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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What If...
Non classifié
474
Piano & claviers
Piano, Voix et Guitare
489
Piano seul
330
Piano, Voix
169
Piano Facile
109
Instruments en Do
31
Orgue
26
1 Piano, 4 mains
9
2 Pianos, 4 mains
9
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Piano grosses notes
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Ukulele
57
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
22
Paroles et Accords
12
Basse electrique
7
Guitare (partie séparée)
4
Banjo
4
4 Guitares (Quatuor)
2
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
2 Guitares (duo)
1
Mandoline
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
39
Chorale TTBB
26
Chorale 2 parties
20
Chorale SSAA
10
Chorale Unison
9
Voix Soprano, Piano
5
Chorale
4
Voix haute
4
Voix seule
4
Voix Tenor, Piano
3
Voix duo
2
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix basse
1
Voix Alto, Piano
1
Voix Tenor
1
Voix duo, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière
22
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
16
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Clarinette
16
Saxophone (partie séparée)
15
Quatuor de Clarinettes: 4 clarinettes
15
Hautbois (partie séparée)
14
2 Saxophones (duo)
14
Flûte traversière et Piano
13
Ensemble de Clarinettes
13
Ensemble de saxophones
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
10
3 Clarinettes (trio)
10
Ensemble de Flûtes
10
Saxophone Alto et Piano
8
Flûte et Guitare
8
Quatuor de Flûtes : 4 flûtes
8
2 Flûtes traversières (duo)
8
Flute (partie séparée)
7
Clarinette (partie séparée)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
5
Saxophone Alto
5
Saxophone Tenor et Piano
5
Flûte irlandaise
4
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Clarinette, Violon (duo)
4
Saxophone Tenor
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
2
Saxophone Baryton, Piano
2
Clarinette et Alto
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone (partie séparée)
17
Trompette (partie séparée)
15
Trompette, Piano
14
Trombone et Piano
9
Trompette
8
Ensemble de Trombones
6
Cor (partie séparée)
6
Cor
5
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
5
Tuba (partie séparée)
4
Cor et Piano
4
Quatuor de Cuivres
4
Cor anglais, Piano
4
Trompette, Trombone (duo)
3
Tuba
3
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Tuba et Piano
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Euphonium
1
Trio de Cuivres
1
Ensemble de Cors
1
Euphonium, Piano (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
30
Violon et Piano
27
Violoncelle
21
Harpe
21
Violoncelle, Piano
14
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
6
Alto seul
6
Violoncelle , Guitare (duo)
5
Ensemble de Violons
5
Violon, Guitare (duo)
5
Alto (partie séparée)
5
Violon (partie séparée)
4
Contre Basse
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Harpe, Trombone (duo)
1
4 Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
2 Violons (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
213
Ensemble Jazz
55
Orchestre
39
Orchestre à Cordes
27
Ensemble de cuivres
17
Cloches
15
Orchestre de chambre
14
Jazz combo
10
Ensemble de Percussions
6
Percussion (partie séparée)
5
Batterie
5
Fanfare
4
Vibraphone
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Xylophone
1
Xylophone, Piano
1
+ 12 instrumentations
Retracter
Autres
Instruments
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BASSE
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CLAIRON
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PAS DE PART…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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LATIN - BOSSA - WORL…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
What If...
Trompette
Partitions à imprimer
8 partitions trouvées
<
1
What Was I Made For?
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Trompette
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FACILE
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Pop musique
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Billie Eilish
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BTmusic
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What Was I Made For?
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BTmusic
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1270614 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by BTmusic. 21st Century,Fi...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1270614 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by BTmusic. 21st Century,Film/TV,Pop,Rock,Singer/Songwriter. Individual part. 4 pages. BTmusic #862977. Published by BTmusic (A0.1270614). This is a very nice arrangement for What was I made for?, by Billie Eilish, from Barbie movie, for Trumpet in Bb Solo.If you are a beginner at the Trumpet or a Billie Eilish fan, this sheet music of What was I made for? is perfect for what you are looking for. Enjoy it!
$4.99 ≈
$6.97
. . . a la Amy Beach
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Amy Dunker
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. . . a la Amy Beach
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Amy Dunker
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1348422 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Individual part. 5 pages. Amy D...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1348422 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Individual part. 5 pages. Amy Dunker #933198. Published by Amy Dunker (A0.1348422). What if Amy Beach had written a trumpet piece? Â Would It sould like this? Â This work uses motives from Amy Beach's song The Western Wind.Duration: Â 4:00Unaccompanied Trumpet.
$10.00 ≈
$13.96
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.89
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
#
AVANCÉ
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
(+)
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.89
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95 ≈
$23.67
When Emma Falls In Love
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Trompette
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DÉBUTANT
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Taylor Swift
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BTmusic
#
When Emma Falls In Love
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BTmusic
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1266212 By Taylor Swift. By Taylor Swift. Arranged by BTmusic. 21st Century,Hip-Hop,Pop,R & B,Rock,Singer/Songwr...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1266212 By Taylor Swift. By Taylor Swift. Arranged by BTmusic. 21st Century,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. Individual part. 3 pages. BTmusic #858958. Published by BTmusic (A0.1266212). This is a very nice arrangement for When Emma Falls in Love, by Taylos Swift, from Speak Now (Taylor's version) album, for Trumpet in Bb solo.If you are a beginner at the Trumpet or a Taylor's fan, this sheet music of When Emma Falls in Love is perfect for what you are looking for. Enjoy it!
$4.99 ≈
$6.97
Vampire
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Trompette
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FACILE
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Pop musique
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Olivia Rodrigo
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BTmusic
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Vampire
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BTmusic
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1273130 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by BTmusic. 21st Century,Multicultural,P...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1273130 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by BTmusic. 21st Century,Multicultural,Pop,Rock,Singer/Songwriter,World. Individual part. 4 pages. BTmusic #865324. Published by BTmusic (A0.1273130). This is a very nice arrangement for Vampire, by Olivia Rodrigo, for Trumpet in Bb Solo.If you are a beginner at the Trumpet or a Olivia Rodrigo fan, this sheet music of Vapire is perfect for what you are looking for. Enjoy it!
$4.99 ≈
$6.97
Trumpet Tyro Tonalization Studies by Eddie Lewis
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Trompette
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DÉBUTANT
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Eddie Lewis
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Trumpet Tyro Tonalization Stud
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Tiger Music
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SheetMusicPlus
Trumpet Solo - Level 1 - SKU: A0.750334 Composed by Eddie Lewis. Instructional. Individual part. 33 pages. Tiger Music #5541877. Published by Tiger Musi...
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Trumpet Solo - Level 1 - SKU: A0.750334 Composed by Eddie Lewis. Instructional. Individual part. 33 pages. Tiger Music #5541877. Published by Tiger Music (A0.750334). Trumpet Tyro Tonalization Studiesby Eddie LewisThis is a set of scale exercises for trumpet students with a range up to fourth space E. These are not absolute beginners, but not quite intermediate trumpet players yet. The scale exercises are in eight different major keys with eight patterns for each key. If you are unfamiliar with Eddie Lewis' tonalization system of trumpet scales then we encourage you to check out the video to see what the advantages are of practicing these exercises. .
$14.10 ≈
$19.69
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