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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
13130
PIANO & CLAVIERS
Piano seul
35385
Piano, Voix
34749
Piano, Voix et Guitare
12006
Piano Facile
10185
1 Piano, 4 mains
1184
Accompagnement Piano
798
Piano grosses notes
598
Piano Trio: piano, violon, violoncelle
538
2 Pianos, 4 mains
315
Orgue
244
Piano Quatuor: piano, violon, alto, violoncelle
241
Piano (partie séparée)
238
Instruments en Do
161
Piano Quintette: piano, 2 violons, alto, violoncelle
158
Piano Quatuor: piano, 2 violons, violoncelle
126
Orgue, Piano (duo)
56
1 Piano, 6 mains
32
Accordéon
23
Clavier
15
2 Pianos, 8 mains
13
Clavecin
8
Orgue, Trompette (duo)
3
Accordéon, Voix
2
Ligne De Mélodie, Piano
2
Accordéon, Corde(s)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
277
Piano, Guitare (duo)
122
Guitare notes et tablatures
121
Guitare
117
Mandoline, Piano (duo)
78
2 Guitares (duo)
38
Ukulele
31
Paroles et Accords
23
Basse electrique
15
Guitare (partie séparée)
12
4 Guitares (Quatuor)
9
Guitare, Violon, Violoncelle (trio)
5
Mandoline
4
3 Guitares (trio)
2
Dulcimer
2
2 Guitares et Orchestre
1
Guitare Pedal Steel
1
Banjo
1
2 Mandolines (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
2871
Chorale 2 parties
1854
Chorale 3 parties
1668
Voix duo, Piano
885
Chorale Unison
766
Voix seule
502
Chorale TTBB
371
Voix duo
313
Voix Soprano, Piano
298
Voix haute
283
Voix basse, Piano
193
Chorale SSAA
139
Voix moyenne, Piano
127
Voix Tenor, Piano
97
Chorale
87
Voix Alto, Piano
60
Voix Baryton, Piano
56
Voix Mezzo-Soprano, Piano
45
Voix Tenor
15
Voix Soprano
9
Chorale SSATTB
7
Soli, choeur mixte et accompagnement
6
Chorale SSATB
5
Voix basse
5
Chorale SSAB, Piano
4
Chorale SSAATTBB
4
Voix haute, Piano
4
Chorale SSAATB
3
Voix d'Enfants
3
Voix, Guitare
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
3884
Clarinette et Piano
2124
Hautbois, Piano (duo)
1838
Saxophone Alto et Piano
1772
Saxophone Tenor et Piano
1268
Saxophone Soprano et Piano
964
Clarinette
809
Saxophone Baryton, Piano
402
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
400
Quatuor de Saxophones: 4 saxophones
352
2 Saxophones (duo)
337
Cor anglais, Piano
331
Flûte, Hautbois, Clarinette, Basson
326
Flûte traversière
254
2 Flûtes traversières (duo)
231
2 Clarinettes (duo)
168
Quatuor de Clarinettes: 4 clarinettes
154
Quintette de Saxophone: 5 saxophones
153
Clarinette Basse, Piano
151
Flûte, Clarinette (duo)
124
Saxophone Alto
115
Saxophone (partie séparée)
103
2 Flûtes traversières, Piano
100
Flûte, Violon, Piano
80
3 Saxophones (trio)
76
Flûte à bec Soprano, Piano
76
Flûte à bec Alto, Piano
75
Flûte, Violoncelle, Piano (trio)
71
Quatuor de Flûtes : 4 flûtes
71
Saxophone
65
Flûte à bec Soprano
65
2 Hautbois (duo)
64
Flûte, Clarinette, Piano (trio)
60
3 Clarinettes (trio)
59
Flûte à Bec
58
2 Clarinettes, Piano
58
Flûte, Basson et Piano
56
Flûte et Guitare
56
Ensemble de Clarinettes
55
2 Saxophones, Piano
53
Saxophone Tenor
52
Hautbois (partie séparée)
50
Saxophone et Piano
49
Clarinette, Violon (duo)
46
Saxophone, Clarinette (duo)
44
Flûte à Bec, Piano
42
2 Flûte à bec (duo)
39
Flûte, Violon
38
Flûte à bec Alto
35
Piccolo, Piano
35
Clarinette, Violoncelle, Piano (trio)
34
Trio de Flûtes: 3 flûtes
32
Clarinette, Guitare (duo)
31
Quatuor de Flûtes à bec
30
Ensemble de Flûtes
29
Hautbois
29
Flûte à bec Tenor
28
Hautbois, Clarinette (duo)
27
Flûte, Hautbois, Piano (trio)
24
Clarinette, Basson, Piano (trio)
23
Ensemble de saxophones
23
Hautbois, Basson (duo)
22
Clarinette, Trompette (duo)
20
Quintette de Clarinettes: 5 clarinettes
20
3 Flûtes à bec (trio)
19
5 Flûtes à bec
19
Flûte, Hautbois (duo)
18
Flûte, Hautbois, Clarinette (trio)
17
Piccolo
17
Clarinette, Basson (duo)
16
Clarinette, Alto et Piano (trio)
15
Hautbois, Guitare (duo)
14
Ensemble De Flûte à bec
14
Clarinette et Alto
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Alto et Piano
14
Clarinette (partie séparée)
14
Flûte, Saxophone (duo)
13
Flûte, Violoncelle
13
Hautbois, Flûte
13
Flûte, Clarinette et Basson
13
Flûte, Violon, Violoncelle et Piano
13
Cor Anglais
13
Flûte, Alto (duo)
12
Harmonica, Piano
11
Flûte, trombone et piano
10
Saxophone Soprano
10
Flûte, Trompette (duo)
10
Hautbois, violon (duo)
9
Saxophone, Violon (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Clarinette, trompette et piano
9
Flûte, Hautbois, Basson
9
Hautbois, Violon, Piano
8
Saxophone Baryton
8
Flûte irlandaise
8
Flûte, Trombone (duo)
8
Saxophone et Orgue
7
Hautbois, Basson et Piano
7
Flute (partie séparée)
6
Clarinette, Violoncelle (duo)
6
2 Flûtes à bec, Piano
5
Hautbois, Violoncelle et Piano
4
2 Clarinettes, Basson
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Guitare (duo)
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Trombone (duo)
3
Harmonica
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
3
Hautbois, Violoncelle
3
Flûte, Violoncelle, Guitare
2
Flûte traversière, Orgue (duo)
2
2 Hautbois, Piano
2
Clarinette Basse
2
Flûte de Pan
2
Clarinette, Orgue
2
Flûte, Guitare, Piano
2
Flûte traversière, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orchestre
1
Instruments en Mib
1
Hautbois et Orchestre
1
Hautbois, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
Ocarina
1
Flûte à bec, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Harpe
1
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Clarinette, Tuba
1
Saxophone et Guitare
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
1498
Trombone et Piano
1434
Cor et Piano
1074
Tuba et Piano
509
Trompette
432
Euphonium, Piano (duo)
351
Cor anglais, Piano
331
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
236
Quatuor de Cuivres: 2 trompettes, Cor, trombone
128
2 Trompettes (duo)
110
Trombone
108
2 Trombones (duo)
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
Quatuor de Cuivres
82
Tuba
61
2 Cors (duo)
61
Trompette, Trombone (duo)
58
Trompette, Cor (duo)
56
Cor
51
Tuba et Orgue
37
Trompette (partie séparée)
37
Trombone basse et Piano
35
Trompette, Saxophone (duo)
32
Trombone (partie séparée)
30
Euphonium
24
2 Trompettes, Clavier (piano ou orgue)
24
Trompette, Trombone, Piano
20
Quatuor de cuivres: 4 trombones
16
3 Trombones (trio)
15
Quatuor de cuivres: 4 cors
14
Cor Anglais
13
Trio de Cuivres
12
Trompette, violon (duo)
11
Quatuor de cuivres: 2 trompettes, 2 trombones
10
2 Tubas (duo)
10
2 Trombones, Piano
9
Cor (partie séparée)
9
Trompette, Violoncelle et Piano
8
Ensemble de Trombones
7
3 Trompettes (trio)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
6
Euphonium, Tuba (duo)
5
4 Tubas
5
Trombone, Cor (duo)
5
Ensemble de Cors
4
Cor anglais, Guitare (duo)
3
2 Cors Anglais Et Pianoforte
3
Ensemble de Trompettes
3
2 Cors, Piano
3
2 Euphoniums (duo)
3
Trombone, Tuba (duo)
2
Cor, Violoncelle et Piano
2
Cor, Violoncelle (duo)
2
3 Cors (trio)
2
3 Tubas (trio)
2
Trombone, Orgue
2
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Cornet et Piano
1
Trombone, Violon (duo)
1
Instruments en Sib
1
Trompette, Basson (duo)
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Violon et Piano
4901
Violoncelle, Piano
3120
Alto, Piano
2234
Quatuor à cordes: 2 violons, alto, violoncelle
779
Contrebasse, Piano (duo)
470
Violon
428
Piano Trio: Violon, Alto, Piano
192
2 Violons (duo)
180
Quintette à cordes: 2 violons, alto, violoncelle, basse
171
2 Violoncelles (duo)
134
Alto seul
132
Violoncelle
130
Harpe
124
2 Altos (duo)
106
Violon, Violoncelle (duo)
102
Violoncelle (partie séparée)
95
Trio à Cordes: violon, alto, violoncelle
89
2 Violons, Piano
80
Violon, Alto (duo)
61
Contre Basse
45
Violon, Guitare (duo)
37
Trio à Cordes: 2 violons, violoncelle
31
Violon (partie séparée)
31
2 Violoncelles, Piano
30
Alto, Violoncelle (duo)
28
Alto (partie séparée)
26
4 Violoncelles
24
Violoncelle , Guitare (duo)
22
Violon, Clarinette, Piano (trio)
22
2 Altos, Piano
19
Contrebasse (partie séparée)
16
Trio à cordes: 3 violins
15
Harpe et Piano
15
Quatuor à cordes : 4 altos
13
Alto et Basson
12
2 Contrebasses (duo)
12
Quatuor à cordes: 4 violons
12
Trio à Cordes: 3 violoncelles
11
Alto, Guitare (duo)
11
Trio à Cordes: 2 violons, alto
10
Harpe, Flûte (duo)
10
Harpe, Violon (duo)
9
4 Contrebasses
8
Trio à cordes: 3 altos
8
2 Harpes (duo)
5
Violoncelle, Orgue
5
Violoncelle, Contrebasse (duo)
5
Violoncelle, Orchestre
4
Violon, Basse continue
4
Harpe et mandoline
4
Violon, Basson (duo)
3
Harpe, Voix
3
Alto, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Harpe
2
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Alto et orchestre
1
Violon, Trompette et Piano
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
659
Orchestre à Cordes
449
Ensemble Jazz
335
Orchestre d'harmonie
331
Orchestre de chambre
267
Cloches
193
Ensemble de cuivres
151
Jazz combo
96
Xylophone, Piano
37
Piano et Orchestre
27
Vibraphone
25
Marimba
24
Vibraphone (partie séparée)
24
Ensemble de Percussions
15
Percussion (partie séparée)
12
Marimba, Piano (duo)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Batterie
7
Xylophone
7
Batterie (partie séparée)
7
Ensemble d'École
7
Fanfare
5
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Percussion
2
Big band
1
2 Xylophones
1
Quintette à Vent
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
45
Papeterie
1
Vous avez sélectionné:
Piano Man
Orchestre de chambre
Partitions à imprimer
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251
Heinzelmannchens Wachtparade
Orchestre de chambre
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edit…
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
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Orchestre de chambre
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
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Orchestre de chambre
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
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Orchestre de chambre
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Gary Friedman
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Concerto for Trumpet and Orchestra
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Gary Friedman
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SheetMusicPlus
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus M…
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Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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James Strauss
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12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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James Strauss
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonatina 5 (Romanza)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.790379 Composed by L.v.Beeth…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.790379 Composed by L.v.Beethoven. Arranged by Maurizio Chiavaroli. Instructional,Romantic Period,Standards,World. Score and parts. 10 pages. Maurizio Chiavaroli #3477933. Published by Maurizio Chiavaroli (A0.790379). Arrangiamento per pianoforte e quintetto d'archi dell'ultimo movimento della Sonatina 5 di L.V.BeethovenArrangement for piano and string quintet of the last movement from the Sonatina 5 by L.V.Beethoven.
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Orchestre de chambre
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L
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Maurizio Chiavaroli
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Sonatina 5
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Maurizio Chiavaroli
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, piano part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.535418 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.535418 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 9 pages. Musik Fabrik Music Publishing #3037717. Published by Musik Fabrik Music Publishing (A0.535418). This is the piano part for this work by Carson Cooman
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Autumn Sun Canticle
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Autumn Sun Canticle
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ah vous dirai - je Maman (Young Ensembles)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang Amadeus Mozart. Arranged by Piotr Lachert. Children,Classical,Standards. Score and parts. 59 pages. CMP #3629153. Published by CMP (A0.896356). Instruments: Score, Fl 1, Fl 2, Trian, Mar, Xil 1, Xil 2, Guit. 1, Guit 2, Piano 1, Piano 2. (pf 4 Hands) (Orff's Instruments)Pages 52 (17+3+3+1+2+3+3+3+3+6+7).
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Piotr Lachert
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Ah vous dirai - je Maman
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CMP
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Jesus, Joy of Man's Desiring - Orchestra
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1266758 Composed by Johann S…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1266758 Composed by Johann Sebastian Bach. Arranged by Hyunsung Lee, Hyunsung Essie Lee. 19th Century,Christian,Classical,Religious,Sacred. Score and Parts. 38 pages. Hyunsung Essie Lee #859436. Published by Hyunsung Essie Lee (A0.1266758). Only $5.90 at essie-music.comClick Here to download at best price!Level : From Children to Advanced.It can be performed without Piano.
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Orchestre de chambre
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Johann Sebastian Bach
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Jesus, Joy of Man's Desiring - Orchestra
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Hyunsung Essie Lee
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet: Parts for strings (
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885851 Composed by Wolfgang …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.885851 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4330975. Published by Suomi Music (A0.885851). Set of parts for Twinkle, Twinkle, Little Star by Mozart arranged for piano quartet (violin, viola, cello, piano).Between 1781-1782 Mozart wrote 12 variations on the theme Ah vous dirai-je, Maman for piano. This publication by Violin Friends is an arrangement of his composition for a piano quartet. The individual parts can be played by a junior string orchestra or an intermediate level string trio, but the piano part requires an advanced player especially in the last variations.The arrangement gives the opportunity for school orchestras to perform the arrangement with 12 different piano students from beginner students to more advanced players.The parts include easily readable parts (with a big font size) for: Violin (6 pages), Viola (7 pages), Cello (6 pages).
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Lauri Hämäläinen
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12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet: Parts for strings
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Suomi Music
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SheetMusicPlus
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