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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A DISTANT STAR
Non classifié
7
Piano & claviers
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15
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8
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3
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1
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Retracter
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Clarinette Basse
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Retracter
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1
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Retracter
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11
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▽ INSTRUMENTS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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Crtitères actifs :
A DISTANT STAR
Partitions à imprimer
125 partitions trouvées
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101
A DISTANT STAR (G Maj) PDF 2021
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Fancis Osentowski DMA
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A DISTANT STAR
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Francis Osentowski
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.953861 Composed by Fancis Osentowski DMA. Christian,Christmas,Praise & Worship,Sacred. Octavo. 4 pages. Francis Os...
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Choral Choir (SA) - Level 2 - SKU: A0.953861 Composed by Fancis Osentowski DMA. Christian,Christmas,Praise & Worship,Sacred. Octavo. 4 pages. Francis Osentowski #6198153. Published by Francis Osentowski (A0.953861). A DISTANT STAR (Updated 2021) is a Christmas Carol for KB and Soprano/Alto voices in two parts. It was composed with young voices in mind...but can be performed by more mature choral groups. It is perfect for small church/or school groups.
$1.99 ≈
$2.78
A Distant Star in the Stillness (Grade 5, list C3, from the ABRSM Piano Syllabus 2023 and 2024)
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Piano seul
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INTERMÉDIAIRE
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Examen
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Classique
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David A T Önaç
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A Distant Star in the Stillnes
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ABRSM
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SheetMusicPlus
Composed by David A T Önaç. This edition: scorch. Classical. Score. 2 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_23_G5_C3. Publi...
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Composed by David A T Önaç. This edition: scorch. Classical. Score. 2 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_23_G5_C3. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.99 ≈
$4.17
Twinkle Twinkle Little Star - Easy Piano
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Piano Facile
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DÉBUTANT
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Traditional
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Glauco Fernandes
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Twinkle Twinkle Little Star -
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Glauco Fernandes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1411271 Composed by Traditional. Arranged by Glauco Fernandes. Children,Instructional,Traditional. Score. 1 pages. Glauco...
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Easy Piano - Level 1 - SKU: A0.1411271 Composed by Traditional. Arranged by Glauco Fernandes. Children,Instructional,Traditional. Score. 1 pages. Glauco Fernandes #993607. Published by Glauco Fernandes (A0.1411271). Discover the magic of playing “Twinkle Twinkle Little Star†on the piano! This beginner’s sheet music is the perfect introduction to the enchanting world of music, allowing pianists of all ages to learn and delight in one of the most beloved and recognizable melodies of all time.Our version of “Twinkle Twinkle Little Star†has been carefully adapted to ensure a smooth and rewarding learning experience. Ideal for beginners, this sheet music makes reading and playing easy, turning piano practice into pure joy from the start.Moreover, this piece is more than just a song; it’s a gateway to musical development. Learning to play “Twinkle Twinkle Little Star†not only reinforces the understanding of fundamental piano concepts, such as notes, rhythm, and coordination but also inspires confidence in young musicians, preparing them to explore more challenging pieces in the future.Don’t miss the chance to add “Twinkle Twinkle Little Star†to your repertoire. Purchase your copy today and start the journey that will turn distant stars into notes at your fingertips!Tags: beginner sheet music, learning piano, easy piano music, Twinkle Twinkle Little Star piano, musical initiation, musical development, music education, piano practice, music for children, piano for beginners.
$1.99 ≈
$2.78
Lullaby From A Distant Star (31-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Richard L
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Lullaby From A Distant Star
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Piano - Level 3 - SKU: HX.179584 Composed by Richard L. Saucedo. Contest,Festival. Individual instrument part. 2 pages. Duration 230. Hal L...
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Concert band Piano - Level 3 - SKU: HX.179584 Composed by Richard L. Saucedo. Contest,Festival. Individual instrument part. 2 pages. Duration 230. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.179584).
Digital Pack includes
:
Lullaby From A Distant Star - Conductor Score (Full Score)
Lullaby From A Distant Star - Piccolo
Lullaby From A Distant Star - Flute 1
Lullaby From A Distant Star - Flute 2
Lullaby From A Distant Star - Oboe
Lullaby From A Distant Star - Bassoon
Lullaby From A Distant Star - Bb Clarinet 1
Lullaby From A Distant Star - Bb Clarinet 2
Lullaby From A Distant Star - Bb Clarinet 3
Lullaby From A Distant Star - Bb Bass Clarinet
Lullaby From A Distant Star - Eb Alto Saxophone 1
Lullaby From A Distant Star - Eb Alto Saxophone 2
Lullaby From A Distant Star - Bb Tenor Saxophone
Lullaby From A Distant Star - Eb Baritone Saxophone
Lullaby From A Distant Star - Bb Trumpet 1
Lullaby From A Distant Star - Bb Trumpet 2
Lullaby From A Distant Star - Bb Trumpet 3
Lullaby From A Distant Star - F Horn 1
Lullaby From A Distant Star - F Horn 2
Lullaby From A Distant Star - Trombone 1
Lullaby From A Distant Star - Trombone 2
Lullaby From A Distant Star - Baritone B.C.
Lullaby From A Distant Star - Baritone T.C.
Lullaby From A Distant Star - Tuba
Lullaby From A Distant Star - String Bass
Lullaby From A Distant Star - Percussion 1
Lullaby From A Distant Star - Percussion 2
Lullaby From A Distant Star - Percussion 3
Lullaby From A Distant Star - Percussion 4
Lullaby From A Distant Star - Timpani
Lullaby From A Distant Star - Piano
$65.00 ≈
$90.72
evening star I
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Chorale 3 parties
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DÉBUTANT
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Contemporain
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Dirtsa Givlof
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evening star I
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Dirtsa Givlof
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SheetMusicPlus
Choral Choir (3-Part) - Level 1 - SKU: A0.1074252 Composed by Dirtsa Givlof. Contemporary. Octavo. 6 pages. Dirtsa Givlof #678542. Published by Dirtsa G...
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Choral Choir (3-Part) - Level 1 - SKU: A0.1074252 Composed by Dirtsa Givlof. Contemporary. Octavo. 6 pages. Dirtsa Givlof #678542. Published by Dirtsa Givlof (A0.1074252). LYRICS It's on this ship I'm sailing, where none has gone before Where newborn foam is breaking upon a distant shore Darkness it surrounds me, heavy is the sky Paint a path to Heaven, be my guiding light Though I cannot see what is ahead please light the way and set my compass right! Evening star...will light up the night.
$5.00 ≈
$6.98
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
$3.70
A Distant Star
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Piano Facile
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New Age
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Contemporain
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Kevin George
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A Distant Star
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Kevin George
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SheetMusicPlus
Easy Piano - SKU: A0.1023120 Composed by Kevin George. 20th Century,Contemporary,New Age. Score. 4 pages. Kevin George #4626483. Published by Kevin Geor...
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Easy Piano - SKU: A0.1023120 Composed by Kevin George. 20th Century,Contemporary,New Age. Score. 4 pages. Kevin George #4626483. Published by Kevin George (A0.1023120). Solo Piano.
$3.99 ≈
$5.57
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richa...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00 ≈
$13.96
In a Far Distant Clime I Have Left A Sweet Rose
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Piano, Voix
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James Hewitt
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Composed by James Hewitt
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In a Far Distant Clime I Have
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.1264 Composed by James Hewitt. Courtship, Love, Symbols, Flowers. Lester S. Levy Collection. 2 pages. Published by Johns Hopki...
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Piano and voice - SKU: LV.1264 Composed by James Hewitt. Courtship, Love, Symbols, Flowers. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1264). In a Far Distant Clime I Have Left A Sweet Rose. Written by R.T. Spence, Esqr.; Composed by James Hewitt. Published [n.d.] by J. Hewitt's Musical Repository & Library, No. 59 Maiden Ln. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Symbols, Flowers. First line reads In a far distant clime I have left a sweet Rose.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.36
Carson Cooman: Distant Glittering Orbs (2003) for solo alto flute
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Trio de Flûtes: 3 flûtes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Distant Glitter
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.533636 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music ...
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.533636 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3034041. Published by Musik Fabrik Music Publishing (A0.533636). Distant Glittering Orbs (2003) for solo alto flute was commissioned by Frederick Butler andwas written for and dedicated to flutist Laurel Ann Maurer whose brilliant playing was fullyin mind during the composition.The title of the work provides the poetic image behind its conception -- imagining interstellarobjects (suns, stars, planets) existing just outside of our field of clear vision. It is an intimatepiece, yet exploring a conception of the far reaching beyond -- making use of the alto flute'sdistinct timbre.The opening section of the work is slow and flexible -- with a series of expanding and freerangingchromatic gestures, exploring and augmenting sets of notes. A faster section occursnext -- marked glittering spirals -- consisting of sweeping gestures. A return to the originalmood follows, and a simpler lyric melody emerges in a straightforward fashion (coming outof all the earlier chromatic excursions.) Finally, a few spirals from the faster music interjectbefore an intimate and reposed coda concludes the piece.
$9.10 ≈
$12.70
The Distant Shore Waltz on Arthur Sullivan's Popular Song. Suites de valses
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Piano seul
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Charles D'Albert
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Charles D'Albert
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The Distant Shore Waltz on Art
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.7897 Composed by Charles D'Albert. Portraits, Beaches, Moonlight, Dreaming, Porches. Lester S. Levy Collection. 9 pages. Published by Jo...
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Piano - SKU: LV.7897 Composed by Charles D'Albert. Portraits, Beaches, Moonlight, Dreaming, Porches. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7897). The Distant Shore Waltz on Arthur Sullivan's Popular Song. Suites de valses. By Charles D'Albert. Published [n.d.] by Chappell & Co., 50 New Bond St. W. in London. Composition of introduction, seven sectional waltzes, and finale with piano instrumentation. Subject headings for this piece include Portraits, Beaches, Moonlight, Dreaming, Porches. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.36
When Wakes the Sun at Early Dawn. A Favorite Alpine Melody
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Piano, Voix
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Mr
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When Wakes the Sun at Early Da
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.2891 Composed by Mr. Watson. Country life, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins Uni...
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Piano and voice - SKU: LV.2891 Composed by Mr. Watson. Country life, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2891). When Wakes the Sun at Early Dawn. A Favorite Alpine Melody. Words by Moncrieff. Music by Mr. Watson. Published 1835 by Firth & Hall, 1 Franklin Sqr. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Country life, Courtship, Love. First line reads When wakes the sun at early dawn, then from his distant cottage home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.36
The Greatest Frontier
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Orchestre d'harmonie
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AVANCÉ
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Zack Richards
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The Greatest Frontier
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Zack Richards
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677...
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Concert Band - Level 5 - SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677. Published by Zack Richards (A0.894397). Throughout my youth, I was highly influenced by Science Fiction, especially Star Trek: The Next Generation. It inspired me from a creative, musical, and human perspective and was a large factor in most of my current views of the world in which we all live. This work is largely inspired by that show as well as other Star Trek shows and movies. The title is inspired by the idea of space, called the final frontier throughout Star Trek. The first melody pulls many aspects from the The Original Series, including the opening interval of a minor 7th, the rhythmic use of triplets, and the chromatic intervals in the second half of the melody. It sits over quartal harmonies which help create the open spacey sound. The countermelody introduced by the Oboe in measure 13 is inspired intervalically and rhythmically by the 2009 Star Trek reboot movie theme. These 2 melodies are used in various ways from start to finish, sometimes rhythmically diminished, sometimes just as a motif passed from one instrument to another. Every section has a moment to shine like a distant star in this fun sci-fi inspired piece.
$59.99 ≈
$83.73
David A T Önaç: A Distant Star in the Stillness (Grade 5, list C3, from the ABRSM Piano Syllabus 2023 & 2024) - piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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David A T Ãâna&Ati
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Virtualsheetmusic
Instantly printable sheet music by David A T Önaç for piano solo of MEDIUM skill level. / classical
Instantly printable sheet music by David A T Önaç for piano solo of MEDIUM skill level. / classical
$3.97 ≈
$5.54
The Empire Strikes Back (Finale): Piccolo
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Orchestre d'harmonie
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John Williams
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Jack Bullock
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The Empire Strikes Back
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002296_P1 Piccolo. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0002296_P1 Piccolo. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002296_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002296_P1). UPC: 029156603071.We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: Star Wars (Main Theme), The Imperial March (Darth Vader's Theme), Yoda's Theme, Han Solo and the Princess, and May The Force Be With You. Thoroughly entertaining! (duration 6:39).
$3.00 ≈
$4.19
The Empire Strikes Back (Finale): 2nd Oboe
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Orchestre d'harmonie
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Methodes
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John Williams
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Jack Bullock
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The Empire Strikes Back
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002296_O2 2nd Oboe. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music...
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Concert Band - SKU: AX.00-PC-0002296_O2 2nd Oboe. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002296_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002296_O2). UPC: 029156603071.We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: Star Wars (Main Theme), The Imperial March (Darth Vader's Theme), Yoda's Theme, Han Solo and the Princess, and May The Force Be With You. Thoroughly entertaining! (duration 6:39).
$3.00 ≈
$4.19
The Empire Strikes Back (Finale): 2nd Flute
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Orchestre d'harmonie
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Methodes
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John Williams
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Jack Bullock
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The Empire Strikes Back
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002296_F2 2nd Flute. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Musi...
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Concert Band - SKU: AX.00-PC-0002296_F2 2nd Flute. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002296_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002296_F2). UPC: 029156603071.We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: Star Wars (Main Theme), The Imperial March (Darth Vader's Theme), Yoda's Theme, Han Solo and the Princess, and May The Force Be With You. Thoroughly entertaining! (duration 6:39).
$3.00 ≈
$4.19
The Empire Strikes Back (Finale): Oboe
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Orchestre d'harmonie
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Methodes
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John Williams
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Jack Bullock
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The Empire Strikes Back
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002296_O1 Oboe. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - D...
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Concert Band - SKU: AX.00-PC-0002296_O1 Oboe. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002296_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002296_O1). UPC: 029156603071.We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: Star Wars (Main Theme), The Imperial March (Darth Vader's Theme), Yoda's Theme, Han Solo and the Princess, and May The Force Be With You. Thoroughly entertaining! (duration 6:39).
$3.00 ≈
$4.19
The Empire Strikes Back (Finale): Flute
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Orchestre d'harmonie
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Methodes
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John Williams
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Jack Bullock
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The Empire Strikes Back
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002296_F1 Flute. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - ...
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Concert Band - SKU: AX.00-PC-0002296_F1 Flute. Composed by John Williams. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002296_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002296_F1). UPC: 029156603071.We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: Star Wars (Main Theme), The Imperial March (Darth Vader's Theme), Yoda's Theme, Han Solo and the Princess, and May The Force Be With You. Thoroughly entertaining! (duration 6:39).
$3.00 ≈
$4.19
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
$11.17
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
$11.17
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,S...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95 ≈
$45.99
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
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