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--INSTRUMENTS--
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Rain After the Sun
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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
BASSON
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CLARINETTE
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Crtitères actifs :
Rain After the Sun
Orchestre d'harmonie
Partitions à imprimer
9 partitions trouvées
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1
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
$32.40
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
$140.95
Fantasy on "The Itsy Bitsy Spider"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rawn Boulden
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Fantasy on "The Itsy Bits
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R. Boulden
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. P...
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Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. Published by R. Boulden (A0.1028182). A programmatic piece depicting the tale of the Itsy Spider. The composition starts out very bright and joyful (the itsy bitsy spider climbed up the water spout). Quickly, it becomes darker, as the clouds and thunder emerge (down came the rain and washed the spider out). After the period of darkness and melancholy, the song's key gets brighter and brighter, symbolizing the clouds slowly dissipating and sunlight emerging (out came the sun and dried up all the rain). The song ends joyously (and the itsy bitsy spider climbed out the spout again), celebrating the spider's survival of the perilous weather. Fantasy on Itsy Bitsy Spider has the following instrumentation: Flue/Piccolo, Oboe, Clarinet, French Horn, Trumpet, Trombone, Euphonium, Tuba, Timpani, Bass Drum, Snare Drum, Cymbal. The song features an oboe solo, in the middle. I hope you enjoy this thrilling piece that is sure to be a pleasure to perform and hear!
$30.00 ≈
$42.28
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00 ≈
$26.78
At Sunset
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Orchestre d'harmonie
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FACILE
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Emma Louise Ashford
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John Ivor Holland
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At Sunset
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1466034 Composed by Emma Louise Ashford. Arranged by John Ivor Holland. 20th Century,Classical,Praise & Worship,Religio...
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Concert Band - Level 2 - SKU: A0.1466034 Composed by Emma Louise Ashford. Arranged by John Ivor Holland. 20th Century,Classical,Praise & Worship,Religious. 47 pages. John Ivor Holland #1044637. Published by John Ivor Holland (A0.1466034). Emma Louise Ashford (27 March 1850 – 22 September 1930) was an American organist, composer, and music editor, writing over 600 compositions. From 1894 to 1930 she was an editor at Lorenz Publishing Company, and at its periodicals The Choir Leader and The Organist. Born in Newark, Delaware, the only child of English parents she received her first musical training at an early age from her father, James Hindle, who was a singing teacher. The family moved around somewhat, but her compositions soon became noticed whilst living in Nashville, where she was a sought-after organist for multiple churches alongside her husband, John Ashford, as choirmaster. 'At Sunset' comes from a collection of voluntaries for organ (or harmonium), circa 1920, now freshly arranged for concert band as part of an ongoing project to bring more music by women into the worldwide repertoire.
$49.99 ≈
$70.46
Daybreak
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jeff Frost
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Daybreak
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 3 - SKU: IZ.CBS1512-S Composed by Jeff Frost. Score. 14 pages. Imagine Music - Digital #CBS1512-S. Published by Imagine Music - Dig...
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Concert band - Grade 3 - SKU: IZ.CBS1512-S Composed by Jeff Frost. Score. 14 pages. Imagine Music - Digital #CBS1512-S. Published by Imagine Music - Digital (IZ.CBS1512-S). 9 x 12 in inches.When I was growing up, I used to like watching the sun peek over the horizon. My room faced east so I could watch the sun rise and see how it would change positions in the sky throughout the seasons. I still like to watch the sunriseand see the sun peek through the clouds, sometimes evening hiding behind the clouds and have some rain before the sun shines fully upon the ground. My favorite time is watching the sunrise in the spring, just after a soft spring rain. The dark gloomy sky starts to appear light as the sun shines through the clouds as the dark sky slowly gives way to the warm spring sun.
$10.00 ≈
$14.09
Daybreak
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jeff Frost
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Daybreak
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 3 - SKU: IZ.CBS1512 Composed by Jeff Frost. Score and Parts. 69 pages. Imagine Music - Digital #CBS1512. Published by Imagine Music...
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Concert band - Grade 3 - SKU: IZ.CBS1512 Composed by Jeff Frost. Score and Parts. 69 pages. Imagine Music - Digital #CBS1512. Published by Imagine Music - Digital (IZ.CBS1512). 9 x 12 in inches.When I was growing up, I used to like watching the sun peek over the horizon. My room faced east so I could watch the sun rise and see how it would change positions in the sky throughout the seasons. I still like to watch the sunriseand see the sun peek through the clouds, sometimes evening hiding behind the clouds and have some rain before the sun shines fully upon the ground. My favorite time is watching the sunrise in the spring, just after a soft spring rain. The dark gloomy sky starts to appear light as the sun shines through the clouds as the dark sky slowly gives way to the warm spring sun.
$60.00 ≈
$84.57
You Only Live Twice
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Barry and Leslie Bricusse
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Keith Terrett
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You Only Live Twice
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Ke...
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Concert Band - Level 3 - SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99 ≈
$70.46
Viaje al Atardeser
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Orchestre d'harmonie
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Latin/Musique du monde
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). ...
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Concert Band - SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
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Rain After the Sun