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54
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33
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14
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11
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11
Alto, Piano
10
Harpe et mandoline
9
2 Violons (duo)
7
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5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
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1
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1
Harpe et Piano
1
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1
Autoharp
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Alto (partie séparée)
1
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1
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1
2 Harpes (duo)
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Fanfare
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Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
It Ain't What You Do
Orchestre
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. B…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809). T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...I hope you enjoy this piece!
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Orchestre
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Bananarama
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Derek Hasted
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It Ain't What You Do
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Derek Hasted
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
The 1812 Overture
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.745389 By Peter Ilyich Tchaikov…
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Full Orchestra - Level 4 - Digital Download SKU: A0.745389 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by David Tobin, Jeff Meegan, and Julian Gallant. Classical,Romantic Period,Traditional. Score and parts. 281 pages. Audio Network Limited #353366. Published by Audio Network Limited (A0.745389). We’ve shortened Tchaikovsky’s great festive work but kept all the big tunes including the Marseilleise! We’ve done away with the part for “any brass instruments†but we’ve enriched the orchestral texture in many places and added a whole battery of percussion. At the wonderfully evocative opening we simply heard a Russian orthodox choir and so included vocal parts; you can perform it with voices alone, voices with the orchestra, or just the strings. ------------- You can find a video showcasing the whole score and a professional recording of the piece from Abbey Road here: https://youtu.be/H4YnGRZyIFo -------------We hope you enjoy our arrangement and do tag us on social media if you use it @audionetwork and @meegantobinmusic. We'd love to hear from you!
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Orchestre
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Peter Ilyich Tchaikovsky
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The 1812 Overture
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Audio Network Limited
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SheetMusicPlus
How Firm a Foundation - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 74 pages. AnderKamp Music #3637263. Published by AnderKamp Music (A0.742692). This arrangement has a ‘little’ bit of the feel of a Bruce Hornsby type song for the piano and rhythm section. Though it has some life and energy to it, there are no tricky rhythms in this arrangement. This should be a pretty easy arrangement to pull together with limited rehearsal time that sounds GREAT! This arrangement begins in the Key of Eb and changes keys to F. You don’t have to have a rhythm section to play this piece. It’s great if you do, but it’s not critical. As long as you have a piano player, they can play the written out piano part and you are good to go. As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
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Orchestre
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Public Domain
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Jeff D
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How Firm a Foundation - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Revive Us Again - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742696 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742696 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 84 pages. AnderKamp Music #3637273. Published by AnderKamp Music (A0.742696). Beginning with a free tempo brass chorale, this arrangement has a steady, moving 3/4 feel throughout the piece. There are some really nice call and response moments throughout the orchestra on the ‘Hallelujah’ and ‘Thine the Glory’ sections. This is a beautiful, worship ballad that works well as an offertory or as a special. This arrangement begins in the Key of F and changes keys to the Key of G. You don’t have to have a rhythm section to play this piece. It’s nice if you do but it’s not critical. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
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Orchestre
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Public Domain
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Jeff D
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Revive Us Again - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Sword Art Online
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1268065 By Sword Art Online. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1268065 By Sword Art Online. By Yuki Kajiura. Arranged by Joseph Perkins. 21st Century,Children,Contemporary,Film/TV,Video Game. Score and Parts. 104 pages. Joseph Perkins #860621. Published by Joseph Perkins (A0.1268065). This arrangement can be used as string orchestra arrangement (with piano and Percussion) or with addition of winds up to full orchestra. It is possible to play this arrangement without piano by using the alternate Violin 1 and Violin 2 parts. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone II. Baritone Saxophone doubles Trombone III. For this specific arrangement: There are alternate Violin 1 and 2 parts for use if you do not have trumpets or piano. The piece has been transposed from the original keys to easier keys. Winds that have more than 4 sharps in their respective key signature have courtesy accidentals in their parts. There is an alternate half note in some of the parts that can be played instead of the runs to lessen difficulty. Trumpet 1 can go up to a B, but there are optional lower notes if needed.
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Orchestre
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Sword Art Online
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Joseph Perkins
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Sword Art Online
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Joseph Perkins
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SheetMusicPlus
Overture of life - Petro Melnyk
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1014675 Composed by Petro Melny…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627. Published by PetroMelnyk (A0.1014675). My first original composition was written for a symphony orchestra. Music shows how diverse life can be. Lyrical, melodic, harmonious, but also disturbing, tense. In the first part, the music constantly keeps us in suspense. Marked trombones keep the rhythm, and the different timbres of the instruments do not allow to calm down until the culmination of tension reaches its highest point and the lyrical part begins with a solo oboe which shows not everything as scary as it seems, later other timbres are connected until the string enters. a band that gives melodies fullness of sound. Permanent glissando horns also add fullness to the sound. Only at the end of the first and second parts are combined in major key. And the code, thanks to the unusual rhythm, shows that everything is much more complicated than it seems, but the work ends in major and it gives us hope for a better future. I hope you enjoy it!There are separate sheets for each instrument. To order write: 25botrus06@gmail.comPleasent listening and playing!
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Orchestre
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Petro Melnyk
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Overture of life - Petro Melnyk
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PetroMelnyk
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SheetMusicPlus
2 Christmas Favourites for School Orchestra (volume one)
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1303249 Composed by Franz Grube…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1303249 Composed by Franz Gruber, Traditional. Arranged by David Burndrett. Christmas. Score and Parts. 44 pages. David Burndrett #892851. Published by David Burndrett (A0.1303249). No.1 Silent NightNo.2 We Wish you a Merry ChristmasI have arranged these pieces so that they can be played by grade 1-3 standard upwards.It is a flexible arrangement and as usual I have added a violin three part which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part for support if required.Download includes the score and all of the parts.
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Orchestre
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Franz Gruber, Traditional
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David Burndrett
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2 Christmas Favourites for School Orchestra
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David Burndrett
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SheetMusicPlus
Ode To Joy for School Orchestra (version two)
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1429934 Composed by Ludwig van …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1429934 Composed by Ludwig van Beethoven. Arranged by David Burndrett. Classical. 23 pages. David Burndrett #1010570. Published by David Burndrett (A0.1429934). I have arranged this very popular piece by Beethoven so it can be played by grade one players upwards!I have added an optional piano part. As usual I have added a violin three part, which is the same as the viola part, if you do not have any viola players. This piece works well as a concert piece or just for fun!Download includes the score and all of the parts.
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Orchestre
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Ludwig van Beethoven
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David Burndrett
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Ode To Joy for School Orchestra
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David Burndrett
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SheetMusicPlus
2 Classical Favourites for School Orchestra (volume five)
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1369155 Composed by Wolfgang Am…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1369155 Composed by Wolfgang Amadeus Mozart, Ludwig van Beethoven. Arranged by David Burndrett. Classical. 48 pages. David Burndrett #953504. Published by David Burndrett (A0.1369155). No.1 Eine Kleine Nachtmusik (first movement)No.2 Beethoven Symphony No.7 (slow movement)I have arranged these pieces so that it can be played by grade three standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
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Orchestre
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Wolfgang Amadeus Mozart, Ludwig van Beethoven
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David Burndrett
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2 Classical Favourites for School Orchestra
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David Burndrett
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SheetMusicPlus
Tannhauser for School Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1181616 Composed by Richard Wag…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1181616 Composed by Richard Wagner. Arranged by David Burndrett. Romantic Period. Score and parts. 26 pages. David Burndrett #781407. Published by David Burndrett (A0.1181616). I have arranged this popular piece by Richard Wagner, so it can be played by about grade 3-5 standard upwards.  As usual I have added a violin three part, which is the same as the viola part, if you do not have any viola players. Download includes the score and all of the parts.
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Orchestre
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Richard Wagner
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David Burndrett
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Tannhauser for School Orchestra
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David Burndrett
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Unchained Melody
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 43 pages. Kevin Riley #864843. Published by Kevin Riley (A0.1272619). Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages.In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's Do They Know It's Christmas? in 2014.Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
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Orchestre
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Al Hibbler
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Kevin Riley
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Unchained Melody
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Kevin Riley
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SheetMusicPlus
Rosary Sonatas: The Annunciation
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1081578 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Annunciation
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JMJ Arrangements
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
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Orchestre
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
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