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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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VIBRAPHONE
VIOLON
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XYLOPHONE
Ben See
Non classifié
218
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82
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62
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58
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44
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29
Orgue
10
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
1
1 Piano, 4 mains
1
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
Ukulele
2
Banjo
2
Paroles et Accords
1
Dulcimer
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
85
Chorale 3 parties
27
Chorale TTBB
23
Chorale SSAA
21
Chorale
7
Chorale 2 parties
7
Chorale SSATB
6
Voix duo
3
Chorale Unison
2
Voix basse, Piano
2
Voix duo, Piano
2
Chorale SSATTB
2
Voix Soprano, Piano
2
Voix haute
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Chorale SSAATB
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
Voix seule
1
+ 16 instrumentations
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Vents
Flûte traversière
37
Clarinette et Piano
30
Saxophone Alto et Piano
26
Clarinette
21
Flûte traversière et Piano
17
Hautbois, Piano (duo)
17
Saxophone Alto
15
Hautbois (partie séparée)
14
Saxophone Soprano et Piano
9
Hautbois
9
Saxophone Tenor
9
Saxophone Tenor et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Baryton, Piano
7
Quatuor de Saxophones: 4 saxophones
6
Saxophone Baryton
6
Saxophone Soprano
6
Flûte à bec Alto
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
3
Hautbois, Basson (duo)
3
2 Flûtes traversières (duo)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone (partie séparée)
3
Flûte à bec Soprano
3
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Flûte à bec Tenor
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Flûte, Violon, Piano
2
Ensemble de Clarinettes
2
Hautbois, Clarinette (duo)
2
Clarinette Basse, Piano
2
Flûte à Bec
1
3 Clarinettes (trio)
1
2 Hautbois, Piano
1
Flute (partie séparée)
1
2 Clarinettes, Piano
1
Ensemble de saxophones
1
2 Flûte à bec (duo)
1
Ensemble de Flûtes
1
Piccolo, Piano
1
Cor Anglais
1
Cor anglais, Piano
1
Flûte et Guitare
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Hautbois, Violoncelle
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
+ 50 instrumentations
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Cuivres
Cor
17
Trombone
17
Trompette, Piano
17
Trombone et Piano
15
Trompette
15
Tuba
15
Tuba et Piano
13
Cor et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trio de Cuivres
4
Quatuor de Cuivres
3
2 Trombones (duo)
3
2 Cors (duo)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Cors, Piano
1
Cor Anglais
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violoncelle
26
Violon
25
Violon et Piano
22
Alto seul
20
Violoncelle, Piano
19
Alto, Piano
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
11
Violon, Violoncelle (duo)
10
Contrebasse, Piano (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Harpe
6
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
3
2 Violons (duo)
2
Violon, Alto (duo)
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Trio à cordes
2
2 Altos, Piano
2
2 Altos (duo)
2
Violon (partie séparée)
2
2 Harpes (duo)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre
16
Orchestre à Cordes
11
Ensemble Jazz
9
Orchestre de chambre
9
Jazz combo
8
Ensemble de cuivres
5
Cloches
4
Ensemble de Percussions
3
Batterie
2
Big band
2
Fanfare
1
Timbales
1
+ 8 instrumentations
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Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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PERCUSSION
PIANO
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TROMBONE
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1651
Sieben Abgesänge auf eine tote Linde
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Joerg Widmann
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Sieben Abgesänge auf eine
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and par...
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Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99 ≈
$69.91
Stand By Me (arr. Ben See)
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Chorale SATB
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Pop musique
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Ben E
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Ben See
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Stand By Me
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1322846 By Ben E. King. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Choir Community #778900. Pub...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1322846 By Ben E. King. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Choir Community #778900. Published by Choir Community (HX.1322846).
$1.99 ≈
$2.78
Myela (arr. Ben See)
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Chorale SATB
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Pop musique
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Nick Mulvey
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Ben See
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Myela
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1397152 By Nick Mulvey. Arranged by Ben See. This edition: scorch. Pop. 11 pages. Choir Community #351257. Pu...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1397152 By Nick Mulvey. Arranged by Ben See. This edition: scorch. Pop. 11 pages. Choir Community #351257. Published by Choir Community (HX.1397152).
$1.99 ≈
$2.78
Everlasting Light (arr. Ben See)
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Chorale SATB
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Blues
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Rock
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The Black Keys
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Ben See
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Everlasting Light
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SATB) - SKU: HX.507341 By The Black Keys. Arranged by Ben See. This edition: scorch. Blues,Pop,Rock. Octavo. 5 pages. Choir Communit...
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Choral Choir,Voice (SATB) - SKU: HX.507341 By The Black Keys. Arranged by Ben See. This edition: scorch. Blues,Pop,Rock. Octavo. 5 pages. Choir Community #215029. Published by Choir Community (HX.507341).
$1.99 ≈
$2.78
Everywhere (arr. Ben See)
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Chorale SSATB
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Rock
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Fleetwood Mac
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Ben See
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Everywhere
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSATB) - SKU: HX.506625 By Fleetwood Mac. Arranged by Ben See. This edition: scorch. Pop,Rock. Octavo. 10 pages. Choir Community #23...
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Choral Choir,Voice (SSATB) - SKU: HX.506625 By Fleetwood Mac. Arranged by Ben See. This edition: scorch. Pop,Rock. Octavo. 10 pages. Choir Community #233630. Published by Choir Community (HX.506625).
$1.99 ≈
$2.78
Rolling In The Deep (arr. Ben See)
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Chorale SSATTB
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Pop musique
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Adele
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Ben See
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Rolling In The Deep
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSATBB) - SKU: HX.1176418 By Adele. Arranged by Ben See. This edition: scorch. Pop. Octavo. 17 pages. Choir Community #215540. Publi...
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Choral Choir,Voice (SSATBB) - SKU: HX.1176418 By Adele. Arranged by Ben See. This edition: scorch. Pop. Octavo. 17 pages. Choir Community #215540. Published by Choir Community (HX.1176418).
$1.99 ≈
$2.78
Signed, Sealed, Delivered I'm Yours (arr. Ben See)
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Chorale SSAATB
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Pop musique
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Stevie Wonder
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Ben See
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Signed, Sealed, Delivered I'm
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSAATB) - SKU: HX.1176422 By Stevie Wonder. Arranged by Ben See. This edition: scorch. Pop. Octavo. 10 pages. Choir Community #73620...
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Choral Choir,Voice (SSAATB) - SKU: HX.1176422 By Stevie Wonder. Arranged by Ben See. This edition: scorch. Pop. Octavo. 10 pages. Choir Community #736200. Published by Choir Community (HX.1176422).
$1.99 ≈
$2.78
The Call (arr. Ben See)
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Chorale SATB
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Regina Spektor
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Ben See
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The Call
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SATB) - SKU: HX.506627 Composed by Regina Spektor. Arranged by Ben See. This edition: scorch. Children,Pop. Octavo. 6 pages. Choir C...
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Choral Choir,Voice (SATB) - SKU: HX.506627 Composed by Regina Spektor. Arranged by Ben See. This edition: scorch. Children,Pop. Octavo. 6 pages. Choir Community #136746. Published by Choir Community (HX.506627).
$1.99 ≈
$2.78
Bright Side Of The Road (arr. Ben See)
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Chorale 3 parties
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Pop musique
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Van Morrison
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Ben See
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Bright Side Of The Road
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SAB) - SKU: HX.1322841 Composed by Van Morrison. Arranged by Ben See. This edition: scorch. Pop. 4 pages. Choir Community #98...
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Choral Choir,Choral,Voice (SAB) - SKU: HX.1322841 Composed by Van Morrison. Arranged by Ben See. This edition: scorch. Pop. 4 pages. Choir Community #98207. Published by Choir Community (HX.1322841).
$1.99 ≈
$2.78
I Want To Hold Your Hand (arr. Ben See)
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Chorale SATB
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Rock
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The Beatles
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Ben See
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I Want To Hold Your Hand
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SATB) - SKU: HX.507328 By The Beatles. Arranged by Ben See. This edition: scorch. Pop,Rock,Standards. Octavo. 8 pages. Choir Communi...
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Choral Choir,Voice (SATB) - SKU: HX.507328 By The Beatles. Arranged by Ben See. This edition: scorch. Pop,Rock,Standards. Octavo. 8 pages. Choir Community #369930. Published by Choir Community (HX.507328).
$1.99 ≈
$2.78
One Day Like This (arr. Ben See)
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Chorale SSATB
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Pop musique
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Elbow
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Ben See
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One Day Like This
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSATB) - SKU: HX.1175587 By Elbow. Arranged by Ben See. This edition: scorch. Pop. Octavo. 8 pages. Choir Community #262703. Publish...
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Choral Choir,Voice (SSATB) - SKU: HX.1175587 By Elbow. Arranged by Ben See. This edition: scorch. Pop. Octavo. 8 pages. Choir Community #262703. Published by Choir Community (HX.1175587).
$1.99 ≈
$2.78
Sun Giant (arr. Ben See)
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Chorale 3 parties
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Pop musique
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Fleet Foxes
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Ben See
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Sun Giant
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SAB) - SKU: HX.507332 By Fleet Foxes. Arranged by Ben See. This edition: scorch. Pop. Octavo. 3 pages. Choir Community #205109. Publ...
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Choral Choir,Voice (SAB) - SKU: HX.507332 By Fleet Foxes. Arranged by Ben See. This edition: scorch. Pop. Octavo. 3 pages. Choir Community #205109. Published by Choir Community (HX.507332).
$1.99 ≈
$2.78
Home (arr. Ben See)
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Chorale SATB
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Pop musique
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Edward Sharpe and the Magnetic
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Ben See
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Home
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1322818 By Edward Sharpe and the Magnetic Zeros. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Cho...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1322818 By Edward Sharpe and the Magnetic Zeros. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Choir Community #221571. Published by Choir Community (HX.1322818).
$1.99 ≈
$2.78
When I'm Sixty-Four (arr. Ben See)
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Chorale SSATB
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Pop musique
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The Beatles
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Ben See
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When I'm Sixty-Four
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSATB) - SKU: HX.1176417 By The Beatles. Arranged by Ben See. This edition: scorch. Pop. Octavo. 8 pages. Choir Community #922260. P...
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Choral Choir,Voice (SSATB) - SKU: HX.1176417 By The Beatles. Arranged by Ben See. This edition: scorch. Pop. Octavo. 8 pages. Choir Community #922260. Published by Choir Community (HX.1176417).
$1.99 ≈
$2.78
California Dreamin' (arr. Ben See)
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Chorale SSATB
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Pop musique
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The Mamas And The Papas
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Ben See
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California Dreamin'
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Choir Community
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SheetMusicPlus
Choral Choir,Voice (SSATB) - SKU: HX.1175586 By The Mamas And The Papas. Arranged by Ben See. This edition: scorch. Pop. Octavo. 5 pages. Choir Communit...
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Choral Choir,Voice (SSATB) - SKU: HX.1175586 By The Mamas And The Papas. Arranged by Ben See. This edition: scorch. Pop. Octavo. 5 pages. Choir Community #111340. Published by Choir Community (HX.1175586).
$1.99 ≈
$2.78
Mr. Blue Sky (arr. Ben See)
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Chorale SATB
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Pop musique
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Jeff Lynne
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Ben See
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Mr. Blue Sky
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1323263 By Jeff Lynne. Arranged by Ben See. This edition: scorch. Pop. 11 pages. Choir Community #37245. Publ...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1323263 By Jeff Lynne. Arranged by Ben See. This edition: scorch. Pop. 11 pages. Choir Community #37245. Published by Choir Community (HX.1323263).
$1.99 ≈
$2.78
Easy (arr. Ben See)
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Chorale SATB
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Pop musique
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Mesadorm
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Ben See
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Easy
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1323249 By Mesadorm. Arranged by Ben See. This edition: scorch. Pop. 8 pages. Choir Community #349799. Publis...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1323249 By Mesadorm. Arranged by Ben See. This edition: scorch. Pop. 8 pages. Choir Community #349799. Published by Choir Community (HX.1323249).
$1.99 ≈
$2.78
She (arr. Ben See)
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Chorale SATB
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Pop musique
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Laura Mvula
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Ben See
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She
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Choir Community
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1322842 By Laura Mvula. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Choir Community #263193. Pub...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1322842 By Laura Mvula. Arranged by Ben See. This edition: scorch. Pop. 7 pages. Choir Community #263193. Published by Choir Community (HX.1322842).
$1.99 ≈
$2.78
White Winter Hymnal (arr. Ben See)
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Chorale SATB
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Noël
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Fleet Foxes
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Ben See
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White Winter Hymnal
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Choir Community
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SheetMusicPlus
By Fleet Foxes. Arranged by Ben See. This edition: scorch. Christmas, Pop. Octavo. 3 pages. Published by Choir Community...
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By Fleet Foxes. Arranged by Ben See. This edition: scorch. Christmas, Pop. Octavo. 3 pages. Published by Choir Community
$1.99 ≈
$2.78
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
$4.18
What Wondrous Love Is This (see Bonustrax 00102360) (13-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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American Folk Hymn
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Benjamin Harlan
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What Wondrous Love Is This
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.251320 Composed by American Folk Hymn. Arranged by Benjamin Harlan. Concert,Hymn,Sacred. Choral Instrumental Pak. 1 pages. Duration 110. Hal Leo...
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SKU: HX.251320 Composed by American Folk Hymn. Arranged by Benjamin Harlan. Concert,Hymn,Sacred. Choral Instrumental Pak. 1 pages. Duration 110. Hal Leonard - Digital #16105. Published by Hal Leonard - Digital (HX.251320).
Digital Pack includes
:
What Wondrous Love Is This (see Bonustrax 00102360) - Full Score
What Wondrous Love Is This (see Bonustrax 00102360) - Flute
What Wondrous Love Is This (see Bonustrax 00102360) - Oboe
What Wondrous Love Is This (see Bonustrax 00102360) - English Horn
What Wondrous Love Is This (see Bonustrax 00102360) - Bassoon
What Wondrous Love Is This (see Bonustrax 00102360) - Chimes
What Wondrous Love Is This (see Bonustrax 00102360) - Timpani
What Wondrous Love Is This (see Bonustrax 00102360) - Harp
What Wondrous Love Is This (see Bonustrax 00102360) - Violin 1
What Wondrous Love Is This (see Bonustrax 00102360) - Violin 2
What Wondrous Love Is This (see Bonustrax 00102360) - Viola
What Wondrous Love Is This (see Bonustrax 00102360) - Cello
What Wondrous Love Is This (see Bonustrax 00102360) - Double Bass
$40.00 ≈
$55.94
Abend am See - Serenade
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Contemporain
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Werner DÃœNNEBEIL
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Nicholson's Music
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Abend am See - Serenade
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Benjamin Nicholson
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SheetMusicPlus
Accordion,Cello,Double Bass,Guitar,Mandolin - Level 3 - SKU: A0.1312899 Composed by Werner DÃœNNEBEIL. Arranged by Nicholson's Music. 20th Century,Cla...
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Accordion,Cello,Double Bass,Guitar,Mandolin - Level 3 - SKU: A0.1312899 Composed by Werner DÜNNEBEIL. Arranged by Nicholson's Music. 20th Century,Classical. 12 pages. Benjamin Nicholson #901711. Published by Benjamin Nicholson (A0.1312899). Abend am See, a beautiful Serenade for Mandolin Orchestra (or Zupforkester) from German plucked-instrument composer Werner Dünnbeil.INSTRUMENTATION: Mandolin 1, Mandolin 2, Mandola, Mandocello, Accordion, Guitar, Violoncello, Double Bass (and/or Mandobass).This arrangment includes a Mandocello part and a Cello part. Some changes in articulation and dynamics to suit.A standard 'Mandolin Orchestra' has a Mandocello and rarely a Mandobass! Normally doesn't include a Violoncello but a Zupforkester does. In my arrangments for 'Mandolin Orchestra', I include Cello and Mandocello in most and Double Bass part's can double with a Mandobass (but they are rare). Piano, vocals and percussion/drum kit are sometimes added. I am a cellist in a 'Mandolin Orchestra'.PLEASE NOTE WITH INCLUDED AUDIO: Generated from 'Finale' software. The 'Mandolin' tracks DO NOT abide by dynamics such as the other instruments, which is a fault from the software. Also with plucked instruments, tremolos are much more subtle and controlled when played live.
$24.99 ≈
$34.95
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