
44
Trompette (partie séparée)
44
Quatuor de cuivres: 4 trombones
32
2 Cors (duo)
32
Ensemble de Trombones
30
Cor
29
Quatuor de Cuivres
28
Tuba
24
Tuba et Piano
24
2 Euphoniums et 2 Tubas
24
Trompette, Violoncelle et Piano
22
Euphonium, Piano (duo)
21
Quatuor de cuivres: 4 cors
20
Quatuor de cuivres: 4 trompettes
19
Cor (partie séparée)
18
Cor anglais, Piano
17
Tuba (partie séparée)
13
Ensemble de Trompettes
11
Euphonium
11
Ensemble de Cors
10
Trio de Cuivres
7
4 Tubas
6
Cornet A Pistons
6
3 Trombones (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Trombone, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Cor Anglais
5
Clarinette, Cor (duo)
4
Trombone, Tuba (duo)
4
3 Trompettes (trio)
4
Trombone, Orgue
4
2 Trompettes, Clavier (piano ou orgue)
4
Trompette et Guitare
4
Trombone basse
4
Instruments en Sib
2
Cor et Orgue
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
Bass Clef Instruments
2
2 Tubas (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Cor, Tuba (duo)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
Cor, Violoncelle et Piano
1
3 Cors (trio)
1
Trompette, Harpe
1
Trompette, Violoncelle (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
598
Violon et Piano
556
Violoncelle, Piano
337
Alto, Piano
243
Violon
202
Violoncelle
157
2 Violoncelles (duo)
138
2 Violons (duo)
135
Violon, Violoncelle (duo)
133
Trio à Cordes: violon, alto, violoncelle
115
2 Altos (duo)
112
Alto seul
98
Violon, Alto (duo)
83
Harpe
73
Violon (partie séparée)
53
Piano Trio: Violon, Alto, Piano
49
Trio à Cordes: 2 violons, violoncelle
44
4 Violoncelles
31
Trio à cordes: 3 violins
28
Alto (partie séparée)
28
Contrebasse (partie séparée)
19
Quatuor à cordes: 4 violons
18
Violoncelle (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: 3 violoncelles
13
Alto, Violoncelle (duo)
13
Harpe, Violon (duo)
12
Harpe, Flûte (duo)
12
Harpe, Violoncelle (duo)
11
Violon, Clarinette, Piano (trio)
11
2 Violons, Piano
9
Alto et Harpe
9
Violoncelle , Guitare (duo)
8
Violon, Guitare (duo)
8
Contre Basse
6
Violon, Orgue
6
Contrebasse, Piano (duo)
4
Harpe, Voix
4
Violoncelle, Orgue
4
Ensemble de Violons
4
Trio à cordes: 3 altos
3
2 Harpes (duo)
3
Violon, Basson (duo)
3
4 Contrebasses
3
Alto, Orgue
3
Violon, Trompette et Piano
2
Trio à Cordes: 2 violons, alto
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Alto et Basson
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
313
Orchestre d'harmonie
308
Orchestre à Cordes
221
Orchestre
176
Ensemble de cuivres
113
Cloches
79
Orchestre de chambre
45
Ensemble Jazz
35
Ensemble de Percussions
16
Percussion (partie séparée)
15
Timbales (partie séparée)
10
Percussion
10
Marimba
7
Quintette à Vent
3
Quatuor à Vent : 4 instruments à vents
3
Timbales
2
Batterie (partie séparée)
2
Vibraphone
1
Batterie
1
Fanfare
1
Caisse Claire
1
Vibraphone et Marimba
1
Xylophone
1
Big band
1
Xylophone, Piano
1
Instrumentation Flexible
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORGUE
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Crtitères actifs :
PRELUDE
Clarinette Basse, Piano
Partitions à imprimer
10 partitions trouvées
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1
Prelude in B Minor (Bass Clarinet and Piano)
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Emily Gray
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Emily Gray
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Prelude in B Minor
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Emily Gray
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SheetMusicPlus
B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092446 By Emily Gray. By Frederic Chopin. Arranged by Emily Gray. Romantic Period. Sco...
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B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.1092446 By Emily Gray. By Frederic Chopin. Arranged by Emily Gray. Romantic Period. Score and individual part. 4 pages. Emily Gray #696538. Published by Emily Gray (A0.1092446). Chopin's Prelude in B Minor was originally written for piano, with a melody that fits well on the bass clarinet. This version is for extended-range bass clarinet and piano, but an alternative part has been included for bass clarinets that only go to a low E-flat. This piece would be a good piece for a bass clarinetist to practice breathing, phrasing, more advanced key signatures, and playing in the different registers of the instrument. This edition includes score, bass clarinet part, and alternative bass clarinet part.
$10.00 ≈
$13.98
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
$27.90
3 Preludes
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Contemporain
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George Gershwin
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Marco Santi
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Piano
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Composed by George Gershwin (1898-1937). Arranged by Marco Santi. Bass Clarinet & Piano. Score and parts. 14 pages. Duration 5'32. Editions Mar...
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Composed by George Gershwin (1898-1937). Arranged by Marco Santi. Bass Clarinet & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #45995. Published by Editions Marc Reift - Digital
$16.95 ≈
$23.70
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
$46.08
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
$46.08
Blessed Assurance--clarinet solo
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Fanny Crosby, Phoebe Palmer Kn
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Beka Wilson
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Blessed Assurance--clarinet so
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Beka Wilson
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.786577 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score an...
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Bass Clarinet,Piano - Level 4 - SKU: A0.786577 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260799. Published by Beka Wilson (A0.786577). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
$6.99 ≈
$9.78
Ständchen from Schwanengesang for Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Franz Schubert
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Erin Miesner
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Ständchen from Schwanenge
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Erin Miesner
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Pe...
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Bass Clarinet,Piano - Level 2 - SKU: A0.812160 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Romantic Period,Sacred. Score and part. 7 pages. Erin Miesner #3019835. Published by Erin Miesner (A0.812160). This transcription from one of Franz Schubert's final song cycles, Schwanengesang, translates easily from voice to bass clarinet. Ständchen is perfect for musicians from early intermediate ability and beyond and will work especially well as a church prelude or recital filler.Includes 4-pg. piano score and Bass Clarinet partFor other arrangements and more information, go to www.ehmpublishing.com.
$11.95 ≈
$16.71
America (My Country 'Tis of Thee)--clarinet solo
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Samuel Francis Smith, Henry Ca
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Beka Wilson
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America
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Beka Wilson
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.786644 Composed by Samuel Francis Smith, Henry Carey. Arranged by Beka Wilson. Christian,Folk,Holiday,Patriotic,...
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Bass Clarinet,Piano - Level 3 - SKU: A0.786644 Composed by Samuel Francis Smith, Henry Carey. Arranged by Beka Wilson. Christian,Folk,Holiday,Patriotic,Sacred. Score and part. 5 pages. Beka Wilson #6332719. Published by Beka Wilson (A0.786644). This beloved patriotic hymn is perfect for any patriotic function, or for a church offertory or prelude for Independence Day, Memorial Day, or Veterans Day. Length: around 2.5 minutesLevel: intermediate for most instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available for SATB Choir.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99 ≈
$9.78
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PRELUDE
