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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time After Time - Guitar
Non classifié
701
Piano & claviers
Piano seul
610
Piano, Voix
115
Piano Facile
85
Instruments en Do
36
Orgue
35
1 Piano, 4 mains
26
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano, Voix et Guitare
5
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Clavecin
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
20
Ukulele
9
Dulcimer
5
Basse electrique
4
Banjo
1
Paroles et Accords
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
169
Chorale 3 parties
56
Chorale TTBB
22
Chorale 2 parties
21
Chorale SSAA
20
Voix Alto, Piano
15
Voix seule
14
Chorale Unison
10
Voix Soprano, Piano
9
Pack Instrumental pour Chorale
5
Voix duo, Piano
3
Voix Tenor, Piano
2
Voix Tenor
1
Chorale
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Flûte traversière et Piano
84
2 Clarinettes (duo)
62
Quintette de Saxophone: 5 saxophones
56
Saxophone, Clarinette (duo)
52
Saxophone Alto et Piano
49
2 Flûtes traversières (duo)
45
Clarinette et Piano
45
Quatuor de Saxophones: 4 saxophones
37
Clarinette, Violon (duo)
35
Hautbois, Piano (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Soprano et Piano
32
Flûte, Hautbois, Clarinette, Basson
31
Clarinette, Trompette (duo)
28
Clarinette
28
Flûte, Clarinette (duo)
26
Flûte traversière
25
Saxophone Tenor et Piano
24
2 Hautbois (duo)
23
Saxophone (partie séparée)
19
Saxophone Baryton, Piano
19
Flûte, Saxophone (duo)
19
Flûte, Violon
19
Hautbois, Clarinette (duo)
18
Hautbois, Flûte
18
Hautbois, Basson (duo)
17
Ensemble de Clarinettes
16
Clarinette et Alto
16
Saxophone Alto
15
Quatuor de Flûtes : 4 flûtes
15
Cor anglais, Piano
14
Clarinette Basse, Piano
14
Flûte, Trompette (duo)
14
Ensemble de Flûtes
14
Flûte, Alto (duo)
14
Ensemble de saxophones
12
Saxophone Tenor
11
3 Saxophones (trio)
10
Quintette de Clarinettes: 5 clarinettes
9
2 Flûte à bec (duo)
8
Harmonica
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
7
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
5
Hautbois
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
4
Clarinette (partie séparée)
4
Clarinette, Basson (duo)
3
Flûte, Violoncelle
3
2 Clarinettes, Piano
2
Flûte, Clarinette et Basson
2
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Flûte à bec Soprano, Piano
2
Flûte à Bec, Piano
1
Flûte à bec Tenor
1
2 Saxophones, Piano
1
Piccolo
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone Soprano
1
Flute, harpe et violon
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Saxophone
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Clarinette Basse
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
124
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Ensemble de Trompettes
37
Trompette, Saxophone (duo)
36
Trompette
34
Trombone et Piano
29
2 Trombones (duo)
24
2 Trompettes (duo)
22
Euphonium, Piano (duo)
21
Cor et Piano
20
Trombone
19
Trompette, Trombone (duo)
19
Trompette (partie séparée)
17
Trompette, Piano
17
Trombone (partie séparée)
16
Cor
16
Cor anglais, Piano
14
Quatuor de Cuivres
12
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba
6
Ensemble de Trombones
5
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
3 Trompettes (trio)
2
4 Tubas
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
2
Tuba (partie séparée)
2
Trombone basse et Piano
1
3 Euphoniums
1
Ensemble de Cors
1
2 Tubas (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
72
Alto, Piano
55
Violoncelle
39
Violon
39
Violoncelle, Piano
36
Harpe
32
Violon, Violoncelle (duo)
30
2 Violons (duo)
29
2 Violoncelles (duo)
26
Violon, Alto (duo)
22
2 Altos (duo)
21
Trio à Cordes: violon, alto, violoncelle
20
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
7
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
4 Violoncelles
2
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
251
Fanfare
98
Orchestre
72
Orchestre à Cordes
47
Ensemble de cuivres
43
Ensemble Jazz
40
Batterie
25
Cloches
21
Orchestre de chambre
16
Ensemble de Percussions
4
Jazz combo
4
Percussion (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Xylophones
2
Orchestre, Violon
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BUGLE
CHANT - CHO…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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Crtitères actifs :
Time After Time - Guitar
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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1
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Frits Renting
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The Escape
#
Frits_Renting
#
SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00 ≈
$111.72
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99 ≈
$23.73
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
#
Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88 ≈
$12.40
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
$69.83
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