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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Violoncelle, Piano
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Orchestre à Cordes
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Anne Warin
Partitions à imprimer
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
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David Warin Solomons
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Litany to the Holy Spirit (sung by the Johannebergs Vokalensemble) (mp3)
Choir - Digital Download SKU: A0.1059535 Composed by David Warin Solomons. 20th Cen…
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Choir - Digital Download SKU: A0.1059535 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Full Performance. Duration 388. David Warin Solomons #3408961. Published by David Warin Solomons (A0.1059535). Score:https://www.sheetmusicplus.com/title/19977368?aff_id=175705Litany to the Holy Spirit is a setting of the whole of Robert Herrick's poem by that name
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David Warin Solomons
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Litany to the Holy Spirit
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for wind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.580158 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.580158 Composed by Johann Sebastian Bach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Easter,Sacred. 28 pages. David Warin Solomons #3577643. Published by David Warin Solomons (A0.580158). This instrumental arrangement of the 11 Chorales of the St John Passion is a transcription from the original (transposed for certain ones), with numbers indicating where they appear in the work.
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Flûte, Hautbois, Clarinette, Basson
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for recorder quartet
Quatuor de Flûtes à bec
Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download …
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Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.580161 Composed by Johann Sebastian Bach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Easter,Sacred. Score and parts. 28 pages. David Warin Solomons #3578053. Published by David Warin Solomons (A0.580161). This instrumental arrangement of the 11 Chorales of the St John Passion is a transcription from the original (transposed for certain ones), with numbers indicating where they appear in the work.
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Quatuor de Flûtes à bec
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroq…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroque, Christian, Classical, Easter, Sacred. Score and parts. 28 pages. David Warin Solomons #3577709. Published by David Warin Solomons
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
Eidolons for clarinet quartet in memory of Johannes Brahms
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.958526…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.958526 Composed by Joseph Dillon Ford. 20th Century,Contemporary. 35 pages. David Warin Solomons2 #3872953. Published by David Warin Solomons2 (A0.958526). The pdf file contains the score and parts
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Quatuor de Clarinettes: 4 clarinettes
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Joseph Dillon Ford
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Eidolons for clarinet quartet in memory of Johannes Brahms
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David Warin Solomons2
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SheetMusicPlus
La Perdriole (Au premier mois de l'année) (mp3)
Alto Voice - Digital Download SKU: A0.1060068 Composed by Traditional. Arranged by …
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Alto Voice - Digital Download SKU: A0.1060068 Composed by Traditional. Arranged by David Warin Solomons. Folk,World. Full Performance. Duration 298. David Warin Solomons #5871249. Published by David Warin Solomons (A0.1060068). Performed by David Warin Solomons (alto)
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Traditional
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David Warin Solomons
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La Perdriole
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for flute quartet (3 flutes and alto flute)
Quatuor de Flûtes : 4 flûtes
Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroque P…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroque Period, Christian, Sacred, Praise & Worship, Lent. Score, Set of Parts. 28 pages. Published by David Warin Solomons (S0.390275). - Score,Set of Parts - Baroque Period,Christian,Sacred,Praise & Worship,Lent - David Warin Solomons
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Quatuor de Flûtes : 4 flûtes
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for saxophone quartet
Quatuor de Saxophones: 4 saxophones
Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Classical…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Classical Period, Baroque Period, Christian, General Worship, Lent. Score, Set of Parts. 28 pages. Published by David Warin Solomons (S0.390819). - Score,Set of Parts - Classical Period,Baroque Period,Christian,General Worship,Lent - David Warin Solomons
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
Chorales from the Johannes-Passion (St John Passion) for flute and piccolo quartet (piccolo, 2 flutes and alto flute)
Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroque P…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by David Warin Solomons. Baroque Period, Renaissance, Christian, Praise & Worship, Lent. Score, Set of Parts. 28 pages. Published by David Warin Solomons (S0.390271). - Score,Set of Parts - Baroque Period,Renaissance,Christian,Praise & Worship,Lent - David Warin Solomons
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Johann Sebastian Bach
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David Warin Solomons
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Chorales from the Johannes-Passion
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David Warin Solomons
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SheetMusicPlus
In Heavenly Love Abiding
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.848488 Composed by Anne Wa…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.848488 Composed by Anne Waring. Arranged by Gene Roberson. 20th Century,Folk,Sacred. Octavo. 9 pages. Gene Roberson #3011451. Published by Gene Roberson (A0.848488). Here is a new arrangement of a beautiful Swedish Traditional Folk song with the lyrics by a nineteenth century writer Anne Waring. You will enjoy the change of keys and interesting choral harmony. A must for your choral church library.
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Chorale SATB
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Anne Waring
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Gene Roberson
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In Heavenly Love Abiding
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Gene Roberson
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SheetMusicPlus
Sapphic Ode for cor anglais and guitar
Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period…
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Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period, Classical Period. Sheet Music Single. 2 pages. Published by David Warin Solomons (S0.113957). - Sheet Music Single - Romantic Period,Classical Period - David Warin Solomons
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Johannes Brahms
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David Warin Solomons
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Sapphic Ode for cor anglais and guitar
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David Warin Solomons
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SheetMusicPlus
When Mary to the temple went (Maria wallt zum Heiligtum) for saxophone sextet
Quatuor de Saxophones: 4 saxophones
Composed by Johannes Eccard. Arranged by David Warin Solomons. Classical Period, Baroque P…
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Composed by Johannes Eccard. Arranged by David Warin Solomons. Classical Period, Baroque Period, Christian, General Worship, Christmas. Score, Set of Parts. 9 pages. Published by David Warin Solomons (S0.191575). - Score,Set of Parts - Classical Period,Baroque Period,Christian,General Worship,Christmas - David Warin Solomons
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Quatuor de Saxophones: 4 saxophones
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Johannes Eccard
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David Warin Solomons
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When Mary to the temple went
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David Warin Solomons
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SheetMusicPlus
Wie Melodien for low voice and piano
Voix basse, Piano
Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period…
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Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period. Sheet Music Single. 3 pages. Published by David Warin Solomons (S0.52893). - Sheet Music Single - Romantic Period - David Warin Solomons
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Voix basse, Piano
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Johannes Brahms
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David Warin Solomons
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Wie Melodien for low voice and piano
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David Warin Solomons
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SheetMusicPlus
Wie lieblich sind deine Wohnungen (How lovely is Thy dwelling place) for wind quartet and organ
Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period…
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Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period, Christian, General Worship. Score, Set of Parts. 36 pages. Published by David Warin Solomons (S0.372919). - Score,Set of Parts - Romantic Period,Christian,General Worship - David Warin Solomons
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Johannes Brahms
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David Warin Solomons
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Wie lieblich sind deine Wohnungen
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David Warin Solomons
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SheetMusicPlus
Sapphic Ode for clarinet and guitar
Clarinette, Guitare (duo)
Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period…
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Composed by Johannes Brahms (1833-1897). Arranged by David Warin Solomons. Romantic Period. Sheet Music Single. 2 pages. Published by David Warin Solomons (S0.44201). - Sheet Music Single - Romantic Period - David Warin Solomons
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Clarinette, Guitare (duo)
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Johannes Brahms
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David Warin Solomons
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Sapphic Ode for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
25 Arrangements for flute and classical guitar
Flûte et Guitare
Composed by Traditional, Franz Schubert, William Byrd, Thomas Morley, Henry Purcell, …
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Composed by Traditional, Franz Schubert, William Byrd, Thomas Morley, Henry Purcell, Johannes Brahms, Stephen Collins Foster, Thomas Moore, Philip Rosseter, Robert Jones. Arranged by David Warin Solomons. 20th Century, Romantic Period, Classical Period, Baroque Period. Score, Set of Parts. 163 pages. Published by David Warin Solomons
These works are all also available separately on this site, but if you are interested in acquiring this album, it will afford you a very big discount.All pieces are arranged by David Warin Solomons and the scores and parts are all provided in the pdf.The sound sample is Lass of Richmond Hill (advanced version) electronic preview.The pieces are as follows:Lass of Richmond Hill (advanced version)Lass of Richmond Hill (simple version)Love's God is a Boy (Jones)Sapphic Ode (Brahms)O du Fröhliche (O sanctissima)Dansons mais sans oublier (based on a Haitian lullaby)When Laura Smiles (Philip Rosseter)To the Maypole haste away (including an extended version)Beautiful dreamer (Stephen Foster)Believe me if all those ndearing young charms (Thomas Moore)Cradle Song (William Byrd)Davy oy vey Davy (a harmonic minor version of Davy Davy Knick Knack)Nobody's JiggBailero (from Songs of the Auvergne)Ound Onoren (from Songs of the Auvergne)L'aio de rotso (from Songs of the Auvergne)The Entertainer (Scott Joplin)Polly Wolly DoodleAn die Musik (Schubert)Dido's Lament (Purcell)Es ist ein Ros Entsprungen (after Praetorius)If music be the food of love (Purcell)It was a lover and his lass (Morley)Nymphs and Shepherds (Purcell)What shall I do (Purcell).These works are all also available separately on this site, but if you are interested in acquiring this album, it will afford you a very big discount.All pieces are arranged by David Warin Solomons and the scores and parts are all provided in the pdf.The sound sample is Lass of Richmond Hill (advanced version) electronic preview.The pieces are as follows:Lass of Richmond Hill (advanced version)Lass of Richmond Hill (simple version)Love's God is a Boy (Jones)Sapphic Ode (Brahms)O du Fröhliche (O sanctissima)Dansons mais sans oublier (based on a Haitian lullaby)When Laura Smiles (Philip Rosseter)To the Maypole haste away (including an extended version)Beautiful dreamer (Stephen Foster)Believe me if all those ndearing young charms (Thomas Moore)Cradle Song (William Byrd)Davy oy vey Davy (a harmonic minor version of Davy Davy Knick Knack)Nobody's JiggBailero (from Songs of the Auvergne)Ound Onoren (from Songs of the Auvergne)L'aio de rotso (from Songs of the Auvergne)The Entertainer (Scott Joplin)Polly Wolly DoodleAn die Musik (Schubert)Dido's Lament (Purcell)Es ist ein Ros Entsprungen (after Praetorius)If music be the food of love (Purcell)It was a lover and his lass (Morley)Nymphs and Shepherds (Purcell)What shall I do (Purcell).
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Flûte et Guitare
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Traditional, Franz Schubert, William Byrd, Thomas Morley, Henry Purcell, Johannes Brahms, Stephen Collins Foster, Thomas Moore, Philip Rosseter, Robert Jones
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David Warin Solomons
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25 Arrangements for flute and classical guitar
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David Warin Solomons
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGEThe pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Rose for tenor or soprano and piano
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577244 Composed by David…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577244 Composed by David Warin Solomons. 20th Century. 2 pages. David Warin Solomons #3369967. Published by David Warin Solomons (A0.577244). I first heard of this poem through our local bell ringer (at St Anne's in Sale), Peter Lomax, who wrote, in 1998:
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Voix haute
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David Warin Solomons
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Rose for tenor or soprano and piano
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David Warin Solomons
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SheetMusicPlus
Rose for alto or baritone and strings
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.579738 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.579738 Composed by David Warin Solomons. 20th Century. Score and parts. 10 pages. David Warin Solomons #3369733. Published by David Warin Solomons (A0.579738). I first heard of this poem through our local bell ringer (at St Anne's in Sale), Peter Lomax, who wrote, in 1998:
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Warin Solomons
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Rose for alto or baritone and strings
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David Warin Solomons
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SheetMusicPlus
Rose for tenor or soprano and strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.578732 Composed by David Wari…
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String Orchestra - Level 3 - Digital Download SKU: A0.578732 Composed by David Warin Solomons. 20th Century. Score and parts. 12 pages. David Warin Solomons #3369965. Published by David Warin Solomons (A0.578732). I first heard of this poem through our local bell ringer (at St Anne's in Sale), Peter Lomax, who wrote, in 1998:
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Orchestre à Cordes
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David Warin Solomons
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Rose for tenor or soprano and strings
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David Warin Solomons
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SheetMusicPlus
The Storm for choir
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!
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Chorale SATB
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Roland Rogers
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David Warin Solomons
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- Miserere Domine
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The Storm for choir
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David Warin Solomons
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SheetMusicPlus
Boomps A Daisy
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.577378 Composed by Annette Mills. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.577378 Composed by Annette Mills. Arranged by David Warin Solomons. Contemporary. Score and part. 9 pages. David Warin Solomons #4725437. Published by David Warin Solomons (A0.577378). The arrangement includes various decorative passages and piano also has the melody for some of the time.Words and music by Annette Mills
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Flûte traversière et Piano
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Annette Mills
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David Warin Solomons
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Boomps A Daisy
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David Warin Solomons
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SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
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David Warin Solomons
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David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
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