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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Brock Lupton
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Crtitères actifs :
Brock Lupton
Partitions à imprimer
11 partitions trouvées
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1
Busy Body
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Music - Bob Merrill
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Brock Lupton
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Busy Body
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Brock Lupton
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SheetMusicPlus
Choral Choir (4-Part) - SKU: A0.1226528 Composed by Music - Bob Merrill. Lyrics - Brock Lupton. Arranged by Brock Lupton. Jazz,Pop. Octavo. 5 pages. Bro...
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Choral Choir (4-Part) - SKU: A0.1226528 Composed by Music - Bob Merrill. Lyrics - Brock Lupton. Arranged by Brock Lupton. Jazz,Pop. Octavo. 5 pages. Brock Lupton #822533. Published by Brock Lupton (A0.1226528). Originating as the 1950 hit song If I knew you were coming I'd have baked a cake, this tune features a fresh arrangement by Brock Lupton with new lyrics by the arranger. The result is a few minutes of light entertainment. There are however a few challenges beneath the surface. Singers will need a relaxed but careful approach to the scat-type vocalizations and the occasional rhythmic and harmonic tricks. The pianist will bring a light touch and rhythmic accuracy: a creative and easy-going percussionist is a great asset.Mainly, performers and audience alike, enjoy yourselves.
$2.00 ≈
$2.79
Busy Body
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Music - Bob Merrill
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Brock Lupton
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Busy Body
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Brock Lupton
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.1226525 Composed by Music - Bob Merrill. Lyrics - Brock Lupton. Arranged by Brock Lupton. Jazz,Pop. Octavo. 5 ...
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Choral Choir (4-Part) - Level 3 - SKU: A0.1226525 Composed by Music - Bob Merrill. Lyrics - Brock Lupton. Arranged by Brock Lupton. Jazz,Pop. Octavo. 5 pages. Brock Lupton #822529. Published by Brock Lupton (A0.1226525). I have rewritten and arranged Bob Merrill's 1950 pop hit If I knew you were coming I'd have baked a cake and written totally new lyrics. The result aims to be a few minutes of light-hearted jazzy entertainment. The relaxed sounds, though, hide a few challenges. Singers will need to negotiate the occasional tricky chord progression, as well as having the facility for scat-type vocalization. A gentle touch on the piano and percussion will add the finishing touches. Have fun! Â
$2.00 ≈
$2.79
Beyond the Tops of Time
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stanley Davis Jones
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Brock Lupton
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Beyond the Tops of Time
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Brock Lupton
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1227126 Composed by Stanley Davis Jones. Arranged by Brock Lupton. Christian,Country,Religious. Octavo. 8...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1227126 Composed by Stanley Davis Jones. Arranged by Brock Lupton. Christian,Country,Religious. Octavo. 8 pages. Brock Lupton #823136. Published by Brock Lupton (A0.1227126). The attached is the 4-part choir setting (with divisi) of this arrangement. The piano score is available separately (2 copies will be required for performance). The optional trumpet and violin parts are also available (1 set required for performance if desired).You will need to buy sufficient copies of the attached choral setting (voices only) for each singer in your group.
$3.00 ≈
$4.19
Beyond the Tops of Time
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Stanley Davis Jones
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Brock Lupton
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Beyond the Tops of Time
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Brock Lupton
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1227125 Composed by Stanley Davis Jones. Arranged by Brock Lup...
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1227125 Composed by Stanley Davis Jones. Arranged by Brock Lupton. Christian,Religious. 1 pages. Brock Lupton #823135. Published by Brock Lupton (A0.1227125). The attached trumpet and violin parts are for optional use with the four-part choir arrangement with piano accompaniment. That arrangement may be purchased separately.
$3.00 ≈
$4.19
Concert Piece for 4 instruments (Robert Schumann) - - saxophone quartet
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3 Saxophones (trio)
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AVANCÉ
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Classique
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Brock Lupton
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Concert Piece for 4 instrument
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Brock Lupton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.942414 Arranged by Brock Lupton. Romantic Period. ...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.942414 Arranged by Brock Lupton. Romantic Period. 30 pages. Brock Lupton #4616373. Published by Brock Lupton (A0.942414).
$10.00 ≈
$13.97
Flower Duet from the opera "Lakme"
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Leo Delibes
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Brock Lupton (1948-)
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Flower Duet from the opera &qu
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Brock Lupton
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942430 Composed by Leo Delibes (1836-1891). Arranged by Brock Lupton (1948-). Romant...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942430 Composed by Leo Delibes (1836-1891). Arranged by Brock Lupton (1948-). Romantic Period. Score and parts. 32 pages. Brock Lupton #6857569. Published by Brock Lupton (A0.942430). This familiar duet is sung, in the opera, by Lakme and her servant Mallika. The following link leads to a performance of the original duet.
$4.50 ≈
$6.28
Le petit negre
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Classique
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Claude Debussy
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Brock Lupton (1948-)
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Le petit negre
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Brock Lupton
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.942428 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century,...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.942428 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century,Jazz,Ragtime. Score and parts. 17 pages. Brock Lupton #6858223. Published by Brock Lupton (A0.942428). A delightfully jazzy short work with ragtime influences (it was composed in 1909) and a very problematic title. The linked piano performance seems to me to capture the light-hearted effect, though it is considerably faster than other performances. The brass ensemble link is included simply to illustrate the notion of arranging this work. According to Wikipedia, a woodwind arrangement has been made and used to accompany a commercial for a well-known brand of dog food (!).
$4.50 ≈
$6.28
[Golliwog's] Cakewalk
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Classique
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Claude Debussy
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Brock Lupton (1948-)
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[Golliwog's] Cakewalk
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Brock Lupton
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 p...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 pages. Brock Lupton #6858209. Published by Brock Lupton (A0.942429). Claude Debussy was, by all accounts, totally devoted to his daughter Claude-Emma (affectionately known as Chouchou) The suite Children's Corner (for solo piano) is dedicated to Chouchou. She outlived her father by scarcely a year, succumbing to the diphtheria epidemic of 1919. (with information from Wikipedia). The naming of one or two among Debussy's piano works can raise issues in the light of current trends. These were not an issue during the composer's life, but are unlikely to be ignored today. The word Golliwog may have unwanted implications, but its omission may cause confusion with another of the composer's short piano works known simply as Cakewalk. The cakewalk was a dance developed from the prize walks (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black slave plantations before and after emancipation in the Southern United States.... It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country. [Wikipedia] The grotesque aspect of some later cakewalk dance steps may well be heard in the accompaniment to this work: the oboist's endeavors to produce a soft low B-natural (!) will help create this effect.Technically this piece is intermediate, but the range of the bassoon (especially), oboe, and (to a lesser extent) horn parts are an additional challenge for those players.
$5.00 ≈
$6.98
That they may rest in peace (voice with piano acc.)
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Chorale SATB
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INTERMÉDIAIRE
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Hubert Parry
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Brock Lupton (1948-)
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That they may rest in peace
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Brock Lupton
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.
$5.00 ≈
$6.98
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
$27.93
Concert Piece for 4 instruments and orchestra (Robert Schumann)
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Orchestre
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Contemporain
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Robert Schumann
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Brock Lupton
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Concert Piece for 4 instrument
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Brock Lupton
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SheetMusicPlus
Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupto...
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Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupton #4616367. Published by Brock Lupton (A0.942412). This is one of the lesser-known works of composer Robert Schumann. It was composed in 1849 and introduced in Leipzig on February 25, 1850. There are several possible reasons for the comparative unfamiliarity of this work which, despite its modest title, is a full-fledged 3-movement concerto for four very accomplished French horn players with orchestra. In its original configuration, the work exploits the newly-invented valved French horn. (The horn and trumpet were natural instruments – like today’s bugles, with no valves – until about 1835.) The concerto establishes a festive character at the outset, and becomes almost feverish as the excitement expands. The slow movement (Romanze) typifies another side of the composer, expansive and tender. It leads directly into the third (final) movement which brings together the various elements in an outburst of sheer joy.The title to which this note is attached is my re-orchestration of the accompaniment (score and all orchestral parts). Three different ensemble versions are also available from SMP. Any of these is compatible with the orchestral score and parts.
$15.00 ≈
$20.95
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Brock Lupton