Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Reason
Non classifié
28
Piano & claviers
Piano seul
31
Piano, Voix
2
1 Piano, 4 mains
1
Guitares
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare notes et tablatures
1
Voix
Voix haute
2
Chorale SATB
2
Voix basse, Piano
2
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Chorale TTBB
1
Chorale 3 parties
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière
2
Saxophone Tenor
1
Saxophone Soprano
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Saxophone Alto
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
2
Quatuor de Cuivres
2
Trombone
2
2 Trompettes (duo)
1
Cor
1
Trombone basse
1
Ensemble de Trombones
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon et Piano
3
Violon, Alto (duo)
2
Violoncelle, Piano
2
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
9
Orchestre
4
Orchestre à Cordes
3
Orchestre de chambre
2
Orchestre d'harmonie
2
Batterie
2
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
145
Librairie Musicale
11
Matériel de Musique
278
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Reason
expert
Partitions à imprimer
145 partitions trouvées
<
1
26
51
....
126
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
#
An-lun Huang
#
Rhapsody to the Rising sun ä
#
DoReMi Edition
#
SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoRe...
(+)
Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99 ≈
$41.87
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
#
An-lun Huang
#
Rhapsody to the Rising sun ä
#
DoReMi Edition
#
SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReM...
(+)
Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99 ≈
$27.91
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
$19.48
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
$19.48
O My Father—High-Range Vocal Solo and Piano
#
Musique Sacrée
#
Daniel Carter
#
Daniel Carter
#
O My Father—High-Range V
#
Daniel Carter
#
SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship...
(+)
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99 ≈
$6.97
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
$36.23
COME, NOW, AND LET US REASON TOGETHER
#
Piano, Voix
#
AVANCÉ
#
Musique Sacrée
#
Sonny Rios
#
#
COME, NOW, AND LET US REASON T
#
Sonny Rios
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.962910 Composed by Sonny Rios. Christian,Classical,Praise & Worship,Sacred. Score. 5 pages. Sonny Rios #4277115. P...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.962910 Composed by Sonny Rios. Christian,Classical,Praise & Worship,Sacred. Score. 5 pages. Sonny Rios #4277115. Published by Sonny Rios (A0.962910). COME, NOW, AND LET US REASON TOGETHER: Another religious classical genre song by Sonny Rios for solo Medium-High Voice. This song was dedicated to his father, E.L. Rios. The lyrics are taken from biblical accounts found in both Isaiah 1:18, where God pleads with His people, and Matthew 11:28-30, where Christ offers rest to His people. The song is in English and has a range of F4-F5. The song may be sung in Christian church services and religious or classical concerts, as well as UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99 ≈
$8.36
The Honored Dead
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
John Philip Sousa
#
Matthew Nunes
#
The Honored Dead
#
Matthew Nunes Music
#
SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.516045 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,Mar...
(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.516045 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #126729. Published by Matthew Nunes Music (A0.516045). Used during funerals for President U.S. Grant and Sousa, though the reason for its origin is unknown. This was the first march I arranged for brass quintet, November 2021. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Honored Dead was composed in 1876, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 1, No. 2.
$1.99 ≈
$2.78
The Man Behind the Gun
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
John Philip Sousa
#
Matthew Nunes
#
The Man Behind the Gun
#
Matthew Nunes Music
#
SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1285482 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Ch...
(+)
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1285482 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #876587. Published by Matthew Nunes Music (A0.1285482). The Spanish War had a profound effect on Sousa, as did military life, evidenced in his march titles. Sousa is quoted as saying “A composition in march tempo must have the military instinct, and that is one reason why so few of the great composers have written successful marches. They lived in an atmosphere of peace. The roll of musketry had no meaning for them, so that quality is entirely absent from their work. The Spanish War was an inspiration to me. “The Man Behind the Gun†was a musical echo of it.â€Â This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Man Behind the Gun was composed in 1899, and the referenced edition was made Public Domain in 2018. The piece is catalogued as Volume 4, No. 57.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99 ≈
$2.78
Introduction, Theme and Variations
#
Gioachino Rossini
#
Sean Brennan
#
#
Introduction, Theme and Variat
#
bl_music
#
SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
(+)
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99 ≈
$26.51
Joy to the World
#
Chorale TTBB
#
AVANCÉ
#
Lowell Mason
#
Kevin Robison
#
Joy to the World
#
Kevin Robison Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.891556 Composed by Lowell Mason. Arranged by Kevin Robison. Christmas,Contemporary,Hanukkah,Pop. Octavo. 12 page...
(+)
Choral Choir (TTBB) - Level 5 - SKU: A0.891556 Composed by Lowell Mason. Arranged by Kevin Robison. Christmas,Contemporary,Hanukkah,Pop. Octavo. 12 pages. Kevin Robison Music #3223577. Published by Kevin Robison Music (A0.891556). One of Robison’s more innovative arrangements. The text has been made secular for this setting that includes an original bridge by the arranger with the text: No matter how you celebrate or what the reason, it’s time to wipe away the hate. It is the season. There’s love in every human heart. It may be locked away, but open up and we will soon say Peace rules the world… The progressive harmony arrangement delivers with a stirring and inspiring conclusion. Perfect for ending a holiday concert!
$2.00 ≈
$2.79
James Scott : You Are The Reason (niveau difficile, sax alto)
#
Saxophone Alto
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax alto) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax alto) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
James Scott : You Are The Reason (niveau difficile, sax ténor)
#
Saxophone Tenor
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax tenor) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax tenor) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
James Scott : You Are The Reason (niveau difficile)
#
Flûte traversière
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Flûte You Are The Reason (niveau difficile) de Scott. Partition pour Flûte avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Flûte You Are The Reason (niveau difficile) de Scott. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
Hoobastank : The Reason (niveau difficile)
#
Batterie
#
AVANCÉ
#
Rock
#
Pop musique
#
Hoobastank
#
The Reason
#
Tomplay
Telechargez la partition Batterie The Reason (niveau difficile) de Hoobastank. Partition avec audio Play Along. Pop/rock...
(+)
Telechargez la partition Batterie The Reason (niveau difficile) de Hoobastank. Partition avec audio Play Along. Pop/rock
5.99€ ≈
$8.89
James Scott : You Are The Reason (niveau difficile, sax soprano)
#
Saxophone Soprano
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax soprano) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax soprano) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
James Scott : You Are The Reason (niveau difficile)
#
Trompette
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Trompette You Are The Reason (niveau difficile) de Scott. Partition pour Trompette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Trompette You Are The Reason (niveau difficile) de Scott. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
James Scott : You Are The Reason (niveau difficile)
#
Trombone
#
AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Trombone You Are The Reason (niveau difficile) de Scott. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Trombone You Are The Reason (niveau difficile) de Scott. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.89
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Noël
#
Franz Liszt
#
Ray Thompson
#
Liszt: Weihnachtsbaum
#
RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sac...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sacred. 19 pages. RayThompsonMusic #3371795. Published by RayThompsonMusic (A0.553634). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is No 4. Adeste Fideles (O come all ye Faithful) Arranged for wind dectet: a somewhat different version than the usual carol. with additional instruments (clarinet and bass clarinet as optional alternatives for one of the oboes and one of the bassoons.Transposed from the original key of A into Bb to make it easier to perform
$9.95 ≈
$13.89
The Downed Dragon
#
Piano seul
#
AVANCÉ
#
Various
#
Anja Goller
#
The Downed Dragon
#
Anja Goller
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1454979 By Various. By John Powell. Arranged by Anja Goller. 21st Century,Celtic,Film/TV,Irish. Score. 4 pages. Anja Goll...
(+)
Piano Solo - Level 5 - SKU: A0.1454979 By Various. By John Powell. Arranged by Anja Goller. 21st Century,Celtic,Film/TV,Irish. Score. 4 pages. Anja Goller #1034052. Published by Anja Goller (A0.1454979). This is a piano reduction of The Downed Dragon from the epic soundtrack to the How To Train Your Dragon movie by John Powell.I tried to include as much of the orchestra as possible. The transcription of the glissando clusters was a bit of a challenge, as the piano doesn't allow this at all. This is also the reason why this arrangement is marked as advances although the rest is not that hard to play.This arrangement has been done with the help of the original score.
$4.99 ≈
$6.97
Making the Darkness Conscious
#
Saxophone Tenor et Piano
#
AVANCÉ
#
the end of the piece, the solo
#
Brett L
#
Making the Darkness Conscious
#
Sonata Grendel Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 3...
(+)
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95 ≈
$20.87
Reason Of Affliction
#
Piano seul
#
AVANCÉ
#
Edigles Guedes
#
Reason Of Affliction
#
Edigles Guedes
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1001126 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #60654...
(+)
Piano Solo - Level 5 - SKU: A0.1001126 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #6065459. Published by Edigles Guedes (A0.1001126). It is a composition study. It is suitable for students of the advanced piano level. Work duration: 6:10 min. Inspired by the biblical verse: Mine eye mourneth by reason of affliction: LORD, I have called daily upon thee, I have stretched out my hands unto thee. (Psalm 88: 9).
$1.99 ≈
$2.78
Give Me a Reason to Stay
#
Bill Robertson, Osso String En
#
Stephen Barnett
#
Give Me a Reason to Stay
#
Stephen Matthew Barnett Music
#
SheetMusicPlus
Autoharp,Cello,Drums,Piano,Viola,Violin,Voice - Level 5 - SKU: A0.1307644 By Bill Robertson, Osso String Ensemble, Stephen Barnett, and Tania Taylor Pow...
(+)
Autoharp,Cello,Drums,Piano,Viola,Violin,Voice - Level 5 - SKU: A0.1307644 By Bill Robertson, Osso String Ensemble, Stephen Barnett, and Tania Taylor Powers. By Matthew Stevens and Stephen Matthew Barnett. Arranged by Stephen Barnett. Broadway,Contemporary,Musical/Show,Pop,Rock. Full Performance. Duration 279. Stephen Matthew Barnett Music #896905. Published by Stephen Matthew Barnett Music (A0.1307644). From the song cycle “Adultolescence,†produced in 2013 in New York City, NY.
$1.99 ≈
$2.78
Elegy for the Lost
#
Orchestre à Cordes
#
AVANCÉ
#
Gary D
#
Elegy for the Lost
#
DR GARY D BELSHAW
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.796774 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW ...
(+)
String Orchestra - Level 5 - SKU: A0.796774 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW #6437933. Published by DR GARY D BELSHAW (A0.796774). Advanced. FULL SCORE. For String Orchestra. Parts available separately. Duration: 7 minutes. A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years LaterHONORABLE MENTION: PARMA Recordings, Call for Scores, Fall 2020.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$15.00 ≈
$20.94
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Reason
