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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1839
PIANO & CLAVIERS
Piano seul
518
Piano, Voix
425
Piano Facile
373
Orgue
334
Instruments en Do
260
Piano, Voix et Guitare
178
Piano (partie séparée)
12
1 Piano, 4 mains
12
Accordéon
9
Accompagnement Piano
8
Clavecin
7
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
69
Guitare
49
Basse electrique
19
Ukulele
18
Guitare (partie séparée)
11
Ligne De Mélodie, (Paroles) et Accords
11
3 Guitares (trio)
5
2 Guitares (duo)
4
Paroles et Accords
3
4 Guitares (Quatuor)
3
Dulcimer
2
Ensemble de guitares
1
Mandoline
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
259
Chorale 3 parties
79
Chorale 2 parties
29
Chorale TTBB
29
Chorale Unison
16
Chorale SSAA
9
Chorale
9
Voix moyenne, Piano
8
Voix Soprano, Piano
7
Voix basse, Piano
6
Voix haute
6
Voix duo
4
Voix Soprano
3
Voix Alto, Piano
3
Voix seule
3
Voix Baryton, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
2 Saxophones (duo)
79
Quintette de Saxophone: 5 saxophones
61
Quatuor de Saxophones: 4 saxophones
47
Flûte, Hautbois, Clarinette, Basson
46
Flûte traversière et Piano
46
Saxophone Alto
43
Saxophone (partie séparée)
42
Saxophone
40
Flûte traversière
38
Clarinette
30
2 Flûtes traversières (duo)
30
Saxophone Alto et Piano
27
Clarinette et Piano
27
2 Clarinettes (duo)
25
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois, Piano (duo)
21
Saxophone Soprano et Piano
19
Hautbois (partie séparée)
18
Ensemble de Clarinettes
16
Saxophone Tenor
16
Saxophone Tenor et Piano
15
2 Hautbois (duo)
13
Saxophone Baryton, Piano
12
Clarinette (partie séparée)
12
Ensemble de Flûtes
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
7
Flûte, Hautbois, Clarinette (trio)
6
Hautbois
6
Flûte et Guitare
6
Quintette de Flûte : 5 flûtes
6
Flute (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
5
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
Trio de Flûtes: 3 flûtes
5
Clarinette Basse, Piano
5
Cor anglais, Piano
4
5 Flûtes à bec
4
2 Flûte à bec (duo)
4
Flûte, Clarinette (duo)
4
Clarinette, Harpe (duo)
3
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano, Piano
2
Clarinette, Basson (duo)
2
Saxophone et Orgue
2
Flûte, Clarinette et Basson
2
Hautbois, Flûte
2
Clarinette, Orgue
2
Hautbois, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
2
Flûte, Alto (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Flûte, Clarinette, Violon (trio)
1
Ensemble De Flûte à bec
1
Flute, harpe et violon
1
Hautbois, Violon, Piano
1
Flûte, Basson et Piano
1
Clarinette, Violon (duo)
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
Flûte à bec Alto, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trombone
39
Trompette
37
Trombone et Piano
33
Trompette, Piano
24
Trombone (partie séparée)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette (partie séparée)
18
2 Trombones (duo)
17
2 Trompettes (duo)
17
Cor et Piano
16
Cor
14
Tuba et Piano
12
Tuba
12
2 Cors (duo)
8
Cor (partie séparée)
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres
7
Ensemble de Trombones
6
Trio de Cuivres
5
Tuba (partie séparée)
4
Cor anglais, Piano
4
Cor et Harpe
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
Euphonium
4
Trompette, Saxophone (duo)
3
Trompette, violon (duo)
3
Trompette, Harpe
2
Quatuor de cuivres: 4 trombones
2
Instruments en Sib
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
177
Harpe
95
Violon et Piano
71
Violon
60
2 Harpes (duo)
57
Violoncelle, Piano
48
Violoncelle
42
Alto, Piano
30
2 Violons (duo)
25
Trio à Cordes: violon, alto, violoncelle
22
Alto seul
19
Violon, Alto (duo)
18
2 Violoncelles (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon, Violoncelle (duo)
16
Contrebasse, Piano (duo)
15
Contre Basse
14
Contrebasse (partie séparée)
13
2 Altos (duo)
10
Alto (partie séparée)
9
Violon (partie séparée)
8
Ensemble d'Altos
6
2 Contrebasses (duo)
5
Harpe, Flûte (duo)
5
Ensemble de Violons
5
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
4
Harpe, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto et Harpe
3
Harpe, Violon (duo)
3
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Harpe (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto, Orgue
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Harpe, Quatuor à cordes
1
Quatuor à cordes: 4 violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Harpe et Piano
1
Alto et Basson
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
165
Ensemble Jazz
104
Orchestre à Cordes
94
Orchestre
62
Cloches
41
Ensemble de cuivres
22
Batterie
18
Ensemble de Percussions
16
Orchestre de chambre
11
Batterie (partie séparée)
10
Jazz combo
10
Percussion (partie séparée)
7
2 Xylophones
4
Piano et Orchestre
2
Timbales (partie séparée)
2
Xylophone, Piano
2
Xylophone
2
Percussion
2
Caisse Claire
1
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
Fanfare
1
Marimba
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Mark King
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
22 partitions trouvées
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1
We Three Kings of Orient Are - Beginner String Duet/Trio (Violins, Violas, Cello)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.114…
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String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1147237 Composed by Traditional. Arranged by Robert Shuler. Christian,Christmas,Classical,Holiday,Instructional. Score and parts. 3 pages. Robert Shuler #747427. Published by Robert Shuler (A0.1147237). All fingering is marked. Works as Duet or Trio. Two versions are included: 2 violins and cello, or 3 violas. These can be mixed and matched to make a violin-viola-cello trio, two violas and a cello, etc. 2nd violin part annotated to assist a nearly raw beginner who'd made it only through notes on the D string, plus C and A.
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Trio à Cordes: violon, alto, violoncelle
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Traditional
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Robert Shuler
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We Three Kings of Orient Are - Beginner String Duet/Trio
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Robert Shuler
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SheetMusicPlus
In The Summertime (cello part - vln, vla, cel)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
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Trio à Cordes: violon, alto, violoncelle
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
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Trio à Cordes: violon, alto, violoncelle
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Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
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SheetMusicPlus
Fan Tan
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By …
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String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and George Tipton. 20th Century,Classical,Pop,Rock. 10 pages. Fiji Printing #995880. Published by Fiji Printing (A0.1414111). Fan Tan — String Sextet from Carnival of Sound.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record the original track in 1967. Extracted from the full music score for Fan Tan. This sophisticated string arrangement picks up where Pop Symphony left off in 1965. Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Fiji Printing #14. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for string sections that want to tackle a challenging piece that merges classical music with the burgeoning Psychedelic era of 1967.Full Music Score and Individual Charts:STRINGS: Violin 1-2; Viola 1-2; Cello 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Fan Tan, the Carnival of Sound LP,  and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.10 Pages; 10 x 14Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
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Trio à Cordes: violon, alto, violoncelle
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Jan and Dean
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Jan Berry and George Tipton
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Fan Tan
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Fiji Printing
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SheetMusicPlus
String Trio No. 9 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 7 in G major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio No.1 in E flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat major
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Artaria Editions
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SheetMusicPlus
Feliz Navidad
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1467034 By Jose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1467034 By Jose Feliciano. By Jose Feliciano. Arranged by Thomas Graf. Christmas,Pop. 16 pages. Thomas Graf - the-hit-factory.com #1045599. Published by Thomas Graf - the-hit-factory.com (A0.1467034). Christmas Classic - Feliz Navidad has become a classic Christmas pop song in the United States; throughout the Spanish-speaking world and internationally. This arrangement is a must have for your upcoming concert on christmas markets.About this arrangement: Part II can be played by Violin 2, Viola or Cello.Composed by: Music and Lyrics by Jose FelicianoArranged by: Thomas H. Graf for String DuetInstrumentation: Full Score Violin 1Violin 2ViolaVioloncelloAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
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Trio à Cordes: violon, alto, violoncelle
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Jose Feliciano
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Thomas Graf
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Feliz Navidad
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
The Way You Look Tonight
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1404067 By Fran…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1404067 By Frank Sinatra. By Dorothy Fields and Jerome Kern. Arranged by Krista Broadway Swider. Jazz,Pop. 12 pages. Krista Swider #987240. Published by Krista Swider (A0.1404067). The Way You Look Tonight is a classic that was made famous by Frank Sinatra and has since been used a thousand times in our favorite rom-coms. With sweet lyrics and a memorable tune, the song has a simple form although it switches almost effortlessly from C Major to C minor between verse and chorus. I've written a slightly melancholy intro in which the melody to the verse is introduced in the violin part and the cello and viola sit on sonorous harmonies, many containing sustained sevenths, biding their time until they all join in a robust version of the verse. The cello takes the part of an upright bass, plucking the bass line while the viola fills in harmonies and the violin plays the vocal line. When the key changes and the chorus begins, the three instruments are all arco and trade turns on the melody. The music is marked with measure numbers and rehearsal letters, and all parts are bowed.
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Trio à Cordes: violon, alto, violoncelle
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Frank Sinatra
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Krista Broadway Swider
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The Way You Look Tonight
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Krista Swider
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SheetMusicPlus
Clarke Trumpet Tune for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732642 Composed by CLARKE. Arranged by Dave Prudon. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 5 pages. Prudon String Ensembles #4761809. Published by Prudon String Ensembles (A0.732642). Most often scored for trumpet solo, this well known piece sounds great when played by a String Trio. Nicely crafted harmony parts compliment the solo line making this arrangement rise above the others on the market. To give the ensemble another performance option, a second violin part is included in this set.If you take a look at: Prudon String Ensembles Sheet Music, you'll find hundreds of other nice string arrangements.
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Trio à Cordes: violon, alto, violoncelle
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CLARKE
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Dave Prudon
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Clarke Trumpet Tune for String Trio
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Prudon String Ensembles
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
Wedding March
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1362742 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1362742 Composed by Felix Bartholdy Mendelssohn. Arranged by Alfredo Morán. Classical,Film/TV,Pop,Romantic Period,Wedding. 5 pages. Alfredo Morán #947119. Published by Alfredo Morán (A0.1362742). This arrangement is a performance option for string trio. Contains bow marking and return indication if you need to extend the duration of the piece.
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Trio à Cordes: violon, alto, violoncelle
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Felix Bartholdy Mendelssohn
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Alfredo Morán
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Wedding March
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Alfredo Morán
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SheetMusicPlus
Maggiolata-Hubay-string octet
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.844679 Comp…
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String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.844679 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 17 pages. Phil Beaman #5012669. Published by Phil Beaman (A0.844679). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard which was originally written for Viola and Piano. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. I have scored it for a String Octet; 1 Violin Solo, accompanied by 4 Violins, 2 Violas, 1 Cello. The one Violin has the melody throughout. The other Violins and Violas have occasional countermelody, but mostly pulse ensemble rich chords while the Cello sits on pedal tones. Overall, it creates a rich, balanced string sound. Fairly easy, but sounds more advanced with its full chords and the dramatic interpretation markings I have added.9 page score, 1 page parts; 17 pages total5 minutes with repeat
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Trio à Cordes: violon, alto, violoncelle
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Jeno Hubay
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Phil Beaman
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Maggiolata-Hubay-string octet
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Phil Beaman
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SheetMusicPlus
BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
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jmsgu3
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SheetMusicPlus
Psalm 22-Mendelssohn-String octet
Trio à Cordes: violon, alto, violoncelle
String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.845197 Comp…
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String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.845197 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Concert,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6355261. Published by Phil Beaman (A0.845197). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
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Trio à Cordes: violon, alto, violoncelle
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-String octet
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Phil Beaman
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SheetMusicPlus
BACH: Trio Sonata No. 2 BWV 526 for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 2 BWV 526 for String Trio
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jmsgu3
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SheetMusicPlus
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