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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
P
Non classifié
2 506
Piano & claviers
Piano seul
2 248
Piano, Voix
776
Piano, Voix et Guitare
644
Piano Facile
545
Accompagnement Piano
316
Instruments en Do
141
Orgue
105
1 Piano, 4 mains
56
Accordéon
50
Piano Trio: piano, violon, violoncelle
34
2 Pianos, 4 mains
26
Piano grosses notes
16
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Clavier
3
Accordéon, Voix
3
Clavecin
3
Piano (partie séparée)
3
Fake Book
3
1 Piano, 6 mains
2
Orgue, Voix
1
2 Pianos, 8 mains
1
2 Orgues (duo)
1
+ 21 instrumentations
Retracter
Guitares
Basse electrique
374
Guitare notes et tablatures
211
Ukulele
184
Guitare
151
Ligne De Mélodie, (Paroles) et Accords
113
Paroles et Accords
37
Ukulele Baryton
27
2 Guitares (duo)
20
Banjo
15
Dulcimer
9
Piano, Guitare (duo)
7
Mandoline
6
4 Guitares (Quatuor)
6
Guitare (partie séparée)
5
3 Guitares (trio)
4
2 Mandolines (duo)
2
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Orchestre à Plectres
1
2 Ukuleles
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
643
Chorale 3 parties
129
Chorale 2 parties
92
Pack Instrumental pour Chorale
84
Chorale TTBB
80
Chorale Unison
52
Voix seule
41
Voix duo
37
Chorale SSAA
33
Voix duo, Piano
24
Voix Soprano, Piano
18
Voix haute
11
Chorale
10
Voix Tenor, Piano
10
Voix moyenne, Piano
10
Voix basse, Piano
7
Voix Baryton, Piano
7
Voix Alto, Piano
3
Soli, choeur mixte et accompagnement
3
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix d'Enfants
1
Voix basse
1
Voix Tenor
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière
254
Clarinette
198
2 Flûtes traversières (duo)
175
2 Clarinettes (duo)
168
Flûte traversière et Piano
159
Saxophone (partie séparée)
146
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
142
Saxophone Alto et Piano
141
2 Saxophones (duo)
132
Saxophone Tenor
128
Hautbois, Piano (duo)
117
Clarinette et Piano
114
Quatuor de Saxophones: 4 saxophones
106
Saxophone Alto
105
Quatuor de Clarinettes: 4 clarinettes
93
Saxophone Tenor et Piano
87
Hautbois (partie séparée)
73
Quintette de Saxophone: 5 saxophones
63
Flûte, Hautbois, Clarinette, Basson
61
Saxophone
50
Quatuor de Flûtes : 4 flûtes
48
Saxophone Soprano et Piano
36
Saxophone Baryton, Piano
32
Clarinette (partie séparée)
30
Saxophone Soprano
28
Flûte à Bec
27
3 Clarinettes (trio)
26
Ensemble de Clarinettes
24
Flûte, Clarinette (duo)
22
Hautbois
21
3 Saxophones (trio)
19
Trio de Flûtes: 3 flûtes
19
Flute (partie séparée)
18
Ensemble de Flûtes
18
Flûte et Guitare
17
Flûte, Hautbois, Basson
17
2 Flûte à bec (duo)
16
Ensemble de saxophones
15
2 Hautbois (duo)
13
Instruments en Mib
11
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Basson (duo)
10
Flûte, Violon, Piano
9
Flûte à bec Soprano
9
Flûte, Hautbois, Clarinette (trio)
9
Cor anglais, Piano
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Clarinette et Basson
8
Quatuor de Flûtes à bec
7
Flûte, Violoncelle, Piano (trio)
7
Clarinette, Basson (duo)
6
Piccolo
6
Hautbois, Flûte
6
Harmonica
5
Cornemuse
5
Clarinette, Violoncelle, Piano (trio)
5
Clarinette, Guitare (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Alto
5
Flûte, Basson et Piano
4
Flûte, Alto et Violoncelle
4
Saxophone et Piano
4
Flûte, Violoncelle
3
Cor Anglais
3
Flûte, Violon, Violoncelle et Piano
3
Ocarina
3
Clarinette, Violon (duo)
3
Flûte, Hautbois (duo)
3
Clarinette, Trompette (duo)
3
Flûte, Violon
3
Saxophone Baryton
3
Clarinette Basse, Piano
3
Flûte, Violon et Violoncelle
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Guitare
2
Clarinette, Basson, Piano (trio)
2
Flûte, Trombone (duo)
2
Clarinette Basse
2
2 Flûtes traversières, Piano
2
Hautbois, Clarinette (duo)
2
2 Clarinettes, Piano
2
Flûte, trombone et piano
1
3 Hautbois
1
Cor anglais, Guitare (duo)
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Flûte, Saxophone (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
2 Saxophones, Piano
1
Hautbois et alto (duo)
1
2 Clarinettes, Basson
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
+ 93 instrumentations
Retracter
Cuivres
Trombone
155
Trompette
153
Trombone et Piano
116
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Trompette, Piano
85
Cor
79
2 Trompettes (duo)
67
Cor et Piano
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Euphonium
46
Tuba
45
Trombone (partie séparée)
38
Trompette (partie séparée)
35
2 Trombones (duo)
28
Euphonium, Piano (duo)
24
Quatuor de Cuivres
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Quatuor de cuivres: 4 trombones
19
Trompette, Trombone (duo)
17
2 Cors (duo)
14
Instruments en Sib
11
Ensemble de Trombones
11
Cor anglais, Piano
8
Bass Clef Instruments
8
3 Trombones (trio)
7
Trompette, Cor (duo)
7
Cor (partie séparée)
7
Cornet A Pistons
6
Tuba et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Quatuor de cuivres: 4 cors
5
Tuba (partie séparée)
4
Ensemble de Trompettes
4
4 Tubas
4
Trio de Cuivres
4
Cor Anglais
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Violoncelle et Piano
2
Instruments en Fa
2
Cor anglais, Guitare (duo)
1
Trompette, Basson (duo)
1
Cornet et Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Trombone basse
1
Ensemble de Tubas
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
2 Euphoniums (duo)
1
3 Euphoniums
1
Cor et Basson (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
420
Violon et Piano
212
Violon
178
Violoncelle, Piano
162
Violoncelle
129
Alto, Piano
124
2 Violons (duo)
99
Alto seul
86
Harpe
78
Contre Basse
57
Trio à Cordes: violon, alto, violoncelle
48
4 Violoncelles
48
Violon, Violoncelle (duo)
46
Violon, Alto (duo)
29
2 Violoncelles (duo)
29
Alto (partie séparée)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Contrebasse, Piano (duo)
22
2 Altos (duo)
22
Violon (partie séparée)
21
Trio à Cordes: 2 violons, violoncelle
16
Violon, Guitare (duo)
14
Alto, Violoncelle (duo)
13
Trio à cordes: 3 violins
12
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 3 violoncelles
9
Contrebasse (partie séparée)
8
Trio à Cordes: 2 violons, alto
8
Harpe, Violon (duo)
7
2 Harpes (duo)
7
Violoncelle , Guitare (duo)
7
Violoncelle (partie séparée)
6
Ensemble de Violons
5
Ensemble d'Altos
5
Alto, Guitare (duo)
4
2 Violons, Piano
4
Harpe, Flûte (duo)
4
Trio à cordes: 3 altos
3
Quatuor à cordes: 4 violons
3
Violoncelle, Orchestre
3
Violon, Clarinette, Piano (trio)
3
Trio à cordes
3
Harpe, Violoncelle (duo)
2
Violon, Trompette et Piano
1
Alto et Basson
1
Violon, Basse continue
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
2 Violoncelles, Piano
1
2 Contrebasses (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
280
Ensemble de cuivres
192
Orchestre
170
Orchestre à Cordes
142
Batterie
102
Orchestre de chambre
83
Ensemble Jazz
70
Cloches
53
Fanfare
25
Ensemble de Percussions
22
Jazz combo
18
Instrumentation Flexible
16
Marimba
9
Percussion (partie séparée)
8
Quintette à Vent
7
Orchestre Symphonique
6
Timbales (partie séparée)
4
Percussion
4
Vibraphone
2
Batterie (partie séparée)
2
Vibraphone (partie séparée)
1
Big band
1
+ 17 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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2 Pianos, 4 mains
Partitions à imprimer
26 partitions trouvées
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C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
2 Pianos, 4 mains
Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E…
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Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.<br> <br> The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.<br> <br> https://youtu.be/y0d4G332uPMThis is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.<br> <br> The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.<br> <br> https://youtu.be/y0d4G332uPM
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2 Pianos, 4 mains
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
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2 Pianos, 4 mains
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Carl Philipp Emanuel Bach, Giovanni Battista Pescetti
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
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2 Pianos, 4 mains
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Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
Minuet in G (I) from Anna Magdalena's Notebook (J S Bach), - 2 pianos, 4 hands by Simon P
2 Pianos, 4 mains
Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. B…
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Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque, Children, Instructional, Standards. Score. 2 pages. Simon Peberdy #4354445. Published by Simon Peberdy
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G
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Simon Peberdy
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SheetMusicPlus
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
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2 Pianos, 4 mains
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
2 Pianos, 4 mains
By Celine Dion. Arranged by James P. Colman. Score. 12 pages. Published by Jim Colman, Key…
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By Celine Dion. Arranged by James P. Colman. Score. 12 pages. Published by Jim Colman, KeySynth Studios (H0.216555-18446). - Score - - Jim Colman, KeySynth Studios
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2 Pianos, 4 mains
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Celine Dion
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James P
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My Heart Will Go On
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Jim Colman, KeySynth Studios
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SheetMusicPlus
It Is Well with My Soul
2 Pianos, 4 mains
Composed by Philip P. Bliss. Arranged by Jeremy Yowell. Christian, Gospel, Spiritual, Sacr…
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Composed by Philip P. Bliss. Arranged by Jeremy Yowell. Christian, Gospel, Spiritual, Sacred, Recital. Individual Part. 12 pages. Published by Jeremy Yowell (S0.273675). - Individual Part - Christian,Gospel,Spiritual,Sacred,Recital - Jeremy Yowell
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2 Pianos, 4 mains
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Philip P
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Jeremy Yowell
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It Is Well with My Soul
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Jeremy Yowell
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SheetMusicPlus
American Civil War Medley
2 Pianos, 4 mains
Composed by W. Steffe, J. Bland, P. Gilmore. Arranged by Fiona Hickie. Folk, Patriotic, Am…
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Composed by W. Steffe, J. Bland, P. Gilmore. Arranged by Fiona Hickie. Folk, Patriotic, Americana. Score, Set of Parts. 20 pages. Published by Fiona Hickie (S0.321389). - Score,Set of Parts - Folk,Patriotic,Americana - Fiona Hickie
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2 Pianos, 4 mains
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W
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Fiona Hickie
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American Civil War Medley
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Fiona Hickie
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SheetMusicPlus
Altes französches Lied (Old French song) (Tschaikowsky) in a new, easy arrangement for 2 pianos by Simon Peberdy
2 Pianos, 4 mains
Composed by P Tschaikowsky. Arranged by Simon Peberdy. Method, Repertoire, General Instruc…
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Composed by P Tschaikowsky. Arranged by Simon Peberdy. Method, Repertoire, General Instructional. 5 pages. Published by Simon Peberdy (S0.207283). - - Method,Repertoire,General Instructional - Simon Peberdy
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2 Pianos, 4 mains
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P Tschaikowsky
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Simon Peberdy
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Altes französches Lied
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Simon Peberdy
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Theme from Swan Lake - Keyboard Ensemble
2 Pianos, 4 mains
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.7…
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 9 pages. Christian Bennedsen #6681685. Published by Christian Bennedsen (A0.766914). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
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2 Pianos, 4 mains
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P
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Christian Bennedsen
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Theme from Swan Lake - Keyboard Ensemble
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Christian Bennedsen
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SheetMusicPlus
Piano Concerto No. 5
2 Pianos, 4 mains
Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion…
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Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
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2 Pianos, 4 mains
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Nguyện Mãi Bên Nhau 2
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1038265 By Châu…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1038265 By Châu Gia Chuyển. By Châu Gia Chuyển. A Cappella,Celtic,Country,Irish,Multicultural,Wedding,World. Score. 1 pages. Châu Gia Chuyển #643200. Published by Châu Gia Chuyển (A0.1038265). Nguyện Mãi Bên Nhau 2 Lá»i Việt : Châu Gia Chuyển Ca sÄ© : Lina Triệu & Châu Gia Chuyển Má»™t cà nh hồng Ngà n ánh sao trên trá»i Ta trao nhau nụ hôn yêu đắm say Ngà y mai ta thức dáºy Cùng đón ánh bình minh Chim tung bay hoan ca đùa vui Em yêu Æ¡i Nà y nhá»› em tháºt nhiá»u Bao nhiêu đêm thầm mong anh có ngÆ°á»i Chỉ mong em bên Ä‘á»i chẳng đổi thay ngÆ°á»i Æ¡i Yêu thÆ°Æ¡ng em con tim tặng em Bên ngÆ°á»i tình yêu nồng say ngà y mai có nhau trá»n Ä‘á»i Äừng ganh Ä‘ua danh lợi mất nhau Tình yêu đôi ta Ä‘áºm sâu dù cho mai nà y ra sao Nguyện sống bên nhau bạc đầu © Bản quyá»n thuá»™c vá» VCPMC - Cục Bản Quyá»n Tác Giả ( BỘ VÄ‚N HÓA THỂ THAO VÀ DU LỊCH ) Châu Gia Chuyển. Má»i hà nh vi sao chép của các bạn Ä‘á»u dẫn đến tà i khoản kênh của các bạn bị khóa vÄ©nh viá»…n © Copyright by Châu Gia Chuyển ☞ Do not Reup.
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2 Pianos, 4 mains
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Châu Gia Chuyển
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Nguyện Mãi Bên Nhau 2
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Châu Gia Chuyển
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
2 Pianos, 4 mains
By Judy Garland. Arranged by James P. Colman. Score. 8 pages. Published by Jim Colma…
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By Judy Garland. Arranged by James P. Colman. Score. 8 pages. Published by Jim Colman, KeySynth Studios
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2 Pianos, 4 mains
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Judy Garland
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James P
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Over The Rainbow
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Jim Colman, KeySynth Studios
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SheetMusicPlus
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