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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tim King
Non classifié
4 200
Piano & claviers
Piano seul
23 155
Accordéon
2 247
Piano, Voix
1 155
Piano Facile
982
Instruments en Do
437
Piano, Voix et Guitare
356
Orgue
156
Accompagnement Piano
132
Piano Trio: piano, violon, violoncelle
67
1 Piano, 4 mains
29
2 Pianos, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano grosses notes
10
Piano (partie séparée)
7
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Accordéon, Voix
1
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare
4 385
Basse electrique
3 377
Guitare notes et tablatures
1 195
Ukulele
195
Ligne De Mélodie, (Paroles) et Accords
56
Mandoline
32
2 Guitares (duo)
23
4 Guitares (Quatuor)
13
Paroles et Accords
13
Guitare (partie séparée)
11
Piano, Guitare (duo)
8
Dulcimer
8
Banjo
4
Ensemble de guitares
3
3 Guitares (trio)
2
2 Ukuleles
1
Dobro
1
+ 12 instrumentations
Retracter
Voix
Voix seule
5 731
Chorale SATB
726
Chorale 3 parties
269
Chorale 2 parties
173
Chorale TTBB
127
Chorale SSAA
83
Chorale Unison
70
Voix Tenor, Piano
66
Voix Soprano, Piano
65
Voix Alto, Piano
58
Voix Baryton, Piano
46
Voix duo, Piano
33
Pack Instrumental pour Chorale
27
Voix duo
11
Voix haute
8
Voix Tenor
7
Chorale
4
Voix basse, Piano
4
Voix moyenne, Piano
3
Chorale SSATB
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
2
Male Voice
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Soprano, Orchestre
1
+ 21 instrumentations
Retracter
Vents
Saxophone
16 629
Flûte traversière
7 746
Clarinette
7 211
Saxophone Alto
1 441
Saxophone Tenor
1 368
Flûte à Bec
1 201
Hautbois
781
Saxophone Soprano
609
Quatuor de Saxophones: 4 saxophones
408
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
367
2 Saxophones (duo)
366
Clarinette et Piano
359
Flûte traversière et Piano
348
Quintette de Saxophone: 5 saxophones
328
Flûte, Hautbois, Clarinette, Basson
312
Saxophone Alto et Piano
266
Hautbois, Piano (duo)
235
2 Flûtes traversières (duo)
222
Saxophone Tenor et Piano
213
Saxophone (partie séparée)
165
2 Clarinettes (duo)
146
Saxophone Soprano et Piano
141
Hautbois (partie séparée)
121
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Baryton, Piano
110
3 Saxophones (trio)
105
2 Hautbois (duo)
93
Quatuor de Flûtes : 4 flûtes
90
Flûte, Clarinette (duo)
78
Hautbois, Basson (duo)
78
Saxophone, Clarinette (duo)
75
Ensemble de saxophones
66
Hautbois, Clarinette (duo)
56
Clarinette, Violon (duo)
55
3 Clarinettes (trio)
49
Saxophone Baryton
48
Flûte à bec Soprano
44
Clarinette, Trompette (duo)
43
Ensemble de Clarinettes
42
2 Flûte à bec (duo)
41
Trio de Flûtes: 3 flûtes
39
Quintette de Clarinettes: 5 clarinettes
38
Hautbois, Violoncelle
36
Cor anglais, Piano
35
Clarinette Basse, Piano
35
Flûte, Violon, Piano
34
Flûte, Violon
34
Cor Anglais
31
Hautbois, Flûte
31
Quintette de Flûte : 5 flûtes
31
Clarinette et Alto
31
Ensemble de Flûtes
30
Flûte à bec Alto
29
Flûte, Alto (duo)
26
Clarinette, Basson (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
24
Flûte, Violoncelle
24
Flûte, Saxophone (duo)
24
Clarinette (partie séparée)
23
Flûte, Hautbois, Clarinette (trio)
23
Clarinette, Violoncelle (duo)
22
Flûte, Hautbois (duo)
20
Flûte, Clarinette et Basson
19
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
19
Flûte, Hautbois, Basson
16
Flûte, Hautbois, Piano (trio)
15
Clarinette Basse
14
Harmonica
13
Flûte et Guitare
13
Flute (partie séparée)
12
Ocarina
11
Flûte, Trombone (duo)
10
5 Flûtes à bec
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Hautbois et alto (duo)
9
Hautbois, violon (duo)
8
Clarinette, Guitare (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Flûte à bec Alto, Piano
7
Flûte à bec Soprano, Piano
6
Flûte à bec Tenor
4
Piccolo
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Harpe (duo)
4
3 Flûtes à bec (trio)
4
Flûte, Alto et Piano
3
Piccolo, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Basson, Piano (trio)
3
Flûte irlandaise
3
Ensemble De Flûte à bec
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Trombone (duo)
2
Clarinette, Alto et Piano (trio)
2
Instruments en Mib
2
Flûte, Basson et Piano
2
Hautbois, Violon, Piano
2
Hautbois, Harpe
2
Flûte, Clarinette, Violon (trio)
1
2 Hautbois, Piano
1
Saxophone et Piano
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Hautbois, Basson et Piano
1
Saxophone et Orgue
1
+ 107 instrumentations
Retracter
Cuivres
Trompette
6 336
Trombone
5 896
Cor
611
Tuba
421
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
407
Euphonium
397
Trompette, Piano
303
Trombone et Piano
267
Cor et Piano
232
Quatuor de Cuivres
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
141
Tuba et Piano
137
2 Trompettes (duo)
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
98
2 Trombones (duo)
96
Trompette, Trombone (duo)
63
2 Cors (duo)
59
Ensemble de Trompettes
55
Trompette, Saxophone (duo)
53
Trompette (partie séparée)
51
Euphonium, Piano (duo)
43
Trombone (partie séparée)
37
Cor anglais, Piano
35
Cor Anglais
31
Trompette, Cor (duo)
27
2 Tubas (duo)
23
Quatuor de cuivres: 4 trombones
22
Ensemble de Trombones
21
Quatuor de cuivres: 4 cors
16
Trio de Cuivres
15
Cor (partie séparée)
14
Quatuor de cuivres: 4 trompettes
13
Ensemble de Cors
13
Tuba et Orgue
12
3 Trombones (trio)
12
4 Tubas
12
Cor, Violoncelle (duo)
11
Tuba (partie séparée)
11
Trombone basse et Piano
11
2 Euphoniums et 2 Tubas
10
Trombone basse
9
Cor et Basson (duo)
9
Trombone, Cor (duo)
8
Trompette, Violoncelle (duo)
7
Trompette, Tuba (duo)
7
3 Trompettes (trio)
5
Trompette, Basson (duo)
5
3 Tubas (trio)
4
Cor, Tuba (duo)
4
Trombone, Tuba (duo)
4
Instruments en Sib
4
Trompette et Guitare
3
Tuba ou Euphonium ou Saxhorn
2
Bass Clef Instruments
2
2 Euphoniums (duo)
2
Trompette, violon (duo)
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 60 instrumentations
Retracter
Cordes
Violon
4 534
Violoncelle
2 990
Alto seul
2 429
Quatuor à cordes: 2 violons, alto, violoncelle
911
Violon et Piano
495
Violoncelle, Piano
340
Alto, Piano
335
Contre Basse
332
Quintette à cordes: 2 violons, alto, violoncelle, basse
239
Violon, Violoncelle (duo)
172
2 Violons (duo)
165
Harpe
127
Contrebasse, Piano (duo)
122
Trio à Cordes: violon, alto, violoncelle
116
2 Violoncelles (duo)
112
Violon, Alto (duo)
101
2 Altos (duo)
97
Trio à Cordes: 2 violons, violoncelle
48
Alto, Violoncelle (duo)
45
Alto (partie séparée)
29
Trio à Cordes: 3 violoncelles
24
Trio à cordes: 3 violins
23
2 Contrebasses (duo)
21
4 Violoncelles
20
Violon, Basson (duo)
20
2 Violons, Piano
17
Piano Trio: Violon, Alto, Piano
15
Contrebasse (partie séparée)
14
Quatuor à cordes: 4 violons
14
Alto et Basson
13
Quatuor à cordes : 4 altos
12
Trio à Cordes: 2 violons, alto
12
Ensemble de Violons
9
Violon (partie séparée)
9
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Trio à cordes: 3 altos
7
Harpe, Flûte (duo)
6
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Harpes (duo)
4
Violon, Clarinette, Piano (trio)
4
Ensemble de Violoncelles
2
Violoncelle (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle, Orgue
2
2 Altos, Piano
2
4 Harpes
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
2
Alto et Harpe
1
2 Violoncelles, Piano
1
3 Harpes
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Alto, Orgue
1
Trio à cordes
1
Harpe, Violon (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Batterie
5 866
Orchestre
1 404
Orchestre d'harmonie
814
Orchestre à Cordes
228
Percussion
144
Ensemble Jazz
139
Cloches
87
Ensemble de cuivres
79
Fanfare
72
Orchestre de chambre
71
Timbales (partie séparée)
44
Jazz combo
39
Marimba
29
Ensemble de Percussions
24
Xylophone, Piano
20
Percussion (partie séparée)
19
Xylophone
18
Timbales
11
Batterie (partie séparée)
6
2 Xylophones
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Trio à Vent: 3 instruments à vents
1
2 Marimbas
1
Instrumentation Flexible
1
Caisse Claire
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
39
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Instruments
ACCORDEON
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BANJO
BASSE
BASSON
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLON
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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OPERA
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PUNK
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Vous avez sélectionné:
Tim King
Ensemble de Percussions
Partitions à imprimer
24 partitions trouvées
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1
IN THE HALL OF THE MOUNTAIN KING
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793570 Composed by Edvard …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793570 Composed by Edvard Greig. Arranged by Brian Hardy. Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3359389. Published by Brian Hardy (A0.793570). This arrangement was created for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of varying abilities. There are three violin parts, three viola, three cello and two bass together with timps, a bass drum and cymbals. There is also a piano part for rehearsal purposes but which may also be used in performance. The string parts range from elementary to advanced to give the very young players experience in an orchestral environment. Hall of the Mountain King starts very softly with the lower string pizzicato and ends with a crashing climax. Exciting stuff!For 'CLOG DANCE' from 'La Fille Mal Gardee' visit sheetmusicplus.com/publishers/bacchusquartet/5331
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Ensemble de Percussions
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Edvard Greig
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Brian Hardy
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IN THE HALL OF THE MOUNTAIN KING
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Brian Hardy
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
March of the Three Kings - Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.922116 Composed by Traditi…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Standards. Score and parts. 68 pages. Roger K. Myers #4346147. Published by Roger K. Myers (A0.922116). March of the Three Kings incorporates a Janissary Band sound to present this less frequently heard carol in a new and appealing way. A fine choice for High School and College holiday concerts.Requires two 4.3 octave or larger marimbas with one instrument shared by two players.Player 1 - Bells, Player 2 - Xylophone, Player 3 - Vibraphone, Player 4 - Marimba 1, Player 5 - Marimba 2, Player 6 - Marimba 3 (Bass clef), Player 7 - Chimes, Player 8 - Timpani (4), Player 9 - Marching Drum, Player 10 - Bass Drum & Cymbals, Player 11 - Bass Drum, Player 12 - Sistrum, Tambourine, Finger Cymbals, Suspended Cymbal, Player 13 - Triangle & Gong, Player 14 - Piano, Player 15 - Bass
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Ensemble de Percussions
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Traditional French Carol
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Roger K
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March of the Three Kings - Percussion Ensemble
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Roger K. Myers
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SheetMusicPlus
Home Stretch
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032080 Composed by Dan c …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032080 Composed by Dan c Gilbert. Instructional. Score and parts. 17 pages. Dan c Gilbert #4338781. Published by Dan c Gilbert (A0.1032080). Picture this: you are a Middle-School Band teacher, with 55 kids signed up for band. Of those 55, 17 are drummers. You spend time thinking about how each student will get to play on 1, maybe 2, pieces for the concert, and then begin panicking when you realize that drummers sitting around idly in Middle School are prone to boredom, becoming chatty and distracting.
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Ensemble de Percussions
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Dan c Gilbert
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Home Stretch
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Dan c Gilbert
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Winter Bells
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
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Ensemble de Percussions
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Oh Where, Oh Where Has My Little Dog Gone -For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1047954 Composed by Tradit…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1047954 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and parts. 9 pages. Yvonne Johnson #652405. Published by Yvonne Johnson (A0.1047954). Score and Full Set of 4 Parts This well known children's song is based on the old German folk tune Lauterbach Hab' Ich Mein Strumpf Verlor'n dating back to 1827 and was first published with lyrics by Septimus Winner in 1864. It has been arranged for the younger Orff Ensemble performers using simple rhythms and basic note values. Sop Glock and Alto Met play the tune throughout. Alto Glock provides some harmony with a simple bass line played by Bass Xylo. Arranged in the key of F Major, players will need their Bb bars. Dynamics and tempo markings are suggested ones only and Marimba makes a nice substitute for the Bass Xylo.
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Ensemble de Percussions
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Traditional
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Yvonne Johnson
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Oh Where, Oh Where Has My Little Dog Gone -For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Ojo for percussion quintet
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo†which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
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Ensemble de Percussions
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Enterprising Young Men from STAR TREK
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.870514 Composed by Michael…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #3662425. Published by Ryan Jonker (A0.870514). See and hear the score: https://youtu.be/Y4gTfBGLZZUSimple and fun arrangement for 2 marimbas, 2 vibraphones, 1 xylophone/glockenspiel, timpani, and 4 auxiliary percussion parts that could be doubled up or split up based on the size of the group. Could also double up on mallets if needed. Please send any questions to the arranger: ryanjonkermusic@gmail.comFor custom percussion music: https://www.patreon.com/ryanjonkermusicFor more like this: https://www.ryanjonkermusic.comSearch Sheet Music Plus for Ryan JonkerThanks for checking it out!
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Ensemble de Percussions
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Michael Giacchino
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Ryan Jonker
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Enterprising Young Men from STAR TREK
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Ryan Jonker
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
D 'n C
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy Barnett. 20th Century,Contemporary,Instructional,Rock,World. Score and parts. 16 pages. Jeremy Barnett #6305157. Published by Jeremy Barnett (A0.797630). This short and groovy work is ideal for your junior/beginner ensemble. Players will love the modern melodies and interlocking patterns, as well as be challenged by syncopated rhythms and stick coordination. Each player is individually showcased, and the parts are simple enough that non-percussionists can join the ensemble too. All parts can be easily doubled to allow more musicians to join in.P. 1 - glockenspielP. 2 - xylophoneP. 3 - timpaniP. 4 - snare drum + tambourineP. 5 - bass drum + triangle.
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Ensemble de Percussions
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Jeremy Barnett
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D 'n C
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Jeremy Barnett
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Happy Birthday To You - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.837747 Composed by Mildred…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.837747 Composed by Mildred Hill. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 8 pages. Yvonne Johnson #444166. Published by Yvonne Johnson (A0.837747). Scored for Sop Glock, Alto Glock, Alto Met, Bass Xylo and Tambourine This very well known and popular tune has been arranged for the melodic Orff instruments and Tambourine. The tune is played twice through, the first time is easier and could be played on its own by the younger Orff performers. Sop Glock and Alto Met both play the melody throughout, with Alto Glock providing harmonies and the Glissandi. Bass Xylo provides the variation in the repeat. Marimba could be substituted for the Bass Xylo. The tempo marking and dynamics are suggested ones only. Arranged in the key of F Major, the Bb has been written as accidentals rather than as a key signature to make it an easier read for less advanced performers.
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Ensemble de Percussions
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Mildred Hill
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Yvonne Johnson
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Happy Birthday To You - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Mimi`s Dream
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis An…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Teixeira #3516025. Published by Luis Anjos Teixeira (A0.889421). „Mimi`s Dream is a piece for a mixed group of about 18 musicians. Pan flute, soprano recorder 1, soprano recorder 2, alto flute, tenor recorder, bass recorder, bass flute, Bells, tubular bells, chimes, percussion, drumset, Harp, celesta, double bass, BW tubes, It is a flexible piece and very easy for some of the performers, so it can be played by a mixed group of beginners, middle and advanced musicians altogether. Entirely dedicated to Mimi the Stray Queen Cat, that adopted me and my Wife for her Family. The score was written on Finale. The sound file was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, and to Stray Queen Mimi plus all my Feline Family. Thank you for all the Love and Compassion. Love Forever. Luis Anjos Teixeira
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Ensemble de Percussions
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Luis Anjos Teixeira
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Mimi`s Dream
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Luis Anjos Teixeira
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Nuevo Nueve ( New Nine )
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank P…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
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Ensemble de Percussions
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Quartet #6
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584694 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584694 Composed by Jeff Tincher. Contemporary,Jazz. Score and parts. 16 pages. Jeff Tincher #6019471. Published by Jeff Tincher (A0.584694). You like old-time jazz, this is it. This composition begins with the Marimba playing a walking 4. The other three instruments join in with a triad chord melody. Once the melody passage ends each instrument takes a solo with the Marimba line continuing until the Marimba takes it's turn alone. The quartet then takes on a unison passage before returning to the original groove. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
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Ensemble de Percussions
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Jeff Tincher
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Quartet #6
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Jeff Tincher
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SheetMusicPlus
Quartet #3
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
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Ensemble de Percussions
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Zombies of Annihilation
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.987429 Composed by Jairo M…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.987429 Composed by Jairo Mora. Rock. Score and parts. 11 pages. Jairo Mora #2022877. Published by Jairo Mora (A0.987429). This is a fun piece to play with a group of friends and especially, gamers. Based on the Call of Duty series, this zombies piece can either be played with a backing track or without one. This piece is sure to showcase both the front ensemble at times and the battery at others. Have fun with this one!
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Ensemble de Percussions
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Jairo Mora
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Zombies of Annihilation
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Jairo Mora
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SheetMusicPlus
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