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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fugue No.1
Non classifié
72
Piano & claviers
Piano seul
142
Orgue
9
Piano Facile
3
Clavecin
1
2 Pianos, 4 mains
1
Guitares
Guitare
3
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Chorale TTBB
2
Chorale SATB
1
Vents
Quatuor de Saxophones: 4 saxophones
13
Quatuor de Clarinettes: 4 clarinettes
12
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12
Quintette de Clarinettes: 5 clarinettes
9
Flûte traversière et Piano
7
Quintette de Flûte : 5 flûtes
7
Flûte, Hautbois, Clarinette, Basson
6
Clarinette et Piano
4
3 Clarinettes (trio)
4
Saxophone Alto et Piano
3
Ensemble de saxophones
3
Hautbois, Piano (duo)
3
Cor anglais, Piano
3
Saxophone Tenor et Piano
3
Ensemble de Flûtes
3
Saxophone Soprano et Piano
3
Clarinette
3
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3
Clarinette Basse, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Baryton, Piano
2
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1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
2 Clarinettes (duo)
1
+ 24 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Euphonium, Piano (duo)
5
Ensemble de Trombones
5
Trombone et Piano
5
2 Euphoniums et 2 Tubas
4
Cor anglais, Piano
3
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Trompette
2
Trompette, Piano
1
Cor
1
Quatuor de Cuivres
1
Tuba
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Trio à Cordes: violon, alto, violoncelle
6
Violon et Piano
4
Violon, Violoncelle (duo)
3
Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
2
Violon, Alto (duo)
2
Violoncelle, Piano
2
2 Altos (duo)
1
Violon
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
4
Ensemble de cuivres
3
Orchestre d'harmonie
3
Orchestre
3
Quatuor à Vent : 4 instruments à vents
1
Orchestre de chambre
1
Ensemble de Percussions
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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Crtitères actifs :
Fugue No.1
Guitare
Partitions à imprimer
3 partitions trouvées
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Prelude No 1 in D (Memories)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #78484...
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Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99 ≈
$4.17
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitare
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INTERMÉDIAIRE
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Classique
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,C...
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Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00 ≈
$6.98
Prelude to Cello Suite no. 5, BWV 1011 (excerpt)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Nick Mordal
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Prelude to Cello Suite no. 5,
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Nick Mordal
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.946414 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Renais...
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Solo Guitar - Level 4 - SKU: A0.946414 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Renaissance. Individual part. 1 pages. Nick Mordal #6274995. Published by Nick Mordal (A0.946414). This is a mere excerpt from one of Bach's longest fugues. It is the prelude to the fugue and is a wonderfully moody baroque lute piece in A minor. Like most well written minor pieces, it utilizes natural minor, harmonic minor and melodic minor scales throughout. Techniques used in the arrangement include slurs, cross string trills, barre and familiarity with the higher notes of the fretboard.
$4.00 ≈
$5.58
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