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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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COUNTRY
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FILM - TV
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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SheetMusicPlus
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Virtualsheetmusic
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Non classifié
11123
PIANO & CLAVIERS
Piano, Voix
25130
Piano seul
11975
Piano Facile
4006
Orgue
722
Piano, Voix et Guitare
478
1 Piano, 4 mains
407
Piano Trio: piano, violon, violoncelle
292
Instruments en Do
239
2 Pianos, 4 mains
192
Accompagnement Piano
149
Piano Quatuor: piano, violon, alto, violoncelle
140
Piano Quintette: piano, 2 violons, alto, violoncelle
125
Piano Quatuor: piano, 2 violons, violoncelle
64
Accordéon
49
Orgue, Trompette (duo)
49
Piano grosses notes
26
Instrument seul et Orgue
23
1 Piano, 6 mains
21
Clavier
13
Orgue, Piano (duo)
9
Ensemble d'Accordéons
6
2 Pianos, 8 mains
6
Ligne De Mélodie, Piano
3
Clavecin
3
Piano (partie séparée)
2
Orgue et Orchestre
1
Accordéon, Voix
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
2 Accordéons
1
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GUITARES
Guitare notes et tablatures
1147
Guitare
1140
2 Guitares (duo)
298
Ukulele
163
Ligne De Mélodie, (Paroles) et Accords
103
4 Guitares (Quatuor)
58
Basse electrique
54
Piano, Guitare (duo)
47
3 Guitares (trio)
47
Guitare, Violon, Violoncelle (trio)
15
Ukulele Baryton
13
Mandoline
11
Ensemble de guitares
11
Paroles et Accords
8
Banjo
6
Mandoline, Guitare (duo)
5
Dulcimer
5
Guitare Pedal Steel
4
Guitare, Flûte, Clarinette
3
Guitare (partie séparée)
2
3 Dulcimers (trio)
2
Ensemble de Ukulélés
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
1198
Voix seule
365
Chorale 3 parties
316
Chorale 2 parties
163
Chorale TTBB
140
Chorale SSAA
115
Voix duo, Piano
91
Voix Soprano, Piano
82
Voix duo
55
Chorale Unison
45
Voix basse, Piano
39
Voix Tenor, Piano
30
Chorale
30
Voix haute
19
Voix moyenne, Piano
13
Voix, Guitare
10
Voix Baryton, Piano
8
Voix Tenor
7
Voix Alto, Piano
7
Voix Soprano
7
Voix basse
5
Chorale SSATTB
3
Chorale SSAATTBB
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
2193
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1121
Quatuor de Saxophones: 4 saxophones
1102
Clarinette et Piano
1099
Hautbois, Piano (duo)
956
Quatuor de Clarinettes: 4 clarinettes
859
Saxophone Alto et Piano
834
Clarinette
823
Flûte, Hautbois, Clarinette, Basson
662
2 Saxophones (duo)
567
Flûte traversière
520
Saxophone Tenor et Piano
489
Quatuor de Flûtes : 4 flûtes
486
2 Flûtes traversières (duo)
470
2 Clarinettes (duo)
438
Saxophone Soprano et Piano
433
Flûte et Guitare
352
Ensemble de Clarinettes
335
Quintette de Saxophone: 5 saxophones
301
Ensemble de saxophones
281
Saxophone (partie séparée)
277
Saxophone Alto
276
Flûte, Clarinette (duo)
239
Hautbois (partie séparée)
217
3 Saxophones (trio)
214
Cor anglais, Piano
197
Quintette de Clarinettes: 5 clarinettes
196
3 Clarinettes (trio)
193
Saxophone Baryton, Piano
169
Ensemble de Flûtes
168
Trio de Flûtes: 3 flûtes
150
2 Flûte à bec (duo)
146
2 Hautbois (duo)
140
Clarinette, Guitare (duo)
117
Quatuor de Flûtes à bec
108
Clarinette, Basson (duo)
102
Hautbois, Basson (duo)
101
Clarinette Basse, Piano
97
Flûte, Violon
95
Hautbois, Clarinette (duo)
95
Saxophone
88
Flûte, Clarinette et Basson
84
Clarinette, Violon (duo)
84
Clarinette (partie séparée)
80
Hautbois
79
Flûte, Violoncelle
76
Flûte à bec Soprano
65
Quintette de Flûte : 5 flûtes
63
Flûte, Hautbois (duo)
61
Hautbois, Clarinette, Basson (trio d'anches)
56
Saxophone Soprano
56
Saxophone Tenor
55
Flûte, Hautbois, Clarinette (trio)
54
Clarinette, Violoncelle (duo)
53
Flûte à Bec
49
Flûte, Violon, Piano
48
Flûte à bec Alto
46
Flûte, Violoncelle, Piano (trio)
45
Saxophone, Clarinette (duo)
43
5 Flûtes à bec
40
Hautbois, violon (duo)
40
Flute (partie séparée)
39
3 Flûtes à bec (trio)
38
Flûte, Hautbois, Basson
38
Saxophone et Piano
37
Flûte, Clarinette, Piano (trio)
35
Saxophone Baryton
35
Cor Anglais
35
Clarinette et Alto
33
2 Flûtes traversières, Piano
32
Hautbois, Violoncelle
32
Flûte, Basson et Piano
32
2 Clarinettes, Piano
31
2 Saxophones, Piano
27
Piccolo
25
Hautbois, Flûte
25
Flûte à Bec, Piano
24
3 Hautbois
23
Saxophone, Violon (duo)
23
Flûte, Alto (duo)
22
Flûte à bec Tenor
21
Flûte, Trombone (duo)
21
Clarinette, Violoncelle, Piano (trio)
20
Clarinette, Basson, Piano (trio)
19
Flûte, Violon et Violoncelle
19
Clarinette, Trombone (duo)
18
Hautbois, Guitare (duo)
17
Flûte à bec, Guitare (duo)
17
Flûte et Trio à cordes
16
Saxophone, Basson (duo)
14
Instruments en Mib
14
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
14
Flûte, Violon, Guitare
13
Cor anglais, Guitare (duo)
13
Saxophone et Orgue
13
Flûte à bec Soprano, Piano
13
Ensemble De Flûte à bec
12
Piccolo, Piano
12
Flûte et Quatuor à Cordes
12
Clarinette, Harpe (duo)
11
Flûte, Hautbois, Piano (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
11
Hautbois, Violin, Alto et Violoncelle (Quatuor)
11
Flûte, Saxophone (duo)
11
Saxophone et Guitare
10
Clarinette, Alto et Piano (trio)
9
Flûte traversière, Orgue (duo)
9
Hautbois et alto (duo)
9
Clarinette, Trompette (duo)
8
Hautbois, trombone (duo)
7
Saxophone et violoncelle
7
Harmonica, Piano
7
4 Hautbois
7
Flûte, trombone et piano
7
2 Clarinettes, Basson
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Clarinette Basse
6
Flûte à bec Alto, Piano
6
Harmonica
6
Flûte, Violon, Violoncelle et Piano
6
Flute, harpe et violon
6
Flûte, Alto et Piano
6
Hautbois, Harpe
5
Flûte, Trompette (duo)
5
Clarinette, trompette et piano
5
Ensemble de Hautbois
4
2 Flûtes à bec, Piano
4
Ensemble à vent
4
Flûte, Violoncelle, Guitare
4
Clarinette, Orgue
4
Clarinette, Quatuor à cordes et Piano
3
Flûte, alto et harpe
3
Clarinette, Orchestre
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Violon, Piano
3
Flûte traversière, Orchestre
2
2 Hautbois et Cor anglais
2
Hautbois, Basson et Piano
2
Flûte, Alto et Violoncelle
2
Flûte, Guitare, Piano
2
2 Hautbois, Piano
2
Saxophone et Harpe
2
Hautbois, Orgue
2
Cor anglais et Harpe (duo)
1
Flûte irlandaise
1
2 Flûtes à bec, Guitare
1
Flûte, Tuba (duo)
1
Flûte, Hautbois, Violon
1
Ocarina
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes traversières, Guitare
1
Flûte de Pan
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
904
Trompette, Piano
672
Trombone et Piano
668
Trompette
540
Cor et Piano
525
Trombone
466
Quatuor de Cuivres : 2 trompettes, trombone, tuba
455
Cor
364
Tuba et Piano
275
2 Trompettes (duo)
216
Quatuor de Cuivres: 2 trompettes, Cor, trombone
211
Tuba
209
Quatuor de cuivres: 4 cors
207
Euphonium, Piano (duo)
205
Cor anglais, Piano
197
Quatuor de cuivres: 4 trombones
187
2 Trombones (duo)
172
Quatuor de Cuivres
158
Trompette, Trombone (duo)
144
2 Cors (duo)
131
Ensemble de Trombones
111
Trompette (partie séparée)
75
Ensemble de Cors
60
Trio de Cuivres
58
Trompette, Cor (duo)
54
Trompette, Saxophone (duo)
52
Cor Anglais
35
Quatuor de cuivres: 4 trompettes
34
Trombone (partie séparée)
32
4 Tubas
32
2 Tubas (duo)
31
3 Trompettes (trio)
30
Trombone, Cor (duo)
30
3 Trombones (trio)
28
Euphonium
28
Trompette, Basson (duo)
28
Trompette, violon (duo)
27
Tuba et Orgue
24
Ensemble de Trompettes
23
Trombone basse
23
Trombone basse et Piano
21
Bass Clef Instruments
21
Cor, Violoncelle (duo)
20
Cor, Tuba (duo)
18
Trompette, Violoncelle (duo)
17
3 Cors (trio)
17
Trombone, Violon (duo)
16
Trompette, Tuba (duo)
16
2 Euphoniums et 2 Tubas
16
Trombone, Tuba (duo)
15
Instruments en Sib
15
Cor et Basson (duo)
14
Trombone, Orgue
14
Cor anglais, Guitare (duo)
13
2 Trompettes, Clavier (piano ou orgue)
11
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Trompette, Trombone, Piano
8
Trombone, Alto (duo)
7
3 Tubas (trio)
7
Trompette et Guitare
7
Euphonium, Tuba (duo)
7
3 Euphoniums
5
Trompette, Violoncelle et Piano
5
Cor et Orgue
4
Cor (partie séparée)
4
2 Euphoniums (duo)
3
2 Cors Anglais Et Pianoforte
3
Trombone et orchestre
3
2 Trombones, Piano
2
Cor et Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Orchestre
2
Ensemble de Tubas
2
Cor, Orchestre
2
2 Cors, Piano
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Harpe
1
Instruments en Fa
1
Trompette, Euphonium (duo)
1
Cornet et orchestre
1
Tuba (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3448
Violon et Piano
2750
Violoncelle, Piano
1878
Alto, Piano
1161
Violon
912
Violon, Violoncelle (duo)
530
2 Violons (duo)
482
Trio à Cordes: violon, alto, violoncelle
401
Harpe
383
Violoncelle (partie séparée)
362
Alto seul
347
2 Violoncelles (duo)
321
Violon, Alto (duo)
274
Contrebasse, Piano (duo)
258
4 Violoncelles
226
2 Altos (duo)
225
Violoncelle
224
Contre Basse
209
Quintette à cordes: 2 violons, alto, violoncelle, basse
201
Violon, Guitare (duo)
185
Violoncelle , Guitare (duo)
165
Alto, Violoncelle (duo)
155
Trio à Cordes: 2 violons, violoncelle
149
Quatuor à cordes: 4 violons
116
Alto (partie séparée)
109
Trio à Cordes: 3 violoncelles
96
Alto, Guitare (duo)
83
Trio à cordes: 3 violins
81
Quatuor à cordes : 4 altos
80
Violon (partie séparée)
78
Piano Trio: Violon, Alto, Piano
59
2 Violons, Piano
57
2 Contrebasses (duo)
55
2 Harpes (duo)
45
Violon, Basson (duo)
45
Harpe, Violon (duo)
44
Trio à Cordes: 2 violons, alto
42
Alto et Basson
40
Trio à cordes
38
Harpe, Flûte (duo)
38
Trio à cordes: 3 altos
38
Violoncelle, Contrebasse (duo)
29
2 Violoncelles, Piano
22
4 Contrebasses
17
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
2 Altos, Piano
15
Violon, Orgue
15
Violoncelle, Orchestre
13
Ensemble de Violoncelles
11
Harpe, Violoncelle (duo)
10
3 Contrebasses
10
Violon, Clarinette, Piano (trio)
10
Violoncelle, Orgue
8
Alto, Orgue
7
Flûte, Contrebasse (duo)
7
Harpe et Piano
6
Contrebasse (partie séparée)
6
Ensemble de Violons
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto et orchestre
4
Ensemble d'Altos
4
Harpe, Voix
3
Harpe, Violon, Violoncelle
3
Violon, Violoncelle, Clarinette
2
Alto et Harpe
2
Harpe, Orchestre
2
Violon, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
Violon, Tuba (duo)
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1524
Orchestre
1294
Orchestre d'harmonie
1064
Orchestre de chambre
531
Ensemble de cuivres
436
Cloches
75
Ensemble Jazz
73
Ensemble de Percussions
44
Marimba
34
Quintette à Vent
34
Fanfare
33
Xylophone, Piano
29
Vibraphone (partie séparée)
23
Xylophone
21
Quatuor à Vent : 4 instruments à vents
15
Batterie
15
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Piano et Orchestre
11
Orchestre, Violon
10
Jazz combo
9
Instrumentation Flexible
8
Vibraphone
7
Percussion (partie séparée)
6
2 Xylophones
5
Quintette de Cuivres: autres combinaisons
4
Marimba, Piano (duo)
3
Batterie (partie séparée)
2
Ensemble d'École
2
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
136
Vous avez sélectionné:
Romantic
Piano, Voix
Partitions à imprimer
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9976
The Knight From Palestine. A Romantic Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.17711 Composed by John H. Hewitt. Armor,…
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Piano and voice - Digital Download SKU: LV.17711 Composed by John H. Hewitt. Armor, Horseback riding, Spears, Campaigns & battles, War, Courtship & love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17711). The Knight From Palestine. A Romantic Ballad. Written, Composed by John H. Hewitt. Published [n.d.] by Geo. Willig, Jr., No.149 Market St. in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Armor, Horseback riding, Spears, Campaigns & battles, War, Courtship & love. First line reads Blow warder blow thy brazen horn, the champion of the cross is near.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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Piano, Voix
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John H
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The Knight From Palestine. A Romantic Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 1
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634197 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634197 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 14 pages. F & N Enterprise #3537387. Published by F & N Enterprise (A0.634197). An excellent arrangement of Romantic Piano Music Collection-Volume 1. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 1
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 3
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634199 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634199 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 13 pages. F & N Enterprise #3537677. Published by F & N Enterprise (A0.634199). An excellent arrangement of Romantic Piano Music Collection-Volume 3. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
#
Fishel Pustilnik
#
"Romantic Piano Music Collection"-Volume 3
#
F & N Enterprise
#
SheetMusicPlus
"Romantic Piano Music Collection"-Volume 2
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3537475. Published by F & N Enterprise (A0.634198). An excellent arrangement of Romantic Piano Music Collection-Volume 2. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 2
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 5
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634201 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634201 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 14 pages. F & N Enterprise #3538083. Published by F & N Enterprise (A0.634201). An excellent arrangement of Romantic Piano Music Collection-Volume 5. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 5
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 4
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634200 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634200 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 11 pages. F & N Enterprise #3538053. Published by F & N Enterprise (A0.634200). An excellent arrangement of Romantic Piano Music Collection-Volume 4. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 4
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 7
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634203 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634203 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 13 pages. F & N Enterprise #3538281. Published by F & N Enterprise (A0.634203). An excellent arrangement of Romantic Piano Music Collection-Volume 7. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 7
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 8
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634204 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634204 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3538603. Published by F & N Enterprise (A0.634204). An excellent arrangement of Romantic Piano Music Collection-Volume 8. (5 Original Piano Pieces)
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 8
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F & N Enterprise
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794139 By Shirley Horn. By R…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794139 By Shirley Horn. By Richard Rodgers. Arranged by Dave Gingras, John E. Dosher. Jazz,Pop. Score. 2 pages. DAVID LEE GINGRAS #6635937. Published by DAVID LEE GINGRAS (A0.794139). Isn't It Romantic? is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book American Popular Song: The Great Innovators 1900–1950, calls it a perfect song. This version features a root-based chord-blocking that John and I have used in a number of our arrangements, but aside from a couple of left-hand fills we've stayed very true to the original melody.
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Piano, Voix
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Shirley Horn
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Dave Gingras, John E
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Isn't It Romantic?
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DAVID LEE GINGRAS
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SheetMusicPlus
Romantica
Piano, Voix
Digital Download SKU: HX.365691 By Demis Roussos. Pop,Standards. Piano/Vocal/Guitar…
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Digital Download SKU: HX.365691 By Demis Roussos. Pop,Standards. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Published by Hal Leonard Europe (HX.365691).
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Piano, Voix
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Demis Roussos
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Romantica
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Hal Leonard Europe
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SheetMusicPlus
Kiss the Old Romantic Goodbye
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896315 Composed by Doug Howe…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896315 Composed by Doug Howell. Pop. Score. 4 pages. Creative Measures #4319615. Published by Creative Measures (A0.896315). This one goes out to everyone having a blue Valentine’s Day this year. In my life I’ve had about as many blue ones as red ones. When I wrote this song, I thought I’d never give my heart away again. Thank goodness I did.
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Piano, Voix
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Doug Howell
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Kiss the Old Romantic Goodbye
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Creative Measures
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SheetMusicPlus
Die Bayernhymne/ The Anthem of Bavaria (Romantic Ver.)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103293 Composed by Konrad M…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103293 Composed by Konrad Max Kunz Michael Öchsner. Arranged by Diana Bar. 19th Century,Folk. Score. 3 pages. Diana Bar #706560. Published by Diana Bar (A0.1103293). The Bayernhymne (The Anthem of Bavaria) is the official anthem of the Free State of Bavaria. The melody of the song was written by Max Kunz in 1835. The text for the original first three stanzas war written by Michael Öchsner. The first Songperformance was on Dezember 15, 1860. It was officially recognised as the national anthem of Bavaria in 1946. I hope, you like my arrangement of it.
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Piano, Voix
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Konrad Max Kunz Michael Öchsner
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Diana Bar
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Die Bayernhymne/ The Anthem of Bavaria
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Diana Bar
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SheetMusicPlus
The "I LOVE YOU" Song - (Romantic for Solo Voice with Piano - Lead Sheet with words and chords incl
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lani…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Concert,Holiday,Love,Wedding. Score. 9 pages. The Lanier Company #5319949. Published by The Lanier Company (A0.617487). The I LOVE YOU Song is for Voice with Piano Accompaniment. This is actually a true story that can be sung by a male or female soloist. It is perfect for weddings, anniversary celebrations, concerts, church settings or any place where God's kind of love for man and woman is the desire (8 pages).
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Piano, Voix
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Gary Lanier
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Gary Lanier
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The "I LOVE YOU" Song -
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The Lanier Company
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
(Soprano) - Interactive Download SKU: HX.444106 By Rodgers and Hart. Edited by Rich…
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(Soprano) - Interactive Download SKU: HX.444106 By Rodgers and Hart. Edited by Richard Walters. This edition: Interactive Download. Jazz,Pop,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.444106).
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Piano, Voix
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Rodgers and Hart
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Isn't It Romantic?
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Hal Leonard - Digital
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794141 By Shirley Horn. By R…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794141 By Shirley Horn. By Richard Rodgers. Arranged by Dave Gingras, John E. Dosher. Jazz,Pop. Score. 2 pages. DAVID LEE GINGRAS #6642145. Published by DAVID LEE GINGRAS (A0.794141). A jazzier version of our previous arrangement of this classic ballad from 1932 - we hope you like it, too!
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Piano, Voix
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Shirley Horn
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Dave Gingras, John E
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Isn't It Romantic?
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DAVID LEE GINGRAS
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SheetMusicPlus
Collection: 12 Golden Age Love Songs for Classic Romantics by Various Artists - Piano/Vocal/Chords
Piano, Voix
Musicnotes 12 Golden Age Love Songs for Classic Romantics by Various Artists Sheet Music D…
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Musicnotes 12 Golden Age Love Songs for Classic Romantics by Various Artists Sheet Music Download arranged in Piano/Vocal/Chords format. --
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Piano, Voix
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Piano/Vocal/Chords
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Musicnotes
On The Sand
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842074 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842074 Composed by Andrew Mc Donald. Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3885363. Published by Andrew Mc Donald (Macka Records) (A0.842074). On The Sand is a song about sitting on the beach as the sun goes down and falling in love with that special someone. How wonderful it is to romance by the light of the moon. This is a love ballad for all you romantics out there.
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Piano, Voix
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Andrew Mc Donald
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On The Sand
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Andrew Mc Donald
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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