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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Is Here
Non classifié
1 304
Piano & claviers
Piano seul
584
Piano, Voix
222
Piano, Voix et Guitare
105
Orgue
66
Piano Facile
65
Instruments en Do
40
Piano Trio: piano, violon, violoncelle
20
Piano grosses notes
17
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Orgue, Trompette (duo)
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
30
Ligne De Mélodie, (Paroles) et Accords
12
4 Guitares (Quatuor)
9
Ukulele
9
2 Guitares (duo)
5
Banjo
4
Mandoline
3
Basse electrique
3
Ensemble de guitares
3
Paroles et Accords
3
Guitare (partie séparée)
2
Dulcimer
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
369
Chorale 3 parties
65
Chorale TTBB
37
Chorale 2 parties
28
Chorale Unison
25
Voix Alto, Piano
14
Chorale SSAA
13
Voix duo, Piano
10
Voix duo
7
Voix haute
6
Voix Soprano, Piano
6
Voix Tenor, Piano
5
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix seule
3
Voix Soprano
2
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
2
Chorale
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
150
Flûte traversière et Piano
131
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
130
Clarinette et Piano
105
Quintette de Saxophone: 5 saxophones
97
Saxophone Alto et Piano
88
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
78
Saxophone Tenor et Piano
72
2 Flûtes traversières (duo)
68
2 Clarinettes (duo)
64
Saxophone Soprano et Piano
63
Saxophone, Clarinette (duo)
60
Clarinette
57
Saxophone Baryton, Piano
54
Flûte, Hautbois, Clarinette, Basson
54
Ensemble de Clarinettes
48
Ensemble de saxophones
48
Quatuor de Clarinettes: 4 clarinettes
45
Cor anglais, Piano
44
Clarinette, Violon (duo)
42
Flûte traversière
41
Ensemble de Flûtes
35
Flûte, Clarinette (duo)
32
Clarinette Basse, Piano
30
Clarinette, Trompette (duo)
30
Saxophone Alto
28
Hautbois (partie séparée)
26
2 Hautbois (duo)
24
Quatuor de Flûtes : 4 flûtes
22
Hautbois, Basson (duo)
21
Flûte, Trompette (duo)
21
Clarinette et Alto
20
3 Saxophones (trio)
20
Hautbois, Clarinette (duo)
20
Saxophone Tenor
20
Flûte, Violon
20
Hautbois, Flûte
19
Flûte, Saxophone (duo)
19
3 Clarinettes (trio)
18
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
15
Flûte, Alto (duo)
13
Saxophone (partie séparée)
10
2 Flûte à bec (duo)
10
Saxophone Soprano
9
Hautbois
7
Quatuor de Flûtes à bec
7
Trio de Flûtes: 3 flûtes
6
Flûte et Guitare
6
Flute (partie séparée)
5
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte à bec Soprano, Piano
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Harpe (duo)
3
Saxophone
3
Hautbois, Harpe
3
Piccolo, Piano
3
Ensemble De Flûte à bec
3
Flûte à bec Alto
3
3 Flûtes à bec (trio)
3
Saxophone et Harpe
2
5 Flûtes à bec
2
Flûte irlandaise
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
Flûte, Clarinette et Basson
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Piano
2
Harmonica
2
2 Clarinettes, Piano
2
Flûte traversière, Orgue (duo)
2
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Saxophone Baryton
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trombone et Piano
79
Trompette
61
Cor et Piano
54
Trompette, Piano
48
Cor anglais, Piano
44
Euphonium, Piano (duo)
43
Trompette, Saxophone (duo)
42
Trompette, Trombone (duo)
36
Trombone
31
2 Trombones (duo)
31
Quatuor de Cuivres
31
2 Trompettes (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Ensemble de Trombones
24
Ensemble de Trompettes
17
Tuba et Piano
17
Cor
17
Tuba
16
Quatuor de cuivres: 4 trombones
14
Trombone (partie séparée)
11
Trompette (partie séparée)
10
Ensemble de Cors
7
2 Cors (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trio de Cuivres
5
4 Tubas
4
Quatuor de cuivres: 4 trompettes
3
3 Trombones (trio)
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
2 Euphoniums (duo)
1
Bass Clef Instruments
1
Trompette, Euphonium (duo)
1
Cor (partie séparée)
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Tuba (partie séparée)
1
Trombone basse et Piano
1
Trombone, Orgue
1
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon et Piano
131
Violoncelle, Piano
88
Alto, Piano
77
2 Violons (duo)
66
Violon
53
Trio à Cordes: violon, alto, violoncelle
53
Violon, Violoncelle (duo)
46
Violoncelle
38
Violon, Alto (duo)
36
2 Altos (duo)
34
2 Violoncelles (duo)
30
Harpe
29
Alto seul
27
Trio à Cordes: 2 violons, violoncelle
16
2 Harpes (duo)
11
Ensemble d'Altos
10
Ensemble de Violons
10
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
4 Violoncelles
8
Contre Basse
7
Violon, Guitare (duo)
6
Alto, Violoncelle (duo)
6
Alto (partie séparée)
6
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violons, Piano
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orchestre
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon, Orgue
1
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Violoncelle, Orgue
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
235
Orchestre à Cordes
88
Orchestre
87
Ensemble de cuivres
70
Orchestre de chambre
67
Ensemble Jazz
65
Marimba
17
Cloches
17
Jazz combo
13
Ensemble de Percussions
7
Batterie
6
Fanfare
4
Vibraphone
2
Orchestre, Violon
2
Batterie (partie séparée)
1
Percussion
1
2 Marimbas
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
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BASSE
BASSON
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BUGLE
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CHARANGO
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COR ANGLAIS
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FLUTE A DIX…
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Partitions Gratuites
14
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
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Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
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Sonate
Tango
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Valse
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Ballade
Chant Occitan
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Partitions Numériques
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ACCUEIL
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PIANO
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|
Cordes
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Contrebasse
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Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
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Jeux Video
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Medieval / Renaissance
Metal
Méthodes
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New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
384
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
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|
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Guitare Débutant
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Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
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|
Tout Chorale & Voix
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Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
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INSTRUMENTS
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CLAVIERS
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DOBRO
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VOIX
CHANT - CHORALE
CORDES
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CONTREBASSE
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VIOLE DE GAMBE
VIOLON
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VENT
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COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
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CUIVRES
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PERCUSSION
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GENRES
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20eme siecle
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Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
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Fingerpicking
Flamenco
Folk Rock
Funk
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Halloween
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Jazz Manouche
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Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
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Méthodes
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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Crtitères actifs :
He Is Here
Trompette
Partitions à imprimer
61 partitions trouvées
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51
He Leadeth Me for Trumpet
#
Trompette
#
INTERMÉDIAIRE
#
William B
#
Lawrence H
#
He Leadeth Me for Trumpet
#
Lawrence H Underwood
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.968555 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and part...
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Piano,Trumpet - Level 3 - SKU: A0.968555 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and part. 9 pages. Lawrence H Underwood #6571117. Published by Lawrence H Underwood (A0.968555). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of He Leadeth Me gives this traditional melody the boogie-woogie treatment! Suitable for use as special music in church or as a recital piece. . .or anywhere you want to have a little musical fun. . .this arrangement is sure to be a hit!
$5.99 ≈
$8.39
HE KEEPS ME SINGING (Bb Trumpet & Piano with Score/Part)
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Trompette
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INTERMÉDIAIRE
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Musique Sacrée
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Luther B
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Gary Lanier
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HE KEEPS ME SINGING
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The Lanier Company
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.616880 Composed by Luther B. Bridgers. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The ...
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Piano,Trumpet - Level 3 - SKU: A0.616880 Composed by Luther B. Bridgers. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #3628957. Published by The Lanier Company (A0.616880). HE KEEPS ME SINGING is a hymn arrangement by Gary Lanier for Bb Trumpet and Piano of one of our most cherished Hymns. The score, including cover and instrumental part is 8 pages long. This arrangement is perfect for any Church or gathering where hymns of the Joy of Jesus are enjoyed. A mp3 Piano Accompaniment is also available, listed as: HE KEEPS ME SINGING (Piano Accompaniment for Bb Trumpet).
$6.99 ≈
$9.79
When the Roll is Called Up Yonder, Gospel Hymn for Trumpet and Piano
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Trompette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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James Milton Black
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David McKeown
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When the Roll is Called Up Yon
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.593481 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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Piano,Trumpet - Level 2 - SKU: A0.593481 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421193. Published by David McKeown (A0.593481). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Trumpet and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49 ≈
$3.49
He's A Pirate
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Trompette
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INTERMÉDIAIRE
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Geoffrey Zanelli, Hans Zimmer,
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Ygor Nunes
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He's A Pirate
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Ygor Nunes
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.1387325 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Ygor Nunes. Film/TV,Video Game....
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B-Flat Trumpet Solo - Level 3 - SKU: A0.1387325 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Ygor Nunes. Film/TV,Video Game. Individual part. 2 pages. Ygor Nunes #971177. Published by Ygor Nunes (A0.1387325). Here is an easy and beautiful version for trumpet solo.
$6.99 ≈
$9.79
He's A Pirate
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Trompette
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FACILE
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Geoffrey Zanelli, Hans Zimmer,
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Benzaiten Editions
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He's A Pirate
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Benzaiten Editions
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1451416 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Centur...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1451416 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030791. Published by Benzaiten Editions (A0.1451416). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! 🎵Klaus Badelt / Hans Zimmer / Geoffrey Zanelli • He's a Pirate | Pirates of the Caribbean | trumpet in Bb sheet music [chords] About 'He's a Pirate' • Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
$4.99 ≈
$6.99
He's A Pirate
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Trompette
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FACILE
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Geoffrey Zanelli, Hans Zimmer,
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Benzaiten Editions
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He's A Pirate
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Benzaiten Editions
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1451415 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Centur...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1451415 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030789. Published by Benzaiten Editions (A0.1451415). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! 🎵Klaus Badelt / Hans Zimmer / Geoffrey Zanelli • He's a Pirate | Pirates of the Caribbean | trumpet in Bb sheet music About 'He's a Pirate' • Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
$4.99 ≈
$6.99
He
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Al Hibbler
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James Michael Stevens
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He
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1038905 By Al Hibbler. By Jack Richards. Arranged by James Michael Stevens. Jazz. Score and part. 11 pages. James M St...
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Piano,Trumpet - Level 4 - SKU: A0.1038905 By Al Hibbler. By Jack Richards. Arranged by James Michael Stevens. Jazz. Score and part. 11 pages. James M Stevens Music ASCAP #3397457. Published by James M Stevens Music ASCAP (A0.1038905). This is an original arrangement of the classic devotional song, He, for solo trumpet and piano. This song has been recorded my many artists and this arrangement will surely bring and emotional response of encouragement from the listener. He can turn the tides and calm the angry sea... There is a separate trumpet part in the score and the piano is a stand alone solo as well. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/sA8BatqDK4Q
$7.99 ≈
$11.19
Were You There/Up from the Grave He Arose
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Trompette
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Charles Priest
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Were You There/Up from the Gra
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Charles Priest
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.922486 Composed by Traditional. Arranged by Charles Priest. Christian,Easter,Sacred,Spiritual. Individual part. 6 pages...
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Trumpet Solo - Level 3 - SKU: A0.922486 Composed by Traditional. Arranged by Charles Priest. Christian,Easter,Sacred,Spiritual. Individual part. 6 pages. Charles Priest #5008313. Published by Charles Priest (A0.922486). This is a setting for solo trumpet and piano of Were you there when they crucified my Lord with Up from the grace He arose..
$10.00 ≈
$14.01
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.90
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.90
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Trompette
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INTERMÉDIAIRE
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan
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Zoran Radanovic
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Tradition...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
$1.99 ≈
$2.79
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95 ≈
$34.95
Handel: Largo from Xerxes for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95 ≈
$46.16
Give My Regards to Broadway
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Trompette
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FACILE
#
Comédie Musicale
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George M
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Travis Hayman
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Give My Regards to Broadway
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - Level 2 - SKU: A0.951616 Composed by George M. Cohan. Arranged by Travis Hayman. Broadway,Concert,Folk,Traditional. Individual part. 7 pa...
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Trumpet Solo - Level 2 - SKU: A0.951616 Composed by George M. Cohan. Arranged by Travis Hayman. Broadway,Concert,Folk,Traditional. Individual part. 7 pages. Travis Hayman #6429583. Published by Travis Hayman (A0.951616). Give My Regards to Broadway is a song written by George M. Cohan for his musical play Little Johnny Jones which debuted in 1904 in New York. Cohan, playing the title character, sings this song as his friend is about to sail to America, looking for evidence aboard the ship that will clear his name for allegedly throwing the English Derby. He is sure he'll become a star on Broadway, therefore signing off with: Give my regards to Broadway.
$5.00 ≈
$7.00
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
$46.16
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95 ≈
$46.16
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trompette
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman - Newton Antipho
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034...
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Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95 ≈
$18.14
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
$34.95
We Believe
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Trompette
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DÉBUTANT
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Gospel Spirituel
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The Newsboys
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Josiel Oliveira
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We Believe
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M das Melodias
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SheetMusicPlus
C Trumpet Solo - Level 1 - SKU: A0.512769 By The Newsboys. By Matthew Hooper, Richie Fike, and Travis Ryan. Arranged by Josiel Oliveira. Multicultural,P...
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C Trumpet Solo - Level 1 - SKU: A0.512769 By The Newsboys. By Matthew Hooper, Richie Fike, and Travis Ryan. Arranged by Josiel Oliveira. Multicultural,Pop,Praise & Worship,Spiritual,World. Individual part. 2 pages. M das Melodias #123622. Published by M das Melodias (A0.512769). Music score We Believe for Trumpet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Very sung gospel music. Theme of the movie Do You Believe. You believe in Jesus Christ? Easy score. Music of praise to God. Gospel music. Gospel. Newsboys. In this time of desperation When all we know is doubt and fear There is only one foundation We believe We believe In this broken generation When all is dark, You help us see There is only one salvation We believe We believe We believe in God the Father We believe in Jesus Christ We believe in the Holy Spirit And He's given us new life We believe in the crucifixion We believe that He conquered death We believe in the resurrection And He's comin' back again We believe So, let our faith be more than anthems Greater than the songs we sing And in our weakness and temptations We believe We believe We believe in God the Father We believe in Jesus Christ We believe in the Holy Spirit And He's given us new life We believe in the crucifixion We believe that He conquered death We believe in the resurrection And He's comin' back again Let the lost be found and the dead be raised In the here and now, let love invade Let the church live loud, our God we'll say We believe, we believe And the gates of hell will not prevail For the power of God, has torn the veil Now we know Your love will never fail We believe, we believe We believe in God the Father We believe in Jesus Christ We believe in the Holy Spirit And He's given us new life We believe in the crucifixion We believe that He conquered death We believe in the resurrection And He's comin' back He's comin' back again He's comin' back again We believe We believe.
$4.99 ≈
$6.99
The Clarke Variations
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Trompette
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Contemporain
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Publish...
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Trumpet Solo - SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95 ≈
$23.74
Amazing Grace, Concert Solo for Trumpet and Piano
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Trompette
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.587644 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6...
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Piano,Trumpet - Level 3 - SKU: A0.587644 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611385. Published by David McKeown (A0.587644). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Trumpet with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
$6.44
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
$37.75
Poème
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Trompette
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
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Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15274. Published by Schott Music - Digital (S9.Q15274). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
$6.99
Onward Christian Soldiers, Gospel Hymn for Trumpet and Piano
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Trompette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.593156 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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Piano,Trumpet - Level 2 - SKU: A0.593156 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416501. Published by David McKeown (A0.593156). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Trumpet and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49 ≈
$3.49
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He Is Here